Right, so the setup is Angelica, 22, dad dead, new city. Standard stuff. But the game doesn't waste time pretending it's a slow burn family drama. The dad's passing feels less like a tragedy and more like a narrative crowbar to get her into compromising positions. What got me was how quickly the corruption tag kicks in. It's not subtle. You're barely unpacked before a landlord situation turns into a "negotiation" that ends with her on her knees. The 3DCG models have that specific, almost rubbery look, but the facial expressions during the oral sex scenes are weirdly detailed. You see the moment her reluctance shifts into something else, a kind of blank, practical acceptance that's more unsettling than if she just enjoyed it.

The multiple protagonist thing threw me for a loop. You jump from Angelica getting groped at a bar by some dilf to a flashback with her mother in a completely different, more violent scenario. There's a scene with a cop that involves anal sex and it's not framed as fun. It's a transaction. The graphic violence tag isn't kidding. It's not just slapping during sex, there's a point where a sexual harassment scene on the street escalates and you get a full view of a pistol whip. The sound design on that one thud is cheap but effective. Made my stomach drop. Then, two scenes later, you're managing a voyeurism event through a keyhole and it's played for titillation. The tonal whiplash is the actual game mechanic, I think.

I spent an unreasonable amount of time on the phone interface. It's this clunky, low res thing where you read text messages that push the mystery plot about her dad's criminal past. The spelling errors in the texts from a contact named "V" are consistent, which is a nice touch. But the real mystery is why the creampie scenes always have the same weird, looping physics glitch where the fluid just sort of hovers before snapping into place. It's like a tiny, horny ghost. The family drama part is mostly just an excuse for interracial gangbangs and exhibitionism dares that feel copy pasted from a different, more straightforward prostitution game. There's a core loop of stripping for info that gets repetitive, but then the game will hit you with a genuinely tense dialogue choice during a group sex scene where saying the wrong thing leads to a non con sequence that branches the story. It's a mess. A sticky, uncomfortable mess that I can't quite figure out.

Chicago in this game feels dirty in a good way. Not just “oh look, old cars and hats”, but the kind of dirty where you can almost smell cheap whiskey and sex sweat behind a club’s red curtain. You start as this young guy trying to crawl into the local mafia mess, and the story keeps asking you who you really want to be. A smooth talker that smiles while putting a bullet in someone’s back, or a straight up psycho that lets his cock and his gun make the decisions. Half the time I was clicking thinking “ok, this choice is just flavor”, and then suddenly a character hates you forever or opens her legs for you in a later scene because of one thing you said three scenes before. It feels like the game remembers that time you chose to keep your dick in your pants when you could have forced yourself on a drunk hostess, and later she’s the one on her knees, voluntarily, sucking you off in the back room while the band is playing upstairs and her husband is literally guarding the door for you like an idiot.

The older women here are the real treasure. There is a married milf running one of the speakeasies who acts all classy, pearls and perfect hair, but if you play your choices right, you can drag her into her tiny office, sit in her chair like you own the place, and make her kneel between your legs. The animation where she hesitates for half a second, then opens her mouth and you just push her head down, that one got me. She gags on your cock, mascara a bit messy, and you can decide if you treat her like a secret lover or like a convenient whore. It is not some soft romantic blowjob either. Teeth almost scraping, drool on your balls, your hand in her hair while you talk calmly about business with her gangster husband outside the door, planning a robbery. And the game actually lets you be a cold bastard and then go home and jerk off thinking about it, or feel a bit guilty and try to protect her from the mess you pulled her into. There is one path where she calls you in the middle of a big crime deal, crying that her kid might have seen something, and you have to choose between handling the cops or handling your horny conscience. Funny thing, I wanted to be the big bad mobster, but I still found myself sitting there, dick in hand, actually thinking about consequences like some moral philosopher with cum on his fingers.

What surprised me is how often masturbation itself is part of the story instead of just a “you failed, go jerk off alone” scene. Your protagonist can end up back in his shitty room, covered in street dust, replaying the way a club singer licked her lips around her cigarette, and you get this little animated loop of him stroking his cock while the city noises drift in from the window. Or he sneaks into the office early and finds a hidden photo of the boss’s wife, legs half open, and you can choose to jerk off right there on the wood desk, risk getting caught, or keep it in your pocket as blackmail. Maybe I am weird, but that felt more real than some of the actual sex. Also, the crime stuff is not just background. One wrong choice, you blow a deal with the mafia, and suddenly that milf that used to suck you off is pretending she doesn’t know you while you sit in the bar alone, horny and kind of humiliated. The game is horny but also a bit cruel like that. I liked it. I hated it. I kept clicking.

You wake up in this game as the mafia prince who absolutely did not earn any of his power, and it shows. One minute you’re cruising through life with money, guns, and a crazy hot bodyguard in tight combat gear, next moment everything is on fire and you’re crawling through sand with a dry mouth and a hard dick. The whole thing sticks you right inside his head, so every scene is like you’re looking out of your own eyes, watching bullets fly past your face while you’re also trying not to stare at Natalya’s ass bouncing in front of you. She’s supposed to be protecting you, but half the time you’re just thinking “please pin me to that rock and use me like a toy.” That kind of game. The mood jumps from “shit, I might die” to “shit, I might cum” without any warning at all, and weirdly that fits the story. People are hunting you, you’re running, hiding behind burned cars, your clothes dirty, she’s yelling orders at you like some mad sergeant, and then when you’re finally somewhere safe, she starts talking soft but still treating you like property.

