There’s this weird moment when you’re playing, where you suddenly realize that in this world nobody is really “the guy” or “the girl” in the old boring way, and yet everybody is horny about power anyway. You’re this college professor, trans woman, looking very put-together on the surface, stylish outfits, that slightly strict teacher energy that makes you want to sit up straight and also get on your knees. The campus looks normal at first, everyday slice-of-life stuff, coffee in the staff room, awkward students, dumb meetings. Then conversations slowly twist into something more playful, more corrupted, like the world already accepted that gender is flexible, but people are still kinky little creeps about who gets to be on top. You’re respected by your colleagues, but they look at you with that extra second of eye contact, like they know you’re packing more than a gradebook under that skirt. The boyfriend exists, sure, sweet and supportive and kind of useless, which is funny, because the game pretends everything is fine while quietly setting up all these opportunities to ruin that “normal life” with your own hands.

What really hooked me was when the game stops flirting and actually lets you act on all that tension. There’s this scene with a shy femboy in your class, the kind that blushes just from you calling his name, and the dialogue lets you tease him slowly enough that you can almost hear his voice crack. You can be soft, patient, talking about his future and grades, and then without changing tone you slide into talking about how obedient he is, how cute his legs look when he crosses them. It feels like you’re directing your own audio drama, choosing where the pitch goes up, where you lean in, when you finally push him over that line. And because the MC is mostly the one on top, the camera and the writing both treat her as the center of gravity. She takes control in bed with the same calm authority she uses in the classroom, guiding a girl’s head down for a blowjob or pressing a trembling trans partner into the mattress for a deep, messy creampie. There’s a scene in a cramped office where you corner a female colleague who has been flirting for way too long, and you can practically imagine the sound of the chair wheels scraping as you pin her there, one hand on her throat, the other under her skirt, until she breaks and begs you to fuck her harder. It should be ridiculous, and it is, but the game knows it. It goes from serious psychological “who am I really” questions to you railing a cute futa on your desk like this is just another faculty meeting. And of course, I kept pausing the game thinking about how I would deliver those lines as a voice actor, where to add a breathy laugh, where to drag out a moan. Then I forgot completely and just clicked through, because seeing the professor pound that femboy into the bed while whispering in his ear about how good boys spread their legs for their teacher was way more interesting than analyzing anything.

It’s weird how something that starts like a cheap parody ends up crawling under your skin, both in the horny way and the “what the hell is happening” way. The club looks like it was built by someone who never actually went to one - neon lights too bright, music looping like a fever dream, and those animatronic girls that move just a little too human when they think you’re not watching. You’re supposed to be fixing stuff, right? Checking circuits, running diagnostics, pretending you’re not staring at the tiger girl’s hips when she bends over the stage railing. Aurora purrs when you talk to her, but it’s not cute - it’s low, like she’s tasting your fear. Or maybe your sweat. I can’t tell anymore.

There’s this rhythm to the nights, like foreplay stretched across fourteen shifts. You start thinking you’re in control, pressing buttons, locking doors, teasing them with the intercom. Then one of them whispers your name through the static and suddenly you’re the one being toyed with. The bird one - Chi, I think - has this glitch where her voice doubles, and it sounds like two women moaning out of sync. It’s messed up and hot and wrong in all the right ways. Sometimes the game throws a jump scare right after a sexy scene, and it’s like your body doesn’t know whether to flinch or cum. I hate that it works.

And yeah, the humor’s filthy. It knows exactly what it’s parodying, and it doesn’t care if you get the joke or not. Half the time I laughed, half the time I felt like I needed a shower. The writing’s uneven, but maybe that’s the charm - it feels like a drunk confession typed at 3% battery. There’s a story somewhere under the tits and terror, something about prototypes and control, but honestly, I stopped trying to separate the plot from the arousal. It’s all tangled together, like wires and sweat and fur.

