The story kicks off in a way that feels almost accidental - like you weren’t supposed to see this world, but now you’re too deep to leave. You’re Jevan, a dark elf with too many secrets and not enough patience for anyone’s bullshit. The city of Mizea looks alive, breathing in its own filth and luxury at the same time. One alley smells like spice and perfume, the next like blood and sweat. Everyone wants something from you - gold, flesh, loyalty - and most of them don’t ask nicely. The game doesn’t hold your hand; it just throws you into a mess of power plays, mind tricks, and people who’d rather kneel than think for themselves. It’s not romantic. It’s raw, a bit cruel, and weirdly hot in that “I shouldn’t enjoy this” kind of way.

What really sticks is how it mixes the fantasy and the filth. You’ve got magic circles glowing under trembling bodies, whispered spells that make someone moan instead of scream, and that feeling of control that’s both intoxicating and a little scary. There’s a lot of domination, sure, but it’s not cartoonish - it’s more psychological, like watching someone slowly give up their will because they *want* to. The animations hit that sweet spot between rough and elegant; you can tell the devs cared about the rhythm of every scene. One moment you’re interrogating a traitor, the next you’re making her confess with her body instead of words. It’s messed up, but damn if it doesn’t pull you in.

You’ll probably find yourself staring too long at the details - the way skin catches light, the tiny expressions when shame turns into desire. Sometimes it’s uncomfortable, sometimes it’s addictive. The story pretends to be about politics and revenge, but it’s really about control - who has it, who loses it, and why that loss can feel better than victory. It’s the kind of game that makes you question whether you’re the predator or the one being played. Maybe both.

Naoki doesn’t start out as the pervert you meet later on - that’s the best part. He’s a normal guy with a normal marriage, just a little too honest about what stirs him up inside. The game pulls you in not because of some flashy setup, but because of how uncomfortably *real* it feels when those filthy thoughts begin crawling in. One night he’s imagining Rika smiling at another man, and instead of anger or jealousy, something deep and shameful inside him lights up. You can almost feel the sweat on his neck, that mix of guilt and arousal that turns into something he can’t shut down anymore. It’s not romantic; it’s raw, embarrassing even, but that’s exactly why it hits harder than half the fake “passionate” stuff other games throw at you.

Rika herself is drawn like someone you’d actually see across the street - curves heavy enough to make your chest tighten but soft, expressive eyes that tell you she’s not innocent either. The animation lingers. When she moves, her hips drag a second longer than they should, and it’s hard to look away. There’s this one scene - Naoki watching through the crack of a door while his friend Kenta talks to her - and it’s more erotic than the full-on sex later, because the tension has that ugly truth behind it. You’re not supposed to want this. But you do. When the game finally lets go of its restraint and the three of them crash together, it doesn’t pretend it’s beautiful. It’s messy, sweaty, and just shy of cruel. Rika’s moans don’t sound like performance; they sound like surrender. And Naoki’s face during the creampie scene looks half destroyed, half enlightened.

It’s strange, maybe even uncomfortable, but if you’ve ever read those darker doujin panels where the shading tells more story than the words, you’ll get what this game’s doing. It’s turning jealousy into something almost holy - fucked-up, sure, but honest.

There is something a bit fucked about walking into “your” apartment and your first real conversation is with a ghost that wants to blow you. Not in a fun, fluffy hentai way either. The game sets you up as this unlucky guy from the Devos bloodline, and the place already feels wrong before anything actually happens. Lights flicker, those cheap 3D shadows slide over the walls like they know your name, and then, boom, you look in the bathroom mirror and there’s a pale thing behind you that looks half depressed boy, half succubus. It smiles, and you’re thinking “ok, jumpscare?” but no. It kneels. That whole scene is animated with this weird slow hunger, and it’s honestly more uncomfortable than most horror movies on Netflix. In a good way, if you are into that mix of dread and dick worship.

The story pretends to be about solving a family curse, reading notes on your tablet, digging through old messages and voice memos your father left you, trying to understand who started all this paranormal shit. But the game keeps distracting you with horny ghosts and monster girls that do not respect personal space. You open a locked door with this simple puzzle and a ghost girl with empty eyes rushes up to you, sniffs your neck, then quietly asks if she can “taste living seed again.” That escalates fast into you pinned against the wall, her mouth deep on you, gagging and drooling, then suddenly she shifts on top and you are buried inside her while the UI is still pretending you’re investigating clues. At one point a femboi spirit in tattered underwear crawls out from under the bed, wraps your waist with this thin, shaky body, and just sinks down on you, riding in total silence while distant knocking sounds start in the hallway. Your MC is trying to ask “who cursed the Devos line?” while he is balls deep in a ghost that keeps tightening around him like it wants to drag his soul out through his cock. The game does not fade to black, it shows creampies in full detail, cum spilling from ghost holes that are not even supposed to be physically real. And then, after all that, the apartment goes quiet again, and you’re left scrolling through old diary pages on your phone, dripping, trying to pretend this is still about “mystery” and “romance” and not about how many times the dead can milk you before you finally understand why your whole bloodline is cursed.

Anna's back and honestly? This fantasy setting hits different than her usual adventures. The whole medieval vibe works surprisingly well - there's something about watching our favorite troublemaker navigate sword fights and monster encounters that just... clicks. Though let's be real, we all know Anna's best weapon isn't steel.

The combat system feels clunky at first but whatever, that's not why we're here. What matters is how they've woven the lewd content into this fantasy framework. Anna gets herself into situations with various creatures and NPCs, and the animations during these encounters are actually pretty solid. The handjob scenes with that orc character had me replaying multiple times - the way Anna's expressions change as things escalate is chef's kiss. And don't get me started on the creampie animations near the end of the corruption path. They really went all out with the fluid physics this time.

Two paths mean two completely different Annas though, which threw me off initially. Pure route Anna feels almost... boring? Like sure, she's fighting the good fight and resisting temptation, but where's the fun in that. Corruption path Anna though - now that's the content we signed up for. The groping scenes escalate naturally, oral encounters feel organic rather than forced, and by the time you reach the monster encounters... well, let's just say Anna discovers some new interests. The vaginal scenes pack serious heat, especially with the fantasy creatures - there's this one sequence with a tentacle beast that goes absolutely wild. Mobile controls work fine but honestly wished they'd optimized the touch zones better for the interactive bits. Still, 200+ renders and 30 animations deliver exactly what the title promises, even if some dialogue feels rushed between the action scenes.