Storm, wet wood, that weird mix of salt and fear in your throat, and right in the middle of that you’ve got her: this perfect elven wife who still somehow looks holy even with her robes clinging to her curves. The game throws you onto this nameless island like the ocean just spat you out, and suddenly your “happily ever after” feels like a joke with bad timing. It’s not a complicated setup, actually kind of simple, which makes it worse. You, the loyal husband, still trying to act like a hero. Her, the devout priestess who actually believes all that purity talk. And then that guy, Borwin, this sweaty, wheezing sailor with piggy eyes who starts looking at her like she’s the last piece of meat in the world. The whole thing is a slow punch in the gut, because nothing explodes, nobody just jumps into fucking right away. It just stretches. Long glances. His “accidental” touches. Her nervous smile that hangs a little too long. And you get stuck watching, almost tasting that ugly mix of jealousy and arousal in your own mouth, like cheap rum you didn’t mean to drink.

What hit me hardest is how the game doesn’t rush the dirty stuff. First it plays with your brain. They’re sitting close to the fire, he laughs too loud, his hand lands on her thigh, and she doesn’t slap it away. Not right away. You feel that little sting in your chest, like, “hey, that’s my wife,” but you also stare at the screen longer than you should. When he ogles her tits through soaked fabric, it’s not subtle, and she notices, but instead of screaming she blushes and fidgets and pretends she didn’t see. It’s messed up, watching her slowly slide from “holy and untouchable” to “kind of flattered that this filthy bastard wants her so bad.” The corruption is mostly in her expressions, tiny shifts. Mouth a bit more parted when he leans close. Eyes not quite meeting yours. Then the touches change. His hand on her ass when he helps her “climb over a rock.” His fingers brushing along the inside of her thigh while he plays it off like he’s checking a wound. There’s a scene where she’s kneeling in front of him, supposedly “tending an injury,” and the camera knows exactly what your brain is doing. Her face is too close to his crotch, her lips too wet, and for a second the game just lets you sit there wondering if she’s going to use her mouth on him or if you’re just filthy for even thinking it.

At some point the line breaks and you don’t even remember exactly where. One night the priestess who swore her body belongs to the gods is on her back, robe pushed up, legs spread, and the guy filling her is not you. She moans in a way you’ve never heard from her scenes with you, louder, less controlled, like her body finally stopped pretending. Her tits bounce when he pounds into her, her ass lifts up to meet him, and you feel this horrible heat in your gut because the animation really leans into how much she’s getting into it. She grabs his arm, begs him not to stop, and the worst part is how her words sound half like prayer, half like porn. There’s this nasty little bit where he gropes her under the pretense of “warming her up” after a cold night, his thick fingers pushing under her clothes, and she’s shivering but not from the cold anymore. She bites her lip, tries to mumble something about “marriage vows,” but she’s grinding against his hand while she says it. Oral, handjob, full-on fucking, it all comes, just not in the order your pride would like. The game never lets you escape that tight, ugly feeling of watching your “treasure” get taken, then watching her start to want it more than anything you ever gave her. And you know what makes it even dirtier? There’s no choice to fix it, no magic button to “save” her. You’re just there, stuck in your own skin, watching this elf with a big perfect ass and soft bouncing tits get slowly rewritten by a disgusting sailor, and somewhere in the middle of her crying and moaning you realize you’re stroking yourself and hating yourself at the same time.

This thing hits you in the face right away. You open it and the game just starts calling you a pathetic virgin like it knows what tabs you had open before. Male protagonist, first year uni in late 90s Wales, stuck in that ugly campus mix of shitty carpet, nicotine stains, and horny brain. Everyone thinks you will die alone, and frankly the game agrees. Then the goth girl walks in like a walking middle finger to your self-esteem. Tall, boots, chains, black lipstick that looks like it tastes of smoke and cheap vodka. She is not your cute “secretly soft” goth. She is full female domination mode. She enjoys humiliating you, and the game really lets her. Public teasing in hallways, denial until you literally beg, exhibitionism moments where she pushes you close to being seen, and then pulls away only to grind on someone actually confident while you watch from the corner. If you hate netorare, this is a hate crime. If you like it, you will have your hand on your phone more than on your textbook.

