This one feels like I walked into my own gallery at closing hour, lights half off, and there is just this one piece on the wall that will not let me go. A retired hunter, alone, pretending the world has moved on. And outside the door, a lovesick werewolf, so full of longing and hunger that it almost hurts to read. The game is short, yes, but it hits like a very focused exhibition: just you, the wolf boy who never really stopped chasing you, and a forest night that smells of wet fur, blood, and someone you used to fuck or maybe should have. You pick your pronouns, you name your hunter, but it still feels like the story already knows you. It treats you as if you have history with this creature. The first time he steps out of the dark, half monster, half man, teeth shining, eyes too soft for that body, it’s like some twisted fairytale where the woodcutter secretly wanted the wolf all along.

What I liked is how the erotic bits grow out of that mood instead of just dropping from the sky. The build up is slow and sticky: brushing against his fur, the way his tail twitches when you threaten him with your old hunter voice, the way he still calls you like you’re the only person in the world who ever mattered. And then it becomes very physical, very fast. There is dry humping that feels desperate, almost clumsy, like he has been replaying this moment in his head for years and actually touching you overloads him. The handjob scenes are messy, all panting and grinding, like he wants to climb into your skin. I liked the oral a lot because you feel it from the hunter’s point of view, the heat of his mouth, the wet noise, the way he struggles to keep his fangs away from your cock while still licking you stupid. There is cock warming too, with that strange mix of comfort and filth: him buried in you or wrapped around you, both of you not really moving, just breathing and trembling while his knot or his mouth keeps you trapped. It is strangely tender, even when there is biting and marking, your neck, your chest, his claws in your back, like he is carving his name into an old property. Sometimes it gets a little too wordy, like the writer is afraid to shut up and just let you sit in the silence between thrusts, but then you get one perfect line like “you taste like home” and my brain just stops.

CGs are few but they land nicely, like catching flashes of explicit sketches in some NSFW Twitter scroll that you shouldn’t open at work. Him on top of you, eyes glazed and needy, fur matted, your body pinned under claws that could rip you open while his cock presses hard against your stomach. Or that moment where he’s between your legs, ears back, cheeks flushed, mouth full of you, wolfish features twisted around devotion and greed. The multiple endings make the sex feel heavier, because you know you might break him for good. One wrong choice and that romantic, horny monster you just had rutting against your thigh with his tongue hanging out can end up bleeding in the dirt because of you. It’s a game about fucking, yes, but it is also about how much power you keep over someone who loves you enough to let you kill him. I played it on mobile in bed, screen too bright, one hand scrolling and the other wandering lower every time he whined your name. At some point I got annoyed that the text box covers just a bit too much of his body during one of the best scenes and I kept adjusting my phone like that would fix it, and now I can’t stop thinking about that tiny stupid issue instead of going back in for the last ending. Anyway. The sound of him begging, even just in text, sticks in your head like a good meme you don’t want to share with anyone. This is not a clean story, not emotionally and certainly not physically, and that is exactly why it works.

Loona landing in your lap already pissed off is honestly the best mood for this game. She’s not here to be “waifu of the year”, she’s here to snarl, roll her eyes, flirt like a bitch in heat and then act like it never happened. You get thrown into this weird spot where you’re half therapist, half horny tourist in Hell, trying to explain human dating to a hellhound who could rip your throat out or ride your dick in the same sentence. And it actually feels like a date sometimes, not just porn stuck between dialogue boxes. You’re picking answers, reading her reactions, watching her tail twitch when you accidentally say something that hits her soft side. Next second she’s calling you a perv and asking if you brought condoms, like it’s your fault you have eyes.

Art is what really sold me. Hand‑drawn, dirty in the right way, not that soulless AI mush. Lines are a little inconsistent now and then, and I like that, it feels like someone actually sat there, zoomed in too much in Clip Studio, and forgot to fix a finger. Her expressions go from annoyed little fang gremlin to full-on needy bitch in heat, and the animators really leaned into her being a werewolf type girl and not just “girl with dog ears”. Her thighs look heavy, her hips have that bounce, and when she climbs on top, the camera doesn’t shy away. You see drool, her tits press and deform against you, fur framing the angles, tongue out, eyes rolled back. There’s one scene where she’s riding and mocking your rhythm at the same time, and you get the choice to shut her up by grabbing her throat or pulling her closer for a kiss. Both are horny, just in different ways. The kiss option made her go all shy and then double down harder later, which is kinda hot and kinda annoying because she never admits she liked it.

