Three witches, one cramped house, zero self-control. That is basically the whole mood here. You’re not watching some noble heroines in shiny armor, you’re poking around a messy magical sharehouse where everyone is horny, stressed and pretending they’ve got their shit together. Each witch has her own vibe: the serious one who pretends she’s above it all but still ends up with a demon’s tongue between her legs, the lazy troublemaker who uses magic like a dating app filter, and the “good girl” type who blushes while masturbating to the same corrupted visions she swears she hates. The game treats their daily life as a mix of errands, spell practice, demon hunting and “accidentally” walking in on each other naked. And that’s before the corruption really starts to bite.

The sandbox structure is the thing that got me hooked and annoyed at the same time. You can wander around the house, peek through doors, spy through keyholes, catch someone moaning in the bath, and the game just quietly tracks it all. I spent way too long messing with one stupid spell that only lets you watch from mirrors. It sounds small, but the first time I used it and saw the “good” witch on her knees, sucking off some shadow beast she summoned “for research”, it hit harder than the bigger quests. The corruption is not instant. You see small changes. She starts with awkward, hesitant oral, more teeth than tongue, then a few scenes later she is choking herself happily on a demon cock while you hide behind a wardrobe. The game never stops and says “look, she is corrupted now”, it just slips it in while you are busy trying to figure out how to use some magic ritual that probably will backfire on you anyway. There is cheating stuff too, but the game treats it almost casually. It’s more like “oh yeah, she has a boyfriend somewhere outside, anyway she is riding this monster with glowing eyes because it makes her cum like crazy”. It has that slightly dirty soap opera energy where everyone lies and nobody really wants to stop.

What I liked most is how the voyeur angle keeps colliding with the fact you actually play as the witches. One moment you hide and watch two of them making out, big tits pressed together, tongues slow, hands everywhere. Next moment you control one of them in a demon contract scene and you remember you chose to sign away a bit of her soul just to unlock a new masturbation animation in her room. The game lets you feel like a pervert neighbor and also the girl touching herself on the bed. Sometimes the magic is just an excuse to show how far their bodies can go. Tentacled demons pin them down, huge hands on their ass, spells failing because they are too busy moaning to finish a chant. Sometimes the fantasy stuff matters, like when a “simple” demon hunt turns into a long, sweaty corruption chain that ends with a witch voluntarily opening a portal between her thighs. There are little daily choices that look harmless, like using a charm to skip chores, and later you realize that charm is feeding off her purity and that’s why she now gets wet just hearing the word “master”. And I still can’t forgive the tiny detail that the kitchen table always looks the same even after all the filthy things they do on it, no stains, no mess, nothing. It bugs me every time I’m clicking past it on the way to watch one of them get railed by something with horns and too many tongues.

Naruto finally got the Hokage chair and, surprise, he basically married the office instead of Hinata. The game leans hard into that. You’re not “saving the relationship” or doing some romantic fix-it fantasy. You’re watching Hinata hit that point where the bed’s cold, the house is quiet, and the only one actually paying attention to her is a smug talking cat with better rizz than her own husband. D1 just strolls into Naruto’s home like he owns the place, curls his tail, and starts giving Hinata the kind of looks she hasn’t gotten since before Boruto was even a thought. It’s wrong, it’s messy, and it’s kind of hot how fast she goes from shy wife to “yeah, I’m going to fuck this problem away.”

The whole thing plays like a kinetic novel, so you’re not juggling a thousand choices. You’re more like a guilty spectator. Scenes just roll in one after another, and honestly that fits. Hinata’s not really deciding much anymore, she’s just sliding. One moment she’s alone in the bathroom, touching herself while thinking about Naruto coming home early. Except he doesn’t. Phone on the sink lighting up with village alerts while her toes curl and she tries to muffle her moans. And then the next scene she’s in the living room, D1 stretched lazily across her lap, his tail flicking near her thighs while he flirts like some sleazy bartender. When he finally gets her to straddle him on the couch, shorts pushed aside, her panties already wet from earlier, there’s this tiny pause where she says “this is wrong” and then her hips just ignore her. That first slow grind where she sinks down on him, eyes half-lidded, is way more intimate than any of the bigger, louder sex moments. Later, when he fills her completely and she clenches around him, the game holds on her face and the little tremble in her voice instead of some overproduced fireworks. And yeah, there’s a creampie scene on Naruto’s own bed, sheets bunched in her fists, D1 pounding into her from behind while her wedding photo stares from the nightstand. It’s trashy and a bit on-the-nose, but I still paused a second on that shot.