There’s this messed up thing that happens when a horror game is actually horny. Your brain keeps trying to decide if it should be scared or turned on, and this thing leans hard into that confusion. You’re stuck in this old college building that feels like that one abandoned wing every campus has, the one people swear is locked “for renovation” since forever. Lights flicker, the hallways go on way too long, doors loop you back around, all that classic paranormal bullshit. Except here, in the middle of all the creepy silence and bloody scribbles on the walls, you’re also constantly running into this ghost woman who looks like she crawled out of a nightmare and a porn shoot at the same time. Long hair, eyes that look like she wants to eat your soul, tits that absolutely do not follow physics, and an ass that makes you forget there’s literal gore on the floor. Half the game you’re thinking “I should run,” and the other half you’re lowkey hoping she catches you again.

The weirdest part is how the “saving yourself” thing sorta becomes optional in your head. You wander the campus trying doors, checking classrooms, hiding, finding notes that make the story darker every time, with little splashes of graphic violence that are just blunt, not artistic. No fancy cutaways, just “oh shit, yeah, that guy is very dead.” Then, in the next scene, you’re pushed into some supernatural sex encounter that feels way too intimate for how monstrous she is. One moment she’s pinning the male protagonist to a desk, grinding on him with those big soft tits bouncing in your face while she rides him like she wants to break his hips, the next moment the lights cut and you hear something wet and not at all sexy somewhere down the corridor. The game keeps letting you think with your dick and punishing you for it, but also rewarding you, which makes zero sense and somehow works. There are scenes where she phases through the wall in front of you, body half transparent, nipples fully not, walks in that slow, predatory way, and you can literally feel your brain going “this is a bad idea” while your hand is already on the mouse or, well, not on the mouse anymore. You get those paranormal moments where she twists her neck at a wrong angle, or her mouth stretches too wide, and then right after she’s riding you slow, whispering shit in your ear you don’t understand, squeezing you inside her like she’s trying to keep you there forever. By the time you realize the campus itself feels alive and fucked up, and maybe you actually do have some weird powers going on, you’ve already decided that if you’re trapped in an endless loop, there are worse ways to spend it than being hunted, scared, and nailed senseless by one obsessive monster girl ghost with a perfect ass and a death problem.

This Resident Evil parody throws you straight into Lady Dimitrescu's castle, and honestly? The devs knew exactly what they were doing. You're playing some poor bastard who's gotta survive Alcina's "trial" - which basically means getting dominated by a nine-foot vampire mommy and her equally stacked daughters. The turn-based combat system feels clunky at first, like they copy-pasted it from some RPG maker tutorial, but once you realize the real gameplay is about managing your stamina while getting your face buried in supernatural cleavage, it starts making sense. There's this one scene where Dimitrescu pins you against the wall and the camera angle is just... chef's kiss. The 3DCG models look decent enough, though Lady D's proportions are so exaggerated she looks like she'd topple over in real life.

Combat encounters blend into these weird BDSM scenarios where losing actually feels like winning. You'll find yourself deliberately failing just to see what creative punishment awaits. The spanking animations have more effort put into them than the actual sword fighting mechanics, which tells you where the priorities were. Sandbox elements let you explore the castle freely, groping your way through dark corridors while avoiding or seeking out the various monster girls lurking around. Some of the dialogue during sex scenes made me laugh out loud - not sure if that was intentional. The ahegao faces during climax moments are over-the-top ridiculous but somehow work within this campy horror-porn aesthetic.

What really caught me off guard was how they handled the size difference fetish stuff. Tall vs short dynamics play out in every interaction, from handjobs where your character can barely reach to titfuck scenes that look physically impossible. The harem aspect kicks in later when you're juggling multiple supernatural ladies, each with their own domination preferences. Voice acting ranges from surprisingly good to hilariously bad, but the moaning sounds authentic enough. Fair warning though - the grinding gets repetitive and some animations loop awkwardly.