Guy stuck alone in a forest cabin with textbooks and porn tabs half hidden, brain fried from exam stress, and then two soaked college girls crash his weekend because the weather basically says “nope, you’re all trapped now.” That’s the whole mood here. It starts like one of those cheap horror movies, except nobody is running from monsters, they’re just running from wet clothes and sexual frustration. And yeah, they both have huge tits and asses that ignore gravity like it’s optional, the game is not subtle about that at all. One is louder, more teasing, big “I know my boobs are a weapon” energy, the other is more shy, a virgin who clearly watched porn but never actually had to deal with a hard dick right in front of her. Of course they’re girlfriends, of course they’re already kinda handsy with each other, and of course the poor guy has no idea where to look and still manages to stare straight at their nipples every time.

The fun part for me was how slow it cooks. You don’t just click once and suddenly everyone is naked and moaning. It’s like: wet clothes clinging too tight, then changing into borrowed shirts that are way too big but somehow show even more skin, then innocent cuddling on the couch while the storm bangs outside, then casual “truth or dare” that is absolutely not innocent, and before you know it, the virgin girl is biting her lip, asking questions about blowjobs like she is doing research for a paper. The game throws lots of little choices at you, not super complex, but enough to steer which girl leans in more, who gets jealous, who pretends she “just wants to help her friend experience things” while grinding that fat ass on your lap. There is that one scene where the shy girl is sitting in his lap under a blanket, pretending she is cold, and you feel her slowly relax her thighs while his dick is pushing up, and the other girl is watching from the kitchen like she is planning the next move. That moment hit way harder than some full-on sex scenes in other games. Also the voice lines help a lot, especially the small breaths and the tiny “ah” when a hand goes too high under the shirt. I only got annoyed once when the teasing dragged for like three screens of dialogue too long right before the first real touch scene, but then the reward CG dropped and I kinda forgot I was annoyed.

The house feels too quiet when Sterling walks in, the kind of silence that sticks to your skin. There’s that smell - old wood, perfume, something faintly sinful like memories that never left. You can almost hear the ghosts of laughter and moans tangled in the walls. Everyone looks at him differently now, not as the kid who ran off, but as the man who came back with a pulse full of tension. The women in this game, they don’t waste time pretending innocence. The so-called mourning period lasts about five seconds before somebody’s hand is somewhere it shouldn’t be. It’s messy, funny, uncomfortable, and hot in that way only forbidden things are. Sometimes you’ll laugh because the dialogue’s ridiculous, sometimes you’ll forget to breathe because a scene just hits that filthy sweet spot between lust and shame.

What I liked most was how it never feels clean. There’s domination that borders on cruelty, soft moments ruined by sudden gropes, a futa scene that goes way harder than expected, and those “oops-I-shouldn’t-watch-this” voyeur bits that make you squirm. Even the humor has teeth; it’s not wink-wink-nudge-nudge but more like someone laughing right in the middle of an orgasm. The harem thing isn’t just numbers - it’s chaos management, trying to juggle jealousy and desire while every woman (and not only women) seems one breath away from breaking the furniture. And then there’s that weird ache when corruption sneaks in, when seduction turns into ownership and you realize you kind of wanted it that way. The sound design helps too: low voices, wet noises that feel too real through headphones, that small gasp when a boundary gets crossed.

It’s not perfect - some pacing’s off, and a few scenes feel like they forgot their own setup - but maybe that’s why it works. Like old VHS hentai, rough edges make it human. It doesn’t pretend to be classy, it just drags you down into the mess and dares you to call it art while your pants are still around your ankles.

This one feels like you woke up in some cheap fantasy hentai, but everyone accidentally got way more backstory than expected. You start as the usual dude with too many women orbiting him, but the moment that witch girl walks into your house, the whole family vibe flips. She’s all mysterious and smug, pretending she’s just passing by, and five minutes later she is basically tangled in the daily life of your mother, your sisters, those twins who are a bit too touchy for “just siblings”, and even that MILF neighbor who keeps bending over right in front of the window like she’s doing an OnlyFans preview. The game leans hard into the first person stuff, like it really wants you to feel that she is staring straight into your eyes when she jerks you off slowly, whispering about “changing fate” while your cock is the only thing actually changing. And the magic? Mostly an excuse to have girls flashing tits at the worst possible time, teleporting into bathrooms, and “accidentally” mind controlling someone into stripping in the living room while the rest of the family walks past.

