Mila and her guy look like that couple you see on Instagram, all fake smiles and “date night” posts, but when you actually get inside their story here you feel how dead the fire is. Sex life on life support, zero spark, just routine. And instead of fixing anything normal way, she basically opens the darkest tabs in her own brain and lets them run wild. It starts slow, like harmless flirting in her head, and pretty fast you realize “ok, this girl’s kink folder is mostly anal, control, and being treated like a pretty little toy.” Not gonna lie, the game is kinda honest about how ugly and hot that can be at the same time. One moment she’s shy and guilty, next moment she’s spread, gagged, and calling some stranger “sir” while her boyfriend is literally the least relevant person in the room.

What I like is that it really leans into those three paths instead of pretending everything is one-size-fits-all. NTR stuff here is not soft. There is humiliation, there is that sick twist in your stomach when she looks her man in the eyes after getting wrecked by someone else and you can tell she likes him helpless. One scene had her bent over a couch, ass up, while she’s on voice call with her boyfriend, acting all innocent, and the guy behind her is just ramming her ass and whispering in her ear to talk sweeter. That kind of scummy detail is what sold it for me. The “loyal” route is like a weird lab experiment. Same girl, same obsession with anal toys, but everything is “our dirty secret” with her boyfriend. She still pushes herself into extreme stuff, begging for bigger toys, double penetration, getting off on the pain and loss of control, but the emotional flavor changes. Less betrayal, more “I’m your filthy slut and only yours.” Still, sometimes it feels tamer emotionally, even when she’s got three things inside her and can barely speak. NTS, the “sharing” route, kinda sits between the two. She gets passed around, used by groups, gangbang scenes, collars, knees on the floor, ass used first like it’s standard policy, but she keeps looking back at her man like “see what you did to me.” Some people will call it wholesome. Those people are lying.

AI generated art gives everything this slightly unreal, hentai fever-dream look. Faces too pretty, asses too perfect, tears on cheeks while she’s clearly enjoying it way too much. Sometimes the characters change a bit between scenes and it’s a little janky, like a porn multiverse where everyone looks 5 percent different every time, but honestly it also makes the corruption feel weirder, like reality is bending with her kinks. There’s a ton of group scenes where she’s the center of attention and not in a gentle way. Picture her pinned down, a hand around her throat, another spreading her cheeks, one guy in her ass, another waiting, everybody talking about her like she’s a toy on sale, not a person. Or she’s ordered to lick herself clean after they ruin her, and you get that mix of shame and need on her face. Choices actually matter a bit more than I expected: small dialogue options turn a teasing moment into full-on domination, or keep her in that “I shouldn’t be doing this” zone instead of complete mindbreak. I do wish there was one route where she just takes charge and flips the script, but no, this game clearly decided her ass belongs to everyone except her, and honestly, for what it’s trying to be, that stubborn focus kind of works. Just don’t come here expecting romance. It’s about a bored girl finding out that getting used, especially from behind, is exactly what wakes her up, and then watching her run way past the line where she said she’d stop.

Whore Effect feels like someone modded Mass Effect after a long night, got horny, and never bothered to clean it up. In a good way and also not in a good way. You play as a very unprofessional Commander Shepard, a female captain who’s supposed to save the galaxy from Reapers but mostly keeps getting distracted by tits, alien pussy and stupid little errands that end with somebody getting creampied. The game doesn’t even pretend she’s noble. She flirts like a drunk, fucks like she’s speedrunning porn scenes, and still somehow pulls off the “good captain” thing just enough that you don’t feel like she should be court-martialed immediately. It’s a sandbox kind of structure, so you’re bouncing around to different locations, poking stuff, talking to people who all secretly or openly want to fuck you, clicking weird little minigames that look like they were programmed in a hangover. I liked that it never slows down to explain itself. You either get it or you mash buttons until Shepard moans and something fills her. Works both ways.

The erotic focus is very clear: vaginal sex, a lot of it, not shy at all, with explicit angles that feel like the dev really loved certain positions and just kept reusing them. Creampie is everywhere. Humans, asari, monster girls with too many teeth, it all ends with Shepard leaking something. The parody vibe is strong, but a bit stupid in a charming way, like someone remembered Mass Effect from years ago and is re-telling it from memory while half watching porn on another monitor. Liara T’Soni shows up, or something close enough to her that your brain fills the gap, and the scenes with her are honestly the best part. There’s this one bit where you’re supposed to do something serious for the mission, but the “puzzle” is basically teasing her until she caves and begs you to fuck her, and then the actual objective just pops up done afterward. That kind of fake challenge happens a lot: a puzzle, a stupid little pattern matching game, then suddenly you’re riding some alien on a console in the background like it’s nothing. It’s stupid. I still replayed that Liara scene three times.

Sound is where it got me, though, which is probably not what the dev expected. The music is this weird mash of euro-club loops, slightly off-key sci-fi ambience and cheap porn groove. None of it matches tempo properly and I kind of love it. There’s a track in one of the early ship sections that sounds like someone tried to copy the Mass Effect synth pads, then said “fuck it” and threw a lazy trap beat under it. Totally wrong for a dramatic commander speech, but when Shepard is naked and spread on some alien lab table, that beat suddenly makes sense. Her moans are uneven too, like they were recorded in different sessions with different mics, so sometimes she sounds like a porn star, sometimes like a streamer quietly failing to be discreet in a thin-walled apartment. It’s messy, but the mess sells the fantasy more than a perfect mix would. My only real audio complaint: there’s this tiny click every time one specific loop restarts in a sex scene in the medbay. Once you notice it you can’t unhear it and it drove me insane. I kept expecting an update that fixes it. It never came.

