Your life should have been boring as hell. Little farm kid, small fantasy town, marry a local girl, grow potatoes, die. Instead you somehow put a ring on one of the most famous adventurers in the whole damn kingdom, this stacked, battle-scarred goddess with giant tits, a perfect ass and a sword arm that could probably snap your spine if you misbehave. And she actually agrees to drop the armor, squeeze into a too-tight tavern uniform and work in your tiny, creaky bar as the new sexy waitress. It already feels like cheating just watching her bend over tables and pretend she doesn’t notice the way every drunk in the room is measuring her up like she is tonight’s main dish.

The game basically runs on that one dirty thought you never admit to anyone: what if your own wife wasn’t just yours? You’re the owner, she’s the barmaid, and every night the place fills with horny bastards, big spenders, shady mercs, orcs with big black cocks that barely fit in their trousers, and you decide how far you push her. Maybe you keep it “sweet” at first. Let her flirt, talk with that cute shy smile, boobs almost falling out of her corset while guys tip extra to see a little more cleavage. Then you start choosing drinks or events that push the mood. Stronger liquor, louder music, “accidental” wardrobe malfunctions, bets that end with her sitting in some stranger’s lap while you pretend to count coins. It’s all about nudging the line and then watching it vanish. One moment you’re proud husband, next moment you’re in the storage room jerking off because she just let a dark elf slap her ass in front of everyone and laughed like it was nothing.

What hits hard is how the game makes you feel both powerful and pathetic at the same time. You call the shots, pick dialog, pick what she wears, if she serves the regulars in that half-open shirt or that super tight skirt she can barely walk in. You choose if she smiles and seduces, if she blushes in humiliation, if she gets rough-handled behind the bar when you “look away” a bit too long. Sometimes you try to be a good guy and keep her safe, but the tavern itself kind of corrupts you. Money goes up faster when she lets them touch. Reputation spreads when she serves the big black stud in the corner and doesn’t stop him when his hand climbs under her skirt. And the part that fucked my brain a bit is that she actually likes the attention if you keep pushing that way, or she hates it and still does it because she wants you happy, and both versions are hot for completely different reasons. It’s not just porn, it’s this slow, messy slide from “my loyal wife” to “everyone’s favorite milf waitress” with you stuck between jealousy, pride, arousal and this weird, guilty smile while adventurers brag about how good her mouth feels. By the time the tavern is famous, you’re not even sure if you’re still the husband or just the guy who owns the bed she crawls into after getting pounded behind the bar. And somehow, that’s exactly what you were dreaming of from the start.

AlwaysFan feels like someone smashed together a horny fanfic Discord server, a crime drama from Netflix, and that one horny Bayonetta cosplay thread on Reddit that got deleted too fast. You play as this guy, Chris, but you can rename him to something stupid if you want, and he is basically broke, lost, and surrounded by girls who are somehow even more messed up than him but also soft as fuck when they want. The main one, Emilie, is this pale albino girl with milk-white skin and red eyes that look kinda fragile and dangerous at same time. She looks like she escaped from a Genshin Impact mod, then got dragged into a criminal city full of pervs and creeps. On the surface it is “romance,” but it turns into corruption so quick if you push it. Like one moment you’re just comforting her in some shitty little room, next moment you are touching her thighs and asking her to do things that would get you banned on Twitch in one second. The game lets you push, pull, tease, back off, or just go full unhinged and treat everyone like they’re just bodies to rent out. And the funny thing, it never really tells you you’re wrong. It just lets you sit in it.

