It’s weird how this one tries to be a parody but ends up accidentally saying something kind of tragic about Kobeni, like she keeps blushing through the whole thing yet the game never lets her be just cute or just desperate - it’s always both, tangled together. I kept thinking the demon part would be the main hook, but nah, it’s more about that half-panic look in her eyes when you push too far and she still whispers your name. The timing mechanic feels stupid at first, tapping along while she’s choking or trembling, but then it clicks and suddenly you’re syncing with her rhythm in a way that feels too real for a joke game. It’s messy, literally and emotionally, and the moaning voice lines loop wrong sometimes, which only makes it better somehow - like catching someone mid‑breath and refusing to let them finish.

What gets me is how the corruption doesn’t even feel evil. You start off thinking you’re dominating her, but by day five she’s the one steering things, pretending not to, grinding slow while talking about losing her job as if your cock’s the only comfort left. The writing trips over itself, grammar all over, and yet every line lands because it sounds like someone actually flustered trying to talk dirty and failing. There’s a scene in the bathroom where the mirror fogs up and for a second you see horns behind her reflection, tiny, twitching, like she’s halfway yours already. Then she laughs too loud. Totally ruins the moment. But it sticks.

I’ll say though, the creampie counter? Completely unnecessary and also perfect. It forces you to notice time passing, like this gross little calendar of need. The parody label doesn’t save it from being hot, and the humor doesn’t stop it from being kind of sad. Maybe that’s why I keep replaying it, telling myself it’s for the endings, but really just waiting to hear her gasp that same broken syllable again.

Honestly, this one caught me off guard. You’d think after a dozen Naruto parody trainers they’d all blur together into the same soup of recycled sprites and lazy dialogue - but nah, this one’s got that weird, half-dreamlike pacing that makes you question if you actually clicked the right window. The story keeps slipping between “you’re some lost shinobi perv” and “you’re basically a hypnotist with boundary issues,” and somehow it works. Not cleanly, not smoothly, but like a drunk confession that goes on too long. I liked that about it. It doesn’t pretend to be noble; it just wallows in its own filth and smirks at you for following along.

The girls - hell, where do I start - Hinata’s the obvious comfort zone, soft voice and all that, but the dev went nuts with Tsunade’s scenes. Big doesn’t even cover it. There’s something almost mean about how her moments are written, like the game’s daring you to feel bad and failing miserably. Then there’s Konan, who gets criminally little attention, which pisses me off because she’s drawn better than half the cast. They all have these small quirks that make them feel more alive than they should - Sarada’s fake confidence, Temari’s sharp tongue that turns into begging way too fast. It’s messy, uneven, sometimes straight-up broken, but that’s part of the charm. When the hypnosis mechanic actually hits, it’s filthy in that old-school flash-game way - cheap, raw, no pretense.

I’ll admit, I got bored halfway through one route and just started clicking random choices, and somehow ended up in a scene with Mei Terumi that honestly shouldn’t have been as hot as it was. Maybe it’s the writing, maybe the timing, maybe I’m just easy. Either way, it stuck with me longer than I care to admit. There’s a roughness here that feels intentional, like the dev knew perfection would kill the mood. And yeah, some lines read like they were translated by a hungover intern, but whatever - it fits. It’s sleazy, shameless, and kind of brilliant in its own dumb way.

This thing hits different than most trainer games, honestly. The Avatar universe stuff works way better for corruption content than I expected - there's something about taking these pure-hearted characters and watching them fall that just... yeah. The *** scenes with Korra are brutal in the best way, especially when she starts breaking down and accepting what's happening to her. Mind control elements feel organic too, not like some cheap excuse to skip character development.

Combat system's turn-based but it's not the focus here. You're mostly grinding to unlock new scenes and storylines. Toph's pregnancy arc caught me off guard - didn't think they'd go that deep with consequences but here we are. The lesbian content between characters like Asami and Korra feels genuine, not just thrown in for variety. Though honestly, the male domination routes hit harder when you've seen how strong these women are supposed to be. Watching Lin Beifong submit after all that tough cop energy? Chef's kiss. The humiliation scenes with Jinora are questionable as fuck but... they're there if that's your thing. Spanking mechanics work well with the trainer format - you actually feel like you're breaking these characters down step by step.