What caught me off guard is how the corruption is not only sexual but social. The more you let her step on you, the more other people on campus join the act, and the POV stuff gets nasty. You see her big ass riding someone else through a cracked door while you are forced to hold her bag like an idiot. Or she sends you pics of her sucking off a dude from the football team, with your unread essays visible on your desk in the background. There is voyeurism everywhere, even when you are not the viewer. Sometimes you are the thing being watched: being paraded around as the loser virgin toy in a group chat that you are not even allowed to post in. The game even throws a milf teacher at you, but in that mean way, like, you think “finally, someone kind” and suddenly you are watching her get pounded by a classmate while she grades your paper with a red pen and one hand on his abs. The humor is cruel and honestly kind of funny, like that scene where your phone autocorrects “please” to “pee” while you are begging her to let you cum, and she just runs with it in a way I am still slightly disturbed by. There is a whole mobile phone layer built into the game, with apps that feel suspiciously like WhatsApp and Instagram where you keep scrolling old chats trying to find where exactly your dignity died, then getting distracted by AI generated CG of her in a “maybe pregnant, maybe not” ending that hits way harder than it should. I still cannot forgive the tiny thing where notification sounds are slightly off from real apps and my brain kept twitching every single time, but yeah, I kept playing anyway.

Erik comes back to this stupidly perfect island villa after a year abroad, all tanned and smug and pretending he’s “grown up”, and the first thing that happens is his twin sister Lyna looks at him like she’s not sure if she wants to hug him or climb him. It’s that slow, heavy kind of sexual tension where nothing really happens at first, just small things that feel way too intimate for “normal” siblings. The way she hugs him a bit too long, how he notices her ass in that tight dress and then hates himself for looking, the shared showers where the door isn’t fully closed, the way they sit way too close on the couch when they watch some trashy show on Netflix and forget to keep space between their legs. You can almost smell the salt from the ocean and the sweat from them pretending everything is innocent. It’s not. The game doesn’t pretend either. The camera loves her curves, his hardening bulge, the little accidental brushes of hands, the headpats that last long enough to feel like foreplay. And when she falls asleep on his shoulder and drools a little on his shirt, he doesn’t move. That’s the sort of tiny pervy thing this story keeps doing. Not in your face at first, more like it enjoys teasing you, dragging you along, daring you to accept that yeah, you want them to cross that line.

What surprised me is how much the incest itself becomes the actual topic, not just a cheap excuse for “oh no we’re stuck in a room guess we fuck now”. They talk about it. They obsess about it. The internal monologues are filthy and weirdly romantic at the same time. Erik keeps swinging between “this is wrong” and “if she asks I’m going to fuck her until she can’t walk”, and Lyna is no better, one moment acting like a bratty princess stepping on his pride, the next moment blushing when he catches her watching lesbian porn on her tablet. The voyeuristic stuff hits hard here. Lots of scenes where one of them pretends to sleep while the other is touching, smelling, grinding just a little too much. There’s a great bit where Lyna “accidentally” falls asleep in his bed in just a shirt, and you’re stuck in this long POV sequence where his hand hovers over her thighs, almost touching her panties, pulling back again and again until you want to scream at him. Later, when things finally snap, it doesn’t gently fade to black either. You get her riding him while moaning his real name, not some censored crap, him grabbing that big ass in his hands like he has been dreaming since they were teenagers, her begging him to cum inside because the idea of pregnancy from her own brother turns her on more than any porn she watched. There’s anal, there’s titfucking, there’s that slow missionary where they keep hugging the whole time and holding hands like this is some fucked up wedding night, and it somehow feels more indecent than the dirtier positions.

