You wake up in this cold metal coffin, brain still full of weird cryo dreams, cock already half hard for no good reason, and the first thing you hear is your ship AI calmly telling you the entire Tau Ceti system went silent fifty years ago. No welcome back party, no fancy sci-fi bullshit speeches. Just you, a crew that looks way too hot to be statistically realistic, and a mission brief that screams “we’re all fucked” between the lines. The game doesn’t waste time pretending this is some noble heroic space epic. It’s more like: “Hey commander, everything beyond this door might be hostile, corrupt or horny as hell. Also you really need to keep morale up. Use any tools you have.” And yeah, they mean exactly what you’re thinking. Sometimes even more.

The tone flips in a fun way. One moment you’re walking through dark corridors with only emergency lights on, convinced something is watching from the vents, tension crawling on your skin, then suddenly your second-in-command starts stripping in the med bay because “skin-on-skin contact helps circulation after cryo” and she says it with a straight face. She’s got this insane body, big ass that barely fits in the standard-issue uniform, tits that look… honestly they look like a violation of the Proxima engineering budget. You’re doing a full psychological evaluation and it turns into her sitting on your lap, grinding slow while still talking about chain of command and mission protocol. You’re half listening to the horror story about what happened to the last expedition and half lost in the way her uniform slides down, nipples hard in the cold recycled air. At one point she starts stroking you under the desk while asking if you’re “mentally stable enough to lead.” Answering that form with your dick in her fist is a special flavor of fucked up that the game leans into really hard.

Sex scenes feel like they belong to the stress. Nobody is “romantic”, they are needy, scared, pretending they aren’t. One of my favorite bits is this oral scene in the observation deck, stars drifting by so slow it looks like a painted wall. She gets on her knees between those massive observation windows, jokes about giving the void a show, then opens her mouth and you forget there might be actual monsters waiting out there. She takes you deep, drooling, gagging a little, eyes locked on yours, then when you unload she absolutely refuses to spit. Just looks up, swallows every drop, then casually licks the tip like she’s cleaning a lab tool. After that she snaps right back into mission talk, wiping her lips and briefing you about the blackout like this is a normal staff meeting. The contrast between “I'm full of your cum” and “by the way, we might be the last humans alive in this system” hits harder than any jump scare.

The male domination angle is there, but not in a corny porn way where everyone just instantly worships you. You have authority by rank and the game milks that. You order a crew member to strip because you “need to check for cryo burns”, run your hands along her skin, grip her throat lightly to see her reaction, push her against the bulkhead and fuck her raw while she’s half moaning, half begging you not to forget the actual mission. There’s a scene where you use a toy on her in the lab, just to “test the effects of micro-vibrations on post-cryo muscle tension”. Total bullshit excuse, but she plays along, strapped to a chair, legs spread, toy humming inside her while readouts blink in the background. When she finally creampies herself on the toy, thighs shaking, you’re the one who gets to decide if she licks it clean or you just shove your cock into that overstimulated pussy and finish the job with a messy creampie of your own. And in the next scene she might casually bring up that you’re running low on rations and someone has to volunteer for a high-risk EVA. The game is good at making you horny and slightly guilty at the same time, like you’re jerking off in a haunted spaceship.

What sells it for me is how the horror and the humor keep cockblocking each other. There’s this one gag where the AI deadpans some stupid meme-level line right as you’re about to cum from a rough handjob in the engineering bay. She’s jerking you with oil-stained fingers, muttering how she needs “stress relief” before checking a failing reactor, and the AI chimes in with a safety warning so out of place you actually laugh mid orgasm. It undercuts the seriousness, but in a way that feels real, like people trying to stay sane while they’re one broken bulkhead away from getting spaced. And sometimes the horror takes over completely. Long, quiet walk down a cargo corridor, lights flickering, you hear what sounds like breathing that isn’t yours. No sex, no jokes, just that slow burn psychological shit that reminds you this is still a thriller, not just a porn slideshow. I opened one of the locked doors expecting more tits and toys, got something else, and for a minute I just sat there staring at the screen thinking “ok, maybe everybody fucking all the time is actually the healthiest thing on this ship.”

Also, tiny thing, but it annoyed the hell out of me: one character’s hair clipping through her collar during a really intense scene pulled me right out of it, and then I spent the rest of that scene half focused on her mouth, half staring at that stupid floating hair like a maniac. I never got over it. At least the swallowing animations are on point.

