Dahlia’s Ordeal feels like somebody took a nasty family drama, poured cheap horror all over it and then said “yeah, but what if she also gets her ass slapped raw while everything falls apart?” It’s not subtle. You start with this girl who’s supposed to be trained, controlled, “guided” or whatever pretty word they use, and very fast you realize everyone around her is either lying, fucking her over, or both. The trainer vibe isn’t just numbers going up, it’s emotional pressure. Fail something? There’s punishment. Obey too much? There’s punishment. You get that sick feeling in the stomach when you pick a choice, like “ok this will hurt her in a different way, great”. And then you still click it. The whole story hangs on betrayal inside the family, and they really lean into that corruption angle: one scene she’s still kind of normal girl, next moment she’s on her knees dealing with some twisted “lesson” where oral is used like a leash. It’s not romantic, it’s not “oh she secretly wanted it”. It’s a messed up spiral where all routes feel wrong in a good, erotic horror kind of way.

What I liked a lot is how the spanking and humiliation are not just random porn events. You screw up? You’re bent over. You obey too much? You’re humiliated in some new creative way. Sometimes they mix the physical pain with really harsh verbal stuff, and it hits harder than some games where the girl just moans like a hentai doll. There’s one bit where she’s forced to apologize while getting slapped again and again, and the text keeps repeating certain phrases like the trainer is grinding it into her brain. It’s rough, but that’s the point. Same with the handjob stuff and the more explicit scenes: it’s not “yay she’s horny”. Half of the time she’s scared or confused, then her body betrays her, then you as player feel like a creep and still click “continue”. That’s actually hotter than when games pretend consent is perfect while having non‑consensual vibes anyway. Here they just admit it’s fucked up. The mystery / horror angle sits in the background, with weird hints something bigger and more violent is going on behind the family drama. There’s graphic violence that jumps out of nowhere, like a reminder this isn’t just a shame-and-cum playground, there’s real danger. And yeah, the world feels bigger than this single story, you feel like Dahlia is just one unlucky piece in something much more rotten that we’re only seeing from the victim side, which is honestly kind of sexy and terrifying at same time.

The AI voice acting caught me off guard. Not in a good way. It's that flat, slightly robotic tone that makes every line sound like a GPS giving directions to the nearest orgy. Euryale's supposed to be this ancient succubus time-traveling to the 19th century to fix some dark fate bullshit, but she sounds like she's reading her grocery list while getting her throat fucked. Which happens. A lot.

The combat is where things get properly unhinged. You're doing these RPG-lite fights but the animations are straight up porn. Like, mid-battle Euryale will just drop onto some Victorian gentleman's face and the screen fills with this jiggly big ass animation while the squelching sounds kick in. The facesitting scenes are genuinely hot, I won't lie. Something about the way they animated the weight and movement, the slight bounce, the way the victim's hands grip her thighs. Then she'll turn around and suck off three guys at once while another one finishes on her tits. The group scenes are chaotic in the best way, bodies everywhere, fluids spraying, that distinctive squirt animation they use over and over. It's almost hypnotic.

The incest tag is there but it's buried in the mythology stuff, something about her sister Medusa from the first game. I honestly skipped most of the plot. The graphic violence though, that's not skippable. There's this one scene where she literally rips someone's throat out with her teeth mid-blowjob and the blood mixes with, you know, other fluids. The 3DCG models look kind of plasticky, like sex dolls that gained sentience and decided to murder everyone. The lesbian content feels tacked on, just a couple quick scenes that don't have the same energy as the rest. I wish they'd leaned harder into the harem management aspects but the game's already done so whatever. The animated stills are weirdly compelling, these AI-generated images that pulse and breathe slightly, uncanny valley stuff that somehow works for a demon fucking her way through history.

Two smooth-talking managers, very much in love and even more in love with dirty money, start thinking with the wrong head. They cook up this cute little fraud scheme that looks harmless on paper, like “haha we just tweak some numbers, nobody gets hurt, then we fuck on a pile of cash.” Yeah, sure. Within ten minutes of playing, that soft office romance starts rotting. Your guy starts getting squeezed from all sides: a boss who smiles like a shark, a co‑worker who knows way too much, and a girlfriend who is either your ride-or-die or the one sharpening the knife behind your back. The game does not waste time pretending this is wholesome. It is about lying, getting caught, then trying to lie your way out while someone is sucking your cock under the table and might be filming it for later blackmail. Corporate culture, but horny and vicious.

