This one starts like some half-serious detective visual novel, then quietly pulls your pants down while you’re still nodding along to the “we help innocent prisoners” talk. You got the guy who always wanted to be Sherlock but with a dick, his justice-obsessed girlfriend who actually has a spine, and their tiny agency circling the drain. Money problems, boring clients, rent breathing on their neck. Normal noir setup. Then that Sawyer guy shows up, big celebrity detective with slick PR, fake smile, and this vibe like he’s already undressing both of them in his head while talking about “partnership” and “mutual benefit”. First case you do under his name, it still feels mostly clean: interview a witness, follow some shady clerk, connect clues on the board, whatever. You’re thinking “ok, just mystery with boobs here and there”. Then it tilts. Not fast, it’s slower, like a bad idea you decide to try once and then it keeps happening.

I really liked when the game lets you swap between the guy and the girl during one investigation, not in a tutorial way, just suddenly you’re in her head while she’s getting cornered in an office by some rich asshole you’re supposed to be “interviewing”. She’s trying to stay professional, asking about alibis and timelines, and he keeps leaning closer, asking if her boss knows she’s “this tight” with clients. You can play her as stiff and righteous or let her hesitate a bit too long when he touches her thigh. That tiny pause feels worse than any big “corruption meter” bar. Later you jump back into the male POV, sitting in a car outside, thinking she’s just taking long with the questioning, and you can choose to trust her or start doubting. I hate that the coffee cup in that car scene has this ugly texture that looks like it came from some 2009 stock pack on Google Images. Every time I see it I get annoyed and then forget I was annoyed because next thing I’m watching her kneel down in that same asshole’s office, trying to bargain with her mouth for information. I’m not even sure if I liked that scene or if it just stuck in my brain like gum on shoe.

The sex itself, when it hits, is more about situation than some perfect angles. There’s this blowjob in a cramped archive room where she’s trying to keep quiet, filing cabinets all around, dude’s belt clinking every time he bucks his hips. The camera hangs too long on her eyes, red and watery, like the game is asking “this what you wanted, detective?” and yeah, it kind of is, but also you feel like shit in a hot way. Sometimes the romance stuff between the main two actually feels sweet, like when they crash on the office couch after a long case and she climbs on top, just slow vaginal, kissing, talking about their future agency like it’s still theirs. It should be cute, but if you already pushed her down the dirty route, that same scene plays weird in your head because you know what she did last case to get that signed confession. The game never screams “you are corrupting her” in big neon letters, it just quietly offers choices that look practical: accept a shady deal to get access to a crime scene, agree to “private questioning” with a suspect, let the boss handle something off-screen. One moment I liked way too much: Sawyer calling you into his office, closing the blinds, and just calmly describing what “extras” your girlfriend did for a client, while you sit there pretending you knew already. That mix of mystery, humiliation, and powerplay feels filthy in a way Pornhub never hits. And then you’re back at your desk, filling out case notes as if nothing happened, like this is just another Tuesday at the agency. I forgot what I was even mad about. Something with that cup. Whatever.

A redheaded city girl walks into a tiny Scottish village in the middle of nowhere and, of course, everyone is horny and something is wrong with the sea. That’s the basic vibe here. The game throws you into this foggy coastal place where people smile a bit too warmly, stare a bit too long, and somehow every friendly conversation can slide into “hey, why is half the town ready to strip outside in the rain if the waves tell them to.” You play her, and she’s not some pure innocent flower either. She’s curious, she’s stubborn, and she keeps ending up in situations where saying “no” is possible, but saying “fuck it, I want to feel this” is way more tempting, especially when soft female lips are involved. There’s a lot of reading, a lot of choices, and the sex doesn’t just appear out of nowhere; it crawls toward you slowly, like the tide, until you realize your panties are around your ankle and that married woman you just “interviewed” for your little investigation has two fingers inside you and her wedding ring is cold against your skin. Then the scene lingers. It doesn’t jump cut away. It makes you stay there in the mess with her breath on your neck, her tongue on your clit, and you trying to remember you came here to solve something, not to be somebody’s secret seaside toy.

What I liked is how often the game puts you outside, literally. Wind, rocks, slippery grass under bare knees, salt on skin, clothes half pulled up against a crumbling wall. Girls going down on each other behind a boathouse while the sound of the surf is loud enough that you’re not sure anyone would hear you moan. There’s a threesome, too, that starts almost romantic and then turns into this raw, dirty sharing thing where your character is passed between warm hands and hungry mouths like she’s a gift from the sea, not a person with a brain. In some routes she cheats, in others she gets cheated on, and sometimes you just sit there watching a milf who should know better push you down on a blanket and tell you to relax while she spreads your legs and tastes you like she hasn’t eaten pussy in years. The corruption side is more emotional than people might expect; it’s not just “you were straight now you’re gay and into anal.” It’s more like “you were in control, and then one day you realize you need their touch like air.” At one point I tried to keep my heroine strong and distant, refused a few offers, built up her “resistance” like the game quietly nags you to do, and still ended up on my knees, mouth full, fingers digging into someone’s hips while the sea sang behind us. I’m not complaining. Or I am. Hard to tell. The only thing that annoyed me was this one dialogue choice that looked innocent and suddenly turned into a full-on group scene, complete with wet sounds and someone’s tongue where the sun doesn’t shine, and I just sat there thinking, “okay, I guess we’re doing this now.” But then again, that’s kind of why I kept clicking.

