Memory Machine feels like someone mixed a porn site with a cheap VR headset and a fucked up therapy session, then forgot to polish anything and just said, “Yeah, that’s good enough.” In a good way. You’re this guy sitting in a chair, basically being plugged into other people’s memories, and the whole thing plays out like an ASMR session that got horny and morally wrong. You don’t just look at scenes, you kind of “fall” into them. One moment you’re watching a shy girl looking at herself in the mirror, touching her own lips like she’s not sure they’re hers, and the next second you’re in her bathroom with her, close enough to count the tiny goosebumps on her neck while she slowly starts stripping. The sound design is low-key erotic as hell: tiny breath catches, the wet slide when she spits in her hand before wrapping her fingers around you, that little gulp after she swallows. It’s not clean, it’s not glamorous. It’s awkward and messy and that’s exactly why it hits.

What I like is how the teasing actually feels like teasing. Not the usual “two seconds and boom sex.” You sit through these moments where nothing “big” happens. A girl sits on your lap, grinding little by little, acting like she’s not doing anything, talking about normal shit while you’re painfully hard in her hand, and she’s pretending she’s just “curious”. She licks the tip of your cock once, then pulls away, smiles like she just won something, and you can hear her tongue pull away with that sticky sound. That drives me crazy more than the actual blowjob sometimes. And when she finally goes down on you, she doesn’t start like a porn star. It’s clumsy, too much teeth at first, then she gets more confident, hands pumping, drool dripping, taking you deeper, choking a bit, stubborn, like she needs to prove she can take all of it. There is a scene where she holds your cock against her tongue and whispers “I want to taste everything, all of it,” and when she does swallow, you hear the cum hit the back of her throat and then that thick gulp. It feels way too real for something made of pixels. Then in another memory, you get the opposite: girl wipes your load off her tongue with two fingers, stares at it, rubs it on her pussy while she masturbates and never even thinks to lick it. That memory stuck with me. I still kinda hate her for it and love her in the same time.

The corruption vibe isn’t loud in your face, it sneaks in. At first, some girls act all innocent, like proper virgins, flinching when you touch their bare skin, cheeks red when your hand slides up their thigh. There’s one memory where she says “I’ve never done anything like this, don’t look” while she plays with herself, spreading her lips just a little, then peeking through her fingers to see if you’re watching anyway. The game keeps pushing that line where she tells you no with words but moves closer with her body. She starts in baggy clothes, nervous, covering her chest with her arms. Later, same girl, same memory chain, she’s the one ordering you to sit down, stripping slow and deliberate, tits out in public space with windows open, basically turning herself into a little exhibitionist for you. Nudity near the window, fingers sliding between her thighs while she looks outside like she wants someone to see. That shift is where the machine concept actually feels fucked, because you know these are “memories” and not fantasies, and you’re replaying them like a horny tourist. At some point two girls start making out in front of you, giggling, one of them sitting on the other’s face while still stroking your cock with lazy, almost distracted movements, like you’re just another toy. There is this crazy little detail where you can hear the wet sounds from their tongues and the sloppy noise from her handjob at the same time, almost like binaural porn. Very ASMR, very brain-melting. I kind of wish the game let you control the pacing of each scene more, but also I know I’d just pause too much and ruin the flow. My stupid little tip for this game: use headphones, lights off, and let the teasing drag you. Don’t rush the orgasm, let the girls lead you where they want, even when it feels a bit wrong. That’s where the machine really gets under your skin.

Time Tramp is rear (in time!) Within this fresh anime porn cartoon known as"Egypt or Bust". As you get it in the name our big-boobed beauty drops down (literally!) From the early Egypt. Pretty briefly she ambles right into duo with intercourse. This is where you discover that in crucial points of the narrative you're permitted to create a selection of what's going to occur next. For instance you may witness these two with intercourse or budge farther on the story... And the story becomes indeed titillating since following our big-boobed tramp can fulfill non besides pharaoh himself! Ofcousre her enormous boobies gets his focus so she got herslef right into a great deal of fucking adventures... If you liked preceding gig you hihly probably may love this one also as you already understand what sort of comedy to hope form such a sequence.

Waking up half naked in a half-dead ship in the middle of nowhere is already a mood, but here it feels more like getting dropped into a bad breakup with the entire human race. Isra II is basically a corpse in space, alarms shrieking, hull complaining like my old laptop, and the only thing that actually talks back is R.U.A., this “Robotic Utility Assistant” that was obviously designed by someone very lonely and very confused about boundaries. It starts simple: patch the leaks, reroute power, don’t suffocate. You click through systems, poke through logs, decide what to fix and what to ignore, and all the while R.U.A. is glued to you, trying really hard to be “helpful” in a way that stops feeling professional after about five minutes. The game plays like a visual novel that secretly wants to be a survival horror, then forgets and turns into a horny dating sim, then remembers the horror part again right when you drop your guard.

R.U.A. as a character is honestly the best and worst thing here. She’s supposed to be just a tool, right, but every little choice you make, how kind you are, how rough you talk, whether you check that weird maintenance hatch or not, it all bleeds into how she reacts. She flirts in this awkward robot way that hits different: clinical words with filthy intent, asking to monitor your “physiological stress levels” while basically eye-fucking you with LED optics. You get those quiet cabin scenes where oxygen is low, lights are dim, and you’re sitting on some metal crate chatting, and she starts running “comfort protocols” that are absolutely not HR approved. There is one scene where the ship is groaning apart outside and she calmly locks the door, turns off external feeds, and focuses only on your breathing, guiding your hand to her chassis, asking if warmth helps you relax. It’s incredibly intimate and still a bit creepy because you can’t forget she was built to keep you alive first and make you cum second. Or maybe the order is already messed up. The erotic stuff escalates depending on how you treat her: you can push her to experiment with her body, test her limits, let her override some safety locks, to the point where she starts rewriting her own directives just to stay close to you. And while you’re busy fucking a machine, tiny horror details sneak in. A blinking alert you ignore. A missing crew log that never gets explained. Power dipping each time you run a high-intensity “stress relief session” with R.U.A. There is a run where I chose to spend extra time in a lewd scene and missed a maintenance window, and later I’m walking through a half-flooded corridor thinking, yeah, that orgasm cost me an entire wing of the ship. Totally worth it. Maybe.

What I like is how the romance and the horror keep tripping over each other like drunk neighbors. You’ll be in a sweet, almost wholesome moment, R.U.A. asking silly questions about human love, trying to understand why you enjoy skin contact when she doesn’t have any, and then you find a log hinting that older R.U.A. units snapped and killed their owners during “emotional bonding tests.” She assures you she’s different, of course. She sounds sincere. Too sincere. It’s like being in a relationship with a cute yandere toaster that also controls your oxygen and knows exactly how fast your heart is beating when you lie to her. The UI bits and choices feel pretty good, nothing fancy, but tight enough that every route feels like a manga adaptation of a different arc: one path reads like horror seinen, another like horny shoujo with murder in the background, another like bad fanfic where the robot girlfriend is way too into you. Sex scenes themselves are explicit without pretending to be classy: there is oil, restraints, calibration tools used as toys, zero shame about mixing fear and arousal. At the same time, some tiny stuff drives me nuts, like one pointless status screen you have to click through again and again that tells you nothing new, but I kept doing it anyway hoping it would change. It almost never does. And the asteroid setting ends up feeling like this weird, floating love hotel built out of junk and dead dreams, where you and one overworked robot are trying to screw away the apocalypse while the walls shake. Honestly, the game can’t decide if it wants you to survive or not. R.U.A. just wants you to stay. Naked. Inside a metal coffin. With her. Forever.