Temptation’s Ballad feels like someone took a horny D&D session, removed the shy players, pumped the bard full of slutty energy and then forgot to write a safe word. You start in this medieval fantasy city that pretends to be serious with demons and noble houses and gods and whatever, but the game is very honest about what actually matters: who you’re going to fuck, how badly you’re going to mess up your party’s reputation, and how much property damage your dick (or tits) indirectly causes. It calls itself “fairly linear” but it doesn’t feel stiff. More like a drunk march in one direction where you keep getting distracted by a hot ass in the alley, some half‑clothed monster girl in a tavern, or a noble milf who really needs “help” with her magic circle. One moment you’re trying to act like a real hero, the next you’re getting your face sat on by a smug futa demon who treats you like her favorite chew toy. The story leans on the classic trio of idiots party setup: disaster gay, smug bastard, and something in between that definitely should not be trusted around potions. Their banter is half the fun, because they talk like actual horny people who overshare, tease, flirt too hard, then pretend it was “just a joke” while obviously staring at each other’s bulges. There’s real romance in there, surprisingly soft sometimes, and the game just throws it next to scenes where someone is getting spanked in a backroom while a voyeur peeks through the cracks. It shouldn’t work together, but it does, like putting lube on holy water.

The erotic tone is really on that line between silly and nasty. You get all the classic stuff: sloppy oral, tits used like they’re religious objects, thick cocks that clearly don’t follow standard fantasy anatomy rules, creampies that would absolutely require healing spells after. The city of Axia feels like a sandbox for kinks, even if the main plot is straight like an arrow. You’ll walk into a side scene thinking “okay, just dialogue” and suddenly there is a dommy knight stepping on someone’s chest, or a monster girl wrapping a tail around a guy’s throat while riding him. There’s casual interracial stuff, big black cock jokes thrown in like shitposts, and netorare tension playing in the background when someone’s crush gets a little too cozy with a rival. The game never stops to politely explain corruption or cheating either, it just lets you sit there with that ugly horny feeling in your chest while a character moans another person’s name. Sometimes the pacing is a mess and a really nice emotional beat gets bulldozed by a sex scene with way too much groping and not enough build up, like the writer was afraid to let you breathe. I kinda hate that. I also kinda love it. The soundtrack is the quiet hero here, by the way. Fantasy tavern strings and flutes that slide into slow, bass‑heavy, low‑tempo tracks when clothes start coming off, the kind of music that makes you turn down your volume on Discord because you know exactly what you’re doing. There’s even this one track that loops during a teasing scene where a character keeps grinding on your lap but “won’t let you cum yet” and the rhythm matches the fucking text speed. That little sync made me laugh and then immediately shut up because it actually turned me on. It’s not a classy game. It doesn’t want to be. It’s messy, loud, horny, too obsessed with big boobs and bigger problems, and Axia feels like a place where every summer vacation ends with someone pregnant, corrupted, or tied to a bed. Dare to play it alone, or invite company?

I swear this game started like a joke. I opened it expecting some lazy swipe-right simulator with recycled anime faces, but it slapped me with this weird mix of horny sincerity and unhinged chaos. The first match I got wasn’t even hot at first glance - looked like someone’s OC from a forgotten DeviantArt page - but ten minutes later I was reading her chat logs like they were gospel. The writing flirts between cringe and genius. Sometimes she’ll tease you with a line that sounds like it came from a bad fanfic, then follow it with something so filthy it short-circuits your brain. I caught myself grinning like an idiot. That’s embarrassing to admit, but whatever.

There’s this rhythm to it, like the devs knew exactly how long to keep you waiting before dropping the next explicit scene. Not that the pacing’s perfect - half the time I was yelling at my phone because the dialogue wheel bugged out or the transitions froze mid-thrust (yeah, that happened). But when it works, it *really* works. The futa characters all have that exaggerated anatomy thing going on - huge everything - but it’s not just about size. There’s personality behind it, like each one’s got a story that’s been fermenting in some dark corner of the internet for years. You can tell someone poured way too much love into making sure the teasing feels personal. It’s messy, sure, but that’s kind of the charm.

The weirdest part? The game pretends to be about romance, but it’s really about control. You think you’re choosing dialogue options, but half the time the girls are steering you like a toy. There’s a scene with a rooftop confession that spirals into something obscene so fast I actually laughed out loud. It shouldn’t work. It does. And yet, I still hate that the text font looks like something from a 2009 flash game. Why is that what sticks with me? Maybe because everything else feels too alive, too raw, like it shouldn’t even be on a phone screen.

Storm, wet wood, that weird mix of salt and fear in your throat, and right in the middle of that you’ve got her: this perfect elven wife who still somehow looks holy even with her robes clinging to her curves. The game throws you onto this nameless island like the ocean just spat you out, and suddenly your “happily ever after” feels like a joke with bad timing. It’s not a complicated setup, actually kind of simple, which makes it worse. You, the loyal husband, still trying to act like a hero. Her, the devout priestess who actually believes all that purity talk. And then that guy, Borwin, this sweaty, wheezing sailor with piggy eyes who starts looking at her like she’s the last piece of meat in the world. The whole thing is a slow punch in the gut, because nothing explodes, nobody just jumps into fucking right away. It just stretches. Long glances. His “accidental” touches. Her nervous smile that hangs a little too long. And you get stuck watching, almost tasting that ugly mix of jealousy and arousal in your own mouth, like cheap rum you didn’t mean to drink.

