Frieren looks way too calm for someone getting dragged into that kind of hole. Like, she keeps this saintly face while the whole dungeon’s alive with squishy noises and glowing runes that probably weren’t OSHA-approved. The game doesn’t even pretend to be serious - one second you’re clicking through some dusty corridor, the next she’s half-stuck in a wall, robes sliding down, and I swear the tentacles have better comedic timing than half the anime parodies I’ve seen. There’s this dumb little sound effect when you misclick that feels like the dev trolling you personally. And yeah, I laughed, then immediately felt weird for laughing, then laughed again. That’s the loop here: arousal, confusion, laughter, repeat.

Mechanically, it’s point-and-click, but not the “find the key” kind - more like “poke the wrong spot and something indecent happens.” The animation’s surprisingly alive; her eyes twitch in that awkward, human way that makes it both hotter and funnier. You can tell the artist’s obsessed with micro-expressions - tiny smirks, that split-second of resistance before she just gives up trying to look dignified. The glory hole bit? It’s handled with this absurd level of ritual, like the dev wanted to parody sacred fantasy tropes but ended up making the most unholy confession booth imaginable. Sometimes the camera lingers too long, like it’s waiting for you to blink first. I didn’t.

What kills me is how unserious it all feels. There’s no fake epic music, no “chosen one” nonsense - just this quiet, looping moan track that somehow fits the dungeon’s echo. I kept expecting a boss fight, but the only thing that fought back was my mouse hand. It’s lewd, sure, but it’s also self-aware in a stupidly charming way. You can almost hear the dev whisper, “yeah, I know what you came for,” while Frieren’s face says, “I can’t believe I’m in this mess again.” And honestly? Same.

Nyatorase starts quiet, almost too cozy. It just drops you into this tiny married life with your goth catgirl wife Katherine like it expects you to already know her. And weirdly, after a few minutes, you kinda do. She has that lazy neko thing going on, ears twitching when you say something dumb, tail flicking when you stare too long at her huge tits and huge ass and pretend you’re not doing it. The house feels small, a bit messy in a lived-in way, and the whole time you feel that itch that the game is poking: you love her, but you really want to see her fucked by someone else. Not just random cheating, more like you want to be in the corner, dick hard, watching some stranger push his cock inside your wife while she moans your name and his name and probably forgets both. The game doesn’t rush to the heavy stuff. It makes you sit with that shitty guilty feeling first, with you fumbling through texts, porn tabs on your phone, trying not to think about how much it turns you on when you imagine her getting used like a toy. Then it starts letting you push, a little at a time. A small dirty suggestion. A question that feels like it will break everything. And yeah, you really can fuck it up if you press too hard or too early, which I learned when she went quiet and that little cat-ear sprite folded down in this way that made me actually feel like trash.

The hot parts hit different because of that. When she finally starts to play along, it’s not just generic “big boobs bouncing” and “catgirl goes nyan while sucking cock”. She teases you. There’s this one early scene where she’s sitting on the couch in just an oversized shirt, no panties, tail flicking, acting innocent while she asks you what you really want to see. You can stay coward, dodge the question, or just admit you want her to get fucked by another guy. If you confess, she doesn’t jump straight to “okay, let’s do a gangbang”. She asks you things like “you want to see his cum all over my tits?” or “what if he fucks my throat until I gag and you’re not allowed to touch me?” and the way the text is timed feels like she’s whispering in your ear, not reading a script. Later on, when the group stuff starts happening, it gets messy in a very specific way: hands everywhere, fingers grabbing her big boobs, guys playing with her nipples, someone pulling her hair while another nekogirl leans down and licks cum off her skin, like that casual monster girl cameo that just slips in and then suddenly you’re watching your goth catwife share a dick with a horny furry girl like it’s no big deal. There’s a scene where she’s doing a slow titfuck on some tall dude while you sit on the floor, jerk yourself with a toy clamped on your balls, and all she does is occasionally look down at you and smile like she’s the queen of the room and you’re just the mascot. It’s cruel and stupidly hot.

What I liked most is how the game keeps mixing sweet and fucked up. One moment she’s on her knees between a stranger’s legs, drool on her chin, oral sex looking sloppy and desperate, eyeliner smeared, and she pauses just to send you a little selfie on your in-game phone, like “hey honey, thinking of you” while her mouth is still full of cock. There’s this tiny chat feature that pops now and then, and if you poke at it, you can nudge scenes toward softer cuckold vibes or straight-up degradation, like she’ll ask if you want her to tell the guy you’re small, or if she should tell him you’re the one who begged for all this. The game is not shy with race stuff either, it throws in an interracial scene where Katherine is sandwiched between a big guy behind her going deep in her pussy and another one in front using her mouth, and the CG makes her look completely overwhelmed, body language screaming “too much” while her text box is just full of hearts and moans. It brushes past swinging too, where you’re technically allowed to touch someone else, but it’s so obvious the focus is still on watching your own wife get turned into the main toy of the group. There are toys, collars, restraints, and a few light femdom moments where she pins you down, rides you lazy, then tells you she’s already sore from the others so you better not make her do any work. I kinda wish there was an option to say no and still keep her, but the game is clearly here for people who like that sick taste of jealousy in the back of their throat. At one point I spent like ten minutes just staring at the way her tail wrapped around her own thigh during a vaginal sex animation where she’s riding another guy and you’re just there touching yourself because for some reason that stupid tail detail felt more intimate than all the moaning. The mobile layout works fine, by the way, ran it in Chrome on my phone while pretending to answer work emails, though the text box is sometimes a bit cramped and it annoyed me more than it should. Anyway, it’s a messy, horny, kind of mean little story about a guy who loves his catgirl wife so much he lets everybody else have a turn, and somehow that makes him feel closer to her instead of further, which is either beautiful or fucked up or both, I still haven’t decided.

