The first time I logged into this thing, I didn’t even care about the classes or whatever plot it pretends to have - the way the avatars breathe, the tiny tremor in their lips before a kiss, that’s what got me. It’s like the devs poured all their soul into making skin look touchable. There’s this one girl in a half-armored cosplay outfit, silver hair glowing like some digital eclipse, and when she leans close, her breath fogs your screen. Maybe I imagined that, but hell, it felt real. The sci-fi cities behind her hum like they’re alive, something between a nightclub and a dream you shouldn’t be having. The game doesn’t shout about its mechanics, but when you figure out how to sync movement and body sensors, it’s almost too much - like your nerves are being rewritten to crave every vibration.

Sometimes the story pretends to be about mystery - a missing player, a corrupted zone - but nobody’s really fooling anyone. The real puzzle is how long you can last before giving in to pure heat. The VR immersion slips between sweet and filthy faster than your mind can keep up; one moment you’re chatting with a student NPC about history, next she’s on her knees, glasses sliding down, eyes wide like she’s learning anatomy for the first time. There’s group stuff too, awkward at first until it’s not. Someone mentioned modders replaced the background drones with moaning echoes; I laughed until it happened in my session and I swear it made everything feel more chaotic and alive. The music, though? Too clean. Needs something grittier, maybe a heartbeat instead of these sterile synths.

I still can’t get over the fact that clothing physics act like they’ve got personalities - skirts that refuse to stay where they should, latex that remembers your touch. You can taste the future here, but it’s messy and dripping and maybe a bit too honest. Every time I log out, reality feels thinner, like a veil that won’t settle right.

FSS Lamashtu feels like somebody mashed up a cold war naval thriller with a filthy space brothel and then forgot which part was supposed to be serious. You’re the freshly minted captain of this “experimental cruiser” that is absolutely not built for exploration, unless you count exploring how many holes your crew can take in a single patrol. Officially it’s the proud weapon of the Alliance, last hope in a long-ass war. Unofficially it’s your floating fuck-lab, staffed with officers who look like they came out of a horny AI art generator after you typed “war crime but sexy” too many times. The ship layout screen is almost a character by itself: bridge, medbay, cargo, those little tucked-away compartments you quickly learn are perfect for “private disciplinary sessions.” You jump between menus pretending to care about fleet orders, but the only thing you actually remember is which corridor you cornered that technician in when she kept “accidentally” brushing her giant tits against you.

The story likes to pretend it’s about geopolitics and rebellion, and sometimes it even tricks you. You’ll get this long briefing about the Neo-Terran strategic line, convoy raids, morale of the Alliance, all that stuff. Then two clicks later, you’re watching a proud enemy pilot on her knees, mascara running, mouth full of cum while she tries to spit out her rank and serial number. The tone whiplash is almost funny. There’s a certain charm in how the game refuses to pick a lane: you capture prisoners, you break them in slowly or just slam straight into collar-and-chain slavery, you’re supposed to feel the “moral weight” of it, but the next scene has them begging for anal like they read the script ahead of time. The AI CG does that exaggerated wetness thing, where every hole looks like you dumped a bucket of lube on it, and every creampie is this ridiculous white flood that should qualify as a bio-weapon. Sometimes the faces twist into that extreme, over-the-top ahegao that doesn’t even look human anymore, more like a melted idol poster, and it somehow fits this world where war propaganda and porn have fused into one genre.

What sticks in my mind most is how physical the ship starts to feel. You’re not just choosing sex options, you’re shaping routines. That science officer who starts with stiff posture and carefully zipped uniform? A few “private evaluations” in your quarters, and suddenly she’s walking around with visible bite marks on her neck, trying not to react when you casually grope her in front of others. There’s a scene in the hangar where two captured enemy girls are supposed to be processed for interrogation, and you can decide if that means basic questions or “group demonstration of Alliance hospitality.” The way their bodies are posed, covered in semen from multiple angles, has that bukkake ritual vibe, everyone participating because the war needs “unity.” You get toy usage too, not just as accessories but as tools of control: a vibrator left inside during a formal strategy meeting, the slow dawning horror on your new slave’s face when she realizes the remote is in your pocket while admirals talk about casualties. The game never really resolves whether you’re a genius commander or just a sex-obsessed tyrant who got lucky with experimental hardware. At some point there’s a tender-ish lesbian moment tucked awkwardly between brutal scenes, two crew girls comforting each other after a mission, fingers exploring, tongues slow and hesitant, and for once you’re not in the frame at all. It feels almost like the game forgot its own premise for a second, then remembers, throws you back into forced deepthroat in a dark interrogation room, and moves on like nothing happened.