What I liked most is how the scenes escalate when you choose the uglier options. There is this whole prostitution path where you go from “we need money” to “ok so she is literally wearing a cheap cosplay wig pretending to be an off-brand blonde pirate girl for some old bastard” and it somehow feels logical inside this dirty universe. It plays with parody stuff too, like girls dressing as fake Naruto kunoichi, a weird titan fetish client who wants “giantess roleplay” in an alley, and some Bayonetta-style leather cosplay with glasses and guns that are not actually loaded because budget. The sex itself is not shy at all. You get groping in public, handjobs under the table, messy blowjobs in backrooms, group scenes where everyone pretends they still have feelings after they cum, and even lactation scenes if you build certain girls into that kind of broken little doll who only feels useful when she is dripping. Those CGs hit different, because the game is not polished clean; some angles are slightly awkward, eyes a bit off, but it makes the scenes feel like stolen porn screenshots instead of corporate hentai. Sometimes boobs are too big, like weirdly big, and I hate it, but after ten minutes I was zooming in on areolas like a degenerate anyway. Choices actually matter too, in that slow “oh shit I ruined her whole life three hours ago” way, especially when you choose between being her protector or the guy who sells her body and still calls it love. It’s fucked up, sweet for one second, then fucked up again, like watching a One Piece filler episode that suddenly turns into underground sex work. You stumble into moments where you’re half-crying with a girl about parents and trauma, then the next click she is on her knees with cum on her pale skin, and you realize the game never promised to be fair. It just asked how far you are willing to go.

Space family trip sounds cute on paper, right? Like some Instagram thing with matching suits and zero gravity hugs. This is not that. Here you start as a regular married guy who just wants to pay the damn mortgage and get his two stepdaughters through college, and suddenly you’re stuck on a paid “social experiment” in space where everyone around you gets their memories deleted… except you. So they wake up in this high-tech station, no clue who you are, who they are to you, nothing. You still remember every family dinner, every birthday, every time they called you dad. And then the game just looks at you and basically asks: are you going to be a good man, or are you going to be a complete fucking monster?

What makes it feel nasty in a good way is how normal everything looks at first. Clean corridors, organized rooms, your wife chatting, the girls wandering around in their little sci-fi outfits, curious and clueless. You talk to them and they treat you like some random stranger, and that hits harder than any porn setup. There is this one early scene where the younger stepdaughter is just sitting by a big window, staring out at the planet, and you can either comfort her like a worried dad or slide into this slow corruption path, touching just a bit too long, saying just a bit too much. Game doesn’t scream at you that it’s “evil”, it just lets you do it and quietly keeps track. Of course, if you push it, you get the heavy stuff: cheating on your wife while she’s right there in the same station, NTR stuff where other guys start sniffing around your girls if you play too soft, breeding content if you go full degenerate and start knocking people up. Sometimes the camera hangs just a second longer on a stare, or on a hand on a hip, and it’s more erotic than the full-on sex scene that comes after. Or it’s just my brain being cooked, could be that too.

The sci-fi part is not just wallpaper either. You got weird labs where they test “compatibility”, voyeur points where you watch what the others are doing in the showers or private cabins, exhibition stuff where your stepdaughter is walking around half naked in some gravity adjustment test and doesn’t understand why the crew is drooling over her. There is this one voyeur scene where your wife thinks she’s single again and flirts with some tall alien-looking dude, and the game lets you decide if you just watch, interfere, or let it slide into full-on NTR and then pretend later you “didn’t see”. And the animations are dirty in a very physical way: skin-on-skin, rough BDSM sessions with cuffs and collars in a sterile white room, interracial gangbang in a research bay like it’s just another experiment. The whole thing feels like a long bad decision tree from an old choose-your-own-adventure book, except every “turn to page 78” is basically “do you keep your morals or do you fuck your whole family’s life up in the horniest way possible”. It’s gross, it’s hot, it makes you pause on the save screen way too often, and then you still click the worst option.

You start out as this pretty average guy who honestly has it way too good. Cute girlfriend who actually wants your dick and your attention, stacked childhood friends who orbit you like you’re some budget anime protagonist, job that doesn’t suck your soul completely dry. Then the game just kicks you in the balls. You die. No romance, no hero moment, just dead. Next thing, you open your eyes and there are these two weird divine girls talking about you like you’re a broken toy they picked up from the bargain bin. They give you “gifts”. They don’t explain shit. And that’s kind of the running joke of the story: every time you think “ok, now I get it,” the game hits you with another horny plot twist and a new way to get yourself in trouble with wet, needy women and the occasional guy who wanders into the mess.

