Guy wakes up in the far future with half his life blown up, quite literally, and still somehow the biggest problem is his dick and his missing partner. Whole galaxy is floating around, planets abandoned, Earth is just some rumor people use in shitty bar stories, but you’re stuck in this shitty apartment ruin with smoke in your lungs and a very clear thought in your head: someone tried to kill you, and probably wanted to fuck up your weekend too. The first ten minutes feel like some drunk cop show in space: alarms, people yelling, some asshole pointing a gun at your face, and then bam, cut to you trying to calm down in a corridor that looks like a mix between a hospital and a sex club. The game hits hard with the mystery vibe at the start, then just goes, “ok, now let’s put your cock in this mess too.” And it works weirdly well. You follow this guy around space stations, shady districts, half-legal clubs where everyone looks like they’ve fucked or stabbed someone recently, sometimes both. One moment you’re doing actual investigation, checking who ordered your assassination, next moment you get a fully voiced scene where some alien-looking chick is groping you while you’re pretending to care about information.

Sex scenes come in like rewards and distractions. A girl you barely trust is on her knees, lips glossed with spit, and you can hear every squelch because the voice stuff is surprisingly on point. There is this one foot scene that way too long, in a good way. She presses her heel against your shaft, toes curling around the tip, slow at first while she teases you and talks shit, and the animation just keeps going. You think it will cut away, but it doesn’t, it goes from lazy teasing to full, sloppy jerking with her soles and you feel like a degenerate for watching the whole thing. And then later you get a handjob that is way shorter and you’re like, why the hell did the dev spend so much time on the toes and not on the grip. Actually I liked that handjob best, so I don’t even know what I’m complaining about. There are also some rougher bits, like when a scene goes from kissing to choking and the camera doesn’t flinch at all, you really see spit, tears, even little red marks where fingers press. Not extreme torture stuff, but definitely not “soft, slow love” bullshit. And suddenly, while your dick is still half hard, the game throws you back into plot: bodies in corridors, blood splattered on white metal, people whispering about what really happened to Earth like it’s some porn version of a conspiracy channel. You chase leads, flirt with suspects, sometimes end up with two girls at once who somehow both think it’s a great idea to share your lap and take turns riding you like it’s a stupid contest, all while they casually joke about murder and stolen data. The funny part is I kind of forgot the original goal in the middle. Was it finding your partner? Solving some giant cosmic secret? Or just trying not to cum too fast while some smug space criminal sits on your face and laughs in your ear. Honestly, the humor hits more than it misses, characters talk like horny assholes instead of poets, and even when the pacing is kinda all over the place, it still feels like this messy, horny adventure where you’re always one scene away from getting shot or getting your dick sucked. I still hate that one sound effect in a certain oral scene that repeats like a fucking metronome, but it’s not going to change and I’m strangely fine with that.

The first time I logged into this thing, I didn’t even care about the classes or whatever plot it pretends to have - the way the avatars breathe, the tiny tremor in their lips before a kiss, that’s what got me. It’s like the devs poured all their soul into making skin look touchable. There’s this one girl in a half-armored cosplay outfit, silver hair glowing like some digital eclipse, and when she leans close, her breath fogs your screen. Maybe I imagined that, but hell, it felt real. The sci-fi cities behind her hum like they’re alive, something between a nightclub and a dream you shouldn’t be having. The game doesn’t shout about its mechanics, but when you figure out how to sync movement and body sensors, it’s almost too much - like your nerves are being rewritten to crave every vibration.

Sometimes the story pretends to be about mystery - a missing player, a corrupted zone - but nobody’s really fooling anyone. The real puzzle is how long you can last before giving in to pure heat. The VR immersion slips between sweet and filthy faster than your mind can keep up; one moment you’re chatting with a student NPC about history, next she’s on her knees, glasses sliding down, eyes wide like she’s learning anatomy for the first time. There’s group stuff too, awkward at first until it’s not. Someone mentioned modders replaced the background drones with moaning echoes; I laughed until it happened in my session and I swear it made everything feel more chaotic and alive. The music, though? Too clean. Needs something grittier, maybe a heartbeat instead of these sterile synths.

