Michelle lands in New York like she just installed the “hard mode” DLC on her own life. She wants to be a serious journalist, y’know, awards, big stories, all that, and instead she’s stuck juggling rent, horny thoughts in the shower, and a murder case that keeps poking her libido in weird ways. The game throws you right into her routine: checking emails, stalking sources on Instagram, pretending to be professional on the phone while lying on the bed half naked, one hand scrolling, the other wandering down between her thighs because boredom hits and that vibrator in the drawer is just too close. It’s not just random sex scenes pasted on top of a story; her investigation and her kinks kind of leak into each other. She’ll be reading an old case file, see some detail about bondage in a testimony, and then later in her tiny apartment she’s masturbating with that in her head, imagining herself in handcuffs instead of the suspect. Very “brain says work, body says no” energy.

The main hook for me was how the investigative stuff keeps colliding with her own corruption. She starts all moral and straight: “I will find the truth, I’m a serious reporter.” Then Victoria, the hot lawyer everyone thinks might have killed someone, shows up with this calm older woman vibe and very expensive clothes that are tailored way too tight on purpose, you can tell. First time Michelle visits her office, she’s digging for clues, checking documents, pretending to look at degrees on the wall while her eyes drop to Victoria’s legs. You get little choices like if you keep the conversation clean or you “accidentally” flirt just a bit too much to get her to open up. You can play Michelle as kind of naive girl who gets overwhelmed and then goes home to finger herself while replaying every touch in her mind, or lean into it and let her decide that fucking her way closer to the truth is basically just another tool. One minute she’s at a crime scene taking notes on her phone, next minute she’s in a dark bar meeting a cop, slowly letting his hand slide up her thigh under the table because she wants his info and also, honestly, she just wants it. The mobile-friendly pacing is funny: you can be on the bus, do a quick dialog branch, end up making Michelle tease herself in the bathroom mirror before an interview, finish, lock your screen, and she’s still panting in your head.

What I really like is how the city itself feels horny even when nothing explicit happens. Walking back to her apartment after a long day of interviews, she’ll notice a couple making out in an alley, or see a girl in a short skirt hail a cab, and her thoughts drift again. The corruption is not like instant “now she’s a slut”, it’s more like each scene pushes her boundary a bit. First she only masturbates alone in bed with her fingers. Later she’s using toys while replaying audio from an interview, getting off to the suspect’s voice. At some point she finds herself recording a source secretly with her phone while also grinding her thighs together because the way he talks about power and control turns her on. There is this one moment I keep thinking about: she’s supposed to be taking pictures of a building connected to the case, nothing sexy at all, but it’s late, she’s alone, and she suddenly decides to slip her hand into her panties right there in the shadow of the doorway, half scared of being seen, half wishing someone would catch her. It’s messy, sometimes a bit clumsy, some dialogs sound like they escaped from Google Translate, but it actually fits her vibe, like she’s still learning who she is while the city and the case slowly drag her deeper into trouble and orgasms.

This one starts like some half-serious detective visual novel, then quietly pulls your pants down while you’re still nodding along to the “we help innocent prisoners” talk. You got the guy who always wanted to be Sherlock but with a dick, his justice-obsessed girlfriend who actually has a spine, and their tiny agency circling the drain. Money problems, boring clients, rent breathing on their neck. Normal noir setup. Then that Sawyer guy shows up, big celebrity detective with slick PR, fake smile, and this vibe like he’s already undressing both of them in his head while talking about “partnership” and “mutual benefit”. First case you do under his name, it still feels mostly clean: interview a witness, follow some shady clerk, connect clues on the board, whatever. You’re thinking “ok, just mystery with boobs here and there”. Then it tilts. Not fast, it’s slower, like a bad idea you decide to try once and then it keeps happening.

I really liked when the game lets you swap between the guy and the girl during one investigation, not in a tutorial way, just suddenly you’re in her head while she’s getting cornered in an office by some rich asshole you’re supposed to be “interviewing”. She’s trying to stay professional, asking about alibis and timelines, and he keeps leaning closer, asking if her boss knows she’s “this tight” with clients. You can play her as stiff and righteous or let her hesitate a bit too long when he touches her thigh. That tiny pause feels worse than any big “corruption meter” bar. Later you jump back into the male POV, sitting in a car outside, thinking she’s just taking long with the questioning, and you can choose to trust her or start doubting. I hate that the coffee cup in that car scene has this ugly texture that looks like it came from some 2009 stock pack on Google Images. Every time I see it I get annoyed and then forget I was annoyed because next thing I’m watching her kneel down in that same asshole’s office, trying to bargain with her mouth for information. I’m not even sure if I liked that scene or if it just stuck in my brain like gum on shoe.

The sex itself, when it hits, is more about situation than some perfect angles. There’s this blowjob in a cramped archive room where she’s trying to keep quiet, filing cabinets all around, dude’s belt clinking every time he bucks his hips. The camera hangs too long on her eyes, red and watery, like the game is asking “this what you wanted, detective?” and yeah, it kind of is, but also you feel like shit in a hot way. Sometimes the romance stuff between the main two actually feels sweet, like when they crash on the office couch after a long case and she climbs on top, just slow vaginal, kissing, talking about their future agency like it’s still theirs. It should be cute, but if you already pushed her down the dirty route, that same scene plays weird in your head because you know what she did last case to get that signed confession. The game never screams “you are corrupting her” in big neon letters, it just quietly offers choices that look practical: accept a shady deal to get access to a crime scene, agree to “private questioning” with a suspect, let the boss handle something off-screen. One moment I liked way too much: Sawyer calling you into his office, closing the blinds, and just calmly describing what “extras” your girlfriend did for a client, while you sit there pretending you knew already. That mix of mystery, humiliation, and powerplay feels filthy in a way Pornhub never hits. And then you’re back at your desk, filling out case notes as if nothing happened, like this is just another Tuesday at the agency. I forgot what I was even mad about. Something with that cup. Whatever.