The sex doesn’t happen in some fantasy bubble either. It grows out of bad decisions, fear, and that messed up rush when you almost die. I had one scene where we were holed up in an abandoned desert house, low on ammo, guys circling somewhere outside. The MC is shaking, and she just pushes him against the wall, grabs his throat and tells him to “focus” while her hand is already inside his pants. You see her face way too close, sweat, dirt on her cheek, her eyes still scanning the window while she jerks you off. It’s not romantic, it’s angry, desperate, and somehow it turns into this rough blowjob with her knees on the dusty floor and his fingers tangled in her short hair. She spits on it, looks up with that “shut up and cum” stare, and yeah, that broke me. Then the game suddenly throws you into another tense bit where you’re supposed to care about who betrayed your father. Honestly I forgot, I just wanted more of her. There’s scoring moments where you try to make the right call under pressure, like choosing if you shoot first or try to talk, or if you follow her plan or act like the big boss boy, and your choices sometimes open scenes with other women on the road, like a scared bartender hiding her tattoos under a uniform, or a girl connected to some rival family who wants to use your dick and your name at the same time. None of it feels safe. Even the “romance” has knives hidden inside it, like they could kiss you and then sell you out right after.

What surprised me is that the game doesn’t treat you like some god of seduction. You screw up, you panic, you pick cowardly options because you don’t want another shootout, and women notice. Natalya mocks you if you play too soft, calls you out for hesitating, then later rides you with her hand pressing your chest down, whispering that you’re useless without her. It’s filthy as hell, but it hits that fantasy where you’re important because of your bloodline and still completely under her heel. At the same time, there are sweeter pockets that almost feel wrong in this world, like sharing a cigarette behind a crumbling motel, her sitting on the hood, legs spread just enough for your eyes to wander, talking quietly about the old days with your father, then dragging your head between her thighs and using you to forget. The game throws these scenes at you between gunshots and desert sunsets, and it doesn’t really ask if you want to be a good man or not. It just keeps pushing: survive, fuck, maybe fall in love, probably get betrayed. You click, you read, you pick who to trust, you pick who to bend over the nearest table, and half the time you’re not sure if the next kiss will come with a bullet. That’s what kept me going: that feeling that every orgasm could be the last one before everything goes to hell again.

Right from the opening scene you can smell something rotten in that house, and I don't mean the weird paranormal tags. Brother comes back after nine years missing. Nine years. Sister's all grown up now, big tits practically spilling out of her school uniform, and the tension between them is thick enough to cut with a knife. The 3DCG isn't winning any awards, faces sometimes look like they're melting slightly, but honestly? The awkwardness kinda works for the whole uncomfortable vibe.

First sex scene caught me off guard. Not because of the nudity, that's expected, but because of how wrong it feels. She's on top, riding him with this desperate look, and the whole time I'm thinking about the crime mystery element simmering underneath. There's blood on someone's hands, literally, and you don't know whose. The investigation parts are basic, click around, find clues, but then you'll stumble into a scene where the sister's massive ass is bouncing and suddenly you forget what you were even looking for. The virgin tag applies to him, obviously, and the game makes sure you remember that with some genuinely awkward fumbling animations that had me laughing then feeling weird about laughing.

The graphic violence isn't constant but when it hits, it hits. One moment you're staring at her chest, next moment there's a flashback to whatever happened nine years ago and it's genuinely disturbing. Not in a fun horror way, more like "oh shit this is actually dark" way. The romance path feels almost wrong to pursue given the family secret stuff, but the game keeps pushing you toward it anyway. And I kept clicking. The paranormal elements pop up randomly, a shadow here, a whisper there, never really explained, and honestly I stopped caring about that part because the sister's bedroom eyes were doing more storytelling than any ghost ever could. Some dialogue reads like it went through three different translators and none of them talked to each other, but somehow that adds to the disjointed, fever dream quality of the whole experience.

You ever just want to be a scumbag informant drowning in debt to the state, but also surrounded by superhero tits the size of weather balloons? No? Well RICO: Sin City exists anyway, and honestly, bless its janky little heart for that. The whole thing feels like someone threw GTA and a bootleg DVD of The Boys into a blender, then forgot to screw the lid on. It's a 3DCG crossover where these corrupt capes and villains just strut around a city that makes Gotham look like a wellness retreat, all while you, some dude with a really bad legal situation, try to rub one out without getting lasered in half.

The animations are so stiff they might as well be action figures being smashed together, but that's the camp of it. There's this one scene where a heroine with knockers that deflate the concept of physics just starts going at it while still wearing half a latex mask. Iconic behavior. The writing tries hard to be edgy and funny, often succeeding at the first and faceplanting into the second, which circles back around to being hilarious. Buried in the middle of all this is a genuinely annoying mini game mechanic about collecting evidence that feels like someone owed a favor and it was coded out of spite, but you'll forget about it when a parody of a famous speedster villain shows up talking pure nonsense. The humor lands precisely because it doesn't realize how stupid it is, a perfect parody of parodies.

Downloaded this purely because a random Reddit thread said the criminal protagonist's deadpan expressions during lewd acts were "meme worthy," and they weren't wrong. The whole city map is way smaller than you expect. Don't think about the plot too hard, it's basically an excuse to go from point A to point B where point B is always masturbation with superpowered weirdos. What happens in RICO definitely should stay there, preferably in a locked folder.