It’s weird, the way *A Fortnight at Frenni Fazclaire’s 2* plays with tone - like, one moment it’s soft lighting and syrupy teasing from an animatronic wolf with silicone lips that catch the club’s pink glow just right, and the next second you’re hearing metal sc*** in the next room like something mechanical trying to breathe. I couldn’t decide if I was turned on or spooked half the time, which maybe is the point. The writing leans into that uncanny space where synthetic skin meets real loneliness, though sometimes it feels too self-aware about being a parody. It’s as if it winks so much it forgets to blink. Still, when Mia Mangle leans across the security desk and says things she shouldn’t know - stuff only the player would think - it hits that strange nerve of digital intimacy that good adult games sometimes stumble into by accident.

The furries here aren’t played for cheap fetish fuel (okay, not *just* that). There’s tension in every movement, more like stage performers improvising after hours than machines following code. I kept thinking about Nabokov because yeah, it’s sexy, but it’s also about control and play and being observed while pretending not to care. And then there’s the mobile version, where tapping through dialogue feels like petting something alive that pretends to glitch. Sometimes choices freeze for no reason - probably a bug - but it almost fits the mood: desire interrupted by static. The horror bits creep slow; shadows twitch behind velvet curtains even during explicit scenes, and the sound design hums under your skin like anxiety that smells faintly of perfume.

Honestly, the worst part is the damn loading screen image - I hate that smug smile they gave Aurora. Every time she flickers in before the menu loads, I kinda want her to malfunction just to break the eye contact. But when she starts singing that low note (yeah, she sings), everything stutters into this mix of comedy and obscene tenderness. Maybe I imagined that part. Or maybe the game wanted me to. Hard to tell where the line’s supposed to be anymore.

There’s this messed up thing that happens when a horror game is actually horny. Your brain keeps trying to decide if it should be scared or turned on, and this thing leans hard into that confusion. You’re stuck in this old college building that feels like that one abandoned wing every campus has, the one people swear is locked “for renovation” since forever. Lights flicker, the hallways go on way too long, doors loop you back around, all that classic paranormal bullshit. Except here, in the middle of all the creepy silence and bloody scribbles on the walls, you’re also constantly running into this ghost woman who looks like she crawled out of a nightmare and a porn shoot at the same time. Long hair, eyes that look like she wants to eat your soul, tits that absolutely do not follow physics, and an ass that makes you forget there’s literal gore on the floor. Half the game you’re thinking “I should run,” and the other half you’re lowkey hoping she catches you again.

The weirdest part is how the “saving yourself” thing sorta becomes optional in your head. You wander the campus trying doors, checking classrooms, hiding, finding notes that make the story darker every time, with little splashes of graphic violence that are just blunt, not artistic. No fancy cutaways, just “oh shit, yeah, that guy is very dead.” Then, in the next scene, you’re pushed into some supernatural sex encounter that feels way too intimate for how monstrous she is. One moment she’s pinning the male protagonist to a desk, grinding on him with those big soft tits bouncing in your face while she rides him like she wants to break his hips, the next moment the lights cut and you hear something wet and not at all sexy somewhere down the corridor. The game keeps letting you think with your dick and punishing you for it, but also rewarding you, which makes zero sense and somehow works. There are scenes where she phases through the wall in front of you, body half transparent, nipples fully not, walks in that slow, predatory way, and you can literally feel your brain going “this is a bad idea” while your hand is already on the mouse or, well, not on the mouse anymore. You get those paranormal moments where she twists her neck at a wrong angle, or her mouth stretches too wide, and then right after she’s riding you slow, whispering shit in your ear you don’t understand, squeezing you inside her like she’s trying to keep you there forever. By the time you realize the campus itself feels alive and fucked up, and maybe you actually do have some weird powers going on, you’ve already decided that if you’re trapped in an endless loop, there are worse ways to spend it than being hunted, scared, and nailed senseless by one obsessive monster girl ghost with a perfect ass and a death problem.

