Death in this game feels almost like a dumb joke. One moment you’re gone, next moment some higher power tosses you back into the city like “here, go clean up horny ghosts now.” You’re not a hero, you’re more like a half-confused exorcist with a dirty mind, wandering around dirty streets and creepy apartments where every shadow might be a spirit or just a girl with tits that look like they’re breaking the fabric of her bra. It’s that kind of mix: cheap horror vibes, lots of soft colored lights, then suddenly there’s a MILF ghost asking if you’re here to banish her or “take responsibility” for waking her up. And honestly, you kinda want to do both. The whole thing plays out like an ecchi anime someone forgot to censor, with a bit of cheap cartoon style humor where even the scariest curses somehow end with you face-first in some big ass or with a hand up a shirt you probably shouldn’t be touching.

The story jumps around in a funny way. One moment you chase a curse to some old building, expecting some Ring-style crawly nightmare, and instead you bump into a tsundere waifu ghost that calls you an idiot for messing up the ritual while her gigantic boobs are literally clipping through her shirt. You talk, pick some choices, mess up a line, she gets pissed, and then somehow that leads to her pinning you against the wall and “absorbing your spiritual energy” with her mouth in a way that is absolutely not PG. There’s one scene in a tiny bathroom where the light flickers and the mirror starts bleeding, and out comes this shy specter girl with huge eyes and even huger tits, trembling like she’s actually scared of you, and when you purify her, the game flips it into this incredibly tender blowjob scene. It’s kind of sweet and fucked up at the same time. And then there’s a milf neighbor who’s not even dead, just “cursed,” walking around in a robe that never closes properly, and the game keeps giving you camera angles that stare right at her cleavage, like it’s reminding you every ten seconds that you’re not here for the plot.

What I liked is how it doesn’t pretend to be classy. Some scenes are just straight-up porn: you’re grinding this big-thighed ghost over a ritual circle while sigils glow under her ass, and she moans about how the curse is leaving her body while your dick is clearly the only exorcism tool being used. It’s stupid and hot. There’s one alley scene where a demon girl bends you over spiritually, and the choices you made before actually change her dialogue and how rough she goes, which caught me off guard because I thought it would be just click-next-to-cum. On the other hand, some “romantic” paths feel rushed like the dev got horny and stopped writing halfway, so you go from awkward small talk to full anal in maybe three lines of text, no buildup, just “okay, clothes off.” The text sometimes reads like it was written half on coffee, half on horny brain, with weird jokes that made me laugh just because they were so dumb, like a ghost calling your dick “holy staff.” And the game loves big tits so much it basically forgets asses exist, except for two or three scenes where the camera finally goes behind and you’re like: damn, where was this angle the whole time. Music is that chill loop you forget is there, which is good because you’ll be tabbing out to Telegram or watching something on YouTube between scenes, then suddenly there’s a haunted school stairwell and a busty spirit in a half-ripped uniform asking if you’re brave enough to “finish what she couldn’t in life,” and of course you pick the most degenerate option just to see how far it goes. It kind of feels like opening a cursed doujin and then realizing it reacts to the stupid choices you make, and by the time you’re balls-deep in another “purification ritual,” you’re not even thinking about ghosts anymore, just hoping the next girl moans louder and the dev remembers to add more positions this time.

New apartment, new life, and then you meet her. Sayaka. That insanely pretty neighbor with huge tits barely fitting in her casual house clothes, soft smile like some sweet aunt, but the way she looks at you is absolutely not family friendly. The game throws you into that lazy, cozy everyday vibe: thin walls, smell of home cooking, quiet hallway, and this one older woman who always happens to be around when you need something. She brings you food, checks if you ate, teases you about being a “growing young man,” leans over just a little too much when she sets the plate down. Very “nice neighbor lady” on the surface, but every line she drops is loaded. You see it, she knows you see it, and the fun is in pretending it is innocent for way too long.

