Three minutes in and you already know this thing is not trying to be “sexy comfort food”. It feels more like someone smashed a horny visual novel into a moody dark fantasy RPG and then said, yeah, let the angels cum and cry at the same time. The setup is weird in a good way: you are this male celestial warrior who screwed up his place in the heavenly order and now walks around in mortal skin, stuck between factions who all lied to you at some point. Every choice you make pulls you deeper into this mess of vampires, demons and those three strange kids who clearly are not just “kids”. You look at them and you feel this heavy, wrong power humming under the skin, like something old trying to wake up and fuck the world over. Then the game looks you in the eye and asks: you gonna protect them, use them or break them a little at a time?

What really hits different is how scenes shift between points of view without warning. One moment you are the exiled angel, trying to keep your halo from rusting while a demoness grinds on your lap and whispers about “freedom” in your ear. Next moment you are that same demon, watching him from the corner, judging him, wanting him, wanting to corrupt those kids he cares about just to see his face when they fall. The multi‑POV stuff is messy but in a way that feels like an actual adult brain, full of lust and guilt and bad ideas. You get voyeur scenes where your character is literally watching through a mirror while a vampire feeds and fucks in the same motion, blood mixing with spit, and you have dialog options like “walk away” or “stay and let it change you”. Not a hint, not a fade to black, the game just lingers on it. Then later that same vampire might kneel in front of you, red eyes soft, asking for forgiveness while you decide if you give mercy, a hard dick or both. It pretends to care about morality but honestly it cares more about what breaks you first: your ideals or your underwear.

The corruption angle is where it goes nuts. You feel your angelic side rotting, bit by bit. You flirt with demons, you taste vampire blood from a lover’s tongue, you let an inhuman girl ride you while her wings sc*** the wall and her fingers dig into your chest like she wants to pull out that holy heart. And the story actually remembers. Some routes will twist the kids into little monsters, half angel half demon, staring at you with eyes that know too much, asking you why you touched them the way you did, why you taught them freedom means ignoring every rule heaven ever spat at you. Other times you can keep them “pure”, which honestly feels more fucked up, because the world around them is drowning in lust, and the game keeps throwing you scenes where you sneak away to fuck a demon in an alley while they sleep in the next room. The mood stays dark, like corrupted church art, but it still gets shamelessly horny. You are in a ruined chapel, candles, old symbols, your back slammed against the altar while a fallen angel wraps her thighs around your waist, halo cracked and hanging in her hair. She tells you she was made to serve the divine, then begs you to fill her with anything but holy light. Somewhere outside, monsters scream, realms tremble, fate hangs in the balance or whatever, and you just keep going, because right there, body on body, is the only kind of “free will” that actually feels real.

Akira is the kind of walking disaster protagonist I like: dude’s broken, horny, and way too easy to manipulate. His girl Yuki died in a car crash, and he’s stuck in that grief spiral where your brain mixes sex and pain until it feels the same. Then he ends up at this creepy Kagetsu mansion with his hot professor Akane, who has that strict academic vibe that screams “I grade your papers and your stamina.” The place looks dead, rotten, like nobody has lived there in forever. But when Akira sleeps, the whole thing flips. Suddenly the mansion is alive and pretty again, servants walking around, warm lights, soft carpets, all that fake safety feeling. And in that dream version, there’s Sayuri, the elegant hostess who talks like she knows every dirty thought you had at puberty, her obedient maid Mizuki, and her daughter Momiji who is way too sweet in a place that smells like a curse. Oh, and Yuki. Back from the dead. Smiling. Breathing. Moaning. Not rotting. You feel it right away: this place is wrong as fuck, but in a way your dick is very okay with.

The fun thing is how the game makes you sit in Akira’s messed up head. One scene he’s holding Yuki, absolutely convinced this is his second chance, clinging to her like she’ll vanish if he blinks. Next scene he’s in the real ruined mansion, sweating, mind full of weird whispers and flashes of Sayuri’s eyes looking at him like he’s already owned. The erotic bits hit harder because they’re tangled with guilt: when Yuki is on top of him, begging him not to leave her again, you almost forget there’s something rotten behind her smile. Then the game undercuts it with small details, like the way the wallpaper pattern twitches at the corner of the screen, or how her voice overlaps with another woman’s for half a line. It’s not jumpscare horror, more that slow “why is my boner making me feel unsafe” vibe. There are routes, choices, all that usual visual novel stuff, but the nice part is how it likes to tease you with the “good” path where you can save Yuki, then quietly push you closer to this fucked up god in the mansion that clearly wants more than just your soul. Sometimes the pacing drags and a scene talks in circles, but then suddenly you get a moment like Mizuki kneeling in the hallway, collar on, reciting some ritual text while her hands shake, and it hooks you right back into that mix of ritual, sex, and fear. By the time you notice that every “comfort” scene is just another chain around Akira’s neck, you already picked the choice that tightens it.