Kate Adler looks like the kind of woman you cross the street for, not because she’s scary, but because you know she’d read every dirty thought in your head and file it away like evidence. The game just throws you into this huge, sweaty, sleepless city where everything feels a bit wrong, like the whole place smells of perfume, gun oil and cheap disinfectant. One second you’re zooming in on some grainy club camera feed, trying to match faces, and two clicks later you’re watching that same guy rail some VIP slut in a back room while Kate acts all professional and still clearly getting turned on. She pretends she doesn’t care, you don’t pretend anything. The whole thing plays like a visual novel that forgot how to be polite. You bounce between interrogations, tailing people, reading all these messages full of lies, and then suddenly you’re choosing if Kate lets someone bend her over a balcony in those stupidly tight jeans. The pacing is weird in a good way. Some scenes are slow, like late night Netflix scrolling where you tell yourself “just one more,” then out of nowhere the story slaps you with missing girls, fake passports, and this high-society sex club that tries way too hard to look exclusive and ends up feeling like a horny IKEA maze.

Nocturne, that club, is where the game really starts being nasty. You get those masked rich assholes, dancers in latex, people pretending they’re not scared, and Kate walking in like she owns the place even though she’s basically spying. There’s this moment where she’s in a private room, supposedly just listening to two big shots talk business, and the dialogue quietly shifts from blackmail to who they’ve had in chains last weekend. You get the choice to keep the audio clean or push her into “deeper cover” and yeah, if you pick the second one she ends up on her knees, using sex as a tool and also clearly liking it. I loved that scene and kinda hated it, because the game gives you the power and then rubs your face in what you used it for. Also the UI text for the clues is tiny in some menus and it pissed me off for no reason and then I forgot about it five minutes later when she got her ass fingered in the backseat of a town car while pumping a politician for information. Sometimes the writing hits hard, like when she’s alone on a rooftop, tired, trying to connect dates and names, and her phone buzzes with some slutty offer to “come relax” at the club again. Other times it throws in jokes that land like a wet sock. Doesn’t even matter. The city feels alive in that broken, horny way where every neon sign hides a camera and every secret costs either money, blood, or Kate’s pussy. You jump from glossy penthouse to damp tunnel to cramped office with an evidence board, and it never fully explains things, just trusts you to click, read, decide who she fucks, who she betrays, and how deep she lets that corruption crawl into her body and her brain. Dare to play it alone, or invite company?

Alex thinks he just hit the jackpot: eighteen, fancy scholarship, and his aunt basically throws him the keys to a fucking mansion. Marble floors, a pool that looks like Instagram bait, bedrooms so big you could lose a whole marriage in them. It smells like money and perfume and lies. The kind of house where silence has its own echo and everyone talks soft while their eyes keep stabbing each other. You walk in as this polite, slightly clueless kid, and very fast the game starts whispering in your ear that being innocent here just means you are easy to use. Aunt Nicole greets you like a movie star: tight dress, legs for days, smile that says “welcome home” and “don’t trust me” at the same time. The soundtrack does that slow, low synth thing when she gets too close, like the music itself is trying not to stare at her tits. It is not subtle. I liked it. Then I hated it. Then I liked it again.

The whole place feels like one long, horny interrogation. Every room has a secret and every “family” hug lasts half a second too long. Your cousins are walking red flags with perfect asses. Lisa leans in to show you something on her laptop and the camera just forgets the laptop exists, goes straight to cleavage, while some lazy bassline crawls in the background. Tina pretends to be the good girl, but there is a scene where she’s in shorts so tiny they may be a Photoshop error, and the soundtrack suddenly gets this little heartbeat kick, almost off-beat, like the composer was also jerking off. The funny thing is, the investigation part and the pervy part use the same musical vocabulary. When you are trying to break into a password protected folder, the game gives you these slow pulses of sound, like breathing in the dark, and it kind of melts into the animated bodies later when clothes start “accidentally” slipping. I got genuinely stuck on one clue, by the way, because some code was hidden in a painting title, and I will never forgive the background hum in that room for looping the same three notes. It is a small thing, but now that sound lives rent free in my skull and pays nothing.

The sex itself feels like it is growing out of the lies. You are digging into what happened to the missing uncle, and instead of answers you keep getting more skin. A comforting hug from Nicole slowly becomes her pressing those huge tits into you, asking harmless questions with this fake soft jazz in the background, then the track changes to something much darker when you say the “wrong” line. One moment you are worried about who disappeared, the next moment you are staring at a big ass bouncing in your face, with the music doing that half-romantic, half-creepy vibe, like a Netflix thriller that got horny and forgot the plot. The bodies look almost too polished, like AI had a fetish and the dev just said “ok sure,” and sometimes the animation stutters in a way that weirdly makes it hotter, because it feels like a dirty loop you found on some shady Telegram channel. There is this one bedroom scene where the lights are low, the camera lingers on a cousin’s panties sliding down her thighs, and the low-frequency rumble underneath feels like a subwoofer pressed to your chest. I honestly kept clicking the slower dialogue options just to let the track keep going. The game pretends to care about morals, about who you betray or protect, but every choice screen looks like a kink menu. Be a knight? Exploit their secrets? The soundtrack reacts, relatives react, the mansion keeps smiling with its fake luxury, and you are there, trying to solve a family mystery while also wondering how many more “accidental” family kisses you can trigger before everything falls apart in the most deliciously wrong way.