What I like is how the erotic stuff grows from normal situations. You are just helping her carry grocery bags, and suddenly her huge ass is right in your face on the stairs, tight skirt riding up, and she actually notices your stare, pauses a second, does nothing about it, continues walking like this is fine. Or she invites you for tea and cake, sits a bit too close on the couch, thighs touching, her boobs pressing against your arm when she laughs at her own stupid joke. The humor is very simple, very horny, sometimes even kind of dumb, but it fits her. She acts like a caring mom type, but then she slips in a line like “You must have a lot of… energy at your age, right? You relieve it properly?” and just sips tea while you choke on yours. The whole game is basically that slow burning teasing until it completely loses any “neighborly” mask and becomes straight hentai fantasy. One minute she is adjusting your shirt collar, the next she is guiding your hand under her top and whispering “It’s okay, I’m lonely too” in your ear while you try not to cum in your pants. It is sweet, it is filthy, sometimes it is too cheesy, and then it circles back into hot again before you even decide if you are laughing or jerking.

Corrupt My Harem feels like watching a horny ethics lecture get slowly possessed by a demon and then deciding, ok fine, maybe consent is a bit… bendy tonight. You play this pretty standard anime boy who suddenly has access to dark magic that can poke around in people’s feelings, twist their shame, blow up their desire, and basically push them toward you. Not with subtle romance, more like “what if I slide a little corruption into that nice girl’s heart and see how fast she starts imagining choking and public sex.” That kind of vibe. The story pretends to ask things like “is this wrong?” but in practice it mostly asks “how far can we push this girl until she breaks in a hot way?” and then you click the darker option and, surprise, it actually goes there. As a gender studies person I should say “this is morally troubling” and yeah, it absolutely is, but also I still clicked the nasty choices first every time and then sat there staring at the screen like: alright, I’m the problem.

The fun part isn’t really the demon itself, it’s how the women slide down that corrupted slope. Early scenes are pretty soft: slightly naughty flirting, underwear shots, some teasing about being “too innocent.” You prod their emotions a bit, make them feel safe, or jealous, or curious, and then the script starts turning that into kinks. There is a really sharp moment where one girl is obviously uncomfortable, but you use the power to tweak her guilt into arousal and suddenly she is moaning while calling herself a slut and begging you not to stop. It’s fucked up, and the game knows it’s fucked up, but it does not pump the brakes. The harem angle is shameless: you are not building equal partners, you are stacking pretty toys around you and rewiring them until they feel lucky to be used. Sometimes it pretends to be a romance, with lines about “belonging to each other,” then five clicks later she is kneeling, crying from pleasure, thanking you for ruining her. That jump is wild, and kind of the whole point. I wish one route actually let a girl resist properly and stay resistant, but of course that would kill the fantasy, so it never really happens. The closest you get is temporary pushback before they melt into your hand again. Literally and metaphorically.

From a gender theory angle it is like a crash course in how power and desire tangle, just with a lot more cum. You’re not seducing, you’re hacking the emotional OS. The text leans hard on ideas like “she always wanted this deep down,” which is basically the classic porn excuse for non-consensual vibes, and it made me roll my eyes, then keep reading, then masturbate, then open Twitter and complain about patriarchy. I like how the corruption is emotional first and sexual second: jealousy, insecurity, need for approval, all inflated until they shift into exhibitionism, submission, even enjoying being shared. There is a scene where you dial up a girl’s fear of being abandoned so much that she offers her body to keep you, and the writing lingers on her shaking hands and wet thighs in a way that is almost cruel. It never really gives women a political voice, but it does give them a lot of sexual voice: they talk dirty, confess their fantasies, beg for more, describe what they feel in their bodies. It is still your fantasy, not theirs, but at least it lets them be loud and messy, not just silent dolls. I kind of hate how much that works on me. Also, tiny note that annoyed me: breasts get way more narrative attention than any other body part, to the point that one intense corruption scene almost gets derailed because the text can’t stop talking about nipples. I was like, yes, I get it, they’re hard, can we go back to her mind collapsing, please. Anyway, if you’re looking for soft, balanced, mutual romance, this is the wrong address. If you want to see “harem” turned into a laboratory for controlling desire, with demons as your research grant, it hits that fantasy embarrassingly well.

