Yui looks like the kind of wife you only see on Reddit threads that are clearly fake. Super sweet, big soft ass that keeps stealing camera focus, totally loyal, obsessed with her wedding dress job and also with you. The game really leans into that. Early on you’re just vibing in your tiny apartment, she’s measuring lace, you’re scrolling on your phone like a useless husband, and it actually feels boring in a nice way. That boring feeling is important, because when the corruption starts it hits harder. One moment she’s talking about veil fabrics, next moment her phone lights up with “Kuroda” and the whole mood drops like your battery at 5% with no charger. I liked that shift. Felt a bit too real. I literally paused the game to check Telegram while she was panicking, lol.

Kuroda is such a walking red flag that if he was on Tinder the app would soft‑ban him. Drug mess, manipulative, and the story keeps pretending “he’s still family” like that fixes anything. Watching Yui try to defend him is painful and hot at the same time, which makes me sound terrible, but here we are. The corruption is mostly emotional at first. Small lies. Late returns home. Her eyes looking away a little too quick. There is this one scene where she comes back from “helping him” and she’s still in her nice dress, but her lipstick is smudged just enough. Not obvious, but if you ever used Google Photos zoom you can’t unsee it. You can choose to confront her or act like a doormat. I tried both. Honestly, neither path makes you feel like a hero. Which is good. Or bad. Depends on how much you enjoy self‑insert suffering. There is romance mixed in, not some flowers and chocolate thing, more like those quiet moments when she sits on your lap, apologizing, and you know she’s hiding shit, yet you still grab her hips because that ass is ridiculous. The humiliation is slow burn: tiny cracks in trust, neighbors maybe hearing things through the wall, your line messages left on “read” while she “works late”. Sex scenes reward you, but they also kind of punish you. When the AI art goes extra on her curves while the text reminds you she might have been touched by someone else half an hour ago, your dick and your ethics go into open conflict.

On phone it runs smooth enough, though the UI sometimes hides buttons behind my stupid fat thumb and I got stuck in a menu once and rage‑tapped like an idiot. The simulator feeling comes from all the routine: chat logs, little money choices, scheduling when she visits Kuroda again. I wish there were more small domestic moments, like brushing teeth together, but instead you get repeated CG angles and that one underwear set that appears so often it should have its own Twitter account. Also the auto mode is too fast and too slow at the same time, somehow. What I really liked is how it plays with cheating. It’s not just “she cheats, you cry, game over”. It keeps asking how much you participate in her fall. Do you push her toward “helping” him because you’re naive, or because you secretly want to see how far she goes? There’s one late scene where she texts you that she’ll be “a bit late” and you can reply something supportive or jealous. No matter what you pick, it hurts in a different flavor. That’s the moment the game stops being about Kuroda and starts being about how disgusting desire can be when mixed with love. And also, again, that ass in those tight skirts. Honestly, the romance is kind of beautiful. And totally fucked. Both things can be true.

Angela moves again. New neighborhood, new fake smile, same heavy shit packed in her bags. She’s this sexy, tired kind of woman who looks like she’s had too many arguments and not enough orgasms, if that makes sense. Her past is hanging over her like some shitty Netflix show she never finished, and now she’s back close to her family, which is… awkward as hell. You play as Rayne, basically the one stuck in the middle of it all, trying to figure out if you want to fix things, fuck things, or just run. The game doesn’t hold your hand; it just kind of drops you in and lets you poke at people and see what happens. One minute you’re talking about normal life stuff, next minute you’re catching your “aunt” in a towel that totally doesn’t cover everything and suddenly you remember this is not a “wholesome” story. At all.

The sandbox style hits different here. You’re not just clicking “next scene, next sex, repeat”. You wander, you snoop, you literally peek through doors when you shouldn’t. That moment when you accidentally see Angela late at night, sitting on the edge of the bed, fingers between her thighs, trying to get herself off just to forget her own memories? That hit me harder than I thought. Not just because yeah, it’s hot as fuck, but because she looks like she’s almost crying but also moaning and you can’t really tell which one you want to see more. Then again, a few scenes later she feels a bit too perfect, like someone’s horny idea of a mom in a porn search bar, and I kinda rolled my eyes… right before clicking every single option to push her even deeper into that role. The teasing is slow on purpose, sometimes to the point where I wanted to scream at the screen, like “just touch her already”, but then when it finally breaks, it feels a little illegal in a way that porn sites are absolutely built on. You know what I mean.

