This one starts like some epic fairy tale your grandma would censor with a black marker, then just falls face first into filth in the nicest way. You’re this classic heroic dude with a sword, a job from the king, plague on the land, cursed forest, all that fantasy poster stuff. And on your arm, there’s Vallabelle, your elf wife, all holy robes and huge tits and that kind of ass that makes armor look illegal. She is written like this sweet, loyal priestess who’d probably heal your paper cut and apologize to the cut. And that’s exactly why the whole corruption thing hits harder. The game doesn’t rush into the porn right away. It does that slow boil where you’re walking through traps, monsters, ruins, and you can feel the forest looking at her more than at you. Long shots on her thigh when she climbs, her robes riding up, camera hanging just a bit too low when she bends to heal somebody. At first it feels like normal fanservice and you’re like “ok sure, jiggle physics.” Then you notice where the camera always is when she casts spells. Below. Always below.

Since it’s a straight kinetic story, there’s no pretending you’re in control. No choices, no branches, no magic button to “save Vallabelle.” You just click, watch, and slowly realize this quest is way more about her body than the stupid cure. You get these small scenes where she clings to you after a fight, shaking with fear, and your guy is trying to stay noble while the game already set her up as the perfect target. Big tits squeezed into that priest dress, hips that don’t know the meaning of modesty, shy smile that says “no” while the plot has already decided “yes, but later and with tentacles.” The pacing loves teasing. She gets groped by “accident” when a monster grabs her from behind, hands everywhere, her moans halfway between pain and very obvious something else. A so-called healing ritual where some shady old altar needs “physical contact” and she’s stroking, sucking, taking it like it’s all for the greater good. Your hero tells himself it’s just magic. The forest laughs.

The NTR flavor comes in quiet first. A hand that stays on her ass too long. A shot of her lips after she wipes off someone else’s cum and pretends it was part of the ceremony. You catch glimpses through bushes, like full on voyeur scenes where your character is “resting” while she goes to check something and you get these frames of her surrounded. Tentacles curling around her legs, sliding under the robe, smacking against that thick elf butt while she whimpers and still prays, because of course she does. There’s handjobs where she’s clearly trying to be “selfless” and ends up jerking off something non-human, eyes glazed, saying she only did it to protect you. Then later, oral scenes with her on her knees for someone else, drool and cum all over that pretty priest face, and the narration plays it like she’s sacrificing herself, but the blush and body language tell another story. Vaginal scenes go from “forced” to disturbingly eager, her grabbing hips, begging for more, clinging to monsters or other men with the same hands she used to hold yours. Spanking comes in as “punishment” or training, except every smack makes her ass jiggle and the camera practically worships it. She starts to arch into it, moaning too loud, and you just sit there like an idiot clicking forward, fully aware you’re not the main character anymore. The forest is. By the time she’s cheating in broad daylight, grinding that big ass down on someone else’s cock, talking about how it helps the mission, you already knew this was coming. You still feel that little stab when she looks back at you from the CG, eyes half guilty, half fucked stupid, like she remembers you just enough to hurt. And yeah, I got mad at one tiny thing: her hair clip keeps clipping through her ear in one scene and it pulled me out of the moment for two seconds. Then the tentacle went in and my brain forgot the complaint.

New city, tiny apartment, couple that still fucks like rabbits and argues about who forgot to buy toilet paper. That’s basically the vibe here, and it works way better than it sounds. You bounce between her side and his side of the story, watching them drag their boxes into this new life and then immediately get distracted by how horny they are. One moment she’s pretending to unpack, bending over way too slow, panties peeking, just begging for a quick spanking on the kitchen counter. Next moment you’re on his POV, walking up behind her, hand on her ass, and the game just lets you linger on that tease before anything really happens. It keeps doing that: little pauses, small choices, like “kiss her neck” or “just grab her tits already,” that actually tilt the mood. Pick the softer, romantic options and you get these lazy, drawn-out scenes where she’s riding him, boobs bouncing in his face, eyes rolling back with that stupidly hot ahegao look while she tries to say something sweet and just ends up moaning. Go a bit rougher and it flips, she’s the one clawing his back, begging for him to stay in and fill her up, panting about how no condom feels better while your mouse is hovering between “pull out” and “fuck it, creampie.”