Phil is the kind of old bastard you see in hentai and think, “nah, nobody is like that in real life,” and then the game spends about ten minutes proving you wrong. He used to be this self-proclaimed sex god, king of the boarding house, panties thief, the whole package, and now he’s broke, humiliated, and somehow still horny as fuck. The plot is simple on paper: someone screwed him over, he got kicked off his throne, and now he claws his way back up by joining the local mafia and turning his own house into this weird mix of crime HQ and pervy playground. It sounds ridiculous, and it is, but that’s kinda why it works. One moment you’re helping him deal with shady guys in suits, the next you’re peeking through keyholes to watch a girl ride a dildo she swears is “for back pain only.” The game just shrugs like, yeah, that’s normal. Helga, Olga, Mirian, Layla, Ronda, Phoebe… every name drops like some bootleg crossover of childhood cartoon parody and cheap soap opera, and they all come with their own flavor of fuckery. Helga being a tsun brick with big tits is probably the least surprising thing in here. The first time Phil accidentally walks in on Layla, ass in the air, playing with a toy in front of her phone camera, I actually paused and laughed, because of course the old pervert doesn’t back out. He just stands there, breathing heavy, and the game lets you drag that voyeur moment out longer than it should. The teasing is constant, insanely slow at times, like the devs are edging you on purpose. You grab tits, you grope asses, someone complains, someone moans, and the line between “oops” and “he totally meant that” is very blurry. It’s a sandbox structure, so you bounce around the house, repeat scenes, poke at characters until new stuff unlocks. Sometimes it’s hot, sometimes it’s just Phil being a creepy old fuck and you go “okay dude, relax,” but then you click the same option again anyway, so who’s the real problem here.

What I didn’t expect is how much the game leans into Phil being old, not in a sad way, but like a filthy legend past his prime trying to speedrun a comeback. He talks about his “glory days” while staring at a teen with a big ass bent over the kitchen counter and whatever sympathy you had just melts. And yet, the game still lets him be this weird charm bomb. He flirts with Milfs and teens like it’s all the same sport, one minute groping some big tits in a cramped hallway, the next sabotaging some poor bastard’s date so he can swoop in. There’s a scene with Olga where he “helps” her with yoga, and you can practically smell the sweat and desperation when he pretends his hands just “slipped” to her ass. Anal stuff shows up more casually than I expected too, like Phil is just ticking off a bucket list he started thirty years ago. The parody angle pops out more in small jokes: little nods to “Hey Arnold” style names, some girl literally named Ronda who looks like she walked out of a bootleg hentai version of a kids show, and the game never points at it directly, it just sits there and lets you be the one who feels dirty for noticing. Sex toys appear in random places, like a vibrator casually on a coffee table, and Phil’s reaction is always the same horny old man energy, half shocked, half delighted. I only really got annoyed at tiny things, like how the same teasing line repeats in certain scenes and the timing of some events feels off, you walk in, get blueballed, leave, come back, same half-finished seduction, like the universe is lagging. But then you hit a new voyeur moment with Phoebe showering, water dripping over huge tits pressed against the glass, and the irritation just fades into the background noise. Nothing feels polished, not the pacing, not the transitions, not even the way Phil talks, but in this type of game it kind of fits. It’s like dirty fanfic that escaped, got some code slapped on it, and decided to become your new guilty habit without asking.

RapeCide looks like somebody took a normal cyberpunk city, forgot to pay the light bill for ten years, then filled the empty streets with every fucked up power fantasy they could think of and hit shuffle. You play as AJ, this engineered super cop girl who’s supposedly top tier lethal, all tactical gear and big attitude, and the game just keeps finding new ways to drag her through the mud. And not just “oops I fell into trouble” kind of mud. More like “mind control collar, public use, broken pride in an alley next to a flickering neon sign that says nothing good” type of mud. The story pretends it’s about retaking a derelict city, but very fast it turns into the city retaking you, your agency, your clothes, your holes, your everything. One moment you feel like a badass soldier in a ruined dystopia, next moment you’re naked on your knees, cum dripping down your big tits, being ordered to thank the guy who just slapped you so hard the camera shook. And then AJ still tries to stand up like she’s got anything left, which is weirdly hot and kind of pathetic at the same time.

