Android 18’s hair is wrong. Not the color, that weird lavender-grey is fine, but the shape. It sits too flat on her head like someone pasted a magazine cutout onto a 3D model. I spent maybe twenty minutes just staring at it during the first scene where Gohan bumps into her at some market. The game is a sandbox parody thing, Dragon Ball Z but after Cell, and Gohan suddenly realizes women exist. You click around, build stats, unlock scenes. Standard stuff.

The animation during the first real encounter with 18 caught me off guard though. She’s bent over a washing machine, I think, and the loop is janky, her back arches in a way that looks painful, but the sound design is weirdly intimate. Just breathing and the wet slap of it. No music. The anal route unlocks way too early, before you even do the vaginal scene with her, which feels like a bug but maybe it’s a choice. A strange one. Her tits bounce with a delay, like they’re underwater. I couldn’t stop replaying it. The cheating tag applies because Krillin exists in this timeline, you see him training in the background of one map, completely oblivious. That made my stomach feel hollow in a way I didn’t expect from a hentai game.

The harem mechanics are broken. Bulma shows up in a nightie during a quest about dragon balls and you can just... proceed. No buildup. Chi-Chi has a milf route that’s locked behind a weirdly high cooking stat grind. I spent an hour fishing for ingredients. An hour. For a scene where she just sighs and calls you a good boy. The adventure parts are walking through static backgrounds ripped from the anime, and the superpowers are just menu buttons that fill a bar. I wish the sandbox had more random events, like 18 showing up at your school or something, but it won’t happen. The game is what it is. A messy, horny collage where Gohan’s face stays blank even when he’s balls deep in a married woman. That blankness is the most honest part.

The xmas special for Monster Girl Gym, right. I was expecting something... I don't know, more. The whole base game is this weirdly compelling loop of training monster girls and getting lewd rewards, and this episode just drops you into a holiday dinner scene. You're the only dude, surrounded by these absolutely stacked creatures. The AI CG is hit or miss, some of the dinner table shots have that glossy, slightly off look where the turkey leg is merging with someone's bicep. But then there's this one render of the wolf girl stretching after the meal, her abs catching the fireplace light, and I forgot to breathe for a second.

The sandbox elements are stripped way back here. It's mostly clicking through dialogue and picking who to sit next to, which triggers different scenes. I spent way too long trying to angle the camera during the gift exchange because the bunny girl's outfit was doing this thing where the ribbon was the only thing holding it together and I needed to see if the physics would glitch. They didn't. Disappointing. The muscle definition on the oni is insane though, like she could crush my skull and I'd thank her. The romance paths feel rushed compared to the main game's gym progression, you don't earn the affection, it's just... there. Like microwaved leftovers instead of a slow roast.

There's a moment during the new year countdown where you can choose to sneak off with one of them. I picked the harpy, because wings and the way her back muscles flexed earlier during the toast, and the scene that followed was surprisingly tender for something so explicit. The writing stumbles over itself sometimes, typos here and there, but the core fantasy of being the only human in a room full of monster girls who are all inexplicably into you? That hits. Wish the special episode had more actual gym content though. The title is Monster Girl Gym and we're just eating dinner. Where's the holiday themed workout? Bench pressing a yeti or something. Missed opportunity.

Charlie thinks it’s just a fancy dinner with his dad’s new business partner, some rich guy called Marcus Brown. Shiny restaurant, fake smiles, too much wine, that kind of thing. His mom Skylar shows up in this tight black dress that really doesn’t look like something a “perfect housewife” just pulled from the closet, and from the first time Marcus’s eyes slide over her, you already know this is going to go straight to hell. The game doesn’t hurry, it sort of lets you sit in that slow, sticky feeling where you can tell your own family is slipping away from you and you can’t even point at the one moment it started. It’s supposed to be Charlie’s story, but half of the time it feels like you’re the one sitting there, swallowing your jealousy and rage while your dad laughs with the man who’s quietly fucking your whole life from the inside. No choices, no “maybe I can fix it if I click the right option”, just you watching the walls close in while the guys with bigger wallets and bigger cocks rearrange who owns what, including your mother’s smile and your sister’s attention. Sometimes that annoyed me, by the way. I wanted at least one button to hit. But also, that helpless feeling fits the mood too well, so I hated it and liked it in same second.

