HornyCraft is one of those games that looks like a stupid dick joke at first glance and then suddenly you’ve spent half the evening making a milky sex farm in a world made of blocks. You play as this guy, Steve, classic cubic idiot with a pickaxe, stuck in a place where every cave and house and forest has something horny lurking in it. It keeps the basic survival and crafting backbone, but everything is twisted toward porn logic. You chop wood, smash some stone, craft a bed, then realize you’re not really building a base, you’re building a fuck hub where monster girls just wander in and turn your “storage room” into a breeding corner. I liked how the first time you meet a busty creeper girl it feels like a horror game for one second, she’s coming at you with those weird sounds, and then the animation kicks in and suddenly you’re watching this shaky blowjob scene with green slime dripping off her tits while you’re still trying to remember which hotkey opens inventory.

What sticks out for me, as someone who actually cares how BDSM and power stuff is shown, is that it’s messy but not totally brain dead. You get this mix of goofy parody and real kink. Like, you’re tying up a monster milf in a stone cellar you crafted yourself, torchlight flickering, and the scene plays with her trying to bargain, teasing you, and you choosing whether you fuck her mouth or make her drink her own milk from those massive tits. The game likes lactation a lot, sometimes too much, it will throw milk on screen like a busted faucet, and then just move on like nothing happened. One second you’re milking a futa spider girl you lured in with crafted web traps, handjob plus oral at the same time, very animated, all that twitchy leg motion, and right after that Steve is cutting trees again like some boring worker in a mobile idle game. It breaks the mood, but in a weird way it also works, because it feels like porn slapped on top of a grindy sandbox instead of pretending to be some deep story. Lesbian scenes pop up here and there too, like when two monster girls start going at each other in a small wooden shack you built for storage, and the game just lets you stand in the doorway and watch, or jump in, or shove one of them on her knees. Some of the horror bits try to be serious, dark caves, creepy moans, that kind of stuff, but you know it is all just foreplay to another blowjob animation or a stacked milf villager riding Steve on a crafting table like it is nothing special. I do wish the UI didn’t feel like a half-finished mobile port and that the text didn’t look like someone typed it in a hurry on WhatsApp, but whatever, the important part is that when a huge-titted zombie girl crawls out of a hole you accidentally mined into and pins Steve to a wall, the game actually lets the scene breathe, gives you a bit of control, a bit of roughness, and does not pretend it is vanilla. It is stupid, horny, and clumsy, but I kept remembering small things like the sound of milk dripping on wooden planks or the way a shy slime girl slowly wraps around Steve’s cock after you “help” her with a crafting ingredient, which tells me the dev understands at least one thing very well: people are here to get off, not to be impressed.

Dahlia’s Ordeal feels like watching an edgy late‑night fantasy cartoon that someone hacked and replaced half the scenes with porn and the other half with people getting hurt for real. The whole thing rides on this one girl, Dahlia, who looks like she should be the sweet fantasy princess type, but the game just keeps kicking her down the stairs, figuratively and sometimes almost literally. It starts kind of slow, like a normal mystery with creepy family tension, you walk around, click through dialogue, try to figure out who’s lying, and then suddenly the story grabs you by the throat with graphic violence and ugly family shit. One moment people are arguing in a quiet room with candlelight, next moment there’s blood on the floor and you’re wondering when exactly things went off the rails. The corruption angle is not subtle at all: she gets pushed, pressured, blackmailed, humiliated, then you get these choices where you can lean into it and make her act filthier, or try to keep her some kind of “good girl” while everything around her rots. Both roads are fucked, just in different flavors.

From the animation side, the cutscenes are rough in a way that kind of fits the story. You can feel the team is going for 2D comic vibes: sharp lines, expressive faces, a lot of close‑ups on eyes, lips, hands. During the oral scenes, the camera loves staying on her face, drool stringing down, mascara a bit wrecked, that kind of cheap but effective porn shot. There is one scene where Dahlia is on her knees in a dark corridor, forced to give a handjob while her uncle keeps talking about “family duty” and the camera doesn’t show penetration at all, just his hand in her hair and her fingers squeezing around his shaft in rhythm. The animation is slightly jittery, frames not always smooth, but that roughness weirdly makes it feel more uncomfortable, like you’re watching something you’re not supposed to see. And then you get a spanking cutscene where the sound design suddenly goes hard: the smack noises are sharp, skin gets red panel by panel, and the camera keeps cutting between her biting her lip and his hand raised again. They clearly had fun drawing bruises. Maybe too much fun.

Sexual harassment scenes are everywhere and honestly a bit exhausting. Guards grabbing her, hands on her thigh during “normal” conversations, people calling her names, using her as bargaining chip, all that trainer‑style slow breaking of a girl who started with some pride. And the story kind of teases “retribution” but keeps you hanging, so for a long time it’s just her being used: forced oral, shoved against walls, humiliation in front of people that should protect her. There’s one oral scene where the guy finishes on her face, then wipes it with his thumb and makes her lick it, and instead of going full porn glam the art keeps her looking small, a bit dead in the eyes. I liked that they didn’t glamorize the bloodier moments either; when graphic violence happens, it’s messy, quick, and not “cool”. Sometimes the expressions go wonky, like she looks cross‑eyed during a serious line, or hands are weird, and UI text boxes clip into the art in a way that made me stare more at the font than her tits. Also whoever chose that notification sound should be in jail, it pings at the worst moments and I kept thinking Discord was open. The cheating angle is there too, half‑whispered: people fucking behind backs, Dahlia being pushed into acts that betray what little family loyalty she still has, but the game never stops to moralize. It just lets the ugliness sit on the screen. I kept waiting for a soft, wholesome scene, like a break, a bath, a hug. It never really comes.

