Elizabeth’s life is already fucked before you even click “next”. Twenty five years married, kids, the whole “good wife” mask, and in like two scenes it all goes straight to hell when Carl lands in jail and the bills start breathing down her neck. The game doesn’t waste time pretending this is a fairy tale. It just throws her into this constant low-key panic where every choice you make feels like, “Ok, who’s she gonna disappoint now, herself or her family?” And yeah, while you’re trying to keep the electricity on, the camera is taking its sweet time on her body. She’s got that thick, soft, very-much-a-mom kind of figure, big tits pushing against too-tight blouses, curves that scream “I don’t go to the gym but somehow I look better than girls who do,” and you feel dirty as hell watching her bend over to pick something up while her son is literally in the next room. It’s got this whole voyeur thing going, like you’re catching all these moments she would never admit to anyone, especially not herself.

What I liked is that the lewd stuff doesn’t just jump out of nowhere. You’ll be going through some boring money talk, listening to her worry about debts, and then suddenly the guy she’s talking to is standing just a bit too close, his hand a bit too low on her back, your cursor hovering over that “let it slide” option just a little too long. And if you choose the horny route, the game really leans into it. There’s groping that feels wrong in that “I should look away but I won’t” kind of way, scenes where she pretends to resist for like five seconds and then melts when fingers slip under her skirt, or when she ends up on her knees trying to “thank” someone for helping with a loan, and the camera just sits there on her lips, spit, that messy eye contact. But the best part is how it knows you’re a creep. Half the time you’re seeing things through half-open doors, bathroom mirrors, cracked bedroom doors. You’ll catch her touching herself quietly after a long day, trying not to make noise because her daughter might wake up, or you’ll watch her change clothes while someone else in the house is clearly awake, and you just sit there like some invisible perv that the game is absolutely enabling. It pretends to be about hard choices and survival and all that, but most of the time, you’re really waiting for the next chance to push her one step further over that line she swears she’ll never cross.

Mike's got one year left before graduation and honestly, the pressure's getting to him. You know how it is - final year stress, college applications, all that shit. But here's the thing that makes his situation way more complicated than your average high school senior: he's living under the same roof as three absolutely gorgeous women who seem determined to drive him completely insane.

The whole setup starts innocent enough, right? Just a guy trying to survive his last year while dealing with typical teenage problems. But then you realize these aren't just any women - we're talking serious eye candy with curves in all the right places. The game doesn't waste time with complex mechanics or confusing sandbox bullshit. It's pure visual novel goodness where your choices actually matter. You pick who Mike talks to, how he handles those awkward morning encounters in the hallway, whether he's brave enough to make a move or just stands there like an idiot. And trust me, some of these decisions will have you sweating more than Mike himself.

What really gets me hooked is how the tension builds up. These women aren't just background decoration - they've got their own personalities, their own reasons for being around, and damn if they don't know exactly how to get under Mike's skin. The teasing is relentless, whether it's catching glimpses of something he shouldn't see or those loaded conversations that could go anywhere. You're constantly wondering if Mike's gonna crack under the pressure or finally grow a pair and do something about his situation. The art style captures every blush, every stolen glance, every moment where the air gets thick with possibility. By the time you're deep into the story, you'll be just as worked up as Mike, making choices that feel way too real for comfort.

Grief, horny thoughts and shitty autocorrect, that’s the basic vibe here. You sit in the skin of this older dad who suddenly has way too much free time because his only kid, Lidia, just flew off to some fancy university abroad. No more daily breakfast talks, no more nagging about homework, just a quiet house and a buzzing phone. The whole thing runs on text chats and little phone events, so you’re basically stalking your own daughter’s new life through WhatsApp-style messages and those fake notification popups that make you check your real phone like an idiot. At first it’s all cute and innocent: “Dad, I got lost on campus lol,” “Look at my dorm room,” typical teen stuff. You play the supportive, slightly awkward father, send her dumb stickers, give her clumsy advice about laundry and meeting new people. And then the conversations start drifting. Slowly. Painfully slow, in that “wait, did she just tease me or am I sick” kind of way.

