Whole thing feels like somebody grabbed Overwatch, threw it into a horny fanfic Discord, and then actually finished it for once. You’re basically dropped into this weird “school but not really school” setup where Tracer is cracking jokes, D.Va’s glued to her phone like she’s farming Twitch subs, and Mercy looks like she’s pretending to be responsible while absolutely not being responsible at all. It’s a visual novel, so yeah, expect a lot of clicking through dialogue, but the dev at least tries to make you feel like the choices matter. One moment you’re just teasing D.Va about her stream, next moment you’ve got her on her knees, eyes glossy, sloppy sound effects in your headphones, and you’re like “ok I did not expect it to escalate on this click.” The transitions into the scenes are actually kinda smooth, except when they’re not and it jumps straight from flirty banter to her lips around your cock like someone hit fast forward on Pornhub.

The 3D look is… funny. Sometimes Mercy’s ass looks like it has its own gravity field, like it’s about to pull the whole classroom into orbit, and then in the next scene her face goes a bit plastic and you’re stuck staring at her mouth because the tongue animation is way better than it has any right to be. Oral stuff is clearly where the dev had the most fun. D.Va drooling on your shaft, Mercy going slow and “professional”, Tracer doing that playful tease where she kisses just the tip then pulls back with this smirk that makes you want to choke her and thank her at the same time. Couple of animated loops feel like proper hentai clips you’d find on some shady Telegram channel, with the camera glued to their lips, spit strings, little throat bulge, you know the good shit. And the butts. Every time someone bends over, the camera basically forgets there is a head attached. I opened it “just to check the art” and ended up rewinding one Mercy ass shot like I was in VLC trying to find my favorite timestamp.

It still has that parody energy. They mention their “hero” stuff and sci‑fi crap just enough to remind you this is technically the Overwatch universe, then two lines later you have Tracer straddling you in some random classroom, riding you with her boobs bouncing in a way Blizzard would probably sue over. I liked how you can act like a nice guy or a smug bastard and both paths still lead to filthy scenes, just with different flavor: gentle blowjob with shy eye contact, or D.Va gagging on you while you hold her head and she looks up all bratty. Sometimes the pacing is weird, like you get this long emotional talk with Mercy about her past, you think “oh plot now”, and one choice later she’s kneeling between your legs, lipstick smeared on your dick. UI is fine, whatever, I played it half on my laptop while pretending to answer Slack messages. The only thing that annoyed me was one teasing scene that drags on forever, Tracer keeps edging you with her hand and mouth, the text goes on and on, and the actual payoff animation is like three seconds. I still replayed it.

It’s weird how this game makes guilt feel sexy. You wake up inside someone else’s head - not just anyone, but that stretchy mom-hero everyone secretly had a thing for back when Pixar still pretended innocence. The premise should be grim, revenge and all that, but the tone keeps slipping between sad and horny, like the dev couldn’t decide if it’s therapy or foreplay. The way control shifts feels personal, almost too intimate. It’s not just mind control; it’s like the game’s trying to pry into your own urges while you’re prying into hers. And maybe I’m reading too much into polygons, but when she touches herself, it’s never about lust alone - it’s about realizing her hands aren’t really hers anymore. That mechanic where you can *feel* the resistance in her movements is unsettling in a delicious way.

There’s this one scene with the aunt - yeah, the bakery one - where she talks to you like she *knows* you’re there, like she’s been waiting for the voice in her head to finally answer back. It’s creepy and tender, then suddenly it’s just obscene. I laughed because the transition was so abrupt it felt real. The body models aren’t flawless either, and that helps. A little awkward jiggle, fingers clipping through skin, like even the code itself can’t believe what’s happening. The audio’s inconsistent - sometimes soft breathing, sometimes nothing at all, dead silence while something filthy goes down. It’s that silence that hits hardest. You start thinking, maybe she’s ashamed. Maybe you are.

I hate the damn save menu though. Always pops right when things get heated, like the universe reminding you this isn’t real. But maybe that’s what makes it stick. It’s messy, it’s wrong, and it lingers afterwards like a guilty text you never sent. You’ll probably close it and tell yourself you didn’t enjoy it that much. You’re lying.