Satoshi thinks a spooky couples event will fix his boring love life. That alone already tells you this guy is in trouble. He drags Mary and a bunch of other young couples to this “Test of Courage” on some abandoned island, in this old Japanese mansion that feels like a love hotel got possessed by a ghost with a cheating fetish. At first it feels almost goofy: Halloween vibes, dumb costumes, everyone in sexy outfits that would get you banned from Instagram in 3 seconds. Mary’s tits are practically a plot point. Short skirt riding up every time she moves, big ass that camera keeps sticking to, those kind of angles where your phone browser bar just quietly disappears. The game pretends it is about courage and true love, but half the time the “ritual” looks more like a set up for a bukkake scene that forgot to start filming.

The fun of this thing is how it messes with your head while also just throwing raw porn in your face. It plays that classic NTR trick where Satoshi keeps catching glimpses of Mary and the other girls getting way too friendly with the staff. An attendant’s hand sliding over Mary’s thigh in a dark corridor, someone groping Natsuki’s huge boobs in the shadow of a paper wall, a door opening just enough so you see Mary on her knees between two guys, drool on her chin, then it slams shut and Satoshi acts like maybe it was just his imagination. The horror angle is not about ghosts. It is that slow, sticky feeling that your girlfriend is getting wet for other cocks right in front of you, and the island itself kind of pushes everyone to be filthier. There are scenes where Mary gets pinned against a pillar, panties torn aside, big tits bouncing while she takes a rough vaginal pounding and Satoshi just stands there, brain fogged, watching her moan “no” while her hips grind for a deeper creampie. The more the “ritual” progresses, the more she shifts from shy to addicted, going from accidental groping in the hallway, to getting passed around in group sex, riding some random guy with her tongue out, begging for cum inside like that is the only way to save their love. It is ugly, horny, ridiculous and kind of fascinating if you study how NTR keeps recycling the same pain fantasy and people still eat it up on their phones in Incognito mode.

Kanoi Academy looks like one of those fancy anime schools from Pinterest, but right away the whole place feels kinda wrong, in a good “oh shit what did I just click” way. You’re Jin, this completely regular dude who somehow got invited to a place where everyone else is a genius, a prodigy, or at least pretending really hard. And then they throw you into this “Friendship Club”, which sounds cute and harmless until you realize friendship here means awkward flirting in empty classrooms, accidentally getting a face full of tits when someone trips, and talking about trauma right after a blowjob like it’s a normal club activity. One second you’re laughing at some dumb joke about homework, next second there’s a girl with a ridiculous ass grinding on your lap in the club room while you both pretend to be “practicing communication skills”. The game really leans into that school slice of life thing, but twists it just enough so even simple stuff like a walk to the dorms at night feels like it might turn into a horror scene or a handjob behind the bushes. Or both. Somehow both fits this place.

What surprised me is how much it jumps between horny and kinda fucked up without warning. You’ll be joking around with this bubbly girl who loves teasing you, she’s pressing her big soft tits into you, breathing in your ear while you’re trying not to bust in your pants. Then she says something real heavy, like she’s only here because her parents treat her like a project, not a person, and the mood just crashes for a second. Then she drops to her knees in the same scene, opens your fly, and starts sucking you off like it’s stress relief, messy spit on her lips, her eyes getting teary for more than one reason. It’s weirdly hot and sad at the same time. A lot of the sex plays like that: vaginal with slow, deep thrusts where the camera hangs on the way her body shakes, or quick desperate fucking when you’re both half dressed, her skirt pushed up, panties around her thigh, your hands fighting with her huge ass because you can’t grab it all. The 3D style works fine here, sometimes it looks stiff, but there are moments where a character just tilts her head or smirks and it hits way harder than it should. Also, the horror angle pops up when you least expect it: late night hallway, no music, light flickering, you hear something behind you, think it’s ghost shit, and it’s actually a girl you know, standing too close, whispering she’s been “waiting for you” with that smile that says romance on top but some real obsession hiding under it. Then she drags you into an empty room, locks the door, and suddenly your biggest problem is not monsters, it’s whether you can last more than a minute while her mouth works your cock like she practiced on lollipops her whole life. The game keeps doing that, turning horny into creepy, creepy into sweet, sweet into full on fucking in some quiet corner of the campus, like the whole academy is a sandbox of messed up feelings and wet thighs. You’re not really a hero here, just a guy pulling at threads, making choices, getting sucked into everyone’s drama, and somehow that makes every kiss, every joke, every time you slide inside someone and hear that first sharp gasp feel a bit more real than it has any right to.