When you wake up back at the local shrine, the world looks normal, but the vibe is off. Your memories are foggy, like a hangover where you only remember the sex parts. People around you are a bit too eager, a bit too touchy. Your girlfriend still loves you, of course, but now the game starts poking at that line between “loyal couple” and “ok, but what if she licks your cute coworker in front of you while you watch from the side, trying not to lose it.” The game really likes that angle: you’re not sharing her with dudes, it’s all about her with other women, and you stuck there playing half-proud, half-jealous spectator while tongues and fingers do all the honest work. There’s a scene early on where she acts all shy, then ends up on her knees between another girl’s legs, glancing up at you with this guilty puppy look while she’s tasting her. It’s sweet and filthy at the same time, like someone mixed a romance VN with raw horny doujin pages and forgot to separate them.

The “gifts” from the divines slowly show themselves in, let’s say, very physical ways. Your body reacts too strongly. You catch yourself staring when two girls hug, and the game leans into that voyeur thing hard. You peek through doors, “accidentally” walk in on your childhood friend in the bath, then later she’s the one kneeling in front of you, big wet eyes, lips wrapped around you while she tries not to choke too much. Some scenes go full fucktoy fantasy: a girl riding you like she owns you, using your cock just to get herself off, then collapsing on your chest while you drip out of her. There’s this swinging-style moment where the atmosphere turns almost party-like, different women passing you around with their hands and mouths, one girl kissing another while you’re buried inside one of them, hot breathing, sticky thighs, no one really asking if this is “good for the relationship.” The story pretends to care about guilt and cheating, then throws you into a soft harem where everyone somehow ends up naked anyway. And yeah, there’s dick going in, cum staying in, warm creampies leaking out on the sheets and on thighs, because the game is not shy about showing where everything ends up. Every route you poke opens another door: a lesbian side scene there, a guy appearing in the background, a messy shrine night where you’re watching two girls play with a toy on each other while you’re wondering if those divine “gifts” were a blessing or some cosmic pervert’s joke.

Mila and her guy look like that couple you see on Instagram, all fake smiles and “date night” posts, but when you actually get inside their story here you feel how dead the fire is. Sex life on life support, zero spark, just routine. And instead of fixing anything normal way, she basically opens the darkest tabs in her own brain and lets them run wild. It starts slow, like harmless flirting in her head, and pretty fast you realize “ok, this girl’s kink folder is mostly anal, control, and being treated like a pretty little toy.” Not gonna lie, the game is kinda honest about how ugly and hot that can be at the same time. One moment she’s shy and guilty, next moment she’s spread, gagged, and calling some stranger “sir” while her boyfriend is literally the least relevant person in the room.

What I like is that it really leans into those three paths instead of pretending everything is one-size-fits-all. NTR stuff here is not soft. There is humiliation, there is that sick twist in your stomach when she looks her man in the eyes after getting wrecked by someone else and you can tell she likes him helpless. One scene had her bent over a couch, ass up, while she’s on voice call with her boyfriend, acting all innocent, and the guy behind her is just ramming her ass and whispering in her ear to talk sweeter. That kind of scummy detail is what sold it for me. The “loyal” route is like a weird lab experiment. Same girl, same obsession with anal toys, but everything is “our dirty secret” with her boyfriend. She still pushes herself into extreme stuff, begging for bigger toys, double penetration, getting off on the pain and loss of control, but the emotional flavor changes. Less betrayal, more “I’m your filthy slut and only yours.” Still, sometimes it feels tamer emotionally, even when she’s got three things inside her and can barely speak. NTS, the “sharing” route, kinda sits between the two. She gets passed around, used by groups, gangbang scenes, collars, knees on the floor, ass used first like it’s standard policy, but she keeps looking back at her man like “see what you did to me.” Some people will call it wholesome. Those people are lying.

