Lena’s story starts quiet and a bit awkward, like that first shift at a new job where everything smells like old paper and furniture polish. She’s this shy girl dumped into a huge, old library that feels way too big for her. The game really leans into that silence. No jumps right away, no cheap “boo.” Just you, a slow crawl through dusty corridors, and Lena’s brain slowly getting louder than any sound effect. At first she’s just shelving books, logging weird titles, trying not to embarrass herself in front of the other staff. But the place has this almost wet, sticky atmosphere to it, especially in those restricted sections where the lights flicker in that “this is absolutely unsafe” way. There are these books that feel wrong before you even open them, and the game lets you just linger on them, making you choose if Lena peeks inside or pretends she’s a good girl. Of course she peeks. The erotic stuff doesn’t slap you in the face from the first click. It creeps in at the edges of her thoughts. Tiny flashes. A phrase in a book that hits way too close. A touch from a co-worker that lasts slightly longer than it should. A dream sequence where she’s not sure if that shadow touching her is a ghost, a god, or just her own pent-up frustration trying to cosplay as a demon. All that gets tied into this subtle horror vibe, like something in that library is watching her, gently pushing her to test herself, maybe ruin herself a bit. The sexy scenes feel like you’re reading Lena’s diary after she got horny on the bus and tried to pretend she wasn’t.

The game lets you lean her in different directions with your choices, and that part caught me. You can keep her timid and flustered, or you start letting her accept what turns her on, even when it’s clearly unhealthy. There’s a moment where she reads this ritual text that mixes religious guilt with raw, filthy desire, and you get the option to stop or keep reciting. I kept going, obviously, and the way her internal monologue shifts from “I shouldn’t” to “please more” is way hotter than any random porn animation. That same scene also has a little audio glitch that made my headphones crackle like broken ASMR, which annoyed me so much I had to pause, and then I went straight back because the writing had me by the throat. Also, the queer threads are handled in this messy, human way. She catches herself staring too long at a girl from the staff, and then later the unseen presence starts mimicking that girl’s voice in Lena’s fantasies. It’s fucked up, but in that “ok, I get why she’s wet and terrified at the same time” kind of way. The horror never fully jumps out with fangs, it just keeps suggesting that maybe the thing guiding her is inside her own head, or maybe it’s some horny eldritch archivist grooming her into a new role. I kept waiting for a cheap tentacle cliché that never properly arrived, which somehow made the teasing even more frustrating. Also, her shoes make this stupid little sound on the library floor and it drove me crazy, and I still don’t know why that detail stuck more than some plot points. Anyway, it’s a slow, sticky burn, more about watching a quiet girl pull herself apart choice by choice, page by page, until she’s not sure if she’s praying, masturbating, or both.

There’s this weird feeling when you boot this one up, like opening the wrong chat in Discord and realizing “oh shit, that’s the horny channel” but you just keep scrolling anyway. At first it tricks you with that comfy anime slice of life mood, all soft lighting and school corridors and the classic “tired office worker gets yeeted back to his hometown” setup. You’re this guy Sora, suddenly thrown into being a teacher at an all-girls academy in Itsuten-ku, and yeah, it sounds like every generic eroge ever written. Then the game starts talking about parasites on your back, ghosts of your past, and you’re like, alright, this isn’t just about picking which cute girl brings you lunch. The town looks nice, the school looks normal, everyone is a little too friendly, and the whole thing feels like the Calm app right before someone rips open a body bag in a horror movie. The girls are hot, but they’re also… off, in that “smiling a bit too long” way. One second you’re choosing between tutoring the shy bookworm alone in the library or staying after class with the smug honor student who clearly wants you to notice her thighs, and the next the dialogue takes a hard left into trauma, self-loathing, and shit you’d usually try to forget with a Pornhub tab and some music on Spotify.

What I really liked, and hated, and liked again, is how horny and uncomfortable it is at the same time. You get all the classic eroge stuff: accidental boob grabs, panties framed a little too perfectly when someone trips, that one girl who leans in too close during “private lessons” and pretends it’s innocent. There’s a scene where you finally get a moment of peace in your tiny apartment, smelling that lavender thing they keep talking about, petting your mystery dog that shows up like some emotional support mascot, and the whole atmosphere goes quiet. Then a phone call from home drops in and drags you straight back into this heavy psychological shit about your sister and the town and what you ran away from. It hits weirdly hard for a game where you can, ten minutes later, be stuck in the nurse’s office while a flirty student sits on the edge of the bed a little too close, asking why you’re trembling. Sometimes the erotic scenes feel like they’re trying to smother the horror, and sometimes the horror crawls right back under the sex and makes it feel way too intimate, like you’re not just fucking, you’re peeling people open. The routes push you to pick favorites, to romance these girls, but half the time you’re not even sure if you’re helping them or just digging deeper into their broken parts because it turns you on. It’s kind of messy, kind of brilliant, kind of trashy, and the game absolutely knows it. You go in for the cute schoolgirls, you stay because the city itself feels like an ex that still knows how to choke you by just saying your name.