Neuro/Splice feels like someone grabbed a cyberpunk thriller, a fucked‑up body swap fetish, and a humiliation dungeon, blendered it together, and then forgot to clean the mess off the walls. In a good way. You’ve got this cop Ryke, corporate dog for NexaCorp, who ends up jammed into Cassie’s body, tossed straight into a mixed‑gender max security prison that looks like a cross between a riot and a sex club that never closes. He’s a guy in his head, stuck in this soft, dangerous female body, surrounded by assholes who think she’s just fresh meat. Guards grope when they feel like it, inmates test boundaries with “accidental” touches that are not even slightly accidental, and every little mistake you make, the game slaps you back with some brutal teasing or public humiliation. There’s this early scene where you misjudge who to talk to in the yard and instead of a simple “game over”, you end up pressed against a fence, hand forced between Cassie’s legs in front of half the block while some guard laughs and pretends it’s a “routine check”. That whole vibe of “you wanted to be the hero, now suck it up” never really stops. It keeps poking at the fantasy of control, then yanking it away. If you’re expecting soft cuddly romance, you loaded the wrong tab in your browser.

The wild part is that while Ryke is getting his ass metaphorically and literally beaten in Cassie’s skin, Cassie wakes up in his male body on the other side of the fence with all the power he used to enjoy. Suddenly the hunted rebel girl is the scary dude in uniform, walking down halls where people flinch when she passes. She can abuse that. Hard. Use her new status to harass coworkers, push underlings around, “search” suspects with hands that stay way too long in the wrong places. There’s this interrogation room scene where you can lean into full male domination, pushing a nervous female tech against the table, fingers slipping exactly where HR would have a heart attack, all under the excuse of “investigation procedure”. Or you can pretend to be decent while constantly edging the line, which is almost worse. The game loves turning basic choices into fetish traps. Say the polite thing, you still get dragged into some forced stripping in the showers later. Try to act tough, you get chained up, spanked, and mocked like a bratty girl who forgot her place. It toys with netorare stuff in a really sneaky way too. People talk about “Cassie” like she’s a thing that can be used, and you know it’s Ryke in there screaming, but the body reacts, the nipples harden, the thighs tremble, and the game does not let you pretend that isn’t hot. Meanwhile, outside the prison, Cassie in Ryke’s body gets chances to steal other people’s lovers, ruin relationships, and then walk away like it was nothing. It hits that nasty “I stole your girl and she liked it better” kink and then just moves on like it never happened. Honestly, I wish they toned nothing down. The more it kicks at comfort zones, the more it actually feels alive.

Clara’s “Love Hotel” feels like the place your horny brain built when you were fifteen and your wallet was already imagining sugar daddies. It’s not some classy high-society escort fantasy. It’s cheap perfume, sticky elevator buttons, and girls who still check their phone between clients. You follow a teen girl getting sucked into Clara’s world, going from “I’m just looking for some extra cash” to happily spreading her legs for whatever rich pervert books the suite. The whole thing plays like a kinetic visual novel where you’re mostly there to watch her brain rewire itself around money, cock, and control, with Clara pulling strings and smiling like a sexy devil in a tight dress. The story doesn’t rush. First it’s teasing and striptease in those themed rooms, girls grinding slowly while the client watches like a creep through tinted glass, then the jobs start getting nastier: anal for an extra wad of bills, creampies that drip out while Clara counts the cash, toys shoved in to keep the girl “ready” for the next guy. You barely make a choice, you just sit there like a voyeur, and somehow that fits the whole hotel vibe perfectly.

One moment that stuck in my head had the main girl lying on silk sheets while an older woman, a full-on milf type with that rich cougar aura, just toys with her for a client hidden behind the curtain. She whispers to the teen how she’s nothing but a fucktoy now, fingers deep, thumb circling her clit, and the hotel’s camera quietly recording every twitch for “private archives.” The girl pretends to be shy at first, but the game doesn’t keep that illusion long. By the time Clara pairs her with a calm, serious dilf businessman, she’s already the one pushing his cock inside, asking if he wants to finish in her ass or her pussy because “Clara gives bonuses for messy endings.” There’s a fun little moment where two lesbians working the same floor sneak into an empty room between clients, toys buzzing, tongue on tongue, and you realize they’re half doing it for pleasure and half to warm up before the next paying guest. The corruption doesn’t feel cartoonish, more like a slow slide where you watch the girl go from flinching at her first blowjob to riding a stranger like it’s just a normal shift. Some scenes lean more romantic, weirdly enough, especially when a regular client starts bringing gifts and treating her like his personal escort, and the game kind of pretends there’s “love” in a place that operates like a brothel. It’s messy, horny, sometimes sweet, sometimes nasty, and it never apologizes for treating every girl in that hotel as both employee and property, legs open on demand while Clara counts the profits with that lazy, satisfied smile.

