Orange Smash! feels like somebody took a lazy walk into a creepy forest, tripped over their own dick, and decided to stay there because the girl who found them was way too hot to leave. It is one of those short, horny visual novels that knows exactly what it wants to do and does not pretend to be deep, but somehow it still has little emotional stabs that catch you off guard. You meet Yuma in this empty, almost dead-looking forest, everything quiet, no people, just you, trees, and this girl with ridiculous chest physics and a smile that looks like trouble. She talks like she already knows you, touches you like you are already her toy, and the game never really explains her properly. Not in a lore way, anyway. Which is kind of nice. You just accept that this monster-looking girl with huge tits shows up, teases the fuck out of you, and that is your life now. I played it on my phone while half-lying on the couch, one hand awkwardly holding the screen, the other hand very much busy, and honestly the mobile aspect matters more than it should. It is the kind of thing you open between checking Telegram and Reddit and then suddenly you are stuck watching her slowly slide her tongue along the MC in this long oral scene that lasts just enough to make you forget you were even “playing” anything.

What I really liked is how Yuma is written like a horny gremlin instead of some perfect anime waifu. She jokes, she mocks you a bit, she knows you are staring at her boobs and she uses it. There is this moment early on where she pretends she is giving you a “reward” for surviving the forest, sits way too close, leans in so her breasts press into the MC’s chest, and just keeps talking casually about nothing important, like she is stretching out the moment on purpose. It is obvious she wants to fuck, it is obvious you want to fuck, but she keeps you right at the edge of it, brushing your thigh, whispering in your ear, her tail kind of wrapping around your leg like she is claiming you. It is slow, but in a good way. Then the actual sex scenes go the other direction, like “ok, you waited, now take everything at once.” The first time she goes down on you, she looks up with this smug face that actually made me stop tapping for a second. There is something really satisfying about how she enjoys it too, not just doing service. She drools, she laughs a bit when you twitch, she talks with her mouth still messy. Later, when she climbs on top and just sinks down, there is this quiet line she drops, something like “you are not going anywhere now,” and it hits both as horny and a little scary. In a good, “I live in your phone and own your dick now” kind of way. The creampie stuff is straight up shameless, warm and sticky and drawn with way more love than some of the backgrounds. I wish the forest had more variation, to be honest, but I kind of forgot about that once she started bouncing on top of the MC, her breasts moving like they had their own personality. It is messy, it is focused almost only on you and her, and that single track mindset actually makes it relaxing. You open game, you meet weird lewd girl, you get teased, you cum inside her, you stare at the last CG a bit too long, you close game, you think “yeah, I might open that again later” and then you go back to scrolling like nothing happened.

Holier than thou on the surface, horny like a nest of rabbits underneath. That is the vibe here. You’re not dealing with shy little church girls quietly praying in a cold stone hall. These “sisters” are fully aware they’re hot, they know exactly how to use a rosary as both spiritual tool and sex toy, and they keep smiling like nothing is weird while they do it. The story pretends to be about studying the world and spreading faith, but every time one of them talks about “missionary work” you can practically hear the dev’s smug grin through the screen. One moment they’re quoting holy lines, next moment they’re riding some poor bastard like they’re trying to convert his soul through his dick. Or her dick. Or its dick. The theology here is… flexible. Let’s say the church in this world is very open to “alternative forms of worship” and some of those “worship targets” are not exactly human.

What surprised me is how quickly the game drops you into their daily life. You’re in this strange monastery-lab hybrid, and the nuns treat “research” like an excuse to poke, prod and fuck every weird creature they drag in from the woods. First time I saw the monster girl in the cell I thought “ok, she’ll just be a side gag.” Two scenes later she’s on top of one of the sisters, tentacles wrapped around a crucifix, moaning something that is probably blasphemy in three languages. The mix of cute and filthy is weirdly effective. Their faces are adorable in that 3D doll way, but their mouths are pure gutter. One of them explains a complicated religious theory while jerking you off lazily like it’s no big deal, stops mid-sentence to lick the tip, then continues the lecture as if nothing happened. And she’s not even the freakiest one. There is a short scene where they try to classify “types of miracles” using a mobile app they coded themselves, with categories like “Divine Cream Filling” and “Spirit Possession but in a Hot Way” and I actually had to pause from laughing.

The humor lands more often than not. It’s not clever-clever, it’s that messy horny fanfiction energy, where a nun will argue about scripture accuracy then trip over her skirt and fall mouth first on a demon cock. There is one bit where they try to record a serious sermon on a phone and you can see all the outtakes in a side menu: the camera angle too low so you just see boobs, a monster girl tail slapping the mic, another sister walking naked in the background like that’s normal. Ironically, the pacing sometimes drags when the game pretends to be serious worldbuilding. There is a long explanation about how their order split from the main church that I swear nobody playing for porn will care about, and right after that they hit you with a scene of anal “confession” that suddenly jumps in intensity like the writer forgot the brakes existed. Some transitions are clumsy, like going from goofy banter to hardcore stuff in one click, but honestly that roughness also fits. It feels like you’re paging through a forbidden diary rather than some polished studio thing. And the way they treat faith, sin and pleasure as the same currency gives it this dirty, guilty little thrill, like you’re doing something wrong and loving every second.