Sex scenes slide in like another part of the negotiation. You are not just clicking to see tits, you are bargaining with your own dignity. One choice and you are on your knees, literally, with your “submissive” partner suddenly taking full control, calling you useless while stroking you just enough to keep you obedient. Another choice and you are slapping her ass to mark your territory, pretending you are the one in charge, even when she is already plotting how to sell you out. It gets wonderfully mean. There is this blowjob in a locked meeting room where she uses her tongue like she is signing a contract on your shaft, then casually threatens to send the CCTV footage to your wife, who maybe is not even your wife yet, but she already owns your balls. Oral here is not romantic at all, it is weaponized. You can jerk off with her watching, you can watch her do it to someone else while you sit there like a puppet, and the game really likes to twist that knife: you are hard, but you also kind of hate yourself for being hard. Spanking goes from playful to punishment in one scene, where her ass is red not because she is into you, but because you are trying to hit away the guilt of knowing she got railed by your colleague an hour earlier, and she did not exactly resist.

The cheating angle is not just “oops, I slipped and fell on a dick.” It is calculated. Stuff happens like you walking in on her on her knees for your superior, with mascara running, and she looks at you over his cock like, “Well, you wanted that promotion, right?” You can swallow it, join in, or explode and start a chain of nasty events where humiliation becomes the main dish. Sometimes the violence hits pretty rough, with scenes that feel less like sex and more like someone using a body as leverage in a power game. There are moments you might pause and think, “Fuck, this is messed up,” right before you click the next option to push it even deeper. The netorare flavor is strong: she moans louder for other men, your character watches, tells himself it is for the money, for survival, for some higher plan, but mostly it is because he is too weak or too turned on to walk away. The nice thing is that the game lets you be a bastard or a broken toy. You can lean into female domination, let her talk down to you while she rides your face, then later try to flip the script and blackmail her with a hidden recording. Maybe it works. Maybe she already has three worse videos of you saved on her phone. The whole thing feels like watching a slow-motion car crash where every time someone opens their mouth, someone else ends up naked, slapped, or sucking off the enemy in a bathroom stall with the door half open. And yes, you keep clicking.

Right from the opening scene you can smell something rotten in that house, and I don't mean the weird paranormal tags. Brother comes back after nine years missing. Nine years. Sister's all grown up now, big tits practically spilling out of her school uniform, and the tension between them is thick enough to cut with a knife. The 3DCG isn't winning any awards, faces sometimes look like they're melting slightly, but honestly? The awkwardness kinda works for the whole uncomfortable vibe.

First sex scene caught me off guard. Not because of the nudity, that's expected, but because of how wrong it feels. She's on top, riding him with this desperate look, and the whole time I'm thinking about the crime mystery element simmering underneath. There's blood on someone's hands, literally, and you don't know whose. The investigation parts are basic, click around, find clues, but then you'll stumble into a scene where the sister's massive ass is bouncing and suddenly you forget what you were even looking for. The virgin tag applies to him, obviously, and the game makes sure you remember that with some genuinely awkward fumbling animations that had me laughing then feeling weird about laughing.

The graphic violence isn't constant but when it hits, it hits. One moment you're staring at her chest, next moment there's a flashback to whatever happened nine years ago and it's genuinely disturbing. Not in a fun horror way, more like "oh shit this is actually dark" way. The romance path feels almost wrong to pursue given the family secret stuff, but the game keeps pushing you toward it anyway. And I kept clicking. The paranormal elements pop up randomly, a shadow here, a whisper there, never really explained, and honestly I stopped caring about that part because the sister's bedroom eyes were doing more storytelling than any ghost ever could. Some dialogue reads like it went through three different translators and none of them talked to each other, but somehow that adds to the disjointed, fever dream quality of the whole experience.