This Resident Evil parody throws you straight into Lady Dimitrescu's castle, and honestly? The devs knew exactly what they were doing. You're playing some poor bastard who's gotta survive Alcina's "trial" - which basically means getting dominated by a nine-foot vampire mommy and her equally stacked daughters. The turn-based combat system feels clunky at first, like they copy-pasted it from some RPG maker tutorial, but once you realize the real gameplay is about managing your stamina while getting your face buried in supernatural cleavage, it starts making sense. There's this one scene where Dimitrescu pins you against the wall and the camera angle is just... chef's kiss. The 3DCG models look decent enough, though Lady D's proportions are so exaggerated she looks like she'd topple over in real life.

Combat encounters blend into these weird BDSM scenarios where losing actually feels like winning. You'll find yourself deliberately failing just to see what creative punishment awaits. The spanking animations have more effort put into them than the actual sword fighting mechanics, which tells you where the priorities were. Sandbox elements let you explore the castle freely, groping your way through dark corridors while avoiding or seeking out the various monster girls lurking around. Some of the dialogue during sex scenes made me laugh out loud - not sure if that was intentional. The ahegao faces during climax moments are over-the-top ridiculous but somehow work within this campy horror-porn aesthetic.

What really caught me off guard was how they handled the size difference fetish stuff. Tall vs short dynamics play out in every interaction, from handjobs where your character can barely reach to titfuck scenes that look physically impossible. The harem aspect kicks in later when you're juggling multiple supernatural ladies, each with their own domination preferences. Voice acting ranges from surprisingly good to hilariously bad, but the moaning sounds authentic enough. Fair warning though - the grinding gets repetitive and some animations loop awkwardly.

Xweb looks like something a horny creep coded after binging too much Black Mirror and porn parody anime, and honestly that’s the charm. You’re this “Secret User” in a sketchy underground app where strangers send you messed up requests, and you answer them by typing out custom commands, like you’re tech support for perverts and psychos. One guy wants his cheating wife exposed, another wants to stalk an idol with ridiculous tits, someone else is begging you to fix a cursed sex tape that literally kills people who watch it. The UI keeps pinging your phone like Telegram plus OnlyFans plus something that really should get your device seized at airport security. Between answering clients, the story cuts to animated scenes where your choices clearly messed up someone’s life or turned them into your next obsessed toy. It’s not just “click to see boobs” either; the conversations are surprisingly long and filthy, with the girls oversharing way too fast, sending pics that get more hardcore the more you push them. One moment a shy student is asking if it’s wrong to fantasize about her professor, next moment she’s sending you a video of her riding a dildo in the dim light, her huge tits bouncing like it’s a cheap camshow and she keeps whispering your username like it’s sacred. There’s real horny energy in how the text, the voices, and the little animations sync up, even if sometimes the English sounds like Google Translate having a stroke.

Sex-wise the game goes hard into the whole “harem in a horror movie” mood. You’ve got multiple girls orbiting around this Xweb nonsense, each one with their own flavor of messed up. The soft-spoken one with the big ass who “accidentally” leaves her camera on while she changes. The cosplayer with huge boobs who keeps sending you low-angle shots, then later ends up in a corrupted stream where something in the background is not human. Scenes can flip from erotic to creepy without warning. One minute she’s on all fours, moaning while you pound her pussy in some cheap motel with neon light flashing through the window, the next minute the video glitches and her face distorts for a second, like something from a cursed tape, before snapping back while she’s still begging you not to stop. It’s weirdly hot. The vaginal sex is animated in that simple 2D style where everything is about the rhythm: her ass slamming back into your hips, the wet sounds cranked up way too loud, cum filling her and then dripping down her thighs in looping shots that are almost hypnotic. You can tell where the artist spent all the effort: tits and asses wobble, nipples get hard, her expression changes with each thrust, and sometimes it looks a bit off perspective-wise but that just kind of adds to the dirty feel, like you shouldn’t even be watching this. The parody side quietly sneaks in when you recognize archetypes from big anime and mainstream games, but warped, like a “totally not that famous witch girl” with a hat way too big and cleavage even bigger, or a “not that survival horror cop chick at all” who somehow ends up tied to a chair, riding your cock for her life while something claws at the door. Xweb mixes shit that shouldn’t go together: tech support, time travel talk, a hitman looking for you in the real world, and somehow you still end up focusing on one thing: whose tight little virtual hole are you filling next while the entire world apparently goes to hell around you.