Skylar is kind of the center of gravity, even when she pretends she’s not. She starts as this elegant, careful woman, the type that checks the napkins are folded straight, then slowly you see her waking up to how much she’s been starving for real rough attention. The camera really loves her curves, the big tits pushed up in a dress that’s just a little too young for her, the way her ass fills the frame when she leans across the table to pour Marcus another drink, like her body already decided to betray her before her brain catches up. It doesn’t rush into full-on humiliation, it teases it. You get those tiny moments, like her faking a laugh at one of Marcus’s dirty jokes that would have made her frown one week ago. Or the scene where she comes home late, hair a bit messy, and your dad is happy because “the deal is going so well”, and you can see in her eyes something got signed that doesn’t involve paper. The sound design is simple, nothing special, but that actually worked for me. No dramatic music, just small clinks, footsteps, her soft breath when she tries to keep her voice calm. On my headphones it felt uncomfortably close, like you’re eavesdropping from the stairs in your own house. Claire, the twin sister, glides into this mess so easily it’s almost worse. Popular, hot as fuck, big ass bouncing in those tight yoga pants while she flirts with Marcus’s son Tyler like she’s just bored of regular boys. There is one scene by the pool where she climbs out slowly, water on her skin, eyes locked on Tyler, and Charlie is just a ghost in the background. That one stuck in my head more than the heavier scenes, for some reason I keep thinking of that wet ponytail.

The whole racial power thing is not subtle at all, and I liked that it didn’t pretend to be something soft or romantic. Marcus and Tyler show up with money, confidence and zero shame, and the game really leans into that fantasy where the “new order” is about black guys taking what they want, while Charlie just keeps losing ground. At times it hits almost too hard, especially if you’re already into netorare stuff, because there is no escape route. Once Marcus starts hanging out at the house, sitting on the couch with his arm lazily around Skylar, legs wide open like he already owns the place, you feel this heavy pressure in your chest. It’s hot and frustrating at same time. One small thing that annoyed me, and this is maybe stupid, is how the notification pop for the next scene sometimes overlaps with a really intense shot and breaks the vibe. I kept thinking “just let that image breathe, come on” but yeah, that’s just me being picky. Still, the game captures that horrible thrill when the male protagonist realizes he’s not the hero, he’s the audience, and the real action is between his mom, his sister, his best friend Hana, and the guys who decided the rules now. By the way, Hana’s quiet loyalty slowly getting twisted into curiosity is really something, but I’m not even going to start with her or I’ll never shut up. Let’s just say, when she stands a little too close to Tyler in the kitchen and pretends it’s nothing, you’ll feel it.

Forbidden Thoughts feels like someone took that tiny moment when your eyes stay half a second too long on someone’s chest and stretched it into a whole damn story. It starts very small, like everyday small, just a guy moving through his normal life, talking about work, coffee, stupid stuff you’d bitch about on Discord. And then your brain does that thing where it goes “what if I just grabbed her ass right now” and instead of dismissing it, the game quietly says “ok, follow that”. That’s the vibe. It doesn’t shout “sexy time!”, it sort of creeps into you while you’re clicking through these casual conversations and suddenly you’re thinking way dirtier than the protagonist is brave enough to say out loud. At least at first.

What I liked most is how the erotic stuff doesn’t drop on your head all at once. You’re just having a normal chat with this older woman, she leans forward, blouse opens a bit, you see that heavy milf cleavage squeezed together and the camera angle hangs there just a little too long. She notices your stare, you notice her noticing, and nothing is said. Then later there’s a scene where she “accidentally” brushes her big tits against your arm while reaching for something, and the game lets the silence do the work. No cheesy trumpet sound, just your own filthy thoughts filling the gap. I think I spent way too long on one scene where she’s at the sink, ass pushed back, tight skirt hugging everything, and the text is just this normal talk about dinner. But the camera keeps drifting down to her big ass and you can almost feel the heat of wanting to just grab it. It made me alt-tab out and open Telegram to complain to my friend about absolutely nothing related, just to cool down, which obviously did not work.

There’s a lot of teasing like that. Masturbation scenes feel earned, not thrown in. First time the protagonist finally snaps and jerks off, it is not some grand “I must relieve my lust” speech. He is just lying there, replaying how her hand stayed on his thigh a bit too long, how the younger girl accidentally pressed her tits on his back when squeezing through a narrow hallway, how a random exhibitionist-style glimpse of skin he probably should not have seen is carved in his brain. He pulls it out, strokes slow, thinking about how she’d react if he just groped her right there in the kitchen, fingers sinking into that fat ass while she pretends to be shocked but keeps pushing her hips back. The text is not poetry, more like messy horny inner monologue, which honestly feels right for a guy who is still kind of a nervous virgin in his head even when he has these grown women orbiting around him. Sometimes the romance angle sneaks in softly, like when a character sends a half-innocent late message that is totally not innocent at all, and you feel that little ache of “this should be wrong, so why does it feel so good.” I do wish the protagonist stopped overthinking and made bolder moves sooner, but at the same time that slow, frustrating build up is exactly what makes the first real touch, the first obvious groping, explode in your chest and lower. The game never really tells you what line you just crossed. It lets you notice it yourself and then decide if you want to cross it again, harder.