Sylvara is fucked. Not in the poetic way. In the goblins-actually-run-the-place way, with their stink everywhere and those weird pheromone clouds that make everyone way too horny to think straight. You’re not some faceless hero here, you’re stuck in the skin of these three elf girls, Lea, Valya and Anneli, trying to pretend everything is “normal” while the city slowly turns into a green-skinned playground. The game leans hard into that tension between wanting to fight and wanting to just give in and get railed by the enemy. And because it’s a visual novel style thing, the pacing is slow on purpose: you wake up, decide what to do with the day, and every little choice pushes you closer to escape or closer to goblin breeding stock territory, sometimes both at the same time, which is honestly the main kink here.

What sold me isn’t even the sex at first, it’s the way the daily routine feels like it’s constantly humming in your ears. You’ve got tasks that are boring on paper, like helping in some supply room or going to “train”, but the game sneaks filth into it. One morning I sent Lea “just to gather information” in a tavern corner, and the sound layering there is wild. In the background, you have this sticky low murmur of goblin grunts, mugs slamming, chairs scraping on stone, and under that, some faint wet noise from a side room. Nothing on screen shows it, but your brain connects it instantly. That kind of sound hint is way hotter than showing every hole filled. Then when she accidentally brushes against a goblin guard, there’s this little sucking cloth sound as his hand grabs her ass, plus her tiny breath catching in the mic, just a half gasp, not some anime squeal. It feels dirty, like you’re listening from behind a door, not sitting in front of a PC with headphones.

Sex scenes themselves get pretty brutal, in a good way for this genre. There’s one where Valya gets cornered in a storage cellar after trying to steal some key item. The wood creaks when he pins her against the crates, you can hear little glass bottles rattling each time he slams into her. Her voice goes from stubborn, almost annoyed, to this broken, fucked-out stutter when the pheromones kick in. The goblin voices aren’t generic growls either; they’re nasal and taunting, with these wet lip smacks that made me actually pull one earcup off like, “ok that’s a bit too real.” I wish the footsteps on stone had more bass, that part feels weirdly light, but everything around the penetration is heavy and sticky and loud in that porn-audio way that’s hard to pull off without sounding fake. Here they ride the edge nicely. A few moans loop a bit too obvious after a while, you’ll start hearing the same “nhh!” in your sleep, but by the time you notice you’re already clicking “continue” just to hear how far they’ll humiliate her next time. There’s one quiet moment, after a long session, where Anneli just sits there breathing, no music, just a little trembling inhale and the gross slick sound of goblin cum dripping to the floor. That’s when I realized the game understands something most devs forget: silence is also a sound, and here it’s filthy as hell.

This one hits like a fucked up Valentine’s card somebody dipped in blood and spit on. Oridelle is not a “heroine,” she is a girl who died, got dragged back, and now thinks the only reason she exists is to suck off the guy who saved her. That’s the whole emotional center of the game: her on her knees, him on the throne, and you sitting there clicking through that sick loop of “thank you for saving me, please use me again.” It feels almost too intimate sometimes, like reading someone’s horny therapy diary that got infected by a horror manga. The tone flips a lot. One minute she is this soft, almost cute corpse-girl whispering how grateful she is, and three lines later she is giggling like a brain-poisoned bimbo about how her mouth is “perfect for him” and nothing else matters. It is erotic, yeah, but there is this rotten taste under it, like you bit into candy and it was raw meat.

The horror wraps itself around the sex instead of fighting it. Every time she drags herself back to that coffin, body resetting, clothes fixing, face going back to the “normal” Oridelle, it feels like watching a save file overwrite a human being. She goes out, gets broken a little more, comes back, looks the same. Inside she is not the same. You can feel the split getting wider, her real self trapped under this shiny, porn-brain alter ego that thinks being his perfect cocksleeve is holy work. Some scenes are almost boring in how focused they are on his dick and her mouth, and then suddenly one line pops where she begs him to call her by a name he gave her, not her own, and it hits harder than the actual blowjob. The game keeps telling you, quietly, that she is already dead, just not all at once. And still you keep clicking, because the pacing is like a slow, dripping faucet you kind of hate but keep staring at. Sometimes the writing leans too hard into “bimbo talk” and loses that fragile, tragic vibe I liked at the start, but then there is a moment where she hesitates before opening her lips and it all comes back. I wish there was a way to pull her out, to give her a route where she looks at him and says “no,” but the whole point is that she will not. She crawls back, every time, happy to be used, proud of how empty she can become for him, and that is what makes the whole thing stay in your head after you close the tab and pretend you are just going to check Twitter.