AI generated art gives everything this slightly unreal, hentai fever-dream look. Faces too pretty, asses too perfect, tears on cheeks while she’s clearly enjoying it way too much. Sometimes the characters change a bit between scenes and it’s a little janky, like a porn multiverse where everyone looks 5 percent different every time, but honestly it also makes the corruption feel weirder, like reality is bending with her kinks. There’s a ton of group scenes where she’s the center of attention and not in a gentle way. Picture her pinned down, a hand around her throat, another spreading her cheeks, one guy in her ass, another waiting, everybody talking about her like she’s a toy on sale, not a person. Or she’s ordered to lick herself clean after they ruin her, and you get that mix of shame and need on her face. Choices actually matter a bit more than I expected: small dialogue options turn a teasing moment into full-on domination, or keep her in that “I shouldn’t be doing this” zone instead of complete mindbreak. I do wish there was one route where she just takes charge and flips the script, but no, this game clearly decided her ass belongs to everyone except her, and honestly, for what it’s trying to be, that stubborn focus kind of works. Just don’t come here expecting romance. It’s about a bored girl finding out that getting used, especially from behind, is exactly what wakes her up, and then watching her run way past the line where she said she’d stop.

Everything is falling apart and somehow you end up as the one guy sitting in the big chair. That is the feeling this game chases. Virus, empty streets, city quiet like a church at night, and then you open the interface and it just goes: “You’re the mayor now. Do what you want.” There is no slow heroic build up, no epic speech. It is more like waking up hungover and realizing you accidentally bought a whole city on Steam during a sale. Only this time the city is full of desperate, scared, very fuckable people who need food, safety, rules, and you are the one deciding what “rules” actually means.

What I like is how casual the corruption starts. You are not forced to be some cartoon villain. You begin with small decisions. Approve some ration cards, move a patrol here, give a special pass to that district. Then the game quietly asks if maybe that cute nurse can get extra medicine if she gives you a “private report” first. You say yes once, and like in WhatsApp chats you think “ok, only this time.” But the next scene remembers. Her sprite changes, her attitude softens, she starts calling you “Mr. Mayor” with this tiny blush. Then the CG kicks in and suddenly your office desk is not for paperwork anymore. The city is dying outside and you’re rearranging her underwear like it’s the most important problem in the world.

The survival layer actually feeds the porn instead of just being some menu in the corner. You cut funding to security so you can pour resources into building your private harem wing in city hall, and the game lets you do it. Crime rises, some people suffer, you still get a new scene where a former councilwoman crawls to you, begging for protection. And you sit there with your fake moral choices. “Sign this obedience contract if you want supplies for your district.” She hesitates for half a second, then the CG shows her on her knees between your legs, signing with her mouth busy. The writing is blunt, not poetic, and that fits. This world is not romantic, it is hungry. Bodies bargaining for safety, girls trading their pride for your signature. Sometimes the text goes a bit too edgy and silly and you roll your eyes, but then a new character pops up, maybe a local cop or a teacher, and the game nails that specific fantasy of slowly watching her standards rot away scene by scene.

What really got me is how the visual novel style makes your filth feel official. You click through council reports, infection stats, budget numbers, and then in the same interface you choose to personally “inspect” the shelter staff. No music swell, just a choice button that changes someone’s whole life. You can pretend to be caring, giving out resources like a kind leader, but the game keeps tempting you with that darker path: exclusive access passes in exchange for “night visits,” forced loyalty oaths while you fuck them over your desk, whole city districts run like your personal breeding grounds. The corruption is not just in them, it’s in you watching the next CG unlock and thinking, “Ok, just one more depraved law.” And it never really judges you. That’s maybe the most dangerous part. This is not a story about saving the city. It is about how good it feels when no one can tell you no.