What really gets me is how they handle the corruption differently for each character. Azula's already twisted so her scenes go in completely different directions than someone pure like Pema. The milf content with older characters hits different too - there's actual story weight behind why they're in these situations. Tentacle stuff with spirits from the Avatar world makes more sense than random hentai tentacles. Even the bestiality elements tie into the show's animal companions in ways that are fucked up but... thematically consistent? The whole thing's massive and unfinished but what's there already has more content than most completed games. Just don't expect quick faps - this one's a time investment.

It’s a weird kind of wrong that feels almost too confident about itself. The game just throws you right into this hotel-room-styled tension between Ben and Gwen, like there’s no excuse, no build-up, just quiet breathing and the kind of slow curiosity that only gets worse the more you watch. The control scheme is barely there - you think you’re just clicking around to peek, but then you’re moving hands and lips like you’re trying to pass off an accident as an experiment. The pacing makes it feel like time stretches sideways. There’s that one moment where Gwen turns, half-asleep, and it’s not clear if she knows what’s happening, and you catch yourself leaning closer like a total creep. God help me, I think that’s intentional.

Half the time the audio feels too loud, but maybe that’s the point - it’s not polished, like it’s meant to break the “cartoon world” with uncomfortable realism. The blowjob scene looks like it was stitched together by someone who didn’t care about pretty, just raw motion, the way her throat tightens around him while he mutters things that sound more like apologies than dirty talk. And then when you switch to doggystyle, yeah it’s cliché, but the way the lighting flickers - it’s distracting as hell and, weirdly, kind of hypnotic. The game’s rhythm keeps screwing with you: it slows down on the heavy stuff like missionary creampie and then speeds up when you least expect, like the code itself is embarrassed about what it’s showing. I got annoyed at that. Then again, maybe that’s why I didn’t stop.

You can tell whoever made this knew exactly what nostalgia they were playing with, too. There’s this sick mix of childhood memory and adult hunger that no one wants to admit enjoying. Kind of like watching something too close to a secret. The handjob bit feels almost shy, then the facial lands out of nowhere, breaking the build-up in the most abrupt, stupidly real way. I hate that it worked. I hate that my mouse hand twitched even after the final loop restarted. If that’s not the most human reaction, I don’t know what is.

You wake up in Rick’s garage, half hungover, pants around your ankles, and he just shrugs and opens some glitchy portal that looks like he coded it while drunk on cheap vodka. Next second you’re dumped into this fucked up version of their universe where everything is familiar but just a bit too wet, too soft, too shiny. The first thing you see is Beth’s ass in yoga pants, bent over the kitchen counter, arguing with nobody because Jerry doesn’t exist here. Or he exists but not as a man. You, apparently, are the stand‑in loser. This world is stacked with huge tits and thick asses walking around like it’s normal, and you’re somehow the only guy with working dick, but the joke is you’re broke, useless and everyone treats you like background noise until you prove you can do more than jerk off in the bathroom.

The game plays like somebody smashed an rpg with a horny sandbox and forgot to clean up the code. You wander around the Smith house, sometimes the dialogue hits, sometimes it looks like the dev wrote it on a bus. Beth flips from “responsible doctor mom” to “thirsty milf ready to ride your face” depending on your choices, and it’s messy in a good way. First time she dragged me into the garage and climbed on top, the camera bugged and her tits clipped into my forehead, looked like I was getting smothered by two balloons full of milk. Still hot, though. Summer is worse and better at same time. She acts like she’s too cool for you, glued to her phone, calling you creepy stepdad, then suddenly there’s this event where she’s stuck doing squats in these tiny booty shorts and if you picked the right options earlier she just casually spreads her legs on your lap like that’s normal family bonding. There’s a mini “quest” where you have to grind a bit of cash from random odd jobs, then blow it all in one night at some sketchy bar because a cop with big tits promises “special treatment” in the bathroom stall and then crashes the scene halfway when the wrong variable triggers. I had her talking like Beth for one line. I laughed way too hard.

