I didn’t expect the opening scene to slap that hard. You’re just standing there, half-broken hull around you, half-naked angel girl trying to look dignified while her collar blinks red every few seconds like some sick metronome. The captain walks in, voice like a bad radio signal, and you already know he’s going to be trouble. He touches her shoulder and - bam - your gut twists, not from shock, but from that weird cocktail of jealousy and arousal that this game keeps feeding you. It’s dirty, but not in the lazy way. The camera lingers too long, like it’s daring you to blink first. I didn’t. The whole thing plays out like someone’s fever dream of power and guilt and skin. Makes you feel complicit, which I kinda like. Some games treat voyeurism like a kink checkbox; this one makes it feel like a confession.

Then there’s that sequence in the maintenance bay - god, the lighting there. Blue flicker off the coolant pipes, the hum of half-dead machinery, and she’s there again, pretending not to notice you. The teasing is mean, but not cartoonishly so. She leans over, the slave tag glinting on her neck, and you can almost smell the metal. I won’t say the animation’s perfect - it isn’t - but it stumbles in a way that feels almost human. The moans don’t line up sometimes, and that somehow makes it better. You start thinking about the morality system that never really punishes you enough, about how the captain’s wives don’t even care you’re stealing glances, and then suddenly there’s a flashback about the fall of the Geniorcracy and I kind of stop caring about lore entirely. Maybe it matters, maybe not. What kept me there was that slow burn humiliation mixed with tenderness, like someone whispering “you’re disgusting” but softly.

Anyway, the soundtrack’s too clean, too polished - like it doesn’t belong in that filth. And I swear one of the sound cues is stolen from some old dating sim on Nutaku. Doesn’t matter. By the time the angel finally looks you in the eye, you’ve already forgotten what you were supposed to be doing.

Office jobs are already kind of horny if you think about it too long, and this game just goes “yeah ok, let’s stop pretending” and cranks that shit up. You’re this awkward guy dumped into a “professional” environment where half the people want promotions and the other half just want something inside them, and those two groups overlap way too much. On the surface it looks like some boring corporate ladder stuff, but the second your boss leans over your shoulder and that blouse dips a little, you realize what kind of story this is. She’s a total milf, all tight skirt and smug face, acting like she doesn’t know what she’s doing when she bends over the desk. Then later she’s staring at you with that fucked-out ahegao face while you’re trying not to cum too fast like a damn teenager on his first porn site.

What got me is how the whole thing is wrapped in this office “productivity” vibe, with this weird drug floating around the company like it’s just another motivational tool. Drink this, get more focused. Take that, be more confident. Sure. Then suddenly your shy co-worker, who could barely look you in the eyes, is pushing you into a copy room with her panties already wet through her tights, whispering that she “doesn’t know what’s coming over her” while grinding on your thigh. It’s not subtle. One minute you’re clicking through emails, next you’re balls-deep in someone over a desk, watching her makeup smear as she tries to keep eye contact while sucking you off. The corruption angle is kind of sneaky at first, but then you start noticing how their clothes get shorter, how the conversations shift from “did you see that report” to “I keep thinking about your dick during meetings.” You end up half-playing it like a dating sim, half-like some horny lab experiment, testing how far you can push each woman just by steering your choices a little more toxic.

The animated 3D scenes are way filthier than I expected on a phone game, too. There’s proper movement, spit shining on lips during a blowjob, hips slapping, that little shiver when you finally slide in, and the expressions go from cold office mask to full-on ahegao, tongue out, eyes rolled, mascara running. Some of them are sweet and romantic, like when you actually try to be nice and you get this slow, shaky first time with a virgin character who’s clearly not ready and still wants you anyway, and yeah, it feels a bit fucked up in exactly the way your dick responds to. Others are just raw, like your boss kneeling between your legs under her own desk, trying to talk about quarterly results with a mouth full of your cock while someone knocks on the door. It’s messy, horny, sometimes a bit too cruel, sometimes weirdly tender, and the tone keeps swinging around just enough that you don’t know if you’re supposed to be the hero, the asshole, or the guy who just accidentally turned the whole office into his personal sex dungeon and kind of… went with it.

Michelle looks like the girl in your office who always leaves at exactly 5, hair perfect, life probably on rails. Except here she is in sweaty, neon Hong Kong streets in 1986, slowly losing her grip on that “good daughter, good employee” mask because one tiny, stubborn, chain-smoking woman named Sam keeps flirting with her in ways that are way too gentle to ignore and way too dirty to be innocent. The game starts pretty tame, all long bus rides, quiet apartment scenes, small talk about movies and clothes, but the whole time the camera lingers on thighs under skirts, fingers brushing on handrails, the little hesitation when Michelle looks at Sam’s mouth while they share a drink. It’s a slow, frustrating kind of heat, like when you’re stuck on Zoom meetings and sexting on Telegram on the side, except here it’s cassette tapes and payphones and cramped bedrooms with thin walls and parents one room away. The erotic stuff doesn’t explode in your face with instant porn. It creeps in. One kiss in a dark cinema where Michelle is stiff at first, almost scared, then you see her lips part, her hands tremble, and you can almost hear her swallow before she gives in and pulls Sam closer. Tongues, teeth, that wet sound, and she keeps her eyes half open like she still cannot believe she is letting another woman taste her like that.

