You slip into this game as the new professor at Beacon and the whole thing feels kind of wrong in a way that makes it hard to stop reading. It’s not shy about what it wants: you, a smug older guy with too much authority, and Ruby, older than in the show but still with that clumsy puppy energy, stuck in your classroom while you slowly bend her into something filthy. The whole thing runs on text, so there is no fancy distraction. Just words hitting you, one after another, like a slow hand creeping up a thigh. The writing starts playful, almost harmless, with dumb jokes and parodies of school rules, and then suddenly you realize you’re several choices deep into blackmailing this girl over one embarrassing incident in the training hall.

There was one scene where you “help” Ruby with her combat stance. It begins like normal tutoring, legs apart, hands on her hips, small corrections. Then the teacher voice in the text softens and turns very personal. The script pays a lot of attention to little sounds: her armor clinking when you press her against the desk, the soft “ah” when you grope a little too high, the tiny wet click when she swallows her nerves along with your threats. No need for audio, you can almost hear it anyway. And when she finally drops to her knees for “extra credit”, the text slows down, sentence by sentence, describing the way she breathes against your cock, the messy saliva strings, the muted gagging. It lingers just long enough to make you feel like a creep, then cracks a joke about grades, like it wants you to laugh at your own corruption. I kinda hated that. And liked it. Then hated that I liked it. The pace is strange like that: some scenes rush right to the good stuff, then later a simple spanking session in your office drags on forever, each smack and whimper stretched out until you feel the heat of her ass on your own palm.

The domination side is not gentle. She starts shy and stubborn, but it doesn’t take long before you’re shoving her face into the desk, pulling her hair while you push inside her, reading her humiliation thoughts in these short, guilty inner monologues. You get moments where she tries to act tough, where the humor pops back up and she cracks a joke while your hand is down her panties, but then one line cuts through, like her realizing she is actually wetter when you insult her. That part stung more than any fictional bruise. The game leans fully into male power fantasy, from groping in crowded halls, to secret anal “lessons” after class, to forcing her to masturbate for you while you just watch and grade her form like it’s homework. Sometimes the text repeats certain actions again and again, like the writer forgot they already described how tight she is, but somehow it fits the sleazy, obsessive tone. It’s messy, too horny to be elegant, full of teasing and rough sex and stupid little asides, like your character complaining about paperwork in the middle of making Ruby choke on him. And yeah, the whole school setting, the blackmail, the way her innocence gets peeled off scene by scene, it all feels like reading a dirty fanfic at 200% intensity, where every new “lesson” is just an excuse to drag her a little deeper into your bed, and her shame sounds louder in your head than any battle in the original show ever did.

Ayumi looks like that quiet girl on the bus you lowkey stare at and then pretend you didn’t, except here she’s a witch, futa, and basically public enemy number one. The whole thing starts with her already in deep shit, hiding in this creepy forest and trying not to get caught and burned, and I like that the game doesn’t baby you with long lore, it just throws you in the middle of her mess. One second you’re checking the trees for monsters, next second some huge-ass busty monster girl with claws is pinning you against a rock and sniffing you like you’re dinner and sex toy at same time. It’s survival but in a really horny, soft-brutal way. You’re trying to keep Ayumi alive, yeah, but also there’s this sick curiosity, like, ok, what happens if I actually lose here? And the game absolutely answers that. Sometimes too well. I opened this in another tab while pretending to type in Excel and instantly regretted not having a second monitor because the first corruption scene is way too obvious if someone walks by.

What caught me off guard is how Ayumi’s whole futa thing is treated. It’s just there. People care way more that she’s a witch than about the big cock between her legs. You get these scenes where she’s shaking from fear while some angry milf inquisitor is threatening to hurt her, and yeah, it’s intense, but at the same time you catch Ayumi getting turned on by it and you’re like girl, same, but also what the hell. There’s a corruption bar that keeps creeping up every time you let someone use her, or she masturbates when she should be hiding, or you pick the flirty option when a monster girl clearly wants to break her. I liked teasing the hell out of a certain tall, smug knight woman, having Ayumi act submissive and clingy in the dialogues, then flipping on a later route and watching Ayumi shove her against a wall and fuck her like some desperate pervert who finally snapped. The harem side grows kind of naturally, too. You start with one “ally” who is basically manipulating her, then suddenly you realize you’re half roleplaying a romance thread, half grooming your own yandere energy. I had Ayumi obsess hard on this one witch hunter with big ass and cruel smile, visiting her in scenes even when it was a bad idea, just because I wanted to see what new way she’d humiliate Ayumi this time.

The sandbox stuff is messy but in a way I kinda like. You wake up in camp, or a ruined church, or some weird forest shrine, and you decide if Ayumi goes gather herbs, sneak into town where everyone hates witches, or “check on” some girl she’s fixated on. I spent way too long just having her stalk the same milf innkeeper, watching the slow shift from awkward virgin energy to straight up sexual harassment. You talk to her, get gently rejected, then come back corrupted a bit more and suddenly your dialogue choices tilt into creepy, touching her hand too long, sniffing, staring at her cleavage, and the game doesn’t stop you. It punishes you later, kind of, but not enough to make you stop. One moment that stuck with me: Ayumi hiding behind barrels, watching two women in the bath, clearly lovers, and you can choose if she just watches and masturbates quietly or uses magic to “nudge” them, make them more rough, more needy, like she’s directing her own porn. I went full perv with the mind screw, and later when she actually meets one of them face to face, the girl acts different, broken in a subtle way, and Ayumi smiles this tiny fucked up smile. It’s hot and also a bit sick. I wish the game let Ayumi go full obsessive yandere faster, but maybe it’s better it teases it slow. If you play, don’t rush the main plot. Linger on the small scenes, the teasing, the failed escapes, the awkward handjobs given in exchange for “protection” that never really protects anything. Always push Ayumi a bit further than you think is safe. That’s where the good shit happens.