Sex scenes hit that messy, not-romantic-at-all mood I like. First blowjob with the witch is not some clean, perfect porn thing. She gags a little, drool everywhere, her mascara almost running, and she keeps looking up with that crazed ahegao face like she’s half drunk on cum and half trying to see your future in your dick. There is this group moment later, where the twins corner you in the hallway, one pressing your hand on her ass while the other slowly guides your cock between her thighs, using her body like a warm toy. They tease you to pick who gets the creampie, but of course the game is a tease too and drags it out, tossing in the witch spying from the stairs. She pretends she is just “observing destinies” while fingering herself. That scene stuck in my head, mostly because of how fucked it gets when the camera stays glued to your POV and you only catch glimpses of boobs and asses around you, like a chaotic harem storm. Also, the sound sliders are a small thing, but cranking up the moans and lowering the text box opacity on my phone felt oddly satisfying. I was playing on Android Chrome, half-screened while fake-working on Google Sheets, and I almost tapped the wrong window when one of the girls started yelling your name during anal. Still a bit annoying you need to pause and dig into the menu for the gallery, but then you open it and realize you already missed two scenes because you picked the “nice” option earlier. Fate is a bitch, yeah, but that’s kind of the point here. Everyone smiles, flirts, jokes, you think it’s all comfy romance, and then the story drops some darker hint about people dying in other timelines and you suddenly notice how clingy the witch is, how she talks about “keeping you” like you’re a pet. Sex keeps getting hotter, more daring, more exhibitionist stuff, peeking on girls masturbating through cracked doors, titfucking in the kitchen while someone walks by behind the frosted glass. The more the harem grows, the more it feels like you are walking toward a bad end that will taste amazing going down. Honestly, if this game doesn’t end in tears, curses and a broken family, I’ll be a little disappointed.

Michelle looks like the girl in your office who always leaves at exactly 5, hair perfect, life probably on rails. Except here she is in sweaty, neon Hong Kong streets in 1986, slowly losing her grip on that “good daughter, good employee” mask because one tiny, stubborn, chain-smoking woman named Sam keeps flirting with her in ways that are way too gentle to ignore and way too dirty to be innocent. The game starts pretty tame, all long bus rides, quiet apartment scenes, small talk about movies and clothes, but the whole time the camera lingers on thighs under skirts, fingers brushing on handrails, the little hesitation when Michelle looks at Sam’s mouth while they share a drink. It’s a slow, frustrating kind of heat, like when you’re stuck on Zoom meetings and sexting on Telegram on the side, except here it’s cassette tapes and payphones and cramped bedrooms with thin walls and parents one room away. The erotic stuff doesn’t explode in your face with instant porn. It creeps in. One kiss in a dark cinema where Michelle is stiff at first, almost scared, then you see her lips part, her hands tremble, and you can almost hear her swallow before she gives in and pulls Sam closer. Tongues, teeth, that wet sound, and she keeps her eyes half open like she still cannot believe she is letting another woman taste her like that.

When it finally goes past kissing, it hits like someone yanked the curtain down. You get these long, quiet scenes on a bed where the sheets are a bit messy, clothes half off, bras sliding down arms, Michelle trying to cover herself at first and Sam just laughing low and kissing every bit she tries to hide. There is a moment where Sam goes down on her, and it’s not some porn-speed blowjob logic. It is slow and almost awkward, Michelle gripping the bedsheet because she does not even have the words in her own language for what is happening between her legs. The text describes every tiny reaction, how her thighs twitch, how she tries to keep her voice down because her mother could walk past the door, how her hips start grinding against Sam’s mouth anyway, shame turning into this fucked up relief. You can tell the writers actually understand how it feels when you are eating pussy like you care about the person, not like you are checking off positions. There are pauses, deep breaths, a little laugh from Sam when Michelle whimpers a bit too loudly, and then she doubles down, tongue and lips and fingers working together until Michelle is shaking so hard she almost pushes her away. That first orgasm is not “perfect”, it feels real, messy, emotional, like she just broke some rule she has been obeying her whole life.

Under all that sex there is this heavy layer of family and culture pressure that honestly turned me on more than I expected, because the guilt makes everything spicier and more fucked up. Michelle sneaks back home smelling like cigarettes and someone else’s perfume, lies to her mother at the dinner table while still feeling Sam’s fingers inside her if she closes her eyes for a second. There are choices where you can lean into the romance, keep seeing Sam, or try to “fix” yourself and go back to the safe, straight, lonely path everyone expects. Some endings feel like a punch in the gut, some feel like a small rebellion that might not last forever but at least burns hot while it exists. It is a romantic story, yeah, there is sweetness, hand holding, soft kisses, that feeling when you are falling in love and every bus ride feels like a music video, but the game never really lets you forget that this is two women trying to build something intimate and wet and tender inside a world that keeps telling them they are wrong. That clash is what makes the sex scenes hit so hard. When Sam whispers “you’re mine tonight” while Michelle’s family photos are literally watching from the shelf, it feels dirty in the best way, like she is betraying everything for the chance to have her own life, her own pleasure, even if it all goes to hell later.