What I like is how it lets the lesbian stuff breathe. It’s not just “oh look, two women, now they kiss, scene over.” Rayne’s curiosity feels messy, like scrolling through Twitter and suddenly ending up on the wrong side of NSFW threads and realizing it’s the right side for you. She watches, she hesitates, she keeps “accidentally” walking in at the worst possible moments. There’s this one scene where she’s spying on someone in the shower, and the way the water sticks to skin and curves is so distracting that I literally missed my dialog option because I just stared too long. The romance angle is weirdly soft in between all the taboo: late-night talks in the kitchen, too-long hugs that really aren’t just family anymore, a hand on a thigh that stays there a second too long. It’s hot, but also uncomfortable, and I kind of love that it doesn’t try to make it clean. I do wish the interface didn’t make me misclick tiny choices when my hand is already busy, but that’s never getting fixed and maybe that’s part of the “challenge”. In the end, you’re not just watching them run from the past, you’re slowly helping them cross lines they can’t uncross, with each orgasm feeling like both a reward and another mistake, and somehow that feels exactly right for this kind of story.

You play as this awkward dude, Sam, trying to look professional in an office where everyone pretends to be normal adults, while your new boss is basically the final boss of horny power games. Veronica Blackwell walks on screen in that tight office outfit and the whole vibe of the game changes. You can literally feel your mouse-hand getting more obedient every time she raises an eyebrow. It starts super tame: file this, fix that report, stay late for “just a bit more work”. Nothing wild. Then she starts getting handsy with your dignity instead of your body, which is way more fun. She locks you into this slow pacing, no skipping, no choices, just you watching Sam bend, inch by inch. And yeah, it is a kinetic novel, so forget about “I’ll just pick the dominant route”, there is none. You are the furniture. Accept it. At some point you catch yourself leaning closer to the screen when she mentions your “performance evaluation” and that says a lot about you and a bit about the writing.

What makes it hotter than it has any right to be is how casual she is about humiliating you. She talks about work metrics and career opportunities while making you kneel under her desk like it is the most reasonable thing in the world. There is a scene where she makes you clean her high heels with your tongue after a long day in the office and she does not even drop the corporate tone. She is checking emails on her phone while you are there on the carpet, licking the dirt off her soles, and she is commenting on your “attention to detail” like it is part of your internship report. The game really leans into feet and power stuff. Heels, stockings, her crossing her legs right in your face, you begging to touch or kiss her shoes and she just smirks and tosses you a command that feels more like a leash. And then, when you think it is “just” foot worship and soft humiliation, she pulls out that small metal cage for you. No warning, no drum roll, just a line like “I think you need help focusing at work” and next thing you know, Sam is locked up, hard but not allowed to be hard, if that makes sense. The writing milks that frustration on purpose. Every time she teases you after that, you can almost feel the cage squeezing. There is something messed up but very honest about that.

Art side is clean enough to do the job, nothing crazy, but the expressions matter a lot. Her smirk when you hesitate, the slight boredom when you try to resist, the way she looks down at you from the office chair like you are both a pet and a project. They reuse some backgrounds too much, but somehow that makes it feel more like an actual office grind. Same desk, same room, worse and worse situations. I was running this in Chrome with uBlock turned off for once, just sitting there on my second monitor like some degenerate pretending to answer Slack messages while Veronica is telling Sam he is not allowed to touch himself without written permission. The pacing is slow, yeah, sometimes painfully slow, but that actually fits the chastity angle too well. It is annoying and hot and annoying again. No big branching, no epic system, just a straight line falling deeper under this woman’s heel. And if that idea alone already gives you that weird tight feeling in your chest and lower, this thing is going to fry your brain in a pretty fun way.

You start out broke, horny, and honestly kind of useless. A futa drifter with nothing but a lazy streak and way too much libido, somehow stumbling into this weird-ass job at a place called Paradise. The name sounds cheesy until you realize it’s literally a building stuffed with girls from other worlds - some have tails, some have dicks, some just have that look like they know exactly what you’re thinking before you say it. You don’t do much at first. Walk around, chat, make bad choices. The kind of slow burn that feels like foreplay stretched over lazy afternoons. The world doesn’t rush you; it teases.

The demo’s short as hell, but it’s got this strange charm - like someone’s dirty dream half-coded into existence. You talk to three women (each hotter than the last, in their own freaky way), and there’s one full-on sex scene that goes harder than expected for such an early build. It’s not just the tits or the sweat or the sound of skin slapping - though, yeah, that’s there - it’s how close it gets to feeling personal. You’re not a faceless camera; you’re inside the mess, in first person, every grunt echoing right behind your ribs. The POV work’s filthy and intimate without trying too hard, which is rare for these kinds of games.

What sticks in my head though? Not the sex (well, not only). It’s the weird cozy tone under all that filth. Like a broken rom-com that accidentally grew a pair. You can feel the dev wanted to make something more than just a jerk tool. The characters flirt like real people - awkward, messy, a little too forward - and then go straight into positions that’d break a spine. One girl talks about love while she’s still dripping on your thigh. It’s janky, it’s short, it’s kinda dumb, but it’s got heart. The dirty kind. The kind that makes you grin when you realize you’ll come back for the next update just to see who else moves into Paradise.