And then mom Helga shows up. Calling her a MILF is almost an insult, because she feels like this whole walking corruption event that just enters the house and instantly changes the air. She’s not stupid or blind. The way she looks at them at breakfast, how she comments on Lyna’s “glow”, how she touches Erik’s hair a bit too softly, it’s obvious she sees the tension and instead of trying to stop it, she kind of pokes it. There’s this one scene at the pool where she suns herself in a bikini that is absolutely not made for a mother of twins, and Erik ogles her like a desperate virgin while Lyna watches both of them and gets this twisted mix of jealousy and arousal. Later you get more direct stuff with Helga too, from slow teasing while she sits on his lap “just to talk”, to outright femdom moments where she holds his face and makes him look exactly where she wants, guides his mouth, his cock, everything. You even get some soft lesbian and footplay with her and Lyna that feels half nurturing, half devilish, like she’s training her own daughter how to be the perfect little incestuous toy. There are scenes of sleep sex, careful creeping under sheets, toes brushing, fingers sliding into panties while someone pretends to still be dreaming, and the game doesn’t cut away or apologize. No choices, no branching, it just drags you along this tight tunnel of corruption and romance where twins, mom, and taboo all melt together. Sometimes it moves slower than I’d like and repeats certain angles too often, but then you get this one kiss, this one whispered “brother” in her ear while he’s deep inside, or a quiet cuddle with headpats after a brutal fuck, and you forget you were annoyed at anything five minutes ago.

Game feels like someone mashed up a bootleg Witcher fever dream with a horny visual novel and then forgot to polish anything, and weirdly that kinda works. You start as this exiled prince who clearly should not be in charge of a kingdom, because every decision you make is like: politics on the left, pussy on the right, and guess which one you always walk toward. The whole “return to your homeland” thing is there, but half the time I honestly forgot about the throne because I was busy watching how badly I could corrupt every girl that crossed my path. There’s this slow build where at first it pretends to be serious fantasy, talking about heirs and rivals and noble houses, and then ten minutes later you’re balls-deep in some monster girl who technically wants to kill you but also wants your seed. It shouldn’t be hot. It is.

What I really liked is how the game lets you be a sneaky little perv without actually spelling it out. You’ve got scenes where you’re clearly supposed to walk away, like “respect the privacy” and all that, and instead you just stand there and watch through a half-open door while your future concubine gets herself off thinking about you. One click turns into an entire corruption route. You promise her romance, she thinks she’s getting some fairy-tale prince, and then two scenes later you’re pinning her to the bed, hand wrapped around her throat, whispering about how she belongs in your harem and her only job is to take your cum and give you heirs. Then she actually starts talking about wanting your child, and the game doesn’t shy away from it. Thick creampie shots, her begging you not to pull out, that shaky breathing after you finish, like she knows her life just changed. It’s kind of fucked up and kind of beautiful and then kind of fucked up again.

The animated parts are the best and also the worst. Some loops are super smooth, like the way a witch rides you in this ruined chapel, her tits bouncing and your seed leaking out when she slams all the way down, and you’re like “ok nice, someone actually cared.” Then there’s another scene where your handjob reward looks like it was made in a rush between coffee breaks, her fingers clipping weirdly while you’re trying to focus on the cum shot. I’m still salty the prince walks around like he’s god’s gift, but his facial expressions in a few scenes are stiff as hell. All the “RPG” stuff is really just an excuse to send you from girl to girl, and I’m fine with that, even if sometimes the quests feel like busy work from an old mobile game. But whatever, I kept playing because that feeling when you slowly twist a pure girl into a willing broodmare, then watch her swell with your child while rivals plan to murder you in the background, hits a very specific nerve. You’re half hero, half bastard, and the game never really punishes you for choosing the darker option. Dare to play it alone, or invite company?