Eddie and Rachel look like that normal anime couple you scroll past on Instagram reels and think, “yeah, they’re fine, next.” Then the game quietly takes that “fine” and just grinds it into horny dust while you sit there, phone in hand, feeling way too involved for someone who technically isn’t even in the story. It’s a kinetic visual novel, so no menu maze, no stat grinding, no “good husband route if you say the right thing” safety net. You’re basically trapped in the passenger seat watching this dude’s life spiral while his wife slowly slips out of his reach, text by text, pic by pic, call by call. There’s something really nasty and kind of addictive about how normal it all starts: money problems, job gone to hell, loans that look familiar if you ever opened your banking app and just stared at the numbers like they’re a joke. Eddie’s trying to keep his job, trying to make the boss happy, trying to handle his dick failing him from stress, and Rachel’s trying to help, trying to bring cash, trying to stay that supportive wife… until the “trying” turns into late replies, camera angles that are just a bit too flattering, and clothes that are “for interviews” but you can tell they’re chosen to impress very specific eyes that are not yours.

Most of the tension lives in the phone. If you ever sunk too much time into WhatsApp or Discord drama, this hits way too close. Notifications feel like traps. You read Eddie scrolling, you see Rachel’s messages, and the timing of everything is just cruel. There’s that familiar teasing flavor where she’s still sweet, still calling him “hun” or whatever, but a random selfie has a bra that wasn’t there before, or a skirt that rides a little higher, and the background has some dude’s office in it. You’re not told directly, “hey, this is corruption now.” It’s more like you’re stuck doomscrolling the slow-motion cheating arc of your own relationship, except here you’re safe and also rock hard, which is messed up but that’s the point. The voyeur angle is strong, too. You’re not in the room while she’s touching herself, but you see the proof after. You don’t watch Eddie’s boss eye-fuck his wife in real time, but the CGs and the way the chat logs line up give your brain enough to fill the blanks on its own. At some point she’s not just helping with bills anymore; she’s “helping” in ways that clearly have nothing to do with loan interest, and everything to do with how far she’ll let them push her, and how far you’re willing to keep watching her fall. The wild part is how the romance never fully disappears. There are moments where you can tell she still loves him, still cares, even while she’s sending off pictures she would never have shared before, masturbating with someone else on call, or letting another guy “help her relax” because Eddie’s too worn out and too soft. It’s filthy, it’s cruel, it’s sad in a way that sits right next to horny instead of killing it, and the game never pauses to ask if you’re okay with that. It just keeps moving, like a group chat you know you should mute, but you sit there, staring at the screen, waiting for the next message anyway.

You wake up on this flying steel hotel called HMS Yuritopia, officially as “new fighter pilot”, unofficially as “dude dropped into a horny anime base”. The whole thing has this weird mood where half your brain is going “ok, we have mission briefings and air combat to worry about” and the other half is looking at the Seraph Squadron girls in their tight uniforms and thinking about literally anything except safety protocols. It starts pretty tame, just chatter in the hangar, some teasing, a bit of MC awkwardness, you picking dialogue options and trying not to sound like a complete idiot. Then very quietly the game puts your dick on a rails and goes, yeah, this is about sex, romance, and also jets, try to keep up.

What I like is how it doesn’t shove you straight into porn from line one. You flirt, you pick sides, you piss someone off by choosing the “cool” answer that actually lands as cringe, and the game remembers it. One scene you’re in the cockpit, comms crackling, adrenaline going nuts while you chase bogeys over some nameless ocean, and then later you’re in the locker room with one of the girls, the air still buzzing from the mission, her boots half unlaced, her flight suit hanging loose from her waist. She lifts her foot onto the bench, starts smirking down at you, and suddenly you’re on your knees, cheek pressed to her thigh, tasting sweat and soap while she rubs her toes along your lips like she owns your mouth. She doesn’t even need to say “good dog”, you feel it. The game loves that kind of power imbalance, like constant little reminders that yeah, you’re the pilot, but they’re the real aces here, especially when it comes to your body.