What I liked most is how the sexy stuff doesn’t feel like separate levels. You’re literally pointing and clicking around their daily crap: checking messages, clicking on a coffee mug, opening some random drawer, and suddenly you’ve triggered a flirty scene that spirals. You click on the couch because “whatever, next scene,” and bam, she’s straddling him, messy blowjob between jokes, spit on his shaft, she laughs with her mouth full and looks up with those huge eyes like “you like that, city boy?” Then later you see the same moment from her head, nervous about neighbors hearing, but still pushing his cock deeper because she wants to feel it hitting the back of her throat. The game has that weird talent of making their fights kinda hot too. They snap at each other about money or his new coworkers, then some stupid little choice like “apologize” or “double down and tease” can twist it into angry sex. There’s a scene where she storms off to the bedroom, slams the door, you follow, and it turns into her getting pinned to the mattress, cheeks going red from slaps on her ass, legs spread wide while she’s whining that they’re not done talking, even as she’s begging him to stay inside when he’s close. It’s messy, it’s romantic, it’s funny in spots, and sometimes it feels too real when they’re awkward after a hard fuck and don’t know if they went too far or not. The art looks like an AI tried really hard to be horny and kinda pulled it off, which somehow fits the whole “fresh start in a city that doesn’t care about you” theme. Nothing feels perfectly polished, but their chemistry, from slow teasing to deep, wet penetration shots and those “oh shit I actually came” faces, sells the fantasy hard enough that you’ll probably forget you were supposed to be exploring Birchfall and not just their bodies.

Ayumi looks like that quiet girl on the bus you lowkey stare at and then pretend you didn’t, except here she’s a witch, futa, and basically public enemy number one. The whole thing starts with her already in deep shit, hiding in this creepy forest and trying not to get caught and burned, and I like that the game doesn’t baby you with long lore, it just throws you in the middle of her mess. One second you’re checking the trees for monsters, next second some huge-ass busty monster girl with claws is pinning you against a rock and sniffing you like you’re dinner and sex toy at same time. It’s survival but in a really horny, soft-brutal way. You’re trying to keep Ayumi alive, yeah, but also there’s this sick curiosity, like, ok, what happens if I actually lose here? And the game absolutely answers that. Sometimes too well. I opened this in another tab while pretending to type in Excel and instantly regretted not having a second monitor because the first corruption scene is way too obvious if someone walks by.

What caught me off guard is how Ayumi’s whole futa thing is treated. It’s just there. People care way more that she’s a witch than about the big cock between her legs. You get these scenes where she’s shaking from fear while some angry milf inquisitor is threatening to hurt her, and yeah, it’s intense, but at the same time you catch Ayumi getting turned on by it and you’re like girl, same, but also what the hell. There’s a corruption bar that keeps creeping up every time you let someone use her, or she masturbates when she should be hiding, or you pick the flirty option when a monster girl clearly wants to break her. I liked teasing the hell out of a certain tall, smug knight woman, having Ayumi act submissive and clingy in the dialogues, then flipping on a later route and watching Ayumi shove her against a wall and fuck her like some desperate pervert who finally snapped. The harem side grows kind of naturally, too. You start with one “ally” who is basically manipulating her, then suddenly you realize you’re half roleplaying a romance thread, half grooming your own yandere energy. I had Ayumi obsess hard on this one witch hunter with big ass and cruel smile, visiting her in scenes even when it was a bad idea, just because I wanted to see what new way she’d humiliate Ayumi this time.

