Princess Sarah looks like the kind of girl who should be hanging in some palace gallery, not crawling through mud while a drunk mercenary decides if she’s going to pay for safe passage with coins or with her mouth. That contrast is basically the whole flavor here: fine perfume and rotten back alley mixed in one glass. The game really leans into her being this soft, educated royal girl who keeps getting dragged into situations she is absolutely not prepared for, and the hotter scenes are exactly when your “proper” choice brain fights with your nasty one. On Steam or itch I usually skip long text scenes, but here I caught myself reading everything on the phone in bed, auto forward off, just tapping slowly like some degenerate book club. The writing is simple but weirdly sharp at times, then suddenly clumsy in the next line, which kind of fits her whole fall-from-grace vibe.

The art is the main reason I even clicked it. Sarah’s body is not that plastic “porn gacha” style you see in a lot of browser stuff. She has this soft, almost painterly look, like someone spent real time deciding what her nipples look like in different lighting. Some CGs are insanely on point: her in a torn gown, cheeks wet, eyes half gone, that little royal necklace still on her throat like a joke. Then the next scene you get a weird hand that looks like it belongs to another species. It annoyed me for five seconds, then I was back zooming the screenshot on my tablet in Google Photos to check a tiny detail on her expression. The faces carry a lot of weight here. When she gives in, you can see the shift from panic to that dangerous “maybe I like this” flicker, and those are the moments where the lewd hits hardest. Also the sound is better than it has any right to be. No voice acting, but the moans and wet noises are just crunchy enough in my cheap HyperX Cloud II to make me lower the volume in Discord because I swear someone could tell what I’m doing through background echo. The subtle music loop when she’s trying to act noble at a feast and you know everything is about to fall apart is great, then later you hear a lonely variation of it when she is basically property in a tent. Stuff like that made me keep my headphones on even when I could have muted.

Gameplay wise it is just a wall of choices stacked like bad Tinder decisions, but the game is not shy about punishing you. You pick the “brave” option, suddenly you are half naked in a filthy barn, seed dripping down your thighs because you tried to stand up to the wrong guy. Pick the “coward” option, cool, now you belong to someone you hate and the scenes drag out that helpless roleplay. For example, I tried to keep her as untouched as possible on my first run, always taking the safest path, and I ended up in this weird survival route where she is constantly trading dignity piece by piece instead of one big collapse. On the second run I went full corrupt princess in about five clicks and somehow felt worse, because the game remembers what she was before. Little callbacks in the text stab you with “you used to be” while she is kneeling with a collar on. Consequences actually matter here, not in some number meter on the side, but in how the scenes are framed. Sometimes the same sex act plays completely different depending on how broken or proud she still is. One thing that annoyed the hell out of me: the skip and auto features sometimes jump you right past a line you wanted to savor, especially during longer gangbang setups, and of course there is no rewind, so you are stuck reloading an old save like a pervert perfectionist. Anyway, if you want to squeeze every dirty drop out of it, I’d say play “serious” the first time on PC with a decent screen, read slowly, don’t spam the quicksave like a coward, then go back in a second run on your phone or Steam Deck and deliberately ruin her, just to see how far the writers allow this princess to fall before the world finally eats her.

Jean’s had enough of Klee’s chaos, but this time the little pyro menace isn’t just lighting up barrels - she’s lighting up the whole damn city with scandal. The story kicks off like a prank gone wrong, or right, depending on how you feel about blackmail and dripping wet revenge. You sneak around Mondstadt, catching the prim and proper girls in their “off-duty” moments - Lisa’s moaning over her own experiments, Barbara pretending she’s still pure while her fingers say otherwise, Ayaka blushing so hard it’s like her whole body’s about to melt. The game doesn’t pretend to be classy; it’s messy, horny, and sometimes weirdly funny, like when Fischl starts narrating her own blowjob in third person. I swear I laughed and came at the same time, which is a rare combo.

What makes it work is how the corruption sneaks up on you. It starts playful - Klee teasing Jean with harmless tricks - but then things twist. Voyeurism turns into participation, participation into obsession. There’s this one scene with Yae Miko where she basically toys with the protagonist’s sanity, whispering filth like she’s casting a spell. And then Noelle shows up, trying to act all knightly while she’s literally polishing more than just armor. The transitions between scenes are quick, sometimes too quick, like the devs got distracted mid-edit, but somehow that janky pacing adds charm. It feels raw, like watching someone’s fever dream of Genshin girls losing their morals one by one.

The animations? Rough in spots, but when they hit, they *hit*. Hu Tao’s grin when she’s riding you - it’s unholy. Rosaria’s confession scene made me pause the game just to breathe. Even the quiet moments, like Sucrose trying to explain the “chemical reaction” of arousal while clearly soaked herself, have this strange sincerity. It’s not a polished fantasy; it’s a filthy sandbox where shame doesn’t exist. You don’t play it for art - you play it because you want to see what happens when innocence burns out completely.