What hit me hardest is how the game doesn’t rush the dirty stuff. First it plays with your brain. They’re sitting close to the fire, he laughs too loud, his hand lands on her thigh, and she doesn’t slap it away. Not right away. You feel that little sting in your chest, like, “hey, that’s my wife,” but you also stare at the screen longer than you should. When he ogles her tits through soaked fabric, it’s not subtle, and she notices, but instead of screaming she blushes and fidgets and pretends she didn’t see. It’s messed up, watching her slowly slide from “holy and untouchable” to “kind of flattered that this filthy bastard wants her so bad.” The corruption is mostly in her expressions, tiny shifts. Mouth a bit more parted when he leans close. Eyes not quite meeting yours. Then the touches change. His hand on her ass when he helps her “climb over a rock.” His fingers brushing along the inside of her thigh while he plays it off like he’s checking a wound. There’s a scene where she’s kneeling in front of him, supposedly “tending an injury,” and the camera knows exactly what your brain is doing. Her face is too close to his crotch, her lips too wet, and for a second the game just lets you sit there wondering if she’s going to use her mouth on him or if you’re just filthy for even thinking it.

At some point the line breaks and you don’t even remember exactly where. One night the priestess who swore her body belongs to the gods is on her back, robe pushed up, legs spread, and the guy filling her is not you. She moans in a way you’ve never heard from her scenes with you, louder, less controlled, like her body finally stopped pretending. Her tits bounce when he pounds into her, her ass lifts up to meet him, and you feel this horrible heat in your gut because the animation really leans into how much she’s getting into it. She grabs his arm, begs him not to stop, and the worst part is how her words sound half like prayer, half like porn. There’s this nasty little bit where he gropes her under the pretense of “warming her up” after a cold night, his thick fingers pushing under her clothes, and she’s shivering but not from the cold anymore. She bites her lip, tries to mumble something about “marriage vows,” but she’s grinding against his hand while she says it. Oral, handjob, full-on fucking, it all comes, just not in the order your pride would like. The game never lets you escape that tight, ugly feeling of watching your “treasure” get taken, then watching her start to want it more than anything you ever gave her. And you know what makes it even dirtier? There’s no choice to fix it, no magic button to “save” her. You’re just there, stuck in your own skin, watching this elf with a big perfect ass and soft bouncing tits get slowly rewritten by a disgusting sailor, and somewhere in the middle of her crying and moaning you realize you’re stroking yourself and hating yourself at the same time.

Astra is exactly that kind of heroine who looks like she belongs in some stiff royal propaganda painting, then opens her mouth and talks like a horny theatre kid who just discovered freedom and lube at the same time. She bolts from her golden cage, lands on this supposedly “remote” island that feels more like a traveling circus mixed with a cabaret and a burlesque tent, and just decides, yeah, I’m a performer now, and also I’m going to fuck whoever catches my eye. The game leans really hard into this traveling-show vibe: backstage drama, improvised acts, horny fans, jealous partners, that awkward moment when your “public performance” accidentally turns way too literal because the monster girl with the big tits misheard the stage direction. There’s this one scene where Astra is trying to rehearse something serious, like political speech level serious, and suddenly the script turns into a dirty poem about her ass halfway through, because of a text mini-game that you kind of flubbed. And she just rolls with it. The crowd goes wild. She blushes, then doubles down and starts describing how she wants to ride a furry mercenary in front of everyone. That’s kind of the whole tone: messy, horny, and surprisingly self-aware about what it is.

What I really enjoyed, as a language nerd, is how the erotic dialogue is half elegant, half absolute trash in the best way. You have Astra saying stuff like “I renounce the crown, I choose my own pleasure” right before she’s getting railed by some huge monster with too many muscles and just enough manners to ask where he can finish. There’s a lot of fun with code switching: royal talk during foreplay, then she drops into full slut mode once the clothes fly off. Some lines clearly came from someone thinking in another language first, which I like a lot. You get these slightly weird metaphors like “your cock is beating at my entrance like a war drum” and it accidentally hits way harder than generic porn talk. The animated sex scenes match that vibe: they’re not trying to be super realistic, they’re just hungry, kinda theatrical. Astra has this enormous ass that the camera absolutely worships, and the game knows very well why half the people are here. The furry designs go all in on curves and fluff, especially when monster girls show up and start comparing whose tits are heavier while you’re deciding which one to help “warm up” before the show. There is one annoying thing: sometimes the choice-heavy system pretends you have ten paths, but a couple times it loops you back to the same scene, like the game’s winking at you and saying yeah, you’re fucking the princess anyway, stop pretending you want to be pure. I wish some of the combat bits mattered more for the sex outcomes, but whatever, I’m already too busy replaying the scene where Astra taunts a pissed-off marquis in full costume, then kneels in front of a “monster” on stage and sucks him off as political theatre while the crowd roars like this is the new constitution.