Eight years after all the magic bullshit went “ok sure, now this is normal”, you’re dropped into this weirdly calm university life where everyone pretends they grew up, but nobody really did. She’s a blonde student now, technically an adult, wearing the ID card, going to lectures, passing bored faces in the hallway, and still getting that same rush when an old face appears at the back of the class. It starts slow. Too slow, honestly. You’re clicking through her daily routine, half-listening to some teacher talk about something nobody cares about, then suddenly you’re in this abandoned classroom with someone who used to save worlds with her, and now they’re just awkwardly standing too close. The game does this a lot. One second you’re watching her stare at a timetable, next second she’s on her knees between someone’s legs, the kind of blowjob scene that feels like the dev actually remembers what horny fans want: saliva, messy sounds, a bit of funny dialogue that somehow doesn’t ruin the mood. It’s not super polished, you see the seams, but that kinda works here. Feels like a fanfic that escaped Google Docs and picked up a Ren’Py engine on the way.

The whole thing is pure nostalgia porn mixed with actual porn. You get those “oh shit, I remember that” moments when she meets old acquaintances who are now adults too, but the way they look at her tells you everyone’s thinking less about magic and more about who’s going to end up pinned against a dorm wall. Scenes hit different when you’re the one choosing which door she knocks on after class. One route had me send her to this “study session” that turned into a very not-safe-for-library handjob under the table, while the teacher droned on two meters away. Another time I picked what I thought was the wholesome choice and somehow ended with her mouth full in a storage closet, joking about how this is better than exams. The game likes to pretend you’re roleplaying her feelings, but let’s be honest, half the time you’re just testing how far the dev will let this parody go without breaking the character completely. Some lines are a bit cringe, some scenes end too quick, and there’s this one background track that kept looping during a really hot scene and I wanted to strangle it, but I didn’t mute it. I just complained out loud to no one and kept clicking, because the next CG looked really nice in the wrong way. It’s not subtle. It’s not trying to be smart. It’s a horny, slightly rough fan-made eroge where a once chaotic magical girl is now a horny uni student with way too many “private talks” after class, and if you were ever into that show, your brain will fill in all the parts the script rushes through. Dare to play it alone, or invite company?

You wake up in a world that feels too heavy with history, like the air itself remembers every god that ever fucked, lied, or loved here. It’s not some shiny Olympus on a postcard - it’s cracked marble, sweat, and the smell of skin after lightning. You’re not sure if you’re supposed to be mortal or divine, but everyone who looks at you seems to want to find out by getting under your clothes. The game doesn’t waste time pretending it’s about heroism; it’s about hunger, the kind that makes your chest ache and your hands shake when someone whispers your name like a prayer. You make choices, yeah, but half the time it feels like the choices are making you - pulling you toward lust or rage or something that tastes like both.

There’s this one scene - I can’t forget it - where you’re standing in front of a goddess who’s pretending to be human. She touches your face like she’s remembering it from another life, and then suddenly she’s pressing you against the wall, and it’s not gentle. The writing doesn’t flinch; it lets the moment breathe, dirty and holy at once. That’s what got me. The sex isn’t just there to get you off (though it will, trust me), it’s tangled with the story, with the idea that desire is a kind of truth. And sometimes it’s ugly. Sometimes you hate what you want. But the game doesn’t judge. It just watches.

I kept thinking about how the gods here aren’t better than humans - they’re just more naked about their madness. The jealousy, the possessiveness, the way they look at you like you’re both prey and prophet. It’s messy, mythic, erotic as hell. The music hums low like a heartbeat, and every choice feels like it could ruin you or make you divine. Maybe both.

This one hits like a fucked up Valentine’s card somebody dipped in blood and spit on. Oridelle is not a “heroine,” she is a girl who died, got dragged back, and now thinks the only reason she exists is to suck off the guy who saved her. That’s the whole emotional center of the game: her on her knees, him on the throne, and you sitting there clicking through that sick loop of “thank you for saving me, please use me again.” It feels almost too intimate sometimes, like reading someone’s horny therapy diary that got infected by a horror manga. The tone flips a lot. One minute she is this soft, almost cute corpse-girl whispering how grateful she is, and three lines later she is giggling like a brain-poisoned bimbo about how her mouth is “perfect for him” and nothing else matters. It is erotic, yeah, but there is this rotten taste under it, like you bit into candy and it was raw meat.

The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.

Ryo’s life is already kind of a mess, and then he gets shipped off to this tiny place called Wimblewick Isle, which sounds like a budget vacation spot but ends up being more like “horny supernatural student exchange program no one told you about.” He arrives expecting boring small-town vibes, maybe some quiet, maybe some time to cry in peace about his Tinder matches, and instead finds out half the “girls” on this island are walking around with curves, soft voices, and a big surprise between their legs that instantly makes your own issues feel… smaller. The game leans into that shock in a really playful way. The first time one of the futa girls casually presses up against him and you realize her bulge is not just the artist messing up the shading, it hits like that moment on Grindr when someone sends a pic before saying hello. Except here, they actually talk to you, tease you, and remember what you did for them yesterday.

It plays like one of those laid-back anime visual novels where you click around a map, poke your nose into places you probably shouldn’t, and stumble into scenes that feel way too intimate for how little work you did. One minute you’re “just helping with some chores” and the next she’s closing the door, saying how grateful she is, and Ryo is backed up to the wall with a very obvious problem tenting her skirt. There’s non-linear progression, so you can wander around, chase the girl you’re into, or just be a total degenerate and push every route at once like a horny completionist. I ended up checking the map like I check Instagram, just circling spots to see who’s free to emotionally ruin me today. Some scenes hit hard in a very embarrassing way: a futa “big sister” type stroking Ryo’s hair while casually jerking herself, talking in that soft “it’s okay, you did your best” tone that somehow makes everything filthier. The femboy energy is there too, but in this flirty, self-aware style that feels like the dev actually hangs out online and didn’t just google “trap anime” in 2012 and stop researching. You do small tasks, build affection, watch numbers go up, and get rewarded with things like getting pinned to a bed and used as a stress relief toy by someone who calls you “cute” while she’s absolutely not being gentle.

The writing is messy in a way that feels kind of real. Characters say dumb stuff, make awkward jokes, flirt badly, then suddenly drop a filthy line that punches straight into your brain and stays there while you’re trying to answer work emails. There’s a girl who looks all prim and polite, then she whips it out with this shy smile and asks if you can “help her relax” because she’s too pent up to focus, and it is ten times hotter than all the super-confident porn queen stuff you see everywhere else. At the same time, the game sometimes forgets its own pacing, so you might go from soft build-up to “ok now you’re swallowing her load” like someone accidentally skipped three scenes, but honestly, that feels a bit like real online dating too. You get side events popping up when you re-visit places, so poking around the island actually matters, and there’s this constant feeling that one wrong or right click could land you in the middle of a futa-on-male scene that would get you banned from at least three apps if you tried to describe it in public. Wimblewick Isle ends up feeling like that weird group chat you swear you’re going to leave but you never do, because every time you think you’re done, someone new pops up, blushes, adjusts her skirt, and asks if you’re free to “hang out” in a way that makes you close all your other tabs just in case.