Mallowfall City feels like the kind of place your horny brain invents when you’re zoning out during a boring Zoom meeting. Everything is too wet, too soft, too tight, too much, and somehow that’s exactly the point. You roll in as Dave, this broke student coming back after studying abroad, and instead of a sad mattress on the floor and instant coffee, you land in an apartment with a mature woman who has curves like gravity got turned up just around her body. That first evening with her is already a problem. She’s walking around in this casual home outfit that should be illegal, shirt hugging huge tits, hips wide, ass heavy, that kind of thick that makes chairs squeak. She leans close to hand you a mug, you catch a glimpse of lace under her top, and it hits you that you’re not just “crashing in a spare room.” You’re basically moving into a thirst trap.

The whole game plays like a romantic visual novel that drank too much wine then decided to stop pretending it’s innocent. There’s real talking, not just “hi, fuck now,” and that’s the dangerous part. You get these long conversations with older women who know exactly what they’re doing. One of them sits with you at a bar late at night, touching your wrist while she tells you how lonely she is after her divorce. She’s older, but thick in all the right places, heavy tits straining against her blouse, lips shiny, eyes way too focused on your mouth. The scene drags just long enough that you start screaming at your screen “just kiss already” and then when it finally goes down, it’s not soft at all. Her tongue is in your mouth, her hand is on your crotch, and she comments on how “big” you are in this slow teasing voice. When the clothes actually come off, the cg scenes slam you with big bodies and big everything. Round bellies, soft thighs spreading, huge boobs bouncing while she rides your cock and says shit like “You like mature women, huh?” Yeah. He does. And you do too. And the game knows it way too well.

What I liked is that the chubby and bbw women here are not some joke or “side fetish.” They are the main goddamn course. Thick asses that fill the whole screen, big breasts that actually move, not just stuck-on balloons. There is this one scene where a milf in a tight pencil skirt bends over to pick something up, and the camera lingers right behind her. The fabric is pulling across her ass, you see the shape of her panties, and you know the dev did that on purpose to ruin your focus. Later, when you finally get her on a bed, she pulls off her bra and her boobs fall out heavy, nipples already hard, and she kind of laughs shy because she knows she is huge. That moment works way better than some perfect anime doll, because she feels like a real thick woman who will squeeze your head between her tits and suffocate you happily. And yeah, sometimes the “romance” stuff pretends to be deep then jumps straight into fucking in like three lines of dialogue, which is funny, but also somehow perfect for this city that basically runs on sex and secrets. There is one tiny thing that annoyed me though: the way one character always calls you “boy” in this weird playful tone. Every single time. It’s hot, then it’s annoying, then you forget you were annoyed because she’s naked again. Story of this game, honestly.

The first time I logged into this thing, I didn’t even care about the classes or whatever plot it pretends to have - the way the avatars breathe, the tiny tremor in their lips before a kiss, that’s what got me. It’s like the devs poured all their soul into making skin look touchable. There’s this one girl in a half-armored cosplay outfit, silver hair glowing like some digital eclipse, and when she leans close, her breath fogs your screen. Maybe I imagined that, but hell, it felt real. The sci-fi cities behind her hum like they’re alive, something between a nightclub and a dream you shouldn’t be having. The game doesn’t shout about its mechanics, but when you figure out how to sync movement and body sensors, it’s almost too much - like your nerves are being rewritten to crave every vibration.

Sometimes the story pretends to be about mystery - a missing player, a corrupted zone - but nobody’s really fooling anyone. The real puzzle is how long you can last before giving in to pure heat. The VR immersion slips between sweet and filthy faster than your mind can keep up; one moment you’re chatting with a student NPC about history, next she’s on her knees, glasses sliding down, eyes wide like she’s learning anatomy for the first time. There’s group stuff too, awkward at first until it’s not. Someone mentioned modders replaced the background drones with moaning echoes; I laughed until it happened in my session and I swear it made everything feel more chaotic and alive. The music, though? Too clean. Needs something grittier, maybe a heartbeat instead of these sterile synths.

I still can’t get over the fact that clothing physics act like they’ve got personalities - skirts that refuse to stay where they should, latex that remembers your touch. You can taste the future here, but it’s messy and dripping and maybe a bit too honest. Every time I log out, reality feels thinner, like a veil that won’t settle right.