At some point you end up in this semi-private observation deck, glass all around, stars and clouds outside, and one of them decides to use you as her stress relief. She sits on your face while the ship hums around you, legs clamped tight, voice dripping trash talk. She calls you pathetic in one line and then fingers your hair in the next, sighs like she’s actually proud you know how to use your tongue. You can feel her heels against your back, pressing, like she’s pinning you there so you don’t even think about breathing before she’s finished. Later, another route, you’re in her cabin, lights low, she makes you sit on the floor between her knees while she lazily strokes you with one hand and pats your head with the other, talking in that soft pilot briefing tone about how “a good subordinate obeys every order”. The handjob is slow and almost painfully controlled, she stops right before you cum just to tilt your chin up with her toes and ask if you deserve it. That’s the kind of mean that sticks in your brain. And then somewhere else, way less dramatic, you’re just in the mess hall, talking shit about loadouts and missions, and two girls are basically flirting with each other over your plate like you’re just background furniture, brushing each other’s fingers, trading little looks, and it’s somehow hotter than the obvious blowjob scene that comes later in the corridors when one of them drags you behind a bulkhead, drops to her knees, and uses you to wipe that smug smile off your face, except it doesn’t work because now you’re the one whimpering against the wall, trying not to make noise while she dribbles spit down your shaft and laughs quietly every time your hips jerk. The whole thing feels like romantic drama and horny barracks gossip got locked together in a cabin, and you’re the idiot who knocked on the door at the worst possible moment.

Guard uniform, shitty fluorescent lights, that stink of sweat and bleach that almost comes through the screen, and then this guy shows up in your block. Artemis. Wrong kind of pretty for a place like that. Soft face, sharp eyes, mouth that looks like it was made to talk back and suck cock, both. The game just throws you into that fucked up mix of power and attraction without a slow intro, which I liked. You’re already in the role, already the one with the keys, but somehow he feels scarier than the whole cell block. Not scary like monster, scary like "I know exactly what you want and I’m going to make you admit it." The flirting starts way too early to be healthy, way too late to stop, and every line he drops has that vibe where you can’t tell if he’s actually scared or just acting weak so you’ll push harder. And yeah, it’s mostly reading and choosing, but it doesn’t feel dry, because half the time I was alt-tabbing out of sheer secondhand shame, then going right back in like a horny idiot.

The thing that got me is how the game keeps playing chicken with your morals. You get these choices like "do the professional thing" or "maybe just touch him a bit" and it sounds simple, but the writing keeps nudging you, poking at your curiosity, making the “nice” options feel kind of fake. At some point I realised I was picking the worse path just to see how far the dev will go, and it does go pretty far into fucked territory. There is that whole predator vs prey dance, but it flips. You start as the guard, the big man with the baton, but Artemis knows how to tilt his head just a little, sit on the bunk in that half-feminine pose, open his legs too wide, make you aware how easy it would be to hurt him and how much he kind of wants you to. Or pretends to. Hard to tell. That tension is the hot part, not even the actual explicit bits, though those are written with enough dirty detail that I had to stop reading on my phone in public transport after one very specific line about making him kneel on the cold floor of the cell. The world is cruel, the prison is worse, but the horny brain prevails.

It’s pretty dark without the game patting you on the head about it. No big speech about trauma, just little details: the way he flinches when you move too fast, the way other guards talk about inmates like meat, offhand comments about what happens in the showers. It’s messy, morally and sexually, like one of those old yaoi fanfics on LiveJournal that half of us cut our teeth on, only a bit more grown up and kinda meaner. Artemis is that type: slight, almost fragile, but with enough lip to make you want to shut him up by grabbing his neck. He’ll tease you, call you "officer" with this tiny smirk, then suddenly there is this one line where he sounds genuinely terrified and it punches you right in the gut while you still have a hard-on. The choices make you complicit. You can try to be the good guy, but the text never lets you feel clean, and honestly that’s why it sticks. Sex here is power, manipulation, pity, and actual lust all tangled together, not separated into nice categories. If you like your gay prison fantasies soft and wholesome, this is not that. If you always wondered how far a bored, lonely guard might go with a dangerous little femboy inmate who knows exactly what card to play, this thing crawls under your skin, rubs up against every bad impulse, and waits to see which button you press next.