The sandbox stuff is messy but in a way I kinda like. You wake up in camp, or a ruined church, or some weird forest shrine, and you decide if Ayumi goes gather herbs, sneak into town where everyone hates witches, or “check on” some girl she’s fixated on. I spent way too long just having her stalk the same milf innkeeper, watching the slow shift from awkward virgin energy to straight up sexual harassment. You talk to her, get gently rejected, then come back corrupted a bit more and suddenly your dialogue choices tilt into creepy, touching her hand too long, sniffing, staring at her cleavage, and the game doesn’t stop you. It punishes you later, kind of, but not enough to make you stop. One moment that stuck with me: Ayumi hiding behind barrels, watching two women in the bath, clearly lovers, and you can choose if she just watches and masturbates quietly or uses magic to “nudge” them, make them more rough, more needy, like she’s directing her own porn. I went full perv with the mind screw, and later when she actually meets one of them face to face, the girl acts different, broken in a subtle way, and Ayumi smiles this tiny fucked up smile. It’s hot and also a bit sick. I wish the game let Ayumi go full obsessive yandere faster, but maybe it’s better it teases it slow. If you play, don’t rush the main plot. Linger on the small scenes, the teasing, the failed escapes, the awkward handjobs given in exchange for “protection” that never really protects anything. Always push Ayumi a bit further than you think is safe. That’s where the good shit happens.

Michelle lands in New York like she just installed the “hard mode” DLC on her own life. She wants to be a serious journalist, y’know, awards, big stories, all that, and instead she’s stuck juggling rent, horny thoughts in the shower, and a murder case that keeps poking her libido in weird ways. The game throws you right into her routine: checking emails, stalking sources on Instagram, pretending to be professional on the phone while lying on the bed half naked, one hand scrolling, the other wandering down between her thighs because boredom hits and that vibrator in the drawer is just too close. It’s not just random sex scenes pasted on top of a story; her investigation and her kinks kind of leak into each other. She’ll be reading an old case file, see some detail about bondage in a testimony, and then later in her tiny apartment she’s masturbating with that in her head, imagining herself in handcuffs instead of the suspect. Very “brain says work, body says no” energy.

The main hook for me was how the investigative stuff keeps colliding with her own corruption. She starts all moral and straight: “I will find the truth, I’m a serious reporter.” Then Victoria, the hot lawyer everyone thinks might have killed someone, shows up with this calm older woman vibe and very expensive clothes that are tailored way too tight on purpose, you can tell. First time Michelle visits her office, she’s digging for clues, checking documents, pretending to look at degrees on the wall while her eyes drop to Victoria’s legs. You get little choices like if you keep the conversation clean or you “accidentally” flirt just a bit too much to get her to open up. You can play Michelle as kind of naive girl who gets overwhelmed and then goes home to finger herself while replaying every touch in her mind, or lean into it and let her decide that fucking her way closer to the truth is basically just another tool. One minute she’s at a crime scene taking notes on her phone, next minute she’s in a dark bar meeting a cop, slowly letting his hand slide up her thigh under the table because she wants his info and also, honestly, she just wants it. The mobile-friendly pacing is funny: you can be on the bus, do a quick dialog branch, end up making Michelle tease herself in the bathroom mirror before an interview, finish, lock your screen, and she’s still panting in your head.

What I really like is how the city itself feels horny even when nothing explicit happens. Walking back to her apartment after a long day of interviews, she’ll notice a couple making out in an alley, or see a girl in a short skirt hail a cab, and her thoughts drift again. The corruption is not like instant “now she’s a slut”, it’s more like each scene pushes her boundary a bit. First she only masturbates alone in bed with her fingers. Later she’s using toys while replaying audio from an interview, getting off to the suspect’s voice. At some point she finds herself recording a source secretly with her phone while also grinding her thighs together because the way he talks about power and control turns her on. There is this one moment I keep thinking about: she’s supposed to be taking pictures of a building connected to the case, nothing sexy at all, but it’s late, she’s alone, and she suddenly decides to slip her hand into her panties right there in the shadow of the doorway, half scared of being seen, half wishing someone would catch her. It’s messy, sometimes a bit clumsy, some dialogs sound like they escaped from Google Translate, but it actually fits her vibe, like she’s still learning who she is while the city and the case slowly drag her deeper into trouble and orgasms.