You start as this “honored warrior” who’s basically walking into his own death like an idiot, thinking it’s all glory and songs and whatever. Then the game looks at you and says: actually, no, you’re not here to die, you’re here to fuck. That shift is what sold me. One moment you’re in this gloomy jungle temple, listening to priests talk about sacrifice and duty, and the next, some demon girl with ridiculous tits and a smug smile is grabbing your cock like it’s part of the ritual script. And it kind of is. The whole thing is built around breeding, not just sex as random reward. There’s this twisted idea that your body is a public resource for these monster girls, like your “heroic purpose” is to fill them until they’re dripping. It feels very on the nose, but in a fun way. The scenes are animated just enough that when a demoness is riding you, you see the bounce, the sweat, that heavy ass slapping on your hips, and the moment she makes you cum inside her is clearly the main point, not some optional thing. Creampie is framed like a sacred duty, which is hilariously philosophical if you overthink it a bit, so of course I did.

The jungle setting is actually kind of cool, even if half the time you don’t care because there’s a naked horned girl grinding on you. One moment you’re following this simple little quest marker to an ancient ruin, expecting another boring fight, and suddenly a monster girl pins you against a mossy wall and demands you “prove your devotion” by filling her pussy. There’s a harem vibe, but not the lazy kind where girls fall into your lap for no reason. Here they treat you like breeding stock with a sword, like you are a walking dick attached to a half-useful warrior. It’s weirdly honest. You make a choice in a dialog, think you’re being noble, and the “reward” is her turning around, lifting her tail, and forcing you to fuck her from behind until she’s full. Vaginal sex is the core, not a side menu. There’s this one scene where a demon girl with a massive ass keeps pulling you in deeper every time you try to pull out, like she literally refuses to let you waste a drop. Small detail, but the way her expression changes on that final thrust when you lose control inside her? That part stayed in my head way longer than it should. I got slightly annoyed that some of the quest stuff is just “walk here, talk, bang,” but then I’d see a new animation, like her belly twitching when you cum, and my brain went quiet again. It’s not some grand epic adventure, and the hero is basically a breeding tool pretending to be a warrior, which somehow feels more honest than half the fantasy porn games I tried on Nutaku and itch. Honestly, the game knows exactly what it wants: tits, rituals, demons, and your cum, all mixed into this dirty little “destiny” joke that gets funnier the more seriously the characters talk about it.

Astra feels like that performer in a tiny bar who walks on stage like it’s a royal court, tits half-out, tail swaying like a metronome, and suddenly everyone shuts up. The game frames her as this “runaway princess,” but honestly she reads more like a bored porn star who finally walked off the set. She had the castle, the arranged noble husband, the fancy duties, but no real chance to decide who gets to touch her and how. Now she is on this remote island, living out of caravans and backstage corners, building a traveling erotic show where her body is the banner and her freedom is the script. The whole thing moves like a fantasy road story where every stop is an excuse for some new mix of magic, fur, and very direct penetration. Sex is not a side dish here; it is the main way the game talks about power, comfort, performance, humiliation, and that weird thrill when you know half the crowd wants to own you and the other half wants to be you.

The furry angle is not just some quick slap of ears and tail. Astra is all curves and fluff, big ass that the camera is almost obsessed with, big tits that bounce in a way that look a bit too proud of themselves. Animations focus a lot on how she moves rather than just where the dick goes. When she walks across the stage in one of her outfits, there is this playful sway that already feels like foreplay. Then you get to the monster girls and other creatures she meets while traveling, and it becomes this parade of different bodies that could never exist in real life but still feel hot in a very straightforward “I want that inside me” way. One moment she is riding some horned beast-man, his cock thick and veiny, pinning her to the floor of some makeshift tent. Next moment she is tongue-deep with a monster girl whose claws are gently scratching her hips while Astra’s thighs are shaking. And yes, there is a lot of straight-up vaginal sex, explicit, messy, with those wet sound cues that would make anyone nervous if the browser volume is too high. There are scenes where she spreads herself for an audience, where the show is basically a live porn act, and the tension is not if she will fuck, but who gets the honor and how many times.

