Your dad suddenly decides he'd rather chase dick than milk cows, drops a casual “bye” and vanishes, and the whole spoiled city life just collapses in one afternoon. Your mom drags you back to the family farm, where the wi-fi is shit, the air smells like animals, and the only real entertainment is whatever your cock can get you into. The game really leans into that awkward “too close for comfort” family setup: mom trying to pretend everything is normal, you being way too aware of her curves when she bends over to haul a bag of feed, and all those long evenings in a creaky old farmhouse where the doors don’t quite close and nobody remembers to lock anything. It starts “tame” on the surface, like you just help around the place, but the camera loves slow, hungry pans and those tiny moments when a hand lingers too long or a shirt rides up just enough to make your brain go feral. There is a lot of staring. You catch yourself just watching her ass while she’s washing dishes, or spying through a half open door when she thinks she’s alone and her hand is between her legs, biting her lip and whispering your father’s name but clearly not thinking about him. That part hit weirdly hard. And hot. Mostly hot.

What I liked is how the game weaponizes boredom. City porn is all quick, fast, click-click-nut. This feels more like: nothing happens, nothing happens, you jerk off in the barn because you watched mom suck a popsicle weirdly slowly at lunch, then suddenly she walks in while you’re stroking, and instead of a normal reaction, she just freezes, looks at it, blushes, then pretends she saw nothing and tells you to help her with the hay later. But next scene she can’t keep her eyes off your bulge. That slow corruption, both of her and of you, kind of mirrors old incest hentai from the 2000s where the line between “oops accident” and “I am using your cock as my personal coping mechanism” just dissolves. There is also the younger angle, the shota flavor in how the protagonist is framed, like he’s not really fully grown man but absolutely old enough to be dangerous with a hard-on. It plays hard with that contrast: an older, stressed, needy mother with heavy tits and tired eyes who starts by giving you innocent chores, then at some point starts waking you up with her hand “by mistake,” or letting you watch while she “checks if your balls are developing right, because your father isn’t here anymore.” When it escalates to blowjob in the barn, with hay sticking to her knees and her trying not to gag, you realize the whole farm became just a big porn stage: the milking stall looks like a bondage frame, the tractor becomes a place where you pin her against the seat for a quick handjob, the shower is a narrow space where your “accidental” erections rub against her ass every time she tries to squeeze past. And I didn’t even mention the farm girl relative that shows up once, laughs way too loud, and clearly wants to test if family genes are strong by wrapping her lips around you while her aunt pretends not to notice from the hallway. The animated scenes lean dirty and personal rather than polished, like amateur porn where the camera shakes, spit strings hang from her mouth, and your cum lands somewhere a bit wrong. Honestly, sometimes the humor hits at the same time as the arousal, like when mom scolds you for wasting “precious seed” on the floor, then immediately jerks you again “so you don’t stay frustrated” and stares at the dripping mess on her fingers like it’s the only wealth this farm still has. It’s clumsy, horny, and unashamed of what it wants: you watching, you getting watched, hands and mouths where they shouldn’t be, family pretending they still care about morals while kneeling in the hay with your cock down their throat.

Michelle looks like the girl in your office who always leaves at exactly 5, hair perfect, life probably on rails. Except here she is in sweaty, neon Hong Kong streets in 1986, slowly losing her grip on that “good daughter, good employee” mask because one tiny, stubborn, chain-smoking woman named Sam keeps flirting with her in ways that are way too gentle to ignore and way too dirty to be innocent. The game starts pretty tame, all long bus rides, quiet apartment scenes, small talk about movies and clothes, but the whole time the camera lingers on thighs under skirts, fingers brushing on handrails, the little hesitation when Michelle looks at Sam’s mouth while they share a drink. It’s a slow, frustrating kind of heat, like when you’re stuck on Zoom meetings and sexting on Telegram on the side, except here it’s cassette tapes and payphones and cramped bedrooms with thin walls and parents one room away. The erotic stuff doesn’t explode in your face with instant porn. It creeps in. One kiss in a dark cinema where Michelle is stiff at first, almost scared, then you see her lips part, her hands tremble, and you can almost hear her swallow before she gives in and pulls Sam closer. Tongues, teeth, that wet sound, and she keeps her eyes half open like she still cannot believe she is letting another woman taste her like that.

When it finally goes past kissing, it hits like someone yanked the curtain down. You get these long, quiet scenes on a bed where the sheets are a bit messy, clothes half off, bras sliding down arms, Michelle trying to cover herself at first and Sam just laughing low and kissing every bit she tries to hide. There is a moment where Sam goes down on her, and it’s not some porn-speed blowjob logic. It is slow and almost awkward, Michelle gripping the bedsheet because she does not even have the words in her own language for what is happening between her legs. The text describes every tiny reaction, how her thighs twitch, how she tries to keep her voice down because her mother could walk past the door, how her hips start grinding against Sam’s mouth anyway, shame turning into this fucked up relief. You can tell the writers actually understand how it feels when you are eating pussy like you care about the person, not like you are checking off positions. There are pauses, deep breaths, a little laugh from Sam when Michelle whimpers a bit too loudly, and then she doubles down, tongue and lips and fingers working together until Michelle is shaking so hard she almost pushes her away. That first orgasm is not “perfect”, it feels real, messy, emotional, like she just broke some rule she has been obeying her whole life.