There’s this weird feeling when you boot this one up, like opening the wrong chat in Discord and realizing “oh shit, that’s the horny channel” but you just keep scrolling anyway. At first it tricks you with that comfy anime slice of life mood, all soft lighting and school corridors and the classic “tired office worker gets yeeted back to his hometown” setup. You’re this guy Sora, suddenly thrown into being a teacher at an all-girls academy in Itsuten-ku, and yeah, it sounds like every generic eroge ever written. Then the game starts talking about parasites on your back, ghosts of your past, and you’re like, alright, this isn’t just about picking which cute girl brings you lunch. The town looks nice, the school looks normal, everyone is a little too friendly, and the whole thing feels like the Calm app right before someone rips open a body bag in a horror movie. The girls are hot, but they’re also… off, in that “smiling a bit too long” way. One second you’re choosing between tutoring the shy bookworm alone in the library or staying after class with the smug honor student who clearly wants you to notice her thighs, and the next the dialogue takes a hard left into trauma, self-loathing, and shit you’d usually try to forget with a Pornhub tab and some music on Spotify.

What I really liked, and hated, and liked again, is how horny and uncomfortable it is at the same time. You get all the classic eroge stuff: accidental boob grabs, panties framed a little too perfectly when someone trips, that one girl who leans in too close during “private lessons” and pretends it’s innocent. There’s a scene where you finally get a moment of peace in your tiny apartment, smelling that lavender thing they keep talking about, petting your mystery dog that shows up like some emotional support mascot, and the whole atmosphere goes quiet. Then a phone call from home drops in and drags you straight back into this heavy psychological shit about your sister and the town and what you ran away from. It hits weirdly hard for a game where you can, ten minutes later, be stuck in the nurse’s office while a flirty student sits on the edge of the bed a little too close, asking why you’re trembling. Sometimes the erotic scenes feel like they’re trying to smother the horror, and sometimes the horror crawls right back under the sex and makes it feel way too intimate, like you’re not just fucking, you’re peeling people open. The routes push you to pick favorites, to romance these girls, but half the time you’re not even sure if you’re helping them or just digging deeper into their broken parts because it turns you on. It’s kind of messy, kind of brilliant, kind of trashy, and the game absolutely knows it. You go in for the cute schoolgirls, you stay because the city itself feels like an ex that still knows how to choke you by just saying your name.

Akira is the kind of walking disaster protagonist I like: dude’s broken, horny, and way too easy to manipulate. His girl Yuki died in a car crash, and he’s stuck in that grief spiral where your brain mixes sex and pain until it feels the same. Then he ends up at this creepy Kagetsu mansion with his hot professor Akane, who has that strict academic vibe that screams “I grade your papers and your stamina.” The place looks dead, rotten, like nobody has lived there in forever. But when Akira sleeps, the whole thing flips. Suddenly the mansion is alive and pretty again, servants walking around, warm lights, soft carpets, all that fake safety feeling. And in that dream version, there’s Sayuri, the elegant hostess who talks like she knows every dirty thought you had at puberty, her obedient maid Mizuki, and her daughter Momiji who is way too sweet in a place that smells like a curse. Oh, and Yuki. Back from the dead. Smiling. Breathing. Moaning. Not rotting. You feel it right away: this place is wrong as fuck, but in a way your dick is very okay with.