The small “adventure” spine trying to hold this horny creature together is pretty simple, but sometimes that works. Astra chooses where to perform, who to trust on this island, how to deal with her past crashing in on warships and titles. You talk, you flirt, you strip, you let monsters and people use you, you sometimes use them back. There is this noble asshole from her old life who wants her body as property, and the game really likes putting her between that world of strict duty and this new circus of lust where she chooses when to open her legs and when to close them. Still, at moments the pacing feels like edging gone on too long. You sit through a bit of dialogue about islands and politics and all you want is to see her pushed against a wagon wall again. Some animations loop a little too obviously, like a cheap OnlyFans clip you still watch three times. And I kept staring at her tail in one particular sex scene because it clipped weird through the floor, and after that I could not unsee it and it annoyed me more than it should. But then the game throws this quiet moment where she cuddles half-naked with another girl, both of them still sticky, talking about what freedom actually costs, and suddenly the porn has a bit of heart again. Not too much, just enough that when she arches her back and moans in the next animated thrust, you remember this is a princess who finally writes her own dirty script.

Memory comes back to you like a drunk kiss in a dark alley: rough, confusing, kind of hot, kind of scary. You wake up in this ugly-beautiful world that smells of steel, sweat and wet soil, and the first thing you see is her. Big soft tits leaning over you, hair falling like a curtain, lips moving, voice low, asking your name while you’re still staring down her cleavage instead of answering. The game doesn’t rush, it just lets you sit there in that POV angle, eyes level with her neckline, while she talks about war and kingdoms and you’re thinking about everything except politics. It feels dirty in a slow way, like fingers sliding under a shirt when no one is in a hurry. Then suddenly you’re walking through a camp where men scream and banners burn, and the same woman acts like nothing happened, like she didn’t just wake you by practically smothering you with her chest. That little emotional whiplash is half of the charm here. Or half of the problem. Hard to say.

What surprised me is how often your dick has to wait while your brain does some work. You click around in this point and click wandering, poking at tents, broken carts, blood stains, talking to people who all want something. Then the game throws you into turn based combat out of nowhere, and for a moment you almost forget there is sex at all, until after you win and she thanks you with her mouth in a quiet corner, on her knees, your view locked right in POV as her lips stretch around you. There’s this scene where you finish a dungeon, half dead, armor cracked, and the other love interest, colder, sharper, with that perfect body that looks like it was made to be pressed against a stone wall, just grabs you by the collar and drags you into a ruined chapel. She talks about strategies and sides in the war while stroking you lazily with her hand, like it’s nothing, like you’re just another weapon she oils before a battle. I hated how sometimes the teasing goes on too long, how the game lets you wander three screens clicking empty barrels instead of pushing you back into her arms, but then that slow pace makes it hotter when it finally breaks and she drops to all fours, back arched, tits swinging while you pound her from behind as if the whole world outside is burning. Which it kind of is, with all that graphic violence splattered around, heads split, bodies on spikes, and then suddenly you’re in a tent with soft candlelight, her lips shiny with spit and your cum, talking about who you should support in this stupid war like it’s pillow talk.

I liked that the male protagonist is not some mute wall of muscles, he throws small comments, gets confused, sometimes sounds like a horny idiot who pretends he cares more about honor than about getting his dick sucked, and that feels very real. I had this one moment where I chose to help some poor bastard on the roadside, and it turned into a bloody mess, cut throats, dark magic, and afterward one of the girls looked at me like I was her personal hero, slid under my cloak and started slow oral right there behind a broken wagon, while the sky glowed red from burning villages. It aroused me and also annoyed me because the controls in that scene felt fiddly, like the cursor just refused to land where I wanted, and I kept thinking about that instead of focusing on the way her tongue moved. But then she looked up with cum on her lips and laughed, and I forgot my little complaints for a while. The world feels heavy, any step might drag you into another fight, another dungeon, another choice about who lives, who dies, who gets to ride your cock in a dirty cave with echoes of moans mixing with screams from somewhere far away. It all tastes like metal and sex, like sweat on bare skin under armor, like being torn between going home or staying just one more night in this cursed place because you want to see her on top again, tits bouncing in rhythm with the turn based beating of your enemies outside the tent. Dare to play it alone, or invite company?