The squelch when a tentacle pulls free from a throat. That's what I'm here for. Not the big orchestral swells or the voice acting, which is fine I guess, but the wet, sticky, visceral detail in the sound mix. Tragedy of Medusa gets this right more often than not. There's a handjob scene early on where the rhythmic, slick friction is so perfectly layered you can almost feel the texture. It's not just a looped sample either, there's a subtle variation, a slight change in pace that makes it feel like an actual act instead of a soundboard button being mashed. I spent maybe ten minutes just replaying that one audio clip, ignoring the 3DCG animation which was, you know, moving.

The plot is something about goddess sisters leaving an island and walking into a war between gods and succubi in Athens. A prequel to Euryale's Gambit, apparently. I didn't play that one. The whole thing feels deliberately rough around the edges, like a sketch that got colored in but nobody bothered to clean up the lines. The female protagonist's voice has this flat affect that somehow makes the incestuous and mythological lesbian encounters feel more transgressive, not less. Like she's already dead inside and just going through the motions of oral sex with a sister goddess while a demon war rages outside.

There's a moment with a succubus where the sound of a zipper is way too loud. It just cuts through the mix like a digital knife, completely taking me out of the fantasy setting. Why is there a modern zipper sound in ancient Athens? It's such a small, stupid thing but I can't unhear it now. The graphic violence tags are no joke though. The crunch of a bone breaking during a combat loss has a horrifyingly good, dry crack that contrasts almost obscenely with the soft, wet sounds of the sex scenes. It's a jarring mix that probably shouldn't work, but the audio team clearly had their priorities straight, even if the texture mapping on the 3D models is sometimes a blurry mess. I wish the ambient background sounds of the city were more present, but they won't be patching that in now.

the first thing that gets me is the wolf boy doesn't look like a wolf boy. he's got the ears and tail sure but his face is just some guy. a cute guy but still. i spent the whole opening scene wondering if the sprite was bugged or if this was intentional and honestly i still don't know. the retired hunter thing is whatever, you're old and tired and this horny werewolf keeps showing up at your door. classic setup.

the dry humping scene caught me off guard. not because it was hot, which it was, but because the sound design is nonexistent and suddenly there's this wet squelching text description that made me laugh out loud. my neighbor probably thinks i'm insane. the game doesn't care though, it just keeps going with the rutting and the marking and then suddenly you're getting a handjob from a monster who's also kind of a sweetheart. the romance part is actually there, buried under all the explicit stuff. he wants to be yours. you can name yourself whatever, pick pronouns, the mc has no sprite which is smart because then you can imagine whatever you want.

i forgot to mention the futa tag. it's there. the protagonist can be trans and the game handles it without making a big deal which i appreciate. no weird fetishization, just bodies doing body things. the oral sex scene is graphic in a way that feels almost clinical but then the cock warming part gets weirdly tender. like he's just... staying there. inside. while you both exist together. it's intimate in a way the rest of the game isn't.

the bad endings have three variants and one of them involves violence that actually made me uncomfortable. not in a hot way. the game warns you about graphic violence but i wasn't expecting the tonal whiplash from sweet wolf boyfriend to... that. the multiple endings thing means you have to replay and the guide helps but some choices feel arbitrary. why does complimenting his ears lead to death? makes no sense. the cgs are nice though, the art style shifts slightly between them like different artists worked on different scenes. maybe they did. the fairytale tag is doing a lot of heavy lifting here, it's more like a dark fable about loneliness than anything magical. 20k words is short but it took me about two hours because i kept stopping to stare at the wall after certain scenes. not sure if that's a recommendation or a warning.

Trying to remember if I actually liked this game or just got pulled along by the twins.

The setup is something about childhood friends and moving away and suddenly you're back in their lives 18 years later. Emilia, the old best friend, has these two younger sisters now. And the sisters are, well. The whole thing moves on rails. You don't choose much, especially not the sex scenes. Those just happen. There's something almost refreshing about a game that doesn't pretend you have options when you don't. The story is kinetic, they call it. I spent twenty minutes trying to figure out if Emily or Emma was the one who does the thing with the ice cube, then realized it literally doesn't matter which twin is which because they're both going to end up doing increasingly creative things regardless.

The 3DCG actually surprised me. Not in a technical sense. More in a "someone spent way too much time on the way fabric wrinkles during the stripping scenes" sense. The groping animations have this weirdly specific weight to them, like the developer has Opinions about physics.