The romance part sneaks up on you like a drunk text. You start just wanting to see Loona naked in this parody Helluva/Hazbin flavored setup, and suddenly you’re reading this dumb little line where she talks about how in Hell, “dates” usually end in blood or contracts, not cuddling on some crappy couch watching trash TV, and you’re like yeah ok, I’d actually hold this stupid wolf girl’s hand. Then the game hits you with a blowjob scene where she’s glaring up while drool and cum leak from her lips, and the romance melts back into pure porn again. Writing is rough around the edges, some lines feel like Google Translate had a hangover, but it matches her attitude somehow. She curses too much, repeats herself, calls you names, and that fits. I wish there was more slow build before the first sex scene, but at the same time the impatient rush is very “Loona” so it probably won’t change and I’ve accepted that. Still thinking about that one ending where she pretends she doesn’t care you picked the soft options, tail wagging like crazy in the background while she tells you she only did this to “blow off steam”. Sure, girl. Whatever you say.

Drok'tar looks like the kind of orc that should be smashing skulls, not asking polite questions in a sleepy little town, and that contrast is the first thing that hooked me. He stomps in with this huge body, thick arms, heavy chest, everything about him big and heavy and absolutely not subtle, yet the game starts with him basically doing detective work. You’re chatting up nervous villagers, poking around the outskirts, checking tracks, talking to guys who clearly just want to stare at his chest instead of answering anything. There is this funny rhythm where you’re half focused on clues and half distracted every time some other beefy guy shows up and the game camera suddenly decides that pecs and thighs are more important than whatever crime or bounty you were supposed to care about. It feels like the game also lost interest in the investigation, which honestly matches how I was playing it.

The pixel art is doing a lot of work here. It is chunky and simple, but still very horny somehow. Drok'tar’s torso is like 80 percent of the screen in some scenes, broad as a door, nipples clearly defined even in tiny pixels, and when you meet the dragon guy in the hills, the scale is just stupid in a good way. Huge neck, long tail curling around the rocks, that smug face looking down at this orc like “you are not bringing me in, but I might let you worship me.” The sex scenes do not waste time pretending they are classy. Once you hit the right flags in dialog, things flip from rough small talk to “ok, strip, kneel, open up” with almost no transition. There’s a werewolf encounter in the forest where the whole tension is just “is this guy about to maul me or mount me” and the answer is both. Claw marks on Drok'tar’s back, then the wolf grabs his hips and slams in deep, and the screen shakes a little like some old SNES game glitching. It is ugly in a way I actually like. It feels raw, like a horny doodle that turned into a whole scene.

What surprised me is how the town gossip matters. You say the wrong thing to some random furry blacksmith and suddenly your next scene changes. Maybe you get pinned against the anvil and he fucks you rough, or maybe he just stares at you cold and the game denies you that whole route. I kind of hate that I missed one orc-on-orc scene because I said the polite answer instead of the slutty one, and there is no simple rewind, so I had to replay some boring walking. The writing is oddly sweet at times too, which almost annoyed me. One minute Drok'tar is swallowing a dragon’s fat cock, choking and drooling all over his abs, the next minute they are having this soft little conversation about work and loneliness. I liked it, then got mad at myself for liking it, then got distracted again by how the dragon’s balls are drawn almost too big for the sprite box. Also, tiny thing, the text box sometimes covers the best part of the art and it drove me crazy, but I kept clicking too fast and never really fixed it, just kept complaining to myself. Anyway, the game swings between horny interrogation, clumsy investigation and full-on bara porn with orcs, wolves and dragons taking turns on each other, and somehow that messy mix makes it feel more alive than a lot of slicker stuff.

In the heart of an ancient woodland, Alessandra, a devoted priest of the Castanic Battle Seven of the eleven empires, stalks through the underbrush, hunted and hunting in turn. Tasked with uncovering the location of a freshly opened portal site, she must navigate twisted paths and shadowy threats to succeed. The forest is alive with the snarls and growls of werewolves, turning her journey into a brutal game of cat and mouse.

Her big tits and warrior's resolve give her an edge, drawing danger and desire alike as she navigates this perilous adventure. The line between hunter and prey blurs, and Alessandra’s encounters become charged with a dangerous mix of lust and violence.

The game features stunning CG art that reveals Alessandra’s every daring move and intimate encounter deep in the forest’s heart. Engage in thrilling minigames that test your reflexes and cunning, whether escaping deadly claws or weaving seductive spells.

Guide Alessandra through this dangerous wilderness to discover the portal and claim the power it holds. Uncover hidden truths about the eleven empires and the dark magic swirling around the portal, all while indulging in the game's intense and erotic encounters. Expect a gritty, unfiltered adventure where Alessandra’s fate is shaped by your decisions amid a landscape teeming with untamed passion and peril.