The fun thing is how the game makes you sit in Akira’s messed up head. One scene he’s holding Yuki, absolutely convinced this is his second chance, clinging to her like she’ll vanish if he blinks. Next scene he’s in the real ruined mansion, sweating, mind full of weird whispers and flashes of Sayuri’s eyes looking at him like he’s already owned. The erotic bits hit harder because they’re tangled with guilt: when Yuki is on top of him, begging him not to leave her again, you almost forget there’s something rotten behind her smile. Then the game undercuts it with small details, like the way the wallpaper pattern twitches at the corner of the screen, or how her voice overlaps with another woman’s for half a line. It’s not jumpscare horror, more that slow “why is my boner making me feel unsafe” vibe. There are routes, choices, all that usual visual novel stuff, but the nice part is how it likes to tease you with the “good” path where you can save Yuki, then quietly push you closer to this fucked up god in the mansion that clearly wants more than just your soul. Sometimes the pacing drags and a scene talks in circles, but then suddenly you get a moment like Mizuki kneeling in the hallway, collar on, reciting some ritual text while her hands shake, and it hooks you right back into that mix of ritual, sex, and fear. By the time you notice that every “comfort” scene is just another chain around Akira’s neck, you already picked the choice that tightens it.

War in this game doesn’t feel clean at all. Everything is humming, buzzing, a little wrong, like the whole space station is breathing slow and wet around you. You’re tossed into Alexis’ head right after this lunar mess, and the world around him is all hard metal, cold corridors, alarms that whine in the background while the camera just lingers too long on another guy’s neck, his jaw, the way sweat slides down under the collar of a uniform that’s clearly one size too tight on purpose. It’s funny, because the story pretends to care about strategy meetings and patrol routes and alien intel, but the real action is in those tiny pauses when Osman leans a bit too close, when Evan’s voice drops for no reason, when Leon looks like he wants to punch a wall or kiss it. There’s this low constant echo in the sound design, just a little reverb on footsteps and doors, and somehow it makes every quiet conversation feel like it’s happening in a hidden corner where you’re not supposed to be, but you stay, because of course you stay.

First time you get Alexis alone in the barracks, the game lets you click around useless shit, like his datapad, the locker, the stupid little plant that somehow survived an alien invasion. I spent way too long poking that plant. It wiggles in this pathetic way and doesn’t matter at all, but I kept expecting it to do something horny. It never does. Anyway, the real heat starts when Osman shows up with that lazy grin and sits on the edge of the bed, and the music just drops to this slow, pulsing beat that feels like it’s syncing with your pulse… or lower. There’s no silly fade out when things get explicit. You actually hear belts, zippers, the soft thud of bodies against the mattress, the little breath Alexis sucks in when fingers go somewhere new. The choices here aren’t explained much. You get lines like “Push him further” or “Hold back” and you’re just thrown into it. Sometimes the “gentle” option leads to Alexis getting his throat fucked rough, and the “aggressive” one just turns into a desperate cuddle against a bulkhead after a mission. That messy, not-quite-logical reaction of the game feels actually honest, like sex after trauma isn’t neat or predictable, it’s all over the place.

The sci-fi side is weirdly intimate too. You’re on this ship in the middle of nowhere, “protecting mankind”, but really you’re just watching horny soldiers try to forget everything for a while. A briefing room scene with Leon starts as a boring report about alien movements, then your choice to “reassure him” ends with his hand on your throat, pushing you back into the commander’s chair, the big holographic map of the war flickering calmly while he grinds against you, still half in uniform, half undone, like the galaxy can wait while he ruts. Later with Evan, you’re supposed to be calibrating some scanner, but the game keeps letting your eyes drift down to his crotch, his tailbone, the hint of muscle under the suit. The interface even tilts a bit, like Alexis is losing focus. There’s this one shot where the window shows the dark of space, a slow blue flare of some distant thing, and in front of it you just see their silhouettes, one guy on his knees, the other bracing against the console, sounds of sloppy head mixing with the quiet hum of the ship. It’s hot, but also kind of sad, and then suddenly it’s funny again because a random alert pops and you both have to scramble, dripping, to act like nothing happened. It’s clumsy, horny, sometimes too slow, sometimes it rushes you right into a scene where you’re pressed between two bodies and a cold wall, and none of it feels polished. Which is exactly why it sticks in your mind when you close the browser and realize you still hear that low ship hum in your ears, together with the little broken noises Alexis makes when someone finally pushes him way past what he thought he wanted.