Okay so this game is basically what happens when someone takes the superhero genre and asks "but what if the hero was actually the bad guy and also horny as fuck?" You're playing this alternate reality "superhero" - and yeah those quotes are doing heavy lifting here - who's supposed to be conquering Earth for some empire. Starts off in a school setting which... look, I get it, gotta start somewhere, but the pacing feels weird jumping from corrupting classmates to taking down actual supervillains.

The mind control mechanics are pretty solid though, not gonna lie. There's this whole progression system where you unlock different powers and techniques, and watching characters slowly break down is satisfying in that dark way. Animation quality varies wildly - some scenes are smooth as butter while others look like they were made during a coffee break. The MILF characters are definitely the highlight, way better written than the younger cast. Combat system exists but it's basically just there to gate content, which honestly fine by me since I'm here for the corruption arcs not button mashing.

What really gets me is how the game handles the superhero parody stuff. Like one minute you're dealing with obvious Superman knockoffs, next you're in some BDSM dungeon scenario with a Wonder Woman clone getting her mind scrambled. The tonal whiplash is real but somehow it works? Maybe because it doesn't take itself too seriously. Sandbox elements let you replay scenes which is clutch for achievement hunting, though the gallery unlock system is janky as hell. Some animations won't trigger properly and I've had to restart entire playthroughs just to get that sweet 100% completion. The exhibitionism content hits different when you're making these "heroes" perform in public while their minds are completely fucked. Dystopian setting provides good backdrop for all the moral corruption happening, makes the whole enslaving humanity thing feel more justified in context.

Atlas is that kind of immortal asshole who thinks he has everything under control, and then one horny night just blows up four centuries of “peace” because he smells the wrong pussy in the wrong crowd. He is the prince of vampires, everyone whispers his name like he is some tragic hero, but in practice you are just a very old bastard with fangs, a hard dick, and a talent for attracting trouble with tits. You walk into this human party, sniff something strange, and there she is: Leyala. Gorgeous, guarded, looks like she could stab you or ride you, maybe both in same scene. She is hiding something huge, and of course the best way to get the truth is to push her against a wall and see how long she can keep secrets with your hand between her legs.

The whole thing plays like someone mixed horny Skyrim with a trashy vampire soap opera and Pornhub tabs left open in the background. One moment you are talking politics with ancient nobles, next moment you have three girls in your bed, two tongues around your shaft and one pretty little thing kissing your chest like you are some romantic idiot from a dating sim. There is a real “collect them all” vibe too. Dark skinned warrior milf who pretends she hates you while grinding her ass on your thigh. Shy asian mage who blushes like crazy the first time you make her stroke you under the table while the council is arguing about war. Blonde elf who says she is not into girls, then five minutes later is licking another woman’s pussy while you push your cock between their tits, using both their chests like one big slippery toy. The game just keeps stacking scenes like that, threesomes that suddenly become foursomes, a “simple” massage that turns into you giving an anal creampie because you clicked the slightly more rude option.

What I liked is how it does not rush the filth but still never forgets the point. You talk, you flirt, you roleplay the gentleman or the controlling bastard, you pretend to care about prophecies and realms, and then your “romantic moment” ends with you finishing all over a pretty ebony girl’s face while her best friend sits on your tongue, shaking and moaning loud enough that guards probably hear. Sometimes it feels almost sweet, like when you slowly help a nervous virgin relax, kissing her thighs, letting her ride you at her own pace, until she suddenly loses control and claws your chest when you cum deep inside. Then five minutes later you are ordering two experienced lesbians to put on a show for you in the bath, one of them sliding your cock between her ass cheeks while the other sucks the tip every time it pops out. It is messy, animated, completely unashamed, and the story keeps pretending it is about saving the Seven Realms when actually it is about how many different mouths, asses and tight wet holes one smug vampire prince can ruin before the world ends.

