Frieren looks way too calm for someone getting dragged into that kind of hole. Like, she keeps this saintly face while the whole dungeon’s alive with squishy noises and glowing runes that probably weren’t OSHA-approved. The game doesn’t even pretend to be serious - one second you’re clicking through some dusty corridor, the next she’s half-stuck in a wall, robes sliding down, and I swear the tentacles have better comedic timing than half the anime parodies I’ve seen. There’s this dumb little sound effect when you misclick that feels like the dev trolling you personally. And yeah, I laughed, then immediately felt weird for laughing, then laughed again. That’s the loop here: arousal, confusion, laughter, repeat.

Mechanically, it’s point-and-click, but not the “find the key” kind - more like “poke the wrong spot and something indecent happens.” The animation’s surprisingly alive; her eyes twitch in that awkward, human way that makes it both hotter and funnier. You can tell the artist’s obsessed with micro-expressions - tiny smirks, that split-second of resistance before she just gives up trying to look dignified. The glory hole bit? It’s handled with this absurd level of ritual, like the dev wanted to parody sacred fantasy tropes but ended up making the most unholy confession booth imaginable. Sometimes the camera lingers too long, like it’s waiting for you to blink first. I didn’t.

What kills me is how unserious it all feels. There’s no fake epic music, no “chosen one” nonsense - just this quiet, looping moan track that somehow fits the dungeon’s echo. I kept expecting a boss fight, but the only thing that fought back was my mouse hand. It’s lewd, sure, but it’s also self-aware in a stupidly charming way. You can almost hear the dev whisper, “yeah, I know what you came for,” while Frieren’s face says, “I can’t believe I’m in this mess again.” And honestly? Same.

This one hits that weird place in the brain where horny and anxious sit at the same table and smoke together. You’re this pretty normal dude, married to this goth catgirl, Katherine, and she’s soft and sweet and stacked in all the right places, but your brain is rotting from this one fantasy you keep pushing down: you want to watch her get fucked by other people. Not stolen from you, not stolen forever, just… used in front of you. It’s not romantic, it’s not wholesome, it’s messy and a bit cruel, and the game doesn’t pretend otherwise. It starts small, like gentle teasing and talking about porn and who she’d “hypothetically” fuck, and then it kind of slides downhill into collars, toys, and way too many hands on her at once. There is kissing, there is groping, there is that slow moment when another guy’s fingers are spreading her while you just sit and listen to the wet sounds and you’re not sure if you hate yourself for liking it. The audio styling in my head went crazy there, like one of those TikTok ear-cleaning ASMRs but filthy.

Katherine herself looks like she would moan nicely directly into a high-end mic: big boobs that don’t care about gravity, thick ass, stockings, that smug little fang and cat ears that twitch when she starts to enjoy something she “definitely didn’t agree to like this much.” Sometimes she’s playful dom, sitting on your lap and asking if you want to see her take a bigger cock than yours, sometimes she’s the one getting dominated, pinned by some muscular stranger or even these non-human guys, claws and tails and too many teeth. The whole thing has this monster girl / furry spice without going full nonsense; like, she is still very much a soft wife you can cuddle, but then she’s gagging on another guy’s cock while you are forced to watch, and you hear the slurping and choking in your head like a cheap but effective ASMR audio on Pornhub. I liked the group scenes way more than I wanted: big bodies crowding around her, tits bouncing, hands spreading her pussy while someone rubs her throat from the outside because they’re buried so deep in her mouth. There’s one part where they titfuck her until she’s covered in cum and she looks at you with that “you asked for this” expression that honestly hits harder than any orgasm. And then there is a scene with sex toys where they use a vibrator on her clit while you only get to hold her hand, like some kind of pervert emotional support animal.

