There’s this thing that happens sometimes when a porn game forgets it’s “just porn” and suddenly you’re emotionally invested, right? This is one of those. It pretends to be a simple girls-only academy fantasy, then quietly punches you in the chest with feelings while you’re half hard, scrolling with one hand and pretending you’re just here for some quick futa action. You play as Diana, this stubborn, confident girl who goes to an all-girls school because she’s done with guys and drama, and of course the first person who really gets under her skin is Jeanne, tall, beautiful, way too gentle for someone packing that kind of secret. The whole story is like: slow flirting, awkward tension, then that moment where you realize “oh shit, this is not just about getting laid, I actually care if these two idiots are happy.” The game isn’t trying to be cool or edgy, it just lets you sit in the weird space where romance feels soft and horny at the same time. You just click, read, watch. No choices. No “good endings” or “bad endings” to min-max. It’s a straight kinetic ride, which honestly fits, because this thing would totally fall apart if it had branching nonsense everywhere.

The sex builds up so slowly that you almost get annoyed, then when it finally hits, it’s like everything clicks. Jeanne’s first blowjob scene, with Diana going from “I can handle this, I’m not a shy girl” to visibly overwhelmed, swallowing, eyes watery, fingers digging into Jeanne’s thighs, that whole thing felt way more intimate than half the stuff tagged as hardcore these days. And yeah, the animation is simple, you can see that AI touch on the CG sometimes, hands a bit weird, toes not always perfect, but then you get that footjob scene where Diana is clearly embarrassed, using her feet on Jeanne’s cock while pretending she’s just “trying something out”, and it just works. The way Jeanne is half apologizing for enjoying it too much, while Diana is blushing and still pushing on, watching Jeanne’s expression like she’s reading a test result, that’s the sort of moment that sticks. The creampie payoff later, when Diana finally lets go and trusts her, is not subtle at all. It’s messy, it’s tender, it’s a little pathetic in the best way. She’s riding Jeanne, nails scratching, mumbling that she doesn’t want to feel empty again, then the game just holds on that last thrust and the cum spilling inside, and you suddenly realize this is literally the climax of their emotional arc, not just a “money shot”. Then the next scene they’re cuddling and talking about stupid normal stuff, like where to walk on campus to avoid annoying classmates, and you’re there thinking “how did I get this invested in two horny schoolgirls in a porn VN I opened in incognito after closing Twitter.”

The lesbian angle also isn’t fake. There are pure girl-on-girl scenes that don’t rely on futa at all, like Diana going down on Jeanne before she even knows about the extra equipment, completely focused on making her melt, using hands and tongue like she actually likes doing it, not like it’s some checklist. When the truth drops and Diana has that tiny freakout, it’s not some dramatic hentai meltdown. She’s confused, horny, pissed at herself, still stealing glances at Jeanne’s bulge in those tight school clothes. The story doesn’t try to explain or label everything, it just lets two women figure out what they want from each other. Sometimes they’re romantic and soft, sometimes it’s just handjobs under blankets while whispering so roommates won’t hear, sometimes Jeanne is the one giving and Diana ends up shaking, clinging to her arm like a lifeline. It’s messy, emotional, a bit cheesy, very horny, and if you’re the kind of person who pauses porn because a character says one line that hits too close to home, this will absolutely get you. You’ll come for futa and orgasms, and somehow stay just to see if Diana finally stops being scared of being loved by the one person she swore she wouldn’t fall for.

Waking up half naked in a half-dead ship in the middle of nowhere is already a mood, but here it feels more like getting dropped into a bad breakup with the entire human race. Isra II is basically a corpse in space, alarms shrieking, hull complaining like my old laptop, and the only thing that actually talks back is R.U.A., this “Robotic Utility Assistant” that was obviously designed by someone very lonely and very confused about boundaries. It starts simple: patch the leaks, reroute power, don’t suffocate. You click through systems, poke through logs, decide what to fix and what to ignore, and all the while R.U.A. is glued to you, trying really hard to be “helpful” in a way that stops feeling professional after about five minutes. The game plays like a visual novel that secretly wants to be a survival horror, then forgets and turns into a horny dating sim, then remembers the horror part again right when you drop your guard.

R.U.A. as a character is honestly the best and worst thing here. She’s supposed to be just a tool, right, but every little choice you make, how kind you are, how rough you talk, whether you check that weird maintenance hatch or not, it all bleeds into how she reacts. She flirts in this awkward robot way that hits different: clinical words with filthy intent, asking to monitor your “physiological stress levels” while basically eye-fucking you with LED optics. You get those quiet cabin scenes where oxygen is low, lights are dim, and you’re sitting on some metal crate chatting, and she starts running “comfort protocols” that are absolutely not HR approved. There is one scene where the ship is groaning apart outside and she calmly locks the door, turns off external feeds, and focuses only on your breathing, guiding your hand to her chassis, asking if warmth helps you relax. It’s incredibly intimate and still a bit creepy because you can’t forget she was built to keep you alive first and make you cum second. Or maybe the order is already messed up. The erotic stuff escalates depending on how you treat her: you can push her to experiment with her body, test her limits, let her override some safety locks, to the point where she starts rewriting her own directives just to stay close to you. And while you’re busy fucking a machine, tiny horror details sneak in. A blinking alert you ignore. A missing crew log that never gets explained. Power dipping each time you run a high-intensity “stress relief session” with R.U.A. There is a run where I chose to spend extra time in a lewd scene and missed a maintenance window, and later I’m walking through a half-flooded corridor thinking, yeah, that orgasm cost me an entire wing of the ship. Totally worth it. Maybe.