Fresh out of school, thrown back into your dusty old hometown, and suddenly everyone wants a piece of you. That is the vibe here. You’re this rookie reporter, technically here to chase stories, but it feels a lot more like you’re chasing curves. The game pretends it’s about “serious journalism” with this fancy big-name media company, but in practice your main beat is trying not to stare at your editor’s tits while she tells you to double-check your leads. Every investigation starts normal enough: track a source, dig through some notes, ask a few questions. Five minutes later you’re in a cramped office, her blouse half open, wondering if you’re going to get that promotion before or after she’s got your cock in her mouth.

What surprised me is how it actually treats the investigation stuff as more than a cheap excuse. You wander through little city scenes, ask people about gossip, decide who to trust, and some choices really change what kind of “reward” you get. Screw up and push too hard on one interview and instead of a cozy late-night talk in her tiny flat, you end up on a boring follow‑up with a guy who clearly isn’t going to suck anything. Nail the angle and she leans close, clicks off the voice recorder, and suddenly your “fact checking” is more like tongue checking. I liked that a simple decision like whether to run a risky quote or play it safe can flip the tone of the next scene from flirty banter to full on “I’m sitting on your face for this exclusive.” It’s not subtle about the boobs, either. They are huge, they bounce, they fill the frame when someone leans over your desk, and the camera knows it. Sometimes a bit too much, actually, because there’s one hallway scene where you can barely tell what the character is saying since your view is basically just cleavage. Nobody will complain, but still, my eyes were trying to read the text box hiding behind her tits like it’s a hidden object game.

The sex itself ramps up as your reputation in the company grows. At first you’re this shy guy awkwardly trying not to get hard when your co‑worker teases you with her bare legs under the desk. Later she’s casually pressing her feet into your crotch during a “strategy meeting” and acting like it’s totally normal office culture. There’s this one scene where you’re “revising” her article at her place, and she slowly trades professional talk for grinding on your lap, then drops down and starts working your dick with her mouth like she’s trying to win Employee of the Month. I liked that it doesn’t rush to the obvious point. She’ll drag her tongue along the shaft, look up, ask if you’re sure about that headline, then go deeper, then switch topics. It feels messy, human, horny. Anal and vaginal are used more like rewards tied to how bold you play the story and how you talk to them. One route turned into this intense back‑and‑forth where your editor tests if you’re “brave enough for real journalism” by making you fuck her from behind on the office couch, her ass practically swallowing you, while she checks tomorrow’s front page on her phone. Another time, you think it’s going that route and she stops you, sits on your cock nice and slow instead, rides you while talking about ethics in reporting like that’s not the stupidest contrast ever, then finishes with this lazy sloppy kiss on your chest. The AI‑generated CG is a bit uneven; some angles look incredible, others feel off, but the bodies have that soft, heavy look that fits the whole “big tits, big ass, big trouble” mood. Funny thing is, the game sells itself like a serious VN about a career, but, somewhere between a late‑night oral “interview” and a sweaty footjob while you listen to someone’s confession through the wall, you forget what the original assignment even was. And somehow that’s exactly right.

Bella's tits are stupid huge. Like, the kind of huge where the game's own art can't decide if they're a blessing or a physics glitch, and honestly, that's the whole vibe. You start as this invisible, chubby girl, and the game spends a weirdly long time making you feel like shit about it. The dad character just sort of exists in the background, a cardboard cutout, while your only friend Andrew is so aggressively 'nice guy' coded that I kept waiting for the other shoe to drop. Then you go to grandma's, and she's basically like, "Yeah, we pray to a Welsh goddess, go sleep in the magic circle." The transformation scene is the only part that feels like it has any budget. You wake up with a waist that could snap in a strong wind and a chest that enters the room five minutes before you do.

The core loop is just watching the world react to your new body. It's a pure, uncut power fantasy for a specific kind of frustration. You walk down the street and construction workers break their necks. You talk to Andrew and he's suddenly stammering, eyes locked on your chest like it's the final boss. The writing is janky as hell, full of typos that feel like a non-native speaker just hammering the keyboard with one hand. But the sex scenes? They're the point. The first time with Andrew is this messy, desperate thing. He's a virgin, you're technically a virgin, and the game describes his big dick with the kind of awe usually reserved for a new car. The blowjob scene has this weird focus on his muscle definition that feels like it was copy-pasted from a different game entirely.

