Chainsaw Love tries to capture that devil hunter vibe but honestly feels more like someone's first attempt at making a visual novel. You're stuck in this building talking to Makima, Himeno, and Power - and yeah, they nailed the personalities pretty well actually. Makima's got that manipulative charm thing going, Power is chaotic as hell, and Himeno... well she's just trying to get you drunk probably. The whole Love/Lust point system is basic but it works I guess? You click through conversations, try to say the right things, and eventually unlock some spicy scenes. Nothing groundbreaking here but the writing doesn't make you cringe which is already better than half the parody games out there.

The art style screams AI-generated and it shows - sometimes the proportions are weird and don't get me started on how their hands look in certain scenes. But honestly? The character designs stay true to the source material and when you're focused on... other things... you kinda stop noticing the technical issues. The stripping scenes are decent enough and the oral stuff is animated better than I expected. Power's scenes are probably the best ones - her personality really shines through even during the lewder moments. Makima feels a bit too tame compared to her manga counterpart though, like they were afraid to go full psycho with her.

What bugs me is how linear everything feels despite having multiple interaction paths. Sure you can talk, flirt, or ask for favors, but it all leads to pretty much the same outcomes just with slightly different dialogue. The mysterious building setting could've been used for more creative scenarios but instead you're just moving between three rooms having the same conversations. Still, if you're a Chainsaw Man fan looking for some quick fun with your favorite devil hunters, this scratches that itch without being completely terrible. Just don't expect anything revolutionary - it's junk food for horny weebs and sometimes that's exactly what you need.

It’s a weird kind of wrong that feels almost too confident about itself. The game just throws you right into this hotel-room-styled tension between Ben and Gwen, like there’s no excuse, no build-up, just quiet breathing and the kind of slow curiosity that only gets worse the more you watch. The control scheme is barely there - you think you’re just clicking around to peek, but then you’re moving hands and lips like you’re trying to pass off an accident as an experiment. The pacing makes it feel like time stretches sideways. There’s that one moment where Gwen turns, half-asleep, and it’s not clear if she knows what’s happening, and you catch yourself leaning closer like a total creep. God help me, I think that’s intentional.

Half the time the audio feels too loud, but maybe that’s the point - it’s not polished, like it’s meant to break the “cartoon world” with uncomfortable realism. The blowjob scene looks like it was stitched together by someone who didn’t care about pretty, just raw motion, the way her throat tightens around him while he mutters things that sound more like apologies than dirty talk. And then when you switch to doggystyle, yeah it’s cliché, but the way the lighting flickers - it’s distracting as hell and, weirdly, kind of hypnotic. The game’s rhythm keeps screwing with you: it slows down on the heavy stuff like missionary creampie and then speeds up when you least expect, like the code itself is embarrassed about what it’s showing. I got annoyed at that. Then again, maybe that’s why I didn’t stop.

You can tell whoever made this knew exactly what nostalgia they were playing with, too. There’s this sick mix of childhood memory and adult hunger that no one wants to admit enjoying. Kind of like watching something too close to a secret. The handjob bit feels almost shy, then the facial lands out of nowhere, breaking the build-up in the most abrupt, stupidly real way. I hate that it worked. I hate that my mouse hand twitched even after the final loop restarted. If that’s not the most human reaction, I don’t know what is.

Shy boy Riko shows up in this nowhere town, clutching his bag like it will save his virgin soul, and the first thing you notice is how small he feels compared to the house he walks into. Auntie opens the door with this lazy smile, tits pressing against her too-tight top like she forgot she has a nephew now and not a fuckbuddy from college. She leans in for a hug, his face ends up right between her boobs, and the game just stays on that angle a little too long. Not complaining. Inside, the whole place is this weird mix of normal family home and pervy stage. Kitchen where “family dinners” happen, hallway that’s somehow always an excuse to bump into someone’s ass, his tiny room where he pretends to study while something obscene wiggles on the other side of the wall. There is no slow burn. You get teased every time you click something. Sit at the table? Aunt bends over to grab sauce and her huge ass fills the frame. Go to the bathroom? Someone “forgot” a bra the size of his head on the sink. School is not safer either, just more skirts and more excuses to get pinned against lockers by girls who are way too comfortable touching him.

What really gets me is how the game pretends to be this casual sandbox while it quietly turns you into a complete pervert. At first you’re like “ok, I’ll just talk, be polite, I’m a good boy” and ten minutes later you’re timing your walk through the hallway so you can “accidentally” brush your hand along cousin’s petite butt when she squeezes past you. There is this one scene where Riko falls asleep on the couch, TV still running, and wakes up to someone’s hand in his lap. You don’t see the face right away, just the hand moving, the fabric stretching. Then camera pulls up, and it’s not the one you expected. I actually said “oh fuck off” out loud and then kept watching anyway. The futa angle creeps in like that, not all at once, more like “hey, you thought she was just a tomboy? surprise, she’s got more dick than you and is perfectly happy to grind it against your ass while pretending it’s just a joke.” The teasing never really stops. They grope him in the kitchen, at school, in the damn stairway. You think you’re in control because you choose where to go and who to visit, but every path ends in someone pressing their body on him or flashing tits when he turns around. Sometimes the humor lands, like when Riko tries to watch a “serious” movie with Aunt and she uses his lap as a pillow and just keeps shifting, her big ass moving like it has its own agenda, and he’s trying to hold the popcorn without dropping it while his dick is screaming. Other times the jokes are so stupid I opened Twitter and scrolled for a bit instead of clicking, but then I came back because the animations have this filthy charm. Bodies feel heavy, boobs have weight, asses jiggle when you slap them, and the whole thing looks just awkward enough to feel real, like some horny home video with a budget. I kept wishing there was some small quiet moment where nobody is trying to grind on him or call him “good boy” in that too-sweet family voice, but yeah, that’s not happening here and you know it the second Auntie “accidentally” grabs his cock through his pants while “searching his pockets for keys.” Riko pretends to be shy. You pretend to care. Everyone in that house is one wrong move away from fucking on the dinner table and the game knows it.

It’s weird how this game makes guilt feel sexy. You wake up inside someone else’s head - not just anyone, but that stretchy mom-hero everyone secretly had a thing for back when Pixar still pretended innocence. The premise should be grim, revenge and all that, but the tone keeps slipping between sad and horny, like the dev couldn’t decide if it’s therapy or foreplay. The way control shifts feels personal, almost too intimate. It’s not just mind control; it’s like the game’s trying to pry into your own urges while you’re prying into hers. And maybe I’m reading too much into polygons, but when she touches herself, it’s never about lust alone - it’s about realizing her hands aren’t really hers anymore. That mechanic where you can *feel* the resistance in her movements is unsettling in a delicious way.

There’s this one scene with the aunt - yeah, the bakery one - where she talks to you like she *knows* you’re there, like she’s been waiting for the voice in her head to finally answer back. It’s creepy and tender, then suddenly it’s just obscene. I laughed because the transition was so abrupt it felt real. The body models aren’t flawless either, and that helps. A little awkward jiggle, fingers clipping through skin, like even the code itself can’t believe what’s happening. The audio’s inconsistent - sometimes soft breathing, sometimes nothing at all, dead silence while something filthy goes down. It’s that silence that hits hardest. You start thinking, maybe she’s ashamed. Maybe you are.

I hate the damn save menu though. Always pops right when things get heated, like the universe reminding you this isn’t real. But maybe that’s what makes it stick. It’s messy, it’s wrong, and it lingers afterwards like a guilty text you never sent. You’ll probably close it and tell yourself you didn’t enjoy it that much. You’re lying.