It starts quiet, like one of those evenings when you swear you’re just checking something small before bed. I thought it was gonna be a quick “help Melory with homework” kind of clicker thing, but nah - this thing gets under your skin fast. The tension builds and then tilts sideways; suddenly you’re the guy making dumb choices while a soft-spoken girl grins like she knows exactly what you’ll do next. It doesn’t feel scripted half the time, more like an awkward memory you’re re-living. The way her voice dips right before teasing a boundary - that’s what caught me. You don’t even realize how deep the game wants to push until every tiny decision spirals into something filthier, or sweeter, depending on your mood.

The strangest part? I actually cared about the damn story for a second. There’s this older woman - Melory’s mom maybe, can’t remember - and she pulls off that fake calm thing way too well. One minute you’re blushing through a foot scene, next she’s lecturing you like some goddess who read your search history. And yeah, it’s heavy on the domination bits, anal teases, stuff that’d make your phone pause mid-loadscreen, but somehow none of it feels cheap. Even the sleep scenes - they make you uncomfortable in that weird way where you still click *next* without thinking. The ASMR moments are hit or miss, honestly; sometimes sexy as hell, other times they just sound like the mic brushing against a pillow, but whatever, it fits the messy, intimate rhythm of the game.

I hate that bottle mini-game though. It’s supposed to be random, but I swear it always lands on the person I didn’t want stripped that round. Maybe that’s the point? It messes with you, keeps that frustration humming right between curiosity and guilt. By the time things twist into those cross-path routes - with trans, maid, interracial, even golden shower endings - you kinda stop worrying about which kink is next and just ride the chaos. The mix of control and shame here works almost too well. Makes you breathe slower. Or hold it. Hard to tell which.

Sophia Parker looks like the kind of woman who should be drinking wine in the kitchen and talking about PTA meetings, but the game is basically about how fast that image breaks once she hits San Alejo. You start as this middle-aged wife and mom who keeps telling herself she’s “happily married”, while the city around her is hot, sticky, and full of people who stare at her tits like they’re a public monument. Her new life feels way too big for her, big house, big backyard, big everything, and the story kind of pokes her from all sides until she stops pretending she doesn’t like being watched. What sells it is that you don’t just click through scenes, you pick how she reacts when someone’s eyes linger too long on her ass, or when the neighbor just “accidentally” sees her sunbathing. One moment she’s scolding someone for looking, next moment you’re choosing whether she keeps her bikini top on while she leans forward a little too much. It’s less about stats, more about how far you’re willing to push her, and how much she lies to herself while doing it.

The game gets really spicy around Ellie and Logan though. There’s this branch where Ellie forgives Logan, but only if you’ve basically turned Sophia into her secret lesbian safety net first. Those earlier scenes with Sophia and Ellie matter a lot more than they look at first. You’re not just clicking “kiss” or “no,” you’re building this slow burn where Sophia goes from awkward “I’m your mom’s friend” hugs to sitting too close, to that first time she lets Ellie’s hand stay on her thigh a few seconds too long. When you finally hit the event where Ellie has taken Logan back, the tension is brutal in a good way. She’s technically “his girl” again, but she’s still sneaking these hungry, guilty looks at Sophia when they’re alone, and you feel it. There’s this one scene where they’re in the backyard at night, the house lights on behind them, and you can choose whether Sophia pretends not to notice Ellie’s nipples poking through her top, or just stares and lets it happen. I picked the second one, obviously, and it turns into this messy, wet makeout with Ellie grinding on Sophia’s leg like she hasn’t touched herself in weeks, while the game keeps reminding you Logan is literally inside the house. That mix of cheating, voyeur vibe, and “I shouldn’t be doing this but I really want to taste her again” is pretty much the core of the whole thing. It likes to put Sophia in spots where someone could walk in at any moment, or where a window is just a little too open, and then let you decide if she plays it safe or spreads her legs a bit wider and hopes no one is looking. She’s got big tits, a thick ass, and the camera knows it, especially when she’s on her knees, mouth shiny, pretending she’s still the good wife while her tongue is all over another girl. You can call it romance, sure, except every time you try to convince yourself it’s “about feelings,” the game drops another scene of Sophia masturbating alone after, fingering herself hard because the memory of Ellie’s tongue or some forbidden glance has her soaked, and she can’t blame the city for that.