She’s the type of woman who walks into a lecture hall and the air just changes. Not because she’s loud - she doesn’t need to be. Her voice is low, deliberate, the kind that makes you lean in without realizing. Professor Reed doesn’t smile much, but when she does it’s never for you… until you start noticing that tiny hesitation in her tone when she calls your name. The game never rushes that tension; it lets it build and twist. Every talk in her office feels like a test you weren’t told about - intellectual, but charged as hell. The longer you stay in her orbit, the more it’s clear that she’s not as cold as she wants to be. That’s when the corruption starts creeping in, slow and almost polite at first.

There’s something really addictive about how it turns academic power games into foreplay. The writing doesn’t hold your hand - one minute you’re discussing ethics and the next you’re pulling her hair as she moans your name like it’s the only thing left she believes in. It’s not just sex scenes thrown at you (though yeah, there are plenty and they’re filthy). It’s the weird emotional rhythm between dominance and tenderness that makes everything hit harder. Her reactions - when she finally lets go, when the control slips - feel earned. Even the sandbox parts, where you can experiment a bit with how far you push her or yourself, somehow make the story more intimate instead of just checklist porn. You get to decide whether she’s your lover, your toy, or something in between.

And yeah, it’s graphic as fuck: messy titjobs that turn into handjobs that end in warm creampies on her perfect skin, moments of exhibitionism where she wants to be seen but hates that she wants it, and those rare flashes of romance that mess with your head more than any blowjob could. I found myself half turned on, half curious about how far she’d fall - or maybe how far I’d drag her down. It’s dirty, but not dumb about it. Like watching someone unbutton their soul, one button too late.

Summer in this thing feels sticky in the best and worst way. You can almost smell the salt from the sea and that weird countryside mix of boredom and heavy air, where nothing happens and then suddenly everything happens at once. You start out thinking it’s going to be this cute little romantic break for Izumi and Sophia, school year behind them, sun on the skin, that first night sex where both are still a bit wound up from exams. Her riding him with that fake innocent look that doesn’t really hide how much she likes it, tongue out, eyes rolled when he finally gives in. It feels normal. Comfortable. You almost fall for the idea that this is a straight summer love story, like some harmless anime you keep on in another tab while you scroll Twitter. But then the father shows up. Kuroda doesn’t rush anything, which is what makes it nasty in a good way. He’s older, moves slow, watches more than he talks. The game lets you sit in that, in those lazy scenes where nothing explicit is happening and still you feel like you’re watching the first crack in a glass. Sophia in light clothes that cling a bit too much from the heat. No bra in the hallway. That one scene where she bends to pick up a dropped towel and he’s just standing there behind her, not saying a word. It feels almost like you should look away and of course you don’t.

What I liked is how it keeps pretending everyone is still “respecting” the relationship while constantly shoving small betrayals in your face. Like that barbecue evening where Izumi gets a little drunk and brags about how wild Sophia can be in bed, like an idiot, laughing, not getting that his own words are giving his father ideas. Later, in the kitchen, she’s blushing about it, and you see Kuroda’s hand linger on her lower back just a bit too long. The game really enjoys turning Sophia into this sweet girl who slowly starts testing how far she can go without being caught. No instant switch to slut mode. It’s more fun than that. A shared smoke outside, his rough fingers brushing ash from her lips. That awkward scene in the tiny country bathroom, her pressing her thighs together because she “needs to pee” but it’s obvious she’s actually remembering his eyes on her earlier. And yeah, there is this messed up thrill when the old guy finally gets more than just stolen glances. The first time he touches her properly, it’s not even full on sex, just his hand slipping under her shorts on that little countryside road where crickets are screaming and Izumi is literally twenty meters away checking something on his phone. She bites her lip, looks like she might scream or call him, but she doesn’t. Of course she doesn’t. And later, when she’s back in bed with Izumi, the way she rides him starts to change. Hips looser, face more open, like she’s replaying something else in her head while moaning his name. The game is cruel like that. It lets you see a sweet summer couple get slowly eaten alive from inside, replaced by this filthy secret thing between a girl and the man who should be the safest person around her. And what really got me? There is one scene on the beach, at sunset, when she sits between them, the younger and the older, and you can’t unsee that the way she leans into Kuroda’s shoulder is just a tiny bit deeper than it should be, her thighs pressed together because she knows exactly what they did in the house earlier that day, with the windows half open, cicadas yelling, his thick cock stretching her in a way Izumi never quite did, leaving her walking different, acting the same, lying straight to his face with a soft little smile.