What I liked is how dirty some scenes are without pretending to be romantic. Vaginal stuff is front and center, no ten‑minute build up, you can just end up balls‑deep in Beth on the couch while the TV shows some static cartoon and the UI text overlaps the cum animation. Sometimes you get stuck in this loop where you’re grinding affection points and money at same time and it feels like a shitty mobile game you secretly enjoy on the toilet. Sometimes the pacing just breaks and you go from jerked‑off loser to pussy magnet in two choices. It’s not stable, not clean, the porn logic is dumb, and the whole “nut your way home” thing already doesn’t make sense five minutes in, but when Summer is riding you in her messy room with her big tits bouncing and the game forgets to fade out the footsteps sound from the hallway, you kinda stop caring that half of it feels like a bug report waiting to happen.

It’s weird how this game makes guilt feel sexy. You wake up inside someone else’s head - not just anyone, but that stretchy mom-hero everyone secretly had a thing for back when Pixar still pretended innocence. The premise should be grim, revenge and all that, but the tone keeps slipping between sad and horny, like the dev couldn’t decide if it’s therapy or foreplay. The way control shifts feels personal, almost too intimate. It’s not just mind control; it’s like the game’s trying to pry into your own urges while you’re prying into hers. And maybe I’m reading too much into polygons, but when she touches herself, it’s never about lust alone - it’s about realizing her hands aren’t really hers anymore. That mechanic where you can *feel* the resistance in her movements is unsettling in a delicious way.

There’s this one scene with the aunt - yeah, the bakery one - where she talks to you like she *knows* you’re there, like she’s been waiting for the voice in her head to finally answer back. It’s creepy and tender, then suddenly it’s just obscene. I laughed because the transition was so abrupt it felt real. The body models aren’t flawless either, and that helps. A little awkward jiggle, fingers clipping through skin, like even the code itself can’t believe what’s happening. The audio’s inconsistent - sometimes soft breathing, sometimes nothing at all, dead silence while something filthy goes down. It’s that silence that hits hardest. You start thinking, maybe she’s ashamed. Maybe you are.

I hate the damn save menu though. Always pops right when things get heated, like the universe reminding you this isn’t real. But maybe that’s what makes it stick. It’s messy, it’s wrong, and it lingers afterwards like a guilty text you never sent. You’ll probably close it and tell yourself you didn’t enjoy it that much. You’re lying.

Inosuke getting dropped into this “mysterious town” feels like someone took Demon Slayer, put it through Pornhub search history, and decided, yeah, let’s make that a life. You walk around this quiet place where everyone is pretending nothing is wrong, but the vibe is so horny it’s basically fog. People talk about “strange events” and “legends” but half the time you’re just thinking, ok, which busty demon or milf doctor or smug slayer girl is going to drag his dick into trouble next. It’s a sandbox, so you’re not pushed in a straight tunnel. You wander, poke your nose where you shouldn’t, trigger scenes by accident, and suddenly you’re watching some demon girl with huge tits riding Inosuke so hard her eyes go full ahegao and the text box is just moans and “more” spam. What really hits is how casual the lewd is. You can be walking past some house, talking about “shared secrets”, then boom, fade, and now your boar-headed idiot is balls-deep in someone that would get most gacha games banned from the app store in five minutes.

The fun part is how the game treats all those familiar girls from the series. Mitsuri is exactly as dangerous and sweet as you expect, except the camera cannot stay away from her huge ass for more than two seconds. Shinobu looks calm and teasing and then talks to Inosuke like he’s a toy to experiment on, clinically, while she’s jerking him off on a bed she definitely uses for “medical research”. Nezuko showing up is this mix of “oh shit fan favorite” and “ok yeah this is absolutely fanart that escaped from Pixiv and learned to walk”. Then you have Tamayo being all elegant and soft, inviting, with that slow, almost motherly rhythm when she rides him in one scene that honestly felt more intimate than anything, until the dialogue reminds you she’s still hiding something huge from him and you’re basically fucking on top of lies. I use Auto Clicker on my phone to skip grind in a lot of games and I swear, here I kept pausing it just to read how they wrote the dirty talk, even when the English gets a bit weird and clunky. It actually matches my own dumb level of grammar in a good way, like talking dirty in your second language and not caring if verbs are correct as long as the dick is.