Lewd Island feels like somebody mashed together a trashy reality show, a fucked‑up Saw movie, and an otome game made by a pervert who actually understands sexual tension. You land on this “paradise” that looks like every cheap travel ad on Instagram, only here the palms hide cameras, the cute bungalows have more locks than sense, and every smile from a hot guy might be scripted by whoever is watching. The game really wants you to be horny and paranoid at the same time, which is funny, because half the time I forgot about the horror part and just wanted to drag one of the guys behind a tree and see how far the scene would go. Then suddenly some random line about missing girls or creepy surveillance hits and you’re like, oh right, someone might actually die here, cool. The mood flips fast, from beachy flirting to “oh shit, did I just help a murderer” in one click, and I kind of loved that, even when I hated it.

What I liked most is how the guys are written like they’re all hiding porn tabs behind their eyes. One looks like the chill vacation fling type, easy smile, sun‑kissed skin, that whole thing, but when the camera angle lingers a second too long on his hands holding your wrist, you feel there is something off. Another one acts like a gentleman, polite, protective, and then he starts talking about how the island has its own rules and your panties basically write their own will. The sex scenes, when they finally pay off, are pretty explicit, not that soft fade‑to‑black bullshit. There is tongue, sweat, rough grabbing, a bit of desperation, and the CGs really push the “we’re being watched” fetish. Sometimes you are literally mid‑fuck and there is the feeling someone might be replaying this later and judging your choices, and if you are into humiliation or exhibition vibe, this hits hard. If not, it’s still hot, just slightly uncomfortable in the right way. I only wish they let you be nastier in dialogue; the game teases you with dirty talk, but sometimes the options feel too tame when you want to straight up tell a guy to choke you on that sunbed and leave marks. Also the text box is a bit chunky in some scenes and it annoyed me for no real reason, but I kept staring at it instead of the dude’s abs, which is a crime, honestly.

The detective part sneaks up on you. You think you are only choosing who to flirt with under the palm trees, picking cute answers like in any dating sim, then suddenly your “who do I kiss” choice becomes “who do I trust not to gut me while I sleep.” There are little clues in the way they react when you touch certain topics, like previous guests, missing belongings, the rules of the show, stuff like that. I got totally stuck stalking the same conversation log in the menu because one guy repeated a phrase word‑for‑word and it creeped me out more than the bloody stuff. And while the story pretends to be super serious psychological thriller, it is also just porn with plot, and that’s fine. You will make choices that ruin people, you will get off on scenes that feel wrong, and sometimes you’ll laugh because a moan sounds like something from a cheap hentai clip you forgot you left open in another tab. Best way to enjoy it is to actually lean into that tension: save often, tease every route a bit instead of locking in too early, and don’t rush to the first sex scene. Let the guys simmer, poke at their secrets, and when things finally explode against that pretty tropical backdrop, it hits a lot harder, in every way that matters.

Kate Adler looks like the kind of woman you cross the street for, not because she’s scary, but because you know she’d read every dirty thought in your head and file it away like evidence. The game just throws you into this huge, sweaty, sleepless city where everything feels a bit wrong, like the whole place smells of perfume, gun oil and cheap disinfectant. One second you’re zooming in on some grainy club camera feed, trying to match faces, and two clicks later you’re watching that same guy rail some VIP slut in a back room while Kate acts all professional and still clearly getting turned on. She pretends she doesn’t care, you don’t pretend anything. The whole thing plays like a visual novel that forgot how to be polite. You bounce between interrogations, tailing people, reading all these messages full of lies, and then suddenly you’re choosing if Kate lets someone bend her over a balcony in those stupidly tight jeans. The pacing is weird in a good way. Some scenes are slow, like late night Netflix scrolling where you tell yourself “just one more,” then out of nowhere the story slaps you with missing girls, fake passports, and this high-society sex club that tries way too hard to look exclusive and ends up feeling like a horny IKEA maze.

Nocturne, that club, is where the game really starts being nasty. You get those masked rich assholes, dancers in latex, people pretending they’re not scared, and Kate walking in like she owns the place even though she’s basically spying. There’s this moment where she’s in a private room, supposedly just listening to two big shots talk business, and the dialogue quietly shifts from blackmail to who they’ve had in chains last weekend. You get the choice to keep the audio clean or push her into “deeper cover” and yeah, if you pick the second one she ends up on her knees, using sex as a tool and also clearly liking it. I loved that scene and kinda hated it, because the game gives you the power and then rubs your face in what you used it for. Also the UI text for the clues is tiny in some menus and it pissed me off for no reason and then I forgot about it five minutes later when she got her ass fingered in the backseat of a town car while pumping a politician for information. Sometimes the writing hits hard, like when she’s alone on a rooftop, tired, trying to connect dates and names, and her phone buzzes with some slutty offer to “come relax” at the club again. Other times it throws in jokes that land like a wet sock. Doesn’t even matter. The city feels alive in that broken, horny way where every neon sign hides a camera and every secret costs either money, blood, or Kate’s pussy. You jump from glossy penthouse to damp tunnel to cramped office with an evidence board, and it never fully explains things, just trusts you to click, read, decide who she fucks, who she betrays, and how deep she lets that corruption crawl into her body and her brain. Dare to play it alone, or invite company?