Doom finally stops playing the Saturday morning cartoon villain and starts doing the dirty work everybody always joked he was doing off screen. "Behind the Doom" is basically what happens when a control freak supergenius decides world domination is fine, but ruining Susan Storm’s life from the inside out feels a lot better. It’s a slow burn kind of filth. At the start he’s showing off his shiny Latverian utopia, talking like some tech bro on a TED talk, pretending he cares about peace and progress. Underneath that armor he just wants one thing: Susan kneeling between his legs, wedding ring and heroic ideals both slipping off at the same time. You go from stiff political speeches to her staring up at him with drool on her chin and mascara running, and it somehow feels like a natural career path.

What I liked is that the game doesn’t rush to the hardcore. It lets Susan still believe she’s the good guy for a bit. She thinks she’s just “investigating” Doom, helping the world, being responsible. Then he starts playing with her invisibility in the most perverted ways. Ordering her to suck him off while she’s half invisible, so only her lips and tongue are visible wrapping around his cock, the rest of her fading in and out like she’s glitching from shame. There’s this one scene where he makes her hide under a table while a big diplomatic meeting goes on above, and her job is just to keep him hard with her mouth the whole time. The camera keeps jumping from the stone serious political chat to her swollen, stretched lips working on him under the armor. That moment stuck with me more than the flashy stuff, honestly. It’s the casual way he treats her like a background function now, like breathing or blinking.

Then the game remembers there are other heroines to break and just casually drops Scarlet Witch into the mess, like “oh yeah, magic slut, forgot about her.” Wanda starts as this smug powerhouse, acting like she’s above his tech, and two scenes later she’s helping him train Susan, rewriting her own morals while he rewrites her body. When they both end up on their knees, trading his cock between their mouths, Wanda using her powers to hold Susan’s hands behind her back so she can’t even stop herself from pushing deeper, it’s completely degenerate in the best way. Anal stuff hits harder than I expected too; Doom doesn’t go straight for brute-force pain, he makes it a reward, a “promotion” in his twisted little company. The first time he takes Susan’s ass, he does it on a balcony overlooking his perfect city, making her watch the peaceful streets while he grinds her open, whispering how this is what real stability looks like: her bent over, his cock buried in her, invisible or not, everyone beneath them belonging to him. It’s not subtle, it’s not romantic, it’s just cynical, nasty corruption porn with capes, and it works way better than it has any right to.

Epifania looks like some luxury fashion week gone rotten in the sexiest way. Neon on wet concrete, everyone pretending to be high class while they’re literally lining up for a hole in the wall. You arrive as this nobody with big hunger and zero connections, just you and this building that looks like an abandoned outlet store someone forgot to bulldoze. Then that Devil Investor shows up, all smug and perfectly dressed, like the kind of client who sits front row at a fetish runway show and buys the entire collection with one bored click. She doesn’t ask if you want in. She just throws you the mission: turn this wreck into the most profitable and depraved brothel in the city. And suddenly you’re balancing spreadsheets and cumshots in the same breath, which, honestly, feels familiar to anyone who tried to run an Etsy store while doomscrolling Pornhub.

First thing that caught my designer brain: the girls are not copy-paste dolls. You start “training” them and it feels weirdly like fitting models for a very, very illegal lingerie line. You watch them change from shy little things clinging to basic underwear into total predators who know exactly how to use lace, heels, and a dripping mouth. Some are sweet mom-types with soft tummies and milk-heavy breasts, the kind you’d shoot for an expensive maternity fetish catalog. You push them into public booths where strangers use them like shared accessories. That whole gloryhole section? It’s like designing a collection where the face is irrelevant, only the silhouette of thighs and tits matters. I hated how it turned me on. I loved how it turned me on. It’s messy like that. One night I focused on a single “pure” girl, double-checking her stats on my phone between Instagram stories, trying to keep her first time special then casually booking her into a gangbang room right after because the numbers looked good. The game doesn’t guilt-trip you. It just quietly asks: more clients or more conscience? And you already know the answer, you capitalist slut.

The management part is sneaky. You think it’s just clicking upgrades, then you realize you’re planning who gets which kink like you’re coordinating outfits for a runway lineup: anal queen here, bondage star there, the tall milf with heavy lactation in the VIP lounge that smells like perfume and sweat. There’s this weird thrill watching your building go from dusty warehouse to multi-floor pleasure machine, with private rooms, voyeur windows, and that one office where you handle “contracts” with potential corporate partners who want their own harem branch. I kept pausing, thinking how I’d design actual lingerie sets for them: soft leather harnesses for the submissive accountant type, transparent body stocking for the market manipulator who ruins competitors while taking a footjob on her desk. At one point I was negotiating prices for public use sessions on one screen and sketching a crotchless bodysuit in Procreate on the other, and it all just blended. The game lets you push the girls into pregnancy deals like they’re limited edition drops, fill them up, send them back out, watch clients line up for that. It’s fucked up. It’s hot. I still wish the interface didn’t hide some details in tiny menus like some cheap fast-fashion site, but then I catch myself zooming in on a courtesan getting her ass filled and I forget what I was annoyed about. Anyway, the city doesn’t care. You start with nothing, you end with a building full of moaning, swollen, used bodies and a bank account that keeps climbing every time someone walks through your doors. It feels like running a fashion brand where the models never leave the show, they just keep getting fucked harder behind the curtain.