There is this one alley encounter with Daki that kind of sold the whole town for me. She acts annoyed, like he is a bug, and you think, ok, she’ll torment him, maybe humiliate him, but the scene flips into this nasty, aggressive vaginal pounding where she’s the one losing control, clawing his back and ranting about his stupid body while she trembles. Her face goes full broken ahegao, tongue out, and the game just leaves it hanging with no big plot payoff, just a memory you can replay later. Honestly, the biggest problem for me is how the sandbox sometimes feels like you’re circling the same spots waiting for the next sex flag to trigger, and there isn’t much actual “RPG” beyond moving, talking and getting new scenes. You keep hearing about legends and secrets like some big mystery, but when the option appears to just ignore it and keep fucking everyone in town, the game laughs and kind of pushes you in that direction anyway, like “yeah, detective work is cool, but have you considered raw demon pussy”. I got stuck once because one character only shows at a weird time of day and I kept missing her, and it pissed me off more than any boss in a normal game, but I never looked up a guide. I just wandered, talked, and ended up in a random room where Hinatsuru was on all fours, and Inosuke behind her, using her ass like he was trying to kill a demon with his cock. At that point the whole “mysterious town” plot is just background noise for one simple thing: every corner hides another excuse to watch this idiot protagonist fuck his way through the cast like the series was always meant to go that direction and the anime just chickened out.

This sequel really went all-out with the pregnancy mechanics, and honestly? It's kind of overwhelming in the best possible way. You've got Android 18 getting absolutely railed while Chun Li's watching from the corner, and somehow the game manages to make all these crossover scenarios feel natural instead of just thrown together for horny reasons. Well, mostly natural.

The impregnation content hits different when you're dealing with characters like Saber and Ishtar - there's something weirdly intimate about seeing these powerful figures vulnerable and needy. Momo Yaoyorozu's scenes are particularly intense, especially when she's using her quirk during sex, creating toys and restraints mid-fuck. The developers clearly understood that fans wanted more than just basic vanilla content, because the female domination routes with characters like Midnight and Wu Zetian get genuinely kinky. Pharah's armor stays on during most of her scenes which is both frustrating and incredibly hot somehow.

What really surprised me was how much effort went into the romance progression - you're not just collecting waifus like Pokemon cards, you're actually building relationships that feel meaningful before the hardcore fucking starts. Lusamine's storyline genuinely made me emotional before she was riding my cock and begging for a baby. The pregnancy belly physics are surprisingly well-done too, watching characters like Nami and Caulifla grow bigger as the story progresses adds this layer of consequence that most porn games completely ignore. Some of the orc content from the WoW characters feels a bit out of place compared to the anime aesthetic, but Jaina's scenes make up for any tonal inconsistency. The sound design during the creampie scenes is *chef's kiss* - you can actually hear the wet sounds of cum filling these girls up. Twisted Wonderland fans might feel a bit left out since Malleus only gets like two scenes, but the Dragon Ball content more than compensates with how absolutely feral Vados gets when she's in heat.

This Metroid parody throws all that space bounty hunter dignity right out the airlock. Samus gets herself captured and tied up, which honestly feels like terrible tactical planning for someone who usually blows up entire planets. But hey, that's where the fun starts because now she's completely at your mercy in this interactive playground of debauchery.

The soundtrack? Pretty basic electronic stuff that tries to sound futuristic but mostly just loops in the background while you're busy exploring all the different ways to mess with our helpless heroine. Speaking of exploring, there's actually a decent variety of toys and tools at your disposal - vibrators, tentacles, the works. You can strip her down piece by piece or keep some of that iconic orange suit on if that's your thing. The customization options are surprisingly thorough, letting you decide whether you want her shaved or natural, and there's even a pissing mechanic that's... well, it exists. Some people are into that water sports action, though the animation quality is pretty rough around the edges. The whole thing feels like it was made by someone who had big ideas but maybe not the biggest budget to execute them properly.

What really gets me is how they managed to make Samus look both vulnerable and still recognizably badass even while she's completely helpless. The facial expressions change based on what you're doing to her, which adds some nice reactive elements to the experience. You can work your way up from gentle teasing to full-on hardcore penetration, and everything culminates in some pretty explosive creampie scenes that'll definitely satisfy if you're into that finishing move. The physics on her chest bounce around more than they probably should, but honestly that just adds to the whole over-the-top hentai vibe they're going for here.