Combat is turn based, but the sexy part is how the fight choices are just slow steps toward how badly things go for her when she loses. You pick skills, try to play smart, manage your status, and when you screw up, suddenly you’re pinned to a wall with hands everywhere, some thug laughing while he uses her throat like a toy and another guy works her ass with a toy that definitely didn’t pass any health inspection. The humiliation scenes feel less like “here is a reward” and more like “congrats, you misplayed and now your super cop is a drooling fuckdoll on the pavement.” I like that. Or maybe I don’t. The game kind of beats you up emotionally too. They play with corruption really hard: you get these moments where AJ could say no, push back, try to hold onto her cop code, or she can just lean into prostitution offers, let the blackmail stick, agree to some nasty contract in exchange for gear. Sometimes the “smart” way for the mission is also the one where she ends up on a stage, stripping while a crowd throws credits and someone in the back shouts orders that make her cheeks burn and her body obey anyway. And yeah, the animations focus way too much on drool. I noticed that. Couldn’t stop noticing it. The dev clearly has a thing about faces totally wrecked with spit and bukkake, like half the city is paid in facials.

What really got me though is how messy the power fantasy is. On paper it’s male domination central: guys using her like property, slapping her ass until it’s red, fucking her pussy and ass at the same time while someone else holds her hair and uses her mouth, filling her up and then watching the creampie leak as she wobbles in her boots. But then out of nowhere you meet women who are worse. There’s one scene where this high rank bitch in tight armor casually gropes AJ in front of her own squad, like “you’re mine now,” and AJ can’t do shit about it. She gets toyed with, spanked, forced to lick boots, and the whole tone flips into femdom in a way that kind of blindsides you. One moment she’s choking on some brute’s cock, next she’s chained kneeling in front of a woman playing with a vibrator on the lowest setting just to make her beg for more. I opened Discord mid scene to scream into a channel about how the writer is actually evil, then went right back in. There’s even a bit where you botch a tactical call, lose control of a zone, and the “punishment” is basically group sex in an abandoned checkpoint, with guards taking turns in her mouth while others spank and grope and laugh about the “mighty officer” reduced to a cum bucket. Somewhere in there is a romance line pretending to exist, but it keeps getting buried under spits, collars, and her slowly accepting that this city doesn’t want a hero. It wants a slave that still tries to stand up, even when she’s covered in semen and shaking from another rough orgasm she didn’t consent to but her body clearly did.

Your pap dies off-screen, leaves you his whole damn job in Soul Society, and you’re still basically a horny newbie who barely remembers which captain hates which. That’s the vibe here. You’re thrown in as the new commander, everyone calls you “taicho” with that fake respect, and half the time you’re trying to decide if you should fix the political mess or just fuck your way through it. First scene already tells you how it goes: one minute you’re at a funeral, the next you’re staring at Rukia’s legs way too long and thinking “yeah this is not how a responsible leader behaves” while the game kinda smiles and says, “good, keep going.” It doesn’t pretend to be epic and serious, even when it tries. You talk to captains, you mess with schedules, send squads on missions, but every choice has that “ok but how does this help me get into her pants” feeling. Sometimes it’s soft stuff, like walking Hinata-style shy girls out of their shell with dumb little compliments, sometimes it’s straight up “I’m your commander, get on your knees” and the game doesn’t flinch at all.

What really hooked me was how dirty it gets once you stop being polite. At first I was like “I’ll play the good boy,” trying to keep everyone friendly, but you run into Rangiku and her tits are basically their own cutscene, spilling out of the uniform every time she bends forward. You can tease her, get teased back, or just push it into rough territory if you set your dominance high enough. Same with Yoruichi. One route she’s trolling you, laughing in your face, making you jerk off like a dog while she watches. Different route, you’ve got her on all fours, collar biting into her neck, ass up and dripping while you decide if it’s going to be slow pussy worship or full-on choke-and-cream. The game doesn’t hide the nasty stuff: sleep sex scenes, voyeurism when you spy on captains bathing, lesbian side events with girls grinding on each other while you’re just there stroking, ahegao faces that would get you banned on Instagram in one second. It’ll let you titfuck Orihime on your office chair, footjob from some smug captain who pretends she hates you, sex toys stuffed into subordinates while they’re trying to keep a straight face in meetings. One moment you’re holding a sweet romance flag with someone like Inoue, later you’re watching her gag on your cock while her eyes roll up, drool everywhere, and then you still go to a “respectful” briefing like nothing happened. The AI CG actually surprised me a bit, sometimes it looks weird on fingers but then you get a midnight creampie scene with Nel or a rough blowjob with Tsunade-tier milf and suddenly you forget everything you wanted to complain about. I still hate that tiny menu button that’s slightly off-center and my brain screams every time I tap it, but yeah, this is one of those games where you say “ok, just one more scene” and then your dick hurts but you still click.