Princess Sarah looks like the kind of girl who should be hanging in some palace gallery, not crawling through mud while a drunk mercenary decides if she’s going to pay for safe passage with coins or with her mouth. That contrast is basically the whole flavor here: fine perfume and rotten back alley mixed in one glass. The game really leans into her being this soft, educated royal girl who keeps getting dragged into situations she is absolutely not prepared for, and the hotter scenes are exactly when your “proper” choice brain fights with your nasty one. On Steam or itch I usually skip long text scenes, but here I caught myself reading everything on the phone in bed, auto forward off, just tapping slowly like some degenerate book club. The writing is simple but weirdly sharp at times, then suddenly clumsy in the next line, which kind of fits her whole fall-from-grace vibe.

The art is the main reason I even clicked it. Sarah’s body is not that plastic “porn gacha” style you see in a lot of browser stuff. She has this soft, almost painterly look, like someone spent real time deciding what her nipples look like in different lighting. Some CGs are insanely on point: her in a torn gown, cheeks wet, eyes half gone, that little royal necklace still on her throat like a joke. Then the next scene you get a weird hand that looks like it belongs to another species. It annoyed me for five seconds, then I was back zooming the screenshot on my tablet in Google Photos to check a tiny detail on her expression. The faces carry a lot of weight here. When she gives in, you can see the shift from panic to that dangerous “maybe I like this” flicker, and those are the moments where the lewd hits hardest. Also the sound is better than it has any right to be. No voice acting, but the moans and wet noises are just crunchy enough in my cheap HyperX Cloud II to make me lower the volume in Discord because I swear someone could tell what I’m doing through background echo. The subtle music loop when she’s trying to act noble at a feast and you know everything is about to fall apart is great, then later you hear a lonely variation of it when she is basically property in a tent. Stuff like that made me keep my headphones on even when I could have muted.

Gameplay wise it is just a wall of choices stacked like bad Tinder decisions, but the game is not shy about punishing you. You pick the “brave” option, suddenly you are half naked in a filthy barn, seed dripping down your thighs because you tried to stand up to the wrong guy. Pick the “coward” option, cool, now you belong to someone you hate and the scenes drag out that helpless roleplay. For example, I tried to keep her as untouched as possible on my first run, always taking the safest path, and I ended up in this weird survival route where she is constantly trading dignity piece by piece instead of one big collapse. On the second run I went full corrupt princess in about five clicks and somehow felt worse, because the game remembers what she was before. Little callbacks in the text stab you with “you used to be” while she is kneeling with a collar on. Consequences actually matter here, not in some number meter on the side, but in how the scenes are framed. Sometimes the same sex act plays completely different depending on how broken or proud she still is. One thing that annoyed the hell out of me: the skip and auto features sometimes jump you right past a line you wanted to savor, especially during longer gangbang setups, and of course there is no rewind, so you are stuck reloading an old save like a pervert perfectionist. Anyway, if you want to squeeze every dirty drop out of it, I’d say play “serious” the first time on PC with a decent screen, read slowly, don’t spam the quicksave like a coward, then go back in a second run on your phone or Steam Deck and deliberately ruin her, just to see how far the writers allow this princess to fall before the world finally eats her.

Jean’s had enough of Klee’s chaos, but this time the little pyro menace isn’t just lighting up barrels - she’s lighting up the whole damn city with scandal. The story kicks off like a prank gone wrong, or right, depending on how you feel about blackmail and dripping wet revenge. You sneak around Mondstadt, catching the prim and proper girls in their “off-duty” moments - Lisa’s moaning over her own experiments, Barbara pretending she’s still pure while her fingers say otherwise, Ayaka blushing so hard it’s like her whole body’s about to melt. The game doesn’t pretend to be classy; it’s messy, horny, and sometimes weirdly funny, like when Fischl starts narrating her own blowjob in third person. I swear I laughed and came at the same time, which is a rare combo.

What makes it work is how the corruption sneaks up on you. It starts playful - Klee teasing Jean with harmless tricks - but then things twist. Voyeurism turns into participation, participation into obsession. There’s this one scene with Yae Miko where she basically toys with the protagonist’s sanity, whispering filth like she’s casting a spell. And then Noelle shows up, trying to act all knightly while she’s literally polishing more than just armor. The transitions between scenes are quick, sometimes too quick, like the devs got distracted mid-edit, but somehow that janky pacing adds charm. It feels raw, like watching someone’s fever dream of Genshin girls losing their morals one by one.

The animations? Rough in spots, but when they hit, they *hit*. Hu Tao’s grin when she’s riding you - it’s unholy. Rosaria’s confession scene made me pause the game just to breathe. Even the quiet moments, like Sucrose trying to explain the “chemical reaction” of arousal while clearly soaked herself, have this strange sincerity. It’s not a polished fantasy; it’s a filthy sandbox where shame doesn’t exist. You don’t play it for art - you play it because you want to see what happens when innocence burns out completely.