Kohei comes back to his old town for something boring like university, and instead walks straight into the kind of summer that fucks with your head for years after. It looks harmless at first. Childhood streets, cicadas screaming, cheap fans pushed to their limit, that older girl next door who used to ruffle his hair and laugh too loud. Misaki feels like she should be safe territory, familiar, almost family, this cozy fantasy of “onee-san who waited for you”. The game knows that expectation and plays with it in a way that’s honestly pretty mean. She’s still teasing, still bright on the surface, but her eyes slip away at weird moments, her smile freezes half a second too long. Small details like that. You pick a flirty choice, she laughs, leans in, you can almost smell her sweat and shampoo mix, and then some other guy’s name casually comes up and your stomach drops. It’s not subtle, and it’s not gentle.

The horny parts grow slowly, like mold in a corner you pretend not to see. At first you’re just choosing where to spend a day, which cheap cafe, whether to help her carry groceries. One scene you’re alone with Misaki in her apartment, the sun too bright through thin curtains, her in a loose tank top and shorts that ride up when she sits cross-legged. She offers you iced tea, your hand brushes her thigh when you take the glass, she goes quiet for a second. That silence is hotter than any moaning later. The game loves those tiny pauses, the routes where nothing explicit happens yet are somehow dirtier in your head than the straight-up sex scenes. Then there are the runs where you lean into the NTR sickness on purpose, like poking a bruise. Letting her reply to that late-night message. Choosing not to follow her when she “just goes to meet an old friend”. Coming back to a half-buttoned blouse, a faint smell that is not your cologne, and a CG that stings more because she is still smiling at you like she wants to protect you from what already happened. It gives you options to avoid that, sure, to keep things “pure” and romantic, but you feel the game secretly smirking when you pick them, like a producer forced to include a vanilla route to keep the sponsors calm.

What makes it interesting for me as a genre nerd is how it plays with POV shifts. One route you’re stuck inside Kohei’s head, rationalizing, pretending it’s fine, one bad choice, no big deal. On another, it flips and suddenly you’re watching scenes where you’re not supposed to be present at all, getting that ugly voyeur thrill. Sometimes you see Misaki from another guy’s eyes, the way he studies the sweat creeping along her neck, the way her body reacts even when her voice says “we shouldn’t”. That’s where the eroticism goes from simple horny to slightly cruel, because it forces you to admit that her desire is not a thing you own. And still the game offers proper romance lines, soft endings where you manage to hold on to her and build something tender out of all this mess. Those paths feel almost suspicious, like you wandered into a different title hosted on the same site by accident. But that contrast gives the sex extra charge. A slow kiss in a quiet room means one thing when you trust her; the same CG, same pose, after you saw what she did in another route, becomes loaded with paranoia, with “who touched you like this yesterday”. It is not elegant writing, not “high art”, but it understands really well how lust, jealousy, nostalgia and that stupid first-love hope all bleed into each other and make you click “next” even when you already hate the ending you know you’re walking toward.

Fresh out of college, the guy you play is already a mess. He runs back to his old hometown, this creepy but kinda cozy fantasy place that looks normal at first, then slowly shows all the freak shit going on behind every cute storefront. The story pretends it’s about “family secrets” and “what your parents did,” but honestly it’s about you wandering around town, flirting with anything that breathes and a few things that probably shouldn’t. One minute you’re talking to a sweet girl at the café, next minute you’re spying on twins making out in a dark alley, then suddenly there’s a monster girl with horns asking if you’re “good with your hands.” The game lets you approach stuff at your own pace like a sandbox, so you can ignore the heavy plot for a while and just chase thick asses and big tits whenever you feel like it. There was a point where I followed a milf NPC just because her hips were animated like some TikTok thirst trap, ended up watching her strip in front of a window while another character across the street masturbated to it, and the game literally rewarded me for standing there like a perv. That moment sold me more than any “main quest.”