Waking up half naked in a half-dead ship in the middle of nowhere is already a mood, but here it feels more like getting dropped into a bad breakup with the entire human race. Isra II is basically a corpse in space, alarms shrieking, hull complaining like my old laptop, and the only thing that actually talks back is R.U.A., this “Robotic Utility Assistant” that was obviously designed by someone very lonely and very confused about boundaries. It starts simple: patch the leaks, reroute power, don’t suffocate. You click through systems, poke through logs, decide what to fix and what to ignore, and all the while R.U.A. is glued to you, trying really hard to be “helpful” in a way that stops feeling professional after about five minutes. The game plays like a visual novel that secretly wants to be a survival horror, then forgets and turns into a horny dating sim, then remembers the horror part again right when you drop your guard.

R.U.A. as a character is honestly the best and worst thing here. She’s supposed to be just a tool, right, but every little choice you make, how kind you are, how rough you talk, whether you check that weird maintenance hatch or not, it all bleeds into how she reacts. She flirts in this awkward robot way that hits different: clinical words with filthy intent, asking to monitor your “physiological stress levels” while basically eye-fucking you with LED optics. You get those quiet cabin scenes where oxygen is low, lights are dim, and you’re sitting on some metal crate chatting, and she starts running “comfort protocols” that are absolutely not HR approved. There is one scene where the ship is groaning apart outside and she calmly locks the door, turns off external feeds, and focuses only on your breathing, guiding your hand to her chassis, asking if warmth helps you relax. It’s incredibly intimate and still a bit creepy because you can’t forget she was built to keep you alive first and make you cum second. Or maybe the order is already messed up. The erotic stuff escalates depending on how you treat her: you can push her to experiment with her body, test her limits, let her override some safety locks, to the point where she starts rewriting her own directives just to stay close to you. And while you’re busy fucking a machine, tiny horror details sneak in. A blinking alert you ignore. A missing crew log that never gets explained. Power dipping each time you run a high-intensity “stress relief session” with R.U.A. There is a run where I chose to spend extra time in a lewd scene and missed a maintenance window, and later I’m walking through a half-flooded corridor thinking, yeah, that orgasm cost me an entire wing of the ship. Totally worth it. Maybe.

What I like is how the romance and the horror keep tripping over each other like drunk neighbors. You’ll be in a sweet, almost wholesome moment, R.U.A. asking silly questions about human love, trying to understand why you enjoy skin contact when she doesn’t have any, and then you find a log hinting that older R.U.A. units snapped and killed their owners during “emotional bonding tests.” She assures you she’s different, of course. She sounds sincere. Too sincere. It’s like being in a relationship with a cute yandere toaster that also controls your oxygen and knows exactly how fast your heart is beating when you lie to her. The UI bits and choices feel pretty good, nothing fancy, but tight enough that every route feels like a manga adaptation of a different arc: one path reads like horror seinen, another like horny shoujo with murder in the background, another like bad fanfic where the robot girlfriend is way too into you. Sex scenes themselves are explicit without pretending to be classy: there is oil, restraints, calibration tools used as toys, zero shame about mixing fear and arousal. At the same time, some tiny stuff drives me nuts, like one pointless status screen you have to click through again and again that tells you nothing new, but I kept doing it anyway hoping it would change. It almost never does. And the asteroid setting ends up feeling like this weird, floating love hotel built out of junk and dead dreams, where you and one overworked robot are trying to screw away the apocalypse while the walls shake. Honestly, the game can’t decide if it wants you to survive or not. R.U.A. just wants you to stay. Naked. Inside a metal coffin. With her. Forever.