Angela moves again. New neighborhood, new fake smile, same heavy shit packed in her bags. She’s this sexy, tired kind of woman who looks like she’s had too many arguments and not enough orgasms, if that makes sense. Her past is hanging over her like some shitty Netflix show she never finished, and now she’s back close to her family, which is… awkward as hell. You play as Rayne, basically the one stuck in the middle of it all, trying to figure out if you want to fix things, fuck things, or just run. The game doesn’t hold your hand; it just kind of drops you in and lets you poke at people and see what happens. One minute you’re talking about normal life stuff, next minute you’re catching your “aunt” in a towel that totally doesn’t cover everything and suddenly you remember this is not a “wholesome” story. At all.

The sandbox style hits different here. You’re not just clicking “next scene, next sex, repeat”. You wander, you snoop, you literally peek through doors when you shouldn’t. That moment when you accidentally see Angela late at night, sitting on the edge of the bed, fingers between her thighs, trying to get herself off just to forget her own memories? That hit me harder than I thought. Not just because yeah, it’s hot as fuck, but because she looks like she’s almost crying but also moaning and you can’t really tell which one you want to see more. Then again, a few scenes later she feels a bit too perfect, like someone’s horny idea of a mom in a porn search bar, and I kinda rolled my eyes… right before clicking every single option to push her even deeper into that role. The teasing is slow on purpose, sometimes to the point where I wanted to scream at the screen, like “just touch her already”, but then when it finally breaks, it feels a little illegal in a way that porn sites are absolutely built on. You know what I mean.

What I like is how it lets the lesbian stuff breathe. It’s not just “oh look, two women, now they kiss, scene over.” Rayne’s curiosity feels messy, like scrolling through Twitter and suddenly ending up on the wrong side of NSFW threads and realizing it’s the right side for you. She watches, she hesitates, she keeps “accidentally” walking in at the worst possible moments. There’s this one scene where she’s spying on someone in the shower, and the way the water sticks to skin and curves is so distracting that I literally missed my dialog option because I just stared too long. The romance angle is weirdly soft in between all the taboo: late-night talks in the kitchen, too-long hugs that really aren’t just family anymore, a hand on a thigh that stays there a second too long. It’s hot, but also uncomfortable, and I kind of love that it doesn’t try to make it clean. I do wish the interface didn’t make me misclick tiny choices when my hand is already busy, but that’s never getting fixed and maybe that’s part of the “challenge”. In the end, you’re not just watching them run from the past, you’re slowly helping them cross lines they can’t uncross, with each orgasm feeling like both a reward and another mistake, and somehow that feels exactly right for this kind of story.

Diana feels like the kind of girl you’ve seen sitting in a corner of a campus café, scrolling through budgeting apps instead of Instagram, pretending everything’s fine while quietly falling apart. The game throws you into her mess right away: dead grandfather, old house, money problems, and this weird mix of grief and horny curiosity that actually feels more honest than most “adult” plots. She’s not some unstoppable sex goddess. She’s a little awkward, a little lost, and still ends up getting her ass spanked in ways that feel half punishment, half therapy. There is this one scene early on where she’s in her grandfather’s room, looking at his old stuff, and the camera lingers way too long on how tight her shorts are while she’s bending over a dusty drawer. I caught myself thinking: yeah, grief in porn is a risky move, but here it kind of works, because her body keeps betraying her while her brain is stuck in nostalgia. It’s almost funny how the game pretends to be a serious coming-of-age thing, then casually lets a hand slide over her ass, fingers pressing in like they’re testing dough, and she just… lets it happen a second too long.

What surprised me is how much the game likes to humiliate her in slow motion. Not just “oh no my clothes fell off”, but those stretched-out moments where she feels eyes on her skin. At one point, she’s stuck dealing with some annoying financial guy, and you know exactly the type: polite, slightly oily, the one that talks about “options” and “flexibility” while staring at your chest for just a bit too long. The scene builds up this uncomfortable tension where her debt slowly turns into leverage over her body. He shifts closer, his fingers brushing the fabric of her skirt, then gripping her thigh like he owns it. She hesitates, cheeks burning, and you can see the exact moment where obligation turns into reluctant arousal. The game is really into that line where consent is there, but it’s messy and full of shame. She gets her ass slapped for “being irresponsible,” and it’s absurd how erotic that moral judgment becomes. The smack echoes, her body jumps, her breathing speeds up, and the camera stays on the red bloom on her skin like it’s a new kind of confession. Honestly, the groping scenes sometimes feel a bit too “hands everywhere because we can,” like someone discovered the word “fondle” and never moved on, but then you get this tiny detail, like her trying to pull down her skirt while her shirt rides up, and it suddenly hits a different, almost philosophical note: how much of yourself do you trade away to survive, and when does humiliation turn into a kink you secretly nurture? The game doesn’t really answer that. It just lets Diana’s body keep talking for her, out in the open, when she would rather stay hidden.