What surprised me a bit is how it actually stays focused on your fetish instead of turning into generic harem porn; you are in the room. You are not the hero, not really, more like the audience with a marriage certificate. Watching her sit between two guys, one in her mouth, one in her pussy, and she still calls your name, that hits strange. There is some interracial heat, darker skin, different body types, and her pale goth curves between them, and it makes the contrasts really obvious in a good way. The neko thing is used nicely too, little tail grabs, someone pulling on her ears while she’s riding. I kinda wish the game had more real sound design, like proper ear-licking style moans, but also I know it would probably ruin it with bad looping, so whatever, I’ll complain and still enjoy. The femdom flavor shows up when she makes you sit and not touch your dick while others touch her everywhere, and I swear it feels like one of those “don’t move” ASMR triggers where the whole tension is in your shoulders and crotch. You get scenes of straight vaginal sex, flashy oral, messy group sex, a bit of swinging and even that quiet moment after, where she’s covered in cum and curls up to you, purring like a cat that just clawed your favorite couch. And yeah, the UI click sound annoyed me after a while and I kept waiting for a toggle that I never found, but I just pretended it was like someone tapping a mic before whispering filth into it and somehow that worked.

Sylvara is fucked. Not in the poetic way. In the goblins-actually-run-the-place way, with their stink everywhere and those weird pheromone clouds that make everyone way too horny to think straight. You’re not some faceless hero here, you’re stuck in the skin of these three elf girls, Lea, Valya and Anneli, trying to pretend everything is “normal” while the city slowly turns into a green-skinned playground. The game leans hard into that tension between wanting to fight and wanting to just give in and get railed by the enemy. And because it’s a visual novel style thing, the pacing is slow on purpose: you wake up, decide what to do with the day, and every little choice pushes you closer to escape or closer to goblin breeding stock territory, sometimes both at the same time, which is honestly the main kink here.

What sold me isn’t even the sex at first, it’s the way the daily routine feels like it’s constantly humming in your ears. You’ve got tasks that are boring on paper, like helping in some supply room or going to “train”, but the game sneaks filth into it. One morning I sent Lea “just to gather information” in a tavern corner, and the sound layering there is wild. In the background, you have this sticky low murmur of goblin grunts, mugs slamming, chairs scraping on stone, and under that, some faint wet noise from a side room. Nothing on screen shows it, but your brain connects it instantly. That kind of sound hint is way hotter than showing every hole filled. Then when she accidentally brushes against a goblin guard, there’s this little sucking cloth sound as his hand grabs her ass, plus her tiny breath catching in the mic, just a half gasp, not some anime squeal. It feels dirty, like you’re listening from behind a door, not sitting in front of a PC with headphones.

Sex scenes themselves get pretty brutal, in a good way for this genre. There’s one where Valya gets cornered in a storage cellar after trying to steal some key item. The wood creaks when he pins her against the crates, you can hear little glass bottles rattling each time he slams into her. Her voice goes from stubborn, almost annoyed, to this broken, fucked-out stutter when the pheromones kick in. The goblin voices aren’t generic growls either; they’re nasal and taunting, with these wet lip smacks that made me actually pull one earcup off like, “ok that’s a bit too real.” I wish the footsteps on stone had more bass, that part feels weirdly light, but everything around the penetration is heavy and sticky and loud in that porn-audio way that’s hard to pull off without sounding fake. Here they ride the edge nicely. A few moans loop a bit too obvious after a while, you’ll start hearing the same “nhh!” in your sleep, but by the time you notice you’re already clicking “continue” just to hear how far they’ll humiliate her next time. There’s one quiet moment, after a long session, where Anneli just sits there breathing, no music, just a little trembling inhale and the gross slick sound of goblin cum dripping to the floor. That’s when I realized the game understands something most devs forget: silence is also a sound, and here it’s filthy as hell.

This one hits like a fucked up Valentine’s card somebody dipped in blood and spit on. Oridelle is not a “heroine,” she is a girl who died, got dragged back, and now thinks the only reason she exists is to suck off the guy who saved her. That’s the whole emotional center of the game: her on her knees, him on the throne, and you sitting there clicking through that sick loop of “thank you for saving me, please use me again.” It feels almost too intimate sometimes, like reading someone’s horny therapy diary that got infected by a horror manga. The tone flips a lot. One minute she is this soft, almost cute corpse-girl whispering how grateful she is, and three lines later she is giggling like a brain-poisoned bimbo about how her mouth is “perfect for him” and nothing else matters. It is erotic, yeah, but there is this rotten taste under it, like you bit into candy and it was raw meat.

The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.