When it finally goes past kissing, it hits like someone yanked the curtain down. You get these long, quiet scenes on a bed where the sheets are a bit messy, clothes half off, bras sliding down arms, Michelle trying to cover herself at first and Sam just laughing low and kissing every bit she tries to hide. There is a moment where Sam goes down on her, and it’s not some porn-speed blowjob logic. It is slow and almost awkward, Michelle gripping the bedsheet because she does not even have the words in her own language for what is happening between her legs. The text describes every tiny reaction, how her thighs twitch, how she tries to keep her voice down because her mother could walk past the door, how her hips start grinding against Sam’s mouth anyway, shame turning into this fucked up relief. You can tell the writers actually understand how it feels when you are eating pussy like you care about the person, not like you are checking off positions. There are pauses, deep breaths, a little laugh from Sam when Michelle whimpers a bit too loudly, and then she doubles down, tongue and lips and fingers working together until Michelle is shaking so hard she almost pushes her away. That first orgasm is not “perfect”, it feels real, messy, emotional, like she just broke some rule she has been obeying her whole life.

Under all that sex there is this heavy layer of family and culture pressure that honestly turned me on more than I expected, because the guilt makes everything spicier and more fucked up. Michelle sneaks back home smelling like cigarettes and someone else’s perfume, lies to her mother at the dinner table while still feeling Sam’s fingers inside her if she closes her eyes for a second. There are choices where you can lean into the romance, keep seeing Sam, or try to “fix” yourself and go back to the safe, straight, lonely path everyone expects. Some endings feel like a punch in the gut, some feel like a small rebellion that might not last forever but at least burns hot while it exists. It is a romantic story, yeah, there is sweetness, hand holding, soft kisses, that feeling when you are falling in love and every bus ride feels like a music video, but the game never really lets you forget that this is two women trying to build something intimate and wet and tender inside a world that keeps telling them they are wrong. That clash is what makes the sex scenes hit so hard. When Sam whispers “you’re mine tonight” while Michelle’s family photos are literally watching from the shelf, it feels dirty in the best way, like she is betraying everything for the chance to have her own life, her own pleasure, even if it all goes to hell later.

Galaxies are dead quiet until somebody tries to blow you up in your own shitty space apartment. That is basically how this thing kicks off. One second your biggest problem is overdue space-rent and a fridge with one sad noodle box, next second the whole building goes up, alarms screaming, and you are crawling out of burning junk with some assassin still trying to finish the job. It feels chaotic in a fun way, not like “cinematic masterpiece,” more like “holy shit what just happened, also I kind of have a boner.” And then your partner is gone. Not dead, not clearly kidnapped, just missing, and everyone you ask acts like they absolutely know something but would rather jerk you off with sandpaper than tell you straight. The vibe is very “galactic conspiracy but also everyone is horny and kind of an idiot.” I liked it. I also hated how often I paused because some girl moaned in my headphones while I was in line at Starbucks, but that’s on me, not the dev.

Sex scenes are where it really stops pretending to be serious. One minute you are arguing with some merc chick over who screwed up the contract, next minute she has you pinned in the cargo bay, riding you slow while still half in armor, visor thrown off, voice actress just going for it. The animations are not perfect, you can see some janky loops sometimes, but honestly the slightly rough look makes it hotter. There is a blowjob in a cramped shuttle cockpit where she keeps glancing up to the starfield while your character is trying to keep the ship steady and failing badly. I had to grip my phone like it was going to escape. Handjobs pop up a lot too, not lazy ones, more like those teasing “I know you have questions about the missing partner but let me stroke you until you forget what you were asking” scenes. And they work. Too well. One dancer in a space-club drags your hands to her ass, gives you a lazy handjob through your pants, and you can choose to be a half-decent human or just pull her into the private room and go fully vaginal, legs around your waist, heels scraping your back. I absolutely went for the worst option. Twice.

What surprised me was how they play the more fucked up stuff next to the comedy. There is this ambush on a derelict station where enemies actually die ugly, blood on bulkheads, one guy basically torn open by some drone, and right after that you end up hiding out in a filthy maintenance room with a sarcastic engineer girl who is still covered in someone else’s blood while she casually jerks you off to “calm you down.” The contrast feels wrong in a good way. The game keeps dropping jokes in the middle of serious scenes, like the main dude cracks some stupid one-liner while he is literally balls deep in an alien officer, her boots pressed to his chest so it lowkey turns into a footjob halfway through. She keeps gasping in this clipped, aristocratic accent, trying to stay in control while he smacks into her harder and harder. Fully voiced, too, so your volume slider will become your best friend if you live with thin walls. The harem angle sneaks up on you, suddenly you realize you have a cynical pilot who likes oral in the cockpit, a shy scientist who lets you fuck her on a lab counter between data scans, and that one crazy assassin girl who uses her feet on your cock first, then sits down on it like it owes her money. And all the while the big mystery of “what happened to Earth” and “where the hell is my partner” is dangling there, but honestly half the time I forgot to care because someone was already on their knees, tongue out, ready to make me forget the plot again. In a good way. Mostly.