Oracle Inside looks innocent when it loads in the browser. Cute island, simple UI, it almost feels like some chill summer adventure VN you’d open on your phone while waiting in a line. Then the pirate ship hits the rocks and suddenly the whole thing turns horny, messy and weird in a way that actually fits the story instead of just throwing tits at your face for no reason. You’re this young farmer guy who’s never seen much of the world, basically raised on potatoes and chores, and in one night he goes from “dad, I’ll feed the chickens” to “why is this barely dressed stranger talking about oracles and magic and also staring at my crotch like it’s part of the prophecy.” It’s not subtle. The game just leans into that awkward “first time touching real skin that isn’t yours” vibe, with the MC trying to act like a hero while clearly thinking with his dick half the time. The humor hits most of the time too: one scene where he tries to give a very serious speech about destiny while hiding a boner behind a bucket actually made me snort-laugh, even if the animation for that bucket clip is hilariously stiff, like someone coded it in a hurry on the bus.

What I liked as a tech nerd is that it actually runs smooth as hell on mobile. I tested it on a mid-range Android (Pixel 6a) in Chrome and on my old iPad using Safari, and it behaved nicer than a lot of “big budget” porn VNs. No random audio desync. Quick saves don’t freak out. Text transitions are fast, no ghosting between scenes, even when you hammer skip to replay that one blowjob scene with the storm still roaring in the background. Touch zones are big enough that you can play with one hand, which the devs absolutely knew. They tease a lot with angles too: partial nudity, wet clothes plastered to bodies after the storm, those little pauses between lines where the camera stays a bit too long on thighs or cleavage. There’s this moment on the beach where the MC is helping a soaked pirate girl out of the water, and the framing keeps “accidentally” cutting her face so you only see lips and chest and the curve of her ass while she jokes about teaching him “more useful hand skills.” It’s cheap, but it works. I just wish the text auto-advance speed slider actually remembered my setting between sessions, but apparently that’s asking for too much from the gods of horny optimization. The whole “oracle” part brings in some light fantasy flavor, a bit of “is this magic or just bullshit to get him naked faster,” and the AI-like prophetic voice that talks in his head at random times is weirdly hot when it starts commenting on his arousal like some pervy inner narrator. And then suddenly the game throws a quiet romantic campfire scene at you, with soft, clumsy kissing, like it remembered it’s supposed to be about feelings too, not just getting the MC’s farming tool wet. It’s chaotic, unpolished, sometimes cringe, sometimes genuinely sweet, and I kind of loved that it never fully decides if it wants to be a horny comedy, a fantasy romance, or just a porn VN pretending to be deeper than it is.

Zeus gets a prophecy, freaks out like always, and throws you into the underworld before you even get to enjoy your first breath. That’s your childhood. Now it’s your eighteenth nameday, and suddenly all the stuff they kept from you hits at once: divinity, lust, raw destructive magic, the kind of power that makes mountains nervous and mortals wet. You’re Thalya, a futa demigoddess with a dick that is honestly treated more like a weapon than a body part, daughter of a titan of love and a war goddess who solves problems with blood and orgasms in equal measure. You’ve been hidden away in the dark, raised on stories about the world you’re not allowed to touch, and now the leash finally snaps. The whole ancient Greek world opens up like a toy box full of temples, monsters, snarky demigods with parent issues, and gods who think they’re untouchable. Spoiler: they’re not. The story just pushes you along, no choices, no fake “morality system”. You’re not here to be a hero. You’re a walking middle finger to Olympus, powered by horny spite and daddy Zeus’ paranoia.

The fun part is how the game treats your power like something alive. Lightning crawling over your skin while you pin a smug demigod against a ruined pillar and fuck the arrogance out of them. A priestess trying to pray to Athena and ending up on her knees for you instead, your hand on the back of her head, your magic seeping into her thoughts until the only worship she cares about is your cock. One scene has you stepping out of the underworld for the first time, everything blazing sunlight and marble, and the first thing you do is test your new “dominion” on a squad of armored soldiers. They raise their shields, you raise your hips, and in a blink their weapons are clattering to the ground while they stare at you with that mix of fear, awe, and desperate need. It’s not subtle. It’s not shy. The game loves big tits, big attitudes, and your big, very busy shaft, wrapping all of it in this messy, oversexed Greek mythology that feels like someone mashed together old legends, horny deviantart, and a lot of late-night power fantasies. Sometimes the writing trips over itself, like the dev typed faster than their brain, but honestly that just makes it feel more personal. You’re not guided, you’re dragged, from encounter to encounter, from orgasm to spell blast, until the idea of “good” or “evil” feels kind of pointless and all that matters is how hard you can screw over Olympus… and how many people you’ll literally screw along the way.