What kills me is the sci-fi tag. There's a goddess, sure, but that's fantasy. Where's the laser gun? Where's the alien with the big ass? Nowhere. I spent twenty minutes clicking around the university campus looking for a hidden cyborg, and nothing. The game forgets its own tags. The chubby to blonde bombshell pipeline is the entire plot, and the 'romance' is just people wanting to fuck you now. It's hot in a deeply unpolished, almost ashamed way. Like, the game knows what you're here for, and it's not going to dress it up with good grammar. The vaginal sex scene is the main event, and it's rendered with a clumsy sincerity that's almost charming, if you can ignore how the UI looks like a spreadsheet.

I spent twenty minutes just watching the neighbor through her window. Not even touching anything, just... watching. She was doing yoga or something, those slow stretches where her ass just fills the whole screen. The game didn't rush me. No timer, no "move along" prompt. Just her, in those tiny shorts, bending forward. I think I forgot to blink.

The sandbox thing means you can just... exist in this world. Creep around. Find angles. There's this one MILF, the one with the ridiculous chest, she sunbathes every afternoon. I positioned the camera behind a fence and just zoomed in on her oiled up tits for what felt like forever. The animation is janky sometimes, her hand clips through her thigh when she adjusts her top, but honestly? I didn't care. The jank almost makes it hotter. Like catching something you shouldn't see.

The masturbation scenes are where it gets weirdly specific. You control the pace. Slow strokes, fast, whatever. And the character reacts, but her face does this thing where her eyes go slightly cross and then snap back to normal. It's not polished. It's not meant to be. It feels like someone's personal project, you know? Like finding a folder on a stranger's desktop. The male protagonist is basically a pair of hands and a dick, which is fine. I'm not here for him. I'm here for the neighbor with the impossible waist to hip ratio who leaves her curtains open. I wish the sound design was better. The wet noises are too loud, like someone stirring mac and cheese, and it pulls me out. But then she arches her back and I forget about it.

Beautyfield's got that crusty Ren'py skeleton underneath but who gives a shit when the neighbor lady's tits are literally leaking through her shirt at breakfast. You know the type. She bends over to pick up a spoon and the whole screen becomes a physics demo. The 3DCG models are janky in that specific way where faces look like melted dolls but bodies got all the rendering budget. Grandpa's house is full of opportunities and by opportunities I mean doors left slightly open while someone's changing.

The sandbox part is funny. You click around this sleepy little town and somehow every woman between 20 and 50 has nothing better to do than get stuck in washing machines or lose their keys under the couch. Your character is supposedly a virgin but the dialogue options make him sound like he's been studying pick up artist forums since birth. There's this one scene where you're just supposed to be grabbing something from a high shelf and it turns into a whole groping minigame. No explanation. Just hands everywhere. The voyeurism stuff is baked right into the map design, windows conveniently placed, fences with gaps, a telescope that definitely wasn't bought for stargazing.

The lactation tag isn't just for show either. It's not some unlockable side thing, it's front and center in like the second scene with the main milf. If that's your jam you'll be eating good. If not, well, too bad because the game doesn't really give you a toggle for that. Wish the incest undertones were actually undertones instead of being so vague it's almost cowardly. She's your step something, maybe, the game keeps it fuzzy like it's scared of its own tags. Just commit to the bit. The adventure elements are mostly walking from point A to point B to trigger the next animated loop. Not complaining though. Sometimes you just want to turn off your brain and watch big tits bounce while a teenager with the confidence of a seasoned pornstar smooth talks his way through the entire neighborhood.

Boss is in a meeting so I'm alt-tabbing between spreadsheets and this game like a degenerate. The AI art thing usually puts me off, you know, that glossy plastic look where everyone's skin is too smooth and the lighting makes no sense. But here it kinda works because the whole mansion feels fake anyway, like a dollhouse full of secrets. Aunt Nicole's ass is genuinely ridiculous, the kind of proportions that make you laugh and then feel weird about laughing.

The mystery hook is what got me. Uncle Joseph vanished, nobody talks about it, and you're supposed to dig through laptops and diaries while your cousins keep walking around in tiny shorts. Lisa's got this innocent act but I caught her in a scene where she's clearly not innocent at all, and the game doesn't telegraph it, you just stumble into these moments. The password cracking minigame is basic as hell, just clicking around, but the tension of someone walking in while you're snooping through their bedroom drawer is real. I wish the animated scenes had more variety in angles, sometimes it's just the same loop from slightly different positions and you're like, okay I get it, they're fucking, show me something new.

Tina's arc went somewhere I genuinely didn't expect. There's this one reveal about her and the missing uncle that made me put down my sandwich. The game lets you be a manipulative piece of shit or a white knight and the dialogue changes enough that it doesn't feel like the same scene with different flavor text. Though Karina's route feels undercooked compared to the others, like they ran out of time or ideas. Still, for a browser game I'm playing while pretending to work on quarterly reports, it's doing things to my brain chemistry. The incest stuff is there if you want it but the investigation is weirdly compelling on its own.