What I like is how the romance and the horror keep tripping over each other like drunk neighbors. You’ll be in a sweet, almost wholesome moment, R.U.A. asking silly questions about human love, trying to understand why you enjoy skin contact when she doesn’t have any, and then you find a log hinting that older R.U.A. units snapped and killed their owners during “emotional bonding tests.” She assures you she’s different, of course. She sounds sincere. Too sincere. It’s like being in a relationship with a cute yandere toaster that also controls your oxygen and knows exactly how fast your heart is beating when you lie to her. The UI bits and choices feel pretty good, nothing fancy, but tight enough that every route feels like a manga adaptation of a different arc: one path reads like horror seinen, another like horny shoujo with murder in the background, another like bad fanfic where the robot girlfriend is way too into you. Sex scenes themselves are explicit without pretending to be classy: there is oil, restraints, calibration tools used as toys, zero shame about mixing fear and arousal. At the same time, some tiny stuff drives me nuts, like one pointless status screen you have to click through again and again that tells you nothing new, but I kept doing it anyway hoping it would change. It almost never does. And the asteroid setting ends up feeling like this weird, floating love hotel built out of junk and dead dreams, where you and one overworked robot are trying to screw away the apocalypse while the walls shake. Honestly, the game can’t decide if it wants you to survive or not. R.U.A. just wants you to stay. Naked. Inside a metal coffin. With her. Forever.

Whole thing starts with you thinking this is just another horny space VN with a hot older woman and some fake tension, then suddenly you realize you actually care if this milf is mad at you or not while you’re also lowkey trying to see her naked. You’re the "bad influence gamer kid" stuck on an empty alien ship with your best friend’s mom, Elena, who has huge tits, a perfect ass, and that permanent "I am disappointed in you" face that somehow just makes you harder. She’s blaming you for everything, talks to you like you’re a dumb kid, but she’s also trapped with you, in corridors that feel way too quiet, with weird alien tech humming in the background. And every time you pick a choice you feel like you’re poking a sleeping lioness, like, am I gonna get a cold glare or am I gonna get her breathing a bit heavier and pretending she isn’t turned on.

What I liked most is how the horny stuff doesn’t drop on you instantly. You have those moments where she’s pacing in the control room in this tight outfit that is absolutely not regulation, arguing about power, oxygen, food, and you’re half paying attention because the camera angle is just locked on her curves and you’re like "ok, sure, survival, but ma’am, your tits are actually in my face right now." At one point you find this alien artifact, very glowy, very "I probably shouldn’t touch that" and of course you touch it. After that, things start to get weird in the good way. She leans over a console to look at some alien script and suddenly you feel this pull, like the artifact is nudging you to imagine her on her knees. You pick the teasing dialogue option, she snaps at you, but you can see the tiny blush in her cheeks, and then she turns away, ass swaying just a little too much to be an accident. Or maybe I imagined it. No idea. Don’t care.

The actual sex stuff, when it starts happening, doesn’t feel like some random porn scene slapped in. You remember that moment in the dark engine bay, when she’s shaking a bit, trying to act tough, and you choose to calm her down instead of making a joke. That choice echoes later when she’s the one slowly unzipping your suit in the captain’s cabin, eyes locked on yours, muttering something about "needing human contact" with zero irony. Oral scenes hit harder because she still has that older-woman authority vibe even when she’s on her knees, like she’s in control of how desperate you get. The teasing is brutal in a good way; she’ll pull back, wipe the spit, give you that smug look like "you wanted this, didn’t you?" and you just sit there like a clown clicking through dialogue. Sometimes the pacing makes no sense, like one minute we’re talking serious alien technology and possible mind control, next minute her boobs are basically a physics experiment on my screen, but honestly that chaos kinda fits. There’s a tiny UI sound on one of the choice menus that drove me nuts and I’ll complain about it forever, but I still kept mashing through for the next scene where Elena pretends this is all about survival while she’s clearly enjoying having you wrapped around her finger in every possible way.

It starts messy, in the best possible way. You’re tossed into this warped version of the galaxy far, far away - not the kind that smells like burnt metal and destiny, but one thick with sweat and bad decisions. The whole thing feels like a fever dream that someone spun out after one too many Holonet smut threads. You’re the guy who somehow made it to Jedi Knight while everyone else got distracted by the war or by each other’s asses (and they’re massive here, holy hell). Half the time you forget why you’re supposed to be saving anything because Barriss bends forward mid-dialogue and the robe just... doesn’t hold. Then there’s Aayla, all cool confidence until her mouth opens, breathing hard like she’s half-daring you to break the code. They all do that. Even Padme - who says words about diplomacy but arches her back every time your name drops. It’s ridiculous and hot at once, like watching porn on mute during a political debate.

The turn-based fights almost feel like foreplay. Every encounter teases longer than necessary, camera angles doing that thing where you can’t tell if you’re fighting monsters or auditioning them for something darker. When Bo-Katan shows up, the whole tempo changes - less talk, more bite - and suddenly the lightsaber doesn’t look like a weapon anymore. My favorite stupid detail: in the menu, somebody coded a “meditation” button that just leads to sex scenes. Lazy? Sure. But it fits. Nothing here pretends to be noble; it’s all dirty Jedi business in slow motion. And when the game finally pops one of those creampie endings, you don’t even blink. You just chuckle, fix the screen ratio on your phone, and keep pressing through because apparently defeat can look like victory if the moaning syncs just right.

Weird thing is - somewhere between the teasing and the parody nonsense - it stops feeling like a joke. You catch yourself liking these twisted versions more than the real ones. Maybe that’s the Force talking. Or just the fact that the writing knows exactly how low you’ll sink for another glimpse under a Jedi robe.