Under all that sex there is this heavy layer of family and culture pressure that honestly turned me on more than I expected, because the guilt makes everything spicier and more fucked up. Michelle sneaks back home smelling like cigarettes and someone else’s perfume, lies to her mother at the dinner table while still feeling Sam’s fingers inside her if she closes her eyes for a second. There are choices where you can lean into the romance, keep seeing Sam, or try to “fix” yourself and go back to the safe, straight, lonely path everyone expects. Some endings feel like a punch in the gut, some feel like a small rebellion that might not last forever but at least burns hot while it exists. It is a romantic story, yeah, there is sweetness, hand holding, soft kisses, that feeling when you are falling in love and every bus ride feels like a music video, but the game never really lets you forget that this is two women trying to build something intimate and wet and tender inside a world that keeps telling them they are wrong. That clash is what makes the sex scenes hit so hard. When Sam whispers “you’re mine tonight” while Michelle’s family photos are literally watching from the shelf, it feels dirty in the best way, like she is betraying everything for the chance to have her own life, her own pleasure, even if it all goes to hell later.

It’s weird how this game keeps slipping between being horny and being kinda sad. Like one moment you’re scavenging a half-broken supermarket for canned beans, and the next you’re watching Tiffany bend over in that torn tank top, and you *know* the camera’s doing it on purpose. I thought it’d be just another zombie clicker thing, but then it starts poking at your nerves. You play as Mark, but you’re not really him, because half the time you’re watching what happens when he’s gone. It’s uncomfortable but also… hot? I don’t know. The animations are surprisingly smooth, not glossy, more like something someone obsessed over too long in a dark room. Her skin looks sticky in the flashlight. The moans sound too close, like she’s right next to your ear, whispering something you shouldn’t hear.

I wasn’t expecting the teasing parts to be so drawn out. There’s this bit where Alex “accidentally” touches her thigh, and you can tell she notices but pretends not to. Then later, the game just lets you wander around while that tension sits there, heavy. I thought I’d hate the sandbox thing, but it actually makes it worse - like you’re the one choosing to look away or not. The monsters outside barely matter after a while; they just groan in the background, a reminder that everything’s falling apart while something even messier happens inside. There’s a scene with oral that I didn’t think would hit me, but it’s messy and awkward and somehow more real than most. I wish the sound balance wasn’t so off though, the wet noises drown out the dialogue sometimes. Maybe that’s on purpose.

It’s not pretty, but that’s what makes it stick. The game doesn’t care if you feel guilty. It kind of wants you to. I kept thinking I’d stop after one more scene, but then I’d catch a glimpse of Tiffany walking past a broken window, the light hitting her skin just right, and I’d forget whatever I was supposed to be doing.

Grief, horny thoughts and shitty autocorrect, that’s the basic vibe here. You sit in the skin of this older dad who suddenly has way too much free time because his only kid, Lidia, just flew off to some fancy university abroad. No more daily breakfast talks, no more nagging about homework, just a quiet house and a buzzing phone. The whole thing runs on text chats and little phone events, so you’re basically stalking your own daughter’s new life through WhatsApp-style messages and those fake notification popups that make you check your real phone like an idiot. At first it’s all cute and innocent: “Dad, I got lost on campus lol,” “Look at my dorm room,” typical teen stuff. You play the supportive, slightly awkward father, send her dumb stickers, give her clumsy advice about laundry and meeting new people. And then the conversations start drifting. Slowly. Painfully slow, in that “wait, did she just tease me or am I sick” kind of way.

There’s this moment pretty early where she accidentally sends you a selfie that is way too thirsty to be “for dad.” You can pretend you didn’t notice, or you can poke at it. The game totally lets you be that responsible parent who shuts it down, but of course the fun path is when you don’t. You joke back, she jokes harder, and suddenly the banter gets flirty in a way that would get your ass banned from most Discord servers. It’s kind of messed up, because the more lonely she feels at uni, the more clingy and playful she gets on the phone. She tells you about cute guys in her class, about some older professor that gives her looks, about drunk parties and how she “accidentally” forgot her bra. Then she sends voice notes about how no one understands her like you. Then she sends a pic where her top just “slipped.” You give “support,” she gives nudes. Fair trade, right? The game leans hard into that slow corruption thing: at first it’s fatherly pep talks, a bit of romance roleplay as a joke, then late-night sexting where she’s literally typing with one hand and telling you exactly when she’s about to cum. There’s a route where she starts asking you how to “handle” older men, and the way she phrases it makes it pretty clear she’s imagining you, not them. When she finally sends the first straight-up explicit shot, with cum dripping down her thigh, she frames it like she wants “advice” if she did it right. Like she’s submitting homework to daddy. You get that hit of “oh fuck this is wrong” and then you tap the next choice anyway. The dad’s side is not just horny either. You get these little details, like him scrolling through old photos of his dead wife while Lidia is live-texting him about how needy she feels. Sometimes he literally flips between an old family pic and a fresh shot of her tits, and your dialogue choice decides if he focuses on guilt or lust. The humor is dirty and kinda mean too, with her calling you a dilf in one branch and then playing it off as “haha just TikTok slang.” The teasing is constant: read receipts, typing indicators that stop and vanish, half-finished messages like “Sometimes I wish you were here to…” and then she deletes it and sends some safer line. The game knows exactly how to bait you. There are scenes where she’s in her dorm bed after a shitty day, crying in voice, and you can either comfort her like a normal parent, or gently nudge it into romantic territory, and both feel wrong in different ways. When she finally asks you to stay on the phone while she touches herself, whispering “pretend you’re here with me,” it hits that nasty sweet spot between romance and total taboo. Text based, yeah, but some of those one-line messages feel filthier than a whole CGI porn movie. And the worst part? The game lets you be genuinely caring, even protective, right in the middle of making her describe where your imaginary cum lands on her face. You’re basically roleplaying emotional support and perverted fantasy in the same breath, and the writing is just good enough that you kinda forget how fucked that actually is.