I don’t even know what I expected when I clicked on *that* thumbnail, but this game’s hotel isn’t a place you walk into - it’s something that kind of swallows you. The first girl greets you with that half-dead sparkle, like she just crawled out of a morgue and straight into your lap, and somehow it works? Her skin’s got that faint blue tint, but when she starts talking dirty, you forget the “zombie” part real quick. There’s this weird rhythm to how the rooms unlock - like the game is teasing you, always dangling another girl behind some invisible counter. You think you’re done after the scientist chick who keeps calling you “specimen,” but then bam, the door slides open and there’s Luna Snow looking like she wandered out of a Marvel crossover fanfic gone horny.

What messes with me is how inconsistent everything feels in the best way. Sometimes it’s tender, sometimes it’s like watching a fever dream where Velma Dinkley is teaching you anatomy lessons you definitely didn’t get in school. The moaning animation syncs up too well with the clicking sound - tiny thing, but once you notice, you can’t unhear it. And don’t get me started on the hotel lobby music, which sounds like someone mixed elevator jazz with funeral bells; somehow it fits when a zombie nurse is giving you a handjob that looks way too professional. The cum-as-currency idea? Ridiculous, yet satisfying. It’s like capitalism finally found its true form. I kinda hate how much I laughed at myself keeping score like a finance bro.

There’s one glitch that drives me nuts: sometimes the girls’ eyes freeze mid-blowjob, like you’ve offended them spiritually, but maybe that’s the point? Half the charm is that it doesn’t apologize for being messy. The writing swings from cheesy one-liners to genuinely filthy pillow talk that catches you off guard. You’ll finish one scene thinking, “Okay, that’s enough,” and five minutes later you’re unlocking Katara doing something that’d make Nickelodeon lawyers cry. It’s a trainwreck in a silk robe, and I mean that as a compliment.

A horny Martian crashing on Earth to flirt with half the Overwatch roster should not work this well, but it kind of does, in a trashy cocktail way. You play this very unapologetic male traveler who drops into a sci‑fi parody world that looks like someone’s Overwatch folder and Pornhub search history had a child, and that child learned sarcasm from Twitter. The tone is playful and stupid in a good way: the writing knows exactly what it is, a dating sim where you romance heroes you’ve already masturbated to, just now with more jokes and actual routes. One scene with D.Va had me pause my Spotify because I wanted to hear the little voice lines and teasing properly. She talks to you like a cocky streamer who knows she has you on a leash, then flips into surprisingly soft mode after you pick the right dialogue. It feels less like “here is sex scene number 1” and more like you bullied your way through her chat and somehow ended up in her bed. Completely unrealistic, but who cares.

What I liked most is how the game treats the girls as characters before it turns them into porn poses, even if the porn is absolutely the point. Mercy does this fake professional thing at first, like she is about to scold you for existing, and then just melts when you push the romance options hard enough. There is one moment where she is explaining something very medical and important, and the camera is slowly sliding lower, like your brain does when someone with big tits starts talking about “vital signs”. Pharah is the opposite energy, more stoic but also low key the biggest perv once you hit the right trigger, and the scene with her using a toy on you while keeping that soldier attitude was honestly my favorite, because it’s both funny and hot. Mei’s route feels a bit lighter and more comedic, with a lot of humor around her body and that big ass, like the artist really, really loves drawing her thighs almost more than the actual sex. Almost. The 2D art is messy in places, but in a good way, like horny sketchbook energy; some angles are awkward, then you get one frame of Ana giving a handjob with this tired MILF gaze and it looks like a painting you’d hide in a secret folder on your Google Drive. The mobile version feels natural too, tapping through choices one‑handed while the other hand is busy, and the pacing of oral to vaginal to toy play actually respects that rhythm. I wish one UI button was placed a bit higher, it keeps making me misclick during a climax scene with Juno, and it annoys the hell out of me every single time, but then I get distracted because Iggy shows up with this smug grin and the game throws another joke in your face. It’s dirty, kind of stupid, sometimes romantic in a clumsy way, and it looks like it was made by someone who really loves these characters, not just their boobs, even if the boobs are absolutely the main camera target.