Anyway, don’t come here for deep sci-fi, even if it pretends to be Mass Effect with monsters and fantasy bits glued on. The “adventure” is just an excuse to walk into a room, say something horny and completely unprofessional, then end up with Shepard’s legs in the air. Some of the sex scenes play out almost like bad fanfic you’d find on an old forum, but the game leans into that cheap feeling so hard it circles around to being fun. Shepard acts like the galaxy’s horniest commander, you get a bunch of alien and monster girl scenes, some light puzzles that exist mostly to slow down your fap just enough, and a soundtrack that sounds like it’s coming from an old pirated MP3 collection. It’s trashy, it knows it’s trashy, and it kind of winks at you every time another creampie drips out on the floor of the Normandy.

Everything is falling apart and somehow you end up as the one guy sitting in the big chair. That is the feeling this game chases. Virus, empty streets, city quiet like a church at night, and then you open the interface and it just goes: “You’re the mayor now. Do what you want.” There is no slow heroic build up, no epic speech. It is more like waking up hungover and realizing you accidentally bought a whole city on Steam during a sale. Only this time the city is full of desperate, scared, very fuckable people who need food, safety, rules, and you are the one deciding what “rules” actually means.

What I like is how casual the corruption starts. You are not forced to be some cartoon villain. You begin with small decisions. Approve some ration cards, move a patrol here, give a special pass to that district. Then the game quietly asks if maybe that cute nurse can get extra medicine if she gives you a “private report” first. You say yes once, and like in WhatsApp chats you think “ok, only this time.” But the next scene remembers. Her sprite changes, her attitude softens, she starts calling you “Mr. Mayor” with this tiny blush. Then the CG kicks in and suddenly your office desk is not for paperwork anymore. The city is dying outside and you’re rearranging her underwear like it’s the most important problem in the world.

The survival layer actually feeds the porn instead of just being some menu in the corner. You cut funding to security so you can pour resources into building your private harem wing in city hall, and the game lets you do it. Crime rises, some people suffer, you still get a new scene where a former councilwoman crawls to you, begging for protection. And you sit there with your fake moral choices. “Sign this obedience contract if you want supplies for your district.” She hesitates for half a second, then the CG shows her on her knees between your legs, signing with her mouth busy. The writing is blunt, not poetic, and that fits. This world is not romantic, it is hungry. Bodies bargaining for safety, girls trading their pride for your signature. Sometimes the text goes a bit too edgy and silly and you roll your eyes, but then a new character pops up, maybe a local cop or a teacher, and the game nails that specific fantasy of slowly watching her standards rot away scene by scene.

What really got me is how the visual novel style makes your filth feel official. You click through council reports, infection stats, budget numbers, and then in the same interface you choose to personally “inspect” the shelter staff. No music swell, just a choice button that changes someone’s whole life. You can pretend to be caring, giving out resources like a kind leader, but the game keeps tempting you with that darker path: exclusive access passes in exchange for “night visits,” forced loyalty oaths while you fuck them over your desk, whole city districts run like your personal breeding grounds. The corruption is not just in them, it’s in you watching the next CG unlock and thinking, “Ok, just one more depraved law.” And it never really judges you. That’s maybe the most dangerous part. This is not a story about saving the city. It is about how good it feels when no one can tell you no.

Pale Carnations feels like someone took a very proper medical student, stripped out his sense of safety, then tossed him face first into the kind of club you normally only see mentioned in Telegram chats that vanish after a week. You start as this uptight guy who really believes he’s still on a straight path, and then your old friend drags you into the Carnation Club, which is basically a brothel pretending to be an art space. The game doesn’t even try to warm you up slowly. One minute you’re talking about exams, the next you’re standing in a “performance hall” where three women are being judged like twisted idols for how well they take pain, shame and a whole lot of cum. The first night, when you have to guide one of the girls through a show, pushed to choose between making it romantic, cruel, or just filthy efficient, that’s where it clicked for me. This isn’t just porn with clicks. It’s about how far you’re willing to go when everyone keeps telling you it’s normal to choke a girl on stage while rich assholes clap in the dark.

The sound in this thing really surprised me. Not “triple A” surprised, more like “why does this muffled moan in the background feel more real than the entire Spotify sexy playlist I’ve got”. There’s this scene where you’re backstage with an older woman who clearly knows the club better than you ever will. She presses your hand to her ass while she quietly instructs you how to handle your “performer”, her voice soft but absolutely in control, and in the distance you hear the audience roar when someone gets spanked hard enough to cry. The track underneath is this slow, slightly dirty lounge loop, a bit off tempo, almost cheap, but it fits so well that I ended up replaying that scene just to hear the way her breathing synced with the bass line. Then later the game swaps to this almost tender piano piece while you’re literally arranging who gets groped on stage and who gets humiliated in private. I liked that a lot. Or maybe I didn’t. It made it harder to pretend this is just mindless fap material when the music keeps whispering “you’re kind of a bastard for choosing the harsher option, you know?” and then rewards you with the wettest, messiest creampie CG three clicks later. The game loves that contrast. Romance on the surface, anal and public bukkake in the back room, ahegao faces in full view while the MC still tells himself he’s a good guy. It’s not subtle, and it’s not trying to be. There’s cheating, masturbation breaks that feel a bit too honest, toys pulled out at the worst possible time, and a lot of rich people treating human bodies like decoration. I wish the little clicking sound on some menu wasn’t so loud, actually, it annoyed me from the start and I kept meaning to change it, then got distracted every single time some milf in heels called me “doctor” and bent over a piece of BDSM furniture like it was a confession booth. Anyway, the club keeps going, the performances get rougher, and your choices keep twisting the knife, mostly in you.