There's graphic violence tagged which threw me off completely. Not what I expected. It's not constant but when it shows up, it really shows up. The tone shifts are jarring in a way I can't decide is intentional or not. One scene you're getting a handjob from a virgin twin while her sister watches through a gap in the door, and then suddenly something genuinely dark happens. The romance elements try to patch things together but the humor hits different after that. Sometimes it lands. Sometimes you're sitting there like... what am I actually playing?

Interracial content is present but not really commented on, which I found interesting. Just is what it is. The multiple endings thing I only know exists because I saw it mentioned somewhere, didn't stumble into any myself. Maybe I missed a choice somewhere. The teasing aspect never really stops, it's like the whole game operates at one simmering level of tension even when supposedly resolving things. Kind of exhausting actually. Might replay just to see if the other routes make more sense or less.

I keep thinking about the scene where you first meet your daughter again after centuries. She's not scared, not exactly. She's disappointed. That hits harder than any fang scene in this whole bloody mess of a game. The First Beings isn't trying to be your typical vampire smut, even though it definitely has the graphic violence and the sex scenes that'll make you glance at your door.

The writing is deliberately rough around the edges, like someone's actual journal rather than a polished novel. Sometimes the dialogue loops weirdly, and I got stuck on one choice screen for way too long because the options were basically "be a monster" or "be slightly less of a monster but still pretty terrible." The fear/love system sounds clever on paper but in practice it feels like you're just picking which flavor of trauma to inflict on your progeny. I don't know if that's intentional or not.

The lore dumps about The Hidden, your secret lineage or whatever, can get tedious. I found myself clicking through paragraphs about ancient bloodlines while waiting for the next actually interesting bit. But then there's this moment with your former equal, the one you raised children with before everything fell apart. The sexual tension there is thick enough to choke on, and the game doesn't shy away from making it properly explicit when things finally boil over. Full nudity, detailed acts, the works. It's hot in that uncomfortable way where you're not sure if you should be enjoying it given the context.

The monster designs are genuinely unsettling, which makes the romance options feel even weirder. You're supposed to be this ancient terror who shaped civilizations with blood and fear, but now you're just... tired. The game asks if redemption is possible for something like you. I kept choosing the brutal options because honestly, the restraint path felt fake. Like putting a leash on a hurricane. But maybe that says more about me than the game. The mystery elements work better than the relationship stuff, which is backwards from what I expected going in.

The turn based combat is a joke. I don't mean it's funny, I mean it's barely there, like a placeholder someone forgot to replace. You click, numbers happen, and then suddenly there's a scene with a woman whose tits defy every law of physics in this dark fantasy world. And I'm not complaining, not really. The 3DCG is that specific kind of unpolished where the skin textures look a bit like melted plastic but the animators clearly spent their entire budget on the way a breast shifts during a teasing POV shot. Priorities. I respect it.

Woke up in a forest with no memory and a pretty woman. Standard stuff. The Northern Kingdom and United Lands are at war, or whatever, I don't care. I'm clicking through dialogue trying to find the option that leads to the oral sex scene I saw in the preview gallery. There's a completionist tracker in the menu, a little percentage that mocks me. 47%. I spent twenty minutes on one puzzle because I was convinced a specific wall texture looked clickable. It wasn't. The point and click adventure bits are like that, sometimes intuitive, sometimes you're just rubbing your cursor on everything like a confused ghost. The graphic violence tag is no joke though, there's a dungeon where a trap springs and the death animation is surprisingly brutal for a game that also has a scene where the big tits mage girl just... teases you for five minutes straight. Whiplash.

There's two love interests at the start. One has a unique background, the other has motivations. I think that's what the description said. I've been ignoring the main plot to unlock a secret scene in chapter two that requires you to lose a specific battle on purpose. The male protagonist just stands there, taking hits, and the loss screen transitions into something else entirely. That's the good stuff. The game knows why you're here, even with all the war and mystery nonsense. I just wish the inventory system wasn't so clunky. Items don't stack and you have to drag them one by one. Why. Nobody will fix this. The developer moved on. I'll still get that 100% though, even if the final scene is probably just another physics defying animation loop that ends too soon.