I still can’t get over the fact that clothing physics act like they’ve got personalities - skirts that refuse to stay where they should, latex that remembers your touch. You can taste the future here, but it’s messy and dripping and maybe a bit too honest. Every time I log out, reality feels thinner, like a veil that won’t settle right.

You wake up wrong. That is the first thing that hit me. Not heroic, not cool cyberpunk badass, just this sick, half-loaded feeling like your soul got dragged through a glitchy Pornhub ad. You’re in your backup sleeve, lying in some cheap future med-bay, the kind that smells like burnt plastic and sex lube, and your own body doesn’t quite fit. Your fingers are a bit too long, your chest feels heavy in a way it shouldn’t, heart rate monitor chirping like a horny bird, and your vision keeps tearing like a bad stream on xVideos. Crew’s a mess, ship’s a mess, and your upload is corrupted enough that if you calm down, you die. Which is a fucked up way of saying: you literally need to be kept turned on just to keep your brain from shutting off.

The “keep his heart rate up” thing sounds like a cheesy porn excuse, and yeah, it is, but here it actually wraps around into the story surprisingly tight. You’re surrounded by these thick-thighed, short-haired, neon-dyed space girls that look like someone smashed together a strip club and a hacker bar, then sprinkled futa on top for good measure. They are not gentle nurses. You’re not in some healing crystal spa. You are meat they are determined to keep pumping, with hands that wander the second the monitor dips below a number they like. One moment the medic is calmly explaining your neural corruption, next moment her gloved hand slides under your hospital sheet and she squeezes like she’s testing a weapon part. The captain leans over you, short hair brushing your face, tits spilling out of a half-open suit, and she’s pissed you almost died but she’s also grinding on your thigh with this lazy, practiced dominance that says she has done this before with other poor fucks on other poor ships.

I liked how the game doesn’t even pretend to be subtle about the body stuff. Your sleeve is customizable, but not in that boring “pick eye color, done” way. It’s big asses that bounce when you get grabbed, heavy tits that strain cheap fabric, cocks and clits and both, because why not if you’re paying for a synthetic body anyway. Cyberpunk setting, sure, there are glowing cityscapes outside the porthole and some talk about data smuggling and black clinic surgeons, but honestly the real sci-fi here is “how far can we push this body before the heart flatlines.” There is this one scene that stuck with me: you’re strapped into this sloopy auto-doc chair, and a futa crew engineer, all colorful undercut and grease on her cheeks, is pretending to “check your reflexes” while she slowly strokes you with one hand and plays with the med panel with the other, watching the HR line spike when she squeezes your balls just a bit too hard. And the worst part? She keeps half-talking about thruster repairs, like she’s multitasking you like any other ship component.

Not everything lands. Some of the dialogue comes out a bit stiff in the wrong way, like someone tried to write badass one-liners while also jerking off and lost the balance. There is a moment where a character calls a neural buffer a “quantum RAM thingy” and I still don’t know if that’s on purpose or just lazy, but I kind of love it because it feels like late-night shitposting turned into a game script. The pacing jumps all over: one second you’re gasping, being ridden hard by a thick-hipped futanari officer who pins your wrists to keep your pulse up, the next second someone brings up fuel dates and cargo lists like we didn’t just watch you cum all over the med bed. Also, tiny complaint that bugged me way more than it should: the damn heart rate sound is slightly too high-pitched, like my Fitbit having an orgasm, and it made me reach for my phone twice, thinking I got a notification. Still, when the girls crowd around you, colored hair brushing your skin, their hands greedy, their voices low and bossy, using your overheating body as both patient and toy, that shrill little beep just disappears into the background like any other cheap future noise. Sex as life support. Literally. It’s messed up, and it works.

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