You wake up on this cold metal bed in a ship that hums like an old fridge and the first thing you notice is not the headache, not the missing memories, but that you are naked as fuck and someone hooked your body up like a toy. The game lets you decide pretty fast what that body even is, and it is not shy with options. You want a lean guy who gets pushed around and ends up on his knees? Go. You want a stacked futa with thick cock and tits that drip later when the drugs hit right? Also there. Female body with a dick, male body with a pussy, non-binary setup, whatever weird combo your furry brain cooked at 3 different tabs open on xVideos, it kind of lets you live that. Then the ship starts talking, crew starts showing up, and that whole “who am I” plot runs right next to “who the hell can I get to pin me to a console and breed me”. The crew is mostly guys, different vibes, some softer, some with that DILF energy where you just know they’ll pull your hair while telling you they’re doing this for your own good. It has that slow burn of corruption too, where early scenes are just teasing and “accidental” touching, then the choices pile up and suddenly you’re kneeling between two men, one in your mouth and one pressing at your ass, and you kind of know you walked yourself there step by step.

What I like is how it flips from talking about conspiracies and shady experiments into real filthy stuff without pausing to ask permission every time. One minute you are in some dark corridor snooping logs, next minute you got a hand around your throat, someone grinding your face against a bulge, and the text just spells it out. If you turn on the nastier kinks in the menu, the scenes get meaner, which I actually didn’t expect. I thought “oh nice, just more porn”, but then I hit a route where my character basically becomes a half willing slave for this calm older guy who keeps dosing you with some drug that makes you leak milk whenever he squeezes your tits. At first I was like, that’s too much, I’m just here for soft gay space romance, then there I am reading a scene where he fucks your ass on the captain chair, fingers your pussy or dick at the same time, orders you to keep eye contact while you cum and milk runs down your chest. It’s shameless. There’s humiliation edges too, like being made to clean up your own creampie with your tongue, or being passed around a small group while they comment on how tight you still are for “a well used toy”. It still tries to be funny sometimes, throws jokes in the middle of a blowjob, which kinda works and kinda ruins the mood, depends. One scene in the medbay has you strapped up for “exams” and the doctor uses toys first, slowly stretching you, talking about “data” like that explains why he has a vibrating plug with a remote, then he just goes in raw after your walls are gaping and you are begging half from embarrassment, half from need. There is also some interracial stuff later where they play with how “alien” bodies might feel, though right now most of them still look pretty human and I keep angrily waiting for real anthro options that will probably never come. Text based format actually helps here, your brain fills the gaps, so when they stack you for group sex, one cock in your mouth, one pounding your ass, one sliding into your pussy or between your thighs if you picked only one hole, it feels way more intense than some lazy clicker animation. You even get those small details, like fingers digging into your hips, someone groping your chest absentmindedly while talking business, a bored crewman getting a hand job in a storage room because he “caught” you snooping and decides you can pay with your hands instead of alarms. The game pretends it is all about choices and plot, and yes, there are combat bits and dialogs and moral stuff, but honestly the thing that sticks is that moment you realise you turned on almost every kink in the options and now your “lost in space” protagonist is on all fours in a locker room, ass dripping cum, balls or lips swollen, hearing boots stop behind them again and thinking “ok… maybe just one more”.

Bianca and Aaron look like that boring perfect couple you scroll past on Instagram, the ones that post honeymoon pics with too many filters and hashtags, and then you start this story and realize their whole life is hanging by a horny little thread. It kicks off super normal, just a “game night” after the honeymoon, soccer rivalry trash talk, beers on the table, TV on, same old. Then you meet Aaron’s boys, and right away it smells like drama. All three of his so-called best friends have history with his wife. Actual history. One of them literally used to fuck her, not in some vague college fling way, but proper ex-boyfriend who clearly still knows every switch on her body. The game quietly leans into that awkward energy and never lets it go. The camera loves lingering on shit it shouldn’t, like the way Bianca sits too close on the couch, or how her eyes hold a second too long when one of the guys makes a dumb joke. There is animated stuff, yeah, but the real hit is how it builds that slow “everyone knows but no one says it” tension.

Bianca’s not just some perfect waifu. She’s messy in that good way. She dresses hot for “friends coming over” when she really didn’t need to, and the story keeps you guessing if she’s doing it on purpose or just pretending she’s innocent. And then she calls her BFF, which sounds like damage control at first. Like, she doesn’t want to be the only woman in a room full of dudes who already banged her. Fair enough. Except her friend walks in and you instantly go “oh great, she’s worse.” That girl is chaos with lipstick, clearly obsessed with Aaron, and the game does not hide it. The way she touches him when she doesn’t need to, hugs that last a bit too long, that fake friendly “I’m just playing” bullshit that you know is total cap. At some point you stop watching the soccer match almost entirely and just follow who is looking at who behind his back. You get those sneaky shots with Bianca half turned away, texting, or going to “grab something from the kitchen” and someone follows her, and suddenly the whole “game night” thing is just an excuse for everyone to test how far they can push it without Aaron snapping. When the group stuff finally hits, it doesn’t feel random, it feels like the dam you’ve been staring at finally cracking and then absolutely drowning the poor idiot who thought his friends were just friends. There’s this one moment where Aaron is right in the room and the others are basically violating the idea of marriage in front of him, and the story still somehow makes it feel like he’s the outsider in his own house. It’s filthy, kind of mean, and honestly pretty funny in a dark way, like watching a sitcom where the laugh track got replaced by moans and whispered “don’t tell him.”