The POV angle really helps with the dirty parts. When a girl drops to her knees and unzips you for a messy blowjob, it’s right in your face, sloppy sounds and all, like some Pornhub clip but actually framed with decent camera work. Ahegao isn’t used all the time, but when it hits, it hits hard: eyes rolled back, tongue out, your dick buried deep while her ass bounces against your hips and you can actually see her trying to keep her voice down so people in the next room don’t hear. There is this one scene where you’ve been teasing a shy bookworm for a while, sending her risky texts on her phone, forcing her to masturbate in her bedroom with the curtains half open, and you just watch from the street like a creeper. She starts with fingers, then you text her to use a toy, then to angle her phone so you see everything. Total power trip. It doesn’t stop at solo stuff either. Group sex shows up pretty early if you’re curious enough: a drunk party that escalates into you sandwiched between two girls on the couch, one riding your face while the other grinds on your cock, and if you pushed the right dialogue before, they end up kissing each other around you, taking turns with your shaft and sharing spit. Some scenes slide into proper harem territory, like when you basically collect girls around town and end up with three of them in your bed, each fighting for your attention, one going anal, one taking you in her mouth, one sitting on your chest moaning like she’s in some budget anime.

What I like is how the “romance” side actually exists but gets drowned in filth the moment you decide to be a bit rough. You can treat a character sweet, spend days chatting and slowly building trust on her phone, then switch into male dom mode and tell her exactly how to touch herself, how deep to take you, how much cum she’s going to swallow, and she just melts. There’s a scene with a milf neighbor where you pretend to be “helping” her around the house, and it starts with innocent touching, your hand sliding on her lower back, then unapologetic groping in the kitchen while she’s pretending to focus on the dishes. She tries to keep it classy, but you push her over the counter, lift her skirt, and fuck her pussy while people are literally walking outside the window. She looks terrified of being caught, but her expression breaks into that dirty ahegao as soon as you go faster. And yeah, anal is there too, not some checkbox thing but properly nasty: one girl makes you warm her up with a handjob and deep kissing first, then sits on your cock slowly, whimpering every time she takes another inch, and you feel it from the inside view. I wish the town itself reacted more to your voyeurism, like more scenes where you accidentally catch lesbians going at it in the locker room or a monster girl taking advantage of some scared citizen in an alley, but whatever, the stuff that is here already gives plenty of reason to sneak around. If you want the most out of it, don’t rush from one obvious sex scene to the next. Linger, stalk characters, check windows at “wrong” moments, push teasing as far as possible before you finally stick it in. Let the game make you feel like you really shouldn’t be watching, then watch anyway.

The house feels too quiet when Sterling walks in, the kind of silence that sticks to your skin. There’s that smell - old wood, perfume, something faintly sinful like memories that never left. You can almost hear the ghosts of laughter and moans tangled in the walls. Everyone looks at him differently now, not as the kid who ran off, but as the man who came back with a pulse full of tension. The women in this game, they don’t waste time pretending innocence. The so-called mourning period lasts about five seconds before somebody’s hand is somewhere it shouldn’t be. It’s messy, funny, uncomfortable, and hot in that way only forbidden things are. Sometimes you’ll laugh because the dialogue’s ridiculous, sometimes you’ll forget to breathe because a scene just hits that filthy sweet spot between lust and shame.

What I liked most was how it never feels clean. There’s domination that borders on cruelty, soft moments ruined by sudden gropes, a futa scene that goes way harder than expected, and those “oops-I-shouldn’t-watch-this” voyeur bits that make you squirm. Even the humor has teeth; it’s not wink-wink-nudge-nudge but more like someone laughing right in the middle of an orgasm. The harem thing isn’t just numbers - it’s chaos management, trying to juggle jealousy and desire while every woman (and not only women) seems one breath away from breaking the furniture. And then there’s that weird ache when corruption sneaks in, when seduction turns into ownership and you realize you kind of wanted it that way. The sound design helps too: low voices, wet noises that feel too real through headphones, that small gasp when a boundary gets crossed.

It’s not perfect - some pacing’s off, and a few scenes feel like they forgot their own setup - but maybe that’s why it works. Like old VHS hentai, rough edges make it human. It doesn’t pretend to be classy, it just drags you down into the mess and dares you to call it art while your pants are still around your ankles.