What caught me off guard is how they keep Hinata visually soft and homey instead of full-on porn cosplay. Big tits, big ass, sure, but it’s the way her tank top rides up when she’s doing normal house stuff, or how her shorts bite into her hips when she bends, that sells the whole neglected-wife thing way better than any jutsu. The animation isn’t flawless, sometimes her expressions snap a little weird mid-thrust, and there’s one masturbation loop that goes a bit too long and turns more funny than sexy, but honestly that imperfection fits the mood too. It feels like peeking at something you shouldn’t, not some polished “official” project. There’s a scene where she’s sitting at the window at night, hand between her thighs under the blanket, trying to imagine Naruto touching her, but every time she gets close, her brain replaces him with D1’s voice whispering in her ear. She still finishes, panting his name, then instantly covers her mouth like someone might hear, even though the house is empty. That stupid little detail stayed with me longer than the final full-on riding scene. And yeah, Naruto’s technically in the story, but in a weird way he’s just background noise, like the mission reports he buries himself in while his wife gets railed by a cat with better time management.

Summer punishment fantasy that accidentally turns into something way dirtier than “no phone, no friends, stay home and think about what you did”. You’re stuck in your room, nothing to do, no money, parents on your back, and then this weird idol just shows up. Not cute shrine-maiden style, more like “this thing should not exist in a normal bedroom”. And it talks. It promises you power, and yeah, it’s not talking about muscles. It’s talking about getting every person around you to bend, break, cheat, confess, open their legs, pull their clothes aside in public, that kind of power. The game leans hard into the whole “I know I shouldn’t do this, but I really want to see what happens if I push one more time” vibe. Every interaction with a girl starts kind of normal, then you nudge, then you push, then suddenly you’re seeing your own family member giving you that look like she knows this is fucked and still can’t stop touching herself in front of you because the idol whispers in her head. And you are the one telling it what to whisper.

What I liked is it doesn’t jump straight to full-on mind-slave zombie sex. At first it’s just small stuff. A bit of teasing. Making her wear something way too short outside. “Accidentally” walking in while she showers and the idol freezes her for a second so you can stare, then she snaps out of it and blushes like crazy, but you know something stuck in her brain. The more you play with that, the more twisted it gets. One route I focused on making the girls just masturbate more and more, like they couldn’t even sleep without their fingers inside them, and the game actually reacts to that. Suddenly you get scenes where they tell you about hearing your voice in their head when they touch themselves, begging you to watch, even if they’re not actually in the same room. There’s a really sick moment where you’re at work in your shitty part-time job, and your phone buzzes with a pic you never asked for: someone from home, spread, eyes a bit empty, obviously controlled, clearly taken by the idol at the worst timing possible. And you’re stuck behind the counter trying to pretend you’re normal while your cock is screaming. That part felt too real in a good way. And a bad way.

The sandbox side is messy but that’s also where it gets addictive. You’re not following some super clean route map, you just poke at people, try different commands, wreck their relationships. I told one girl to be “more honest with your feelings” and then just left her alone for a while. When I came back, she was already cheating on her boyfriend in her own room, and the game lets you decide if you join in, watch from the closet, or mess with her mind harder so she starts sending pics of it to the wrong people. Another time, I messed up and pushed the control too far too fast, she basically snapped and you get a harsh ending where everything collapses and you’re stuck with fucked-up guilt and blue balls. There are multiple endings depending on how far you drag each girl down the corruption hole: total devotion, secret lover stuff, full-on ntr where they still sleep with you but also moan another guy’s name, or that really gross but hot line where your own relative begs you to knock her up while the idol keeps her from thinking clearly. It’s not nice. It’s not “wholesome”. It’s exactly the kind of horny summer where you start grounded and end up playing god in your own twisted little town, touching every life with your dirty fingers, knowing something will break and not really caring when.

It starts with a weird kind of quiet, like you’re waiting for someone to say something they shouldn’t. The first scene pulls you in because it doesn’t even try to be shocking - it just *is*. Anna’s voice has this tone that sits between teasing and sincere, like she’s half‑ashamed of wanting to talk about what she wants. And then you realize, the game isn’t really about her leaving for Italy; it’s about how much you can stand watching her become someone else. There’s a moment where she sends you a photo - nothing too wild - and yet it feels heavier than the later scenes where everyone’s naked. I think that’s the trick: it makes you feel complicit before you even click the next line.

The humor sneaks in when you least expect it. There’s a bit where one of the side characters, can’t even remember his name now, tries to give “advice” about open relationships using a sandwich metaphor that’s absolutely terrible but somehow right. The writing jumps from filthy to tender so fast you almost get whiplash. Sometimes it feels mean on purpose, especially when Shego shows up - yeah, they went full parody there - and suddenly the tone flips again, all green eyes and cruel smirks, leather snapping against skin like punctuation. The game keeps forgetting it’s supposed to be sexy and then accidentally becomes it. One minute you’re laughing, next minute someone’s wrists are tied and you’ve forgotten why you were amused.

I’ll admit, I got weirdly obsessed with the sound design. The moans don’t loop cleanly; they stutter, slightly off‑tempo, and that imperfection makes it more real. There’s a scene with a mirror - voyeur stuff, sure - but what caught me is how the reflection lags a frame behind. Maybe intentional, maybe not. Doesn’t matter. It messes with your head. The pacing’s uneven, some transitions abrupt, but that chaos fits the story. If I could change one thing, I wouldn’t. Or maybe I would, but only to make it worse. Hard to tell anymore.