There’s this moment pretty early where she accidentally sends you a selfie that is way too thirsty to be “for dad.” You can pretend you didn’t notice, or you can poke at it. The game totally lets you be that responsible parent who shuts it down, but of course the fun path is when you don’t. You joke back, she jokes harder, and suddenly the banter gets flirty in a way that would get your ass banned from most Discord servers. It’s kind of messed up, because the more lonely she feels at uni, the more clingy and playful she gets on the phone. She tells you about cute guys in her class, about some older professor that gives her looks, about drunk parties and how she “accidentally” forgot her bra. Then she sends voice notes about how no one understands her like you. Then she sends a pic where her top just “slipped.” You give “support,” she gives nudes. Fair trade, right? The game leans hard into that slow corruption thing: at first it’s fatherly pep talks, a bit of romance roleplay as a joke, then late-night sexting where she’s literally typing with one hand and telling you exactly when she’s about to cum. There’s a route where she starts asking you how to “handle” older men, and the way she phrases it makes it pretty clear she’s imagining you, not them. When she finally sends the first straight-up explicit shot, with cum dripping down her thigh, she frames it like she wants “advice” if she did it right. Like she’s submitting homework to daddy. You get that hit of “oh fuck this is wrong” and then you tap the next choice anyway. The dad’s side is not just horny either. You get these little details, like him scrolling through old photos of his dead wife while Lidia is live-texting him about how needy she feels. Sometimes he literally flips between an old family pic and a fresh shot of her tits, and your dialogue choice decides if he focuses on guilt or lust. The humor is dirty and kinda mean too, with her calling you a dilf in one branch and then playing it off as “haha just TikTok slang.” The teasing is constant: read receipts, typing indicators that stop and vanish, half-finished messages like “Sometimes I wish you were here to…” and then she deletes it and sends some safer line. The game knows exactly how to bait you. There are scenes where she’s in her dorm bed after a shitty day, crying in voice, and you can either comfort her like a normal parent, or gently nudge it into romantic territory, and both feel wrong in different ways. When she finally asks you to stay on the phone while she touches herself, whispering “pretend you’re here with me,” it hits that nasty sweet spot between romance and total taboo. Text based, yeah, but some of those one-line messages feel filthier than a whole CGI porn movie. And the worst part? The game lets you be genuinely caring, even protective, right in the middle of making her describe where your imaginary cum lands on her face. You’re basically roleplaying emotional support and perverted fantasy in the same breath, and the writing is just good enough that you kinda forget how fucked that actually is.

Michelle looks like the girl in your office who always leaves at exactly 5, hair perfect, life probably on rails. Except here she is in sweaty, neon Hong Kong streets in 1986, slowly losing her grip on that “good daughter, good employee” mask because one tiny, stubborn, chain-smoking woman named Sam keeps flirting with her in ways that are way too gentle to ignore and way too dirty to be innocent. The game starts pretty tame, all long bus rides, quiet apartment scenes, small talk about movies and clothes, but the whole time the camera lingers on thighs under skirts, fingers brushing on handrails, the little hesitation when Michelle looks at Sam’s mouth while they share a drink. It’s a slow, frustrating kind of heat, like when you’re stuck on Zoom meetings and sexting on Telegram on the side, except here it’s cassette tapes and payphones and cramped bedrooms with thin walls and parents one room away. The erotic stuff doesn’t explode in your face with instant porn. It creeps in. One kiss in a dark cinema where Michelle is stiff at first, almost scared, then you see her lips part, her hands tremble, and you can almost hear her swallow before she gives in and pulls Sam closer. Tongues, teeth, that wet sound, and she keeps her eyes half open like she still cannot believe she is letting another woman taste her like that.

When it finally goes past kissing, it hits like someone yanked the curtain down. You get these long, quiet scenes on a bed where the sheets are a bit messy, clothes half off, bras sliding down arms, Michelle trying to cover herself at first and Sam just laughing low and kissing every bit she tries to hide. There is a moment where Sam goes down on her, and it’s not some porn-speed blowjob logic. It is slow and almost awkward, Michelle gripping the bedsheet because she does not even have the words in her own language for what is happening between her legs. The text describes every tiny reaction, how her thighs twitch, how she tries to keep her voice down because her mother could walk past the door, how her hips start grinding against Sam’s mouth anyway, shame turning into this fucked up relief. You can tell the writers actually understand how it feels when you are eating pussy like you care about the person, not like you are checking off positions. There are pauses, deep breaths, a little laugh from Sam when Michelle whimpers a bit too loudly, and then she doubles down, tongue and lips and fingers working together until Michelle is shaking so hard she almost pushes her away. That first orgasm is not “perfect”, it feels real, messy, emotional, like she just broke some rule she has been obeying her whole life.

Under all that sex there is this heavy layer of family and culture pressure that honestly turned me on more than I expected, because the guilt makes everything spicier and more fucked up. Michelle sneaks back home smelling like cigarettes and someone else’s perfume, lies to her mother at the dinner table while still feeling Sam’s fingers inside her if she closes her eyes for a second. There are choices where you can lean into the romance, keep seeing Sam, or try to “fix” yourself and go back to the safe, straight, lonely path everyone expects. Some endings feel like a punch in the gut, some feel like a small rebellion that might not last forever but at least burns hot while it exists. It is a romantic story, yeah, there is sweetness, hand holding, soft kisses, that feeling when you are falling in love and every bus ride feels like a music video, but the game never really lets you forget that this is two women trying to build something intimate and wet and tender inside a world that keeps telling them they are wrong. That clash is what makes the sex scenes hit so hard. When Sam whispers “you’re mine tonight” while Michelle’s family photos are literally watching from the shelf, it feels dirty in the best way, like she is betraying everything for the chance to have her own life, her own pleasure, even if it all goes to hell later.