It’s weird how this game keeps slipping between being horny and being kinda sad. Like one moment you’re scavenging a half-broken supermarket for canned beans, and the next you’re watching Tiffany bend over in that torn tank top, and you *know* the camera’s doing it on purpose. I thought it’d be just another zombie clicker thing, but then it starts poking at your nerves. You play as Mark, but you’re not really him, because half the time you’re watching what happens when he’s gone. It’s uncomfortable but also… hot? I don’t know. The animations are surprisingly smooth, not glossy, more like something someone obsessed over too long in a dark room. Her skin looks sticky in the flashlight. The moans sound too close, like she’s right next to your ear, whispering something you shouldn’t hear.

I wasn’t expecting the teasing parts to be so drawn out. There’s this bit where Alex “accidentally” touches her thigh, and you can tell she notices but pretends not to. Then later, the game just lets you wander around while that tension sits there, heavy. I thought I’d hate the sandbox thing, but it actually makes it worse - like you’re the one choosing to look away or not. The monsters outside barely matter after a while; they just groan in the background, a reminder that everything’s falling apart while something even messier happens inside. There’s a scene with oral that I didn’t think would hit me, but it’s messy and awkward and somehow more real than most. I wish the sound balance wasn’t so off though, the wet noises drown out the dialogue sometimes. Maybe that’s on purpose.

It’s not pretty, but that’s what makes it stick. The game doesn’t care if you feel guilty. It kind of wants you to. I kept thinking I’d stop after one more scene, but then I’d catch a glimpse of Tiffany walking past a broken window, the light hitting her skin just right, and I’d forget whatever I was supposed to be doing.

Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.

Truck-kun strikes again and this poor shut-in kid wakes up in what feels like some horny MMO server that forgot to implement shame. The start is kind of funny, he’s just confused, staring at this fantasy city where every alley smells like sex and magic, and you can almost hear the goddess going “yeah, you’ll figure it out, good luck, idiot.” I went in thinking classic loser-isekai with big boobs slapped on top, but it actually leans hard into that “you are prey here” feeling. First time you wander near the red light area and see a fluffy fox girl arguing with a slime prostitute about who stole whose client, it hits you this place runs on lust as normal currency. The voyeur stuff kicks in fast too: there’s a scene where you peek through shuttered windows and catch a centaur girl milking a cow-girl, swapping buckets, both laughing, and you can just keep watching them get more handsy while the MC gets painfully hard and does nothing about it. Or you can interrupt like a creep and change the whole vibe. Totally didn’t reload that twice. Nope.

What surprised me is how the game keeps throwing you into situations where your dick is negotiating with your sense of self. The succubus you chase at the beginning feels like “main heroine” at first, she’s all teasing smiles and fake kindness, but later you realize she is farming you like a battery. The first time she pins you down, riding you while tentacles hold your wrists and ankles, dripping some glowing stuff on your chest that slowly changes your body, it’s hot and really unpleasant at the same time. There’s this detail where she makes you drink from her, and you see your own chest twitch like it wants to grow, then stops. It’s such a tiny thing, but it sells that you are one wrong choice away from full transformation. Then later a cow-horned brothel madam offers you a “job” where you can either fuck clients or be fucked by them, including some very pushy monster girls who pay extra to drain you dry. The prostitution angle is weirdly casual: NPCs talk about it like normal work, while you’re standing there half-naked in a collar, wondering why the hell this contract asks if you are okay with lactation scenes. There’s a repeatable event where a spider girl uses you as her personal toy, dangling you over a nest and milking you into jars, and the game treats it like just another shift. It’s messed up. I loved it. I hated it. I kept coming back to try different paths like some degenerate speedrunner, all while listening to old YMCK tracks in another tab and thinking, yeah, this is absolutely not how my childhood idea of “fantasy world” looked.

College looks normal on the surface: crappy dorm beds, group chats blowing up over nothing, professors who talk like podcasts on 0.75x speed. Under all that, this game quietly hands you a body that does not stay put. You start as this regular 18-year-old guy, horny and stressed and barely holding it together, and then your skin starts crawling in ways that aren’t just “I need to jerk off before lecture.” Limbs stretch when you panic, muscles twist into inhuman shapes, and your reflection occasionally smiles before you do. The story doesn’t treat it like some heroic anime glow-up either. It feels dirty, like your own body is hitting on you and you can’t tell it to stop. That’s the fun of it, though: you’re constantly one bad choice away from accidentally showing everyone that the cute freshman with the big cock can also casually grow tentacles out of his back.

What really hooks you is how the erotic stuff grows out of that corruption instead of being tacked on. One scene you’re trying to stay calm in a packed lecture hall while your power reacts to a random boner, and the next scene you’re in a bathroom stall, literally reshaping yourself just enough to jerk off without leaving obvious traces, only to lose control and end up painting the walls with thick, barely-human cum. And when the game starts playing with gender shift, it doesn’t pretend it’s some wholesome identity journey. You slide into a soft, curvy version of yourself with big tits and a fat ass because it feels good and because you realize how easy it is to make people stare. There’s a kind of wrong thrill in turning into a stacked girl to get closer to some dude who’d never look at you as a guy, then tempting him into a messy titjob or sloppy blowjob while your mind is still very much male, buried somewhere under the bouncing flesh and ruined mascara. The writing leans into that twisted mix of arousal and shame: you’re hard even when you don’t have a dick, dripping in all the wrong places, surrounded by people who think you’re just another thirsty coed while something inside you writhes like a monster in heat.

Then there are the actual monsters, the things that gave you this power in the first place. They don’t just show up for fights; they slither into the sex. Tentacles that push under your clothes when you’re trying to act normal on a date, thick coils sliding between your transformed thighs while you’re grinding on some unsuspecting classmate, that awful, amazing moment where you realize you can open yourself in ways no human body should and take every inch of it. Scenes stack up where you’re pinned to a dark alley wall, or bent over some forgotten rooftop edge, body shifting to accommodate impossible girth, every hole filled and overflowing until you’re basically covered in cum, breathing hard and half laughing because part of you likes being used like that. Sometimes you turn it around and use your powers to be the monster instead, growing extra hands for a rough handjob, reshaping your mouth for deeper oral, pushing into a wet, stretched pussy while your skin ripples and your partner doesn’t even notice at first. The horror part never totally leaves; even when you’re riding a dick or taking a monster cock, there’s this background hum that you’re one wrong pulse away from snapping into something no longer human. And yet you keep pushing, keep masturbating with a body that can grow new angles to touch, chasing stronger orgasms while you try to pretend you’re just a normal freshman and not a walking sex-horror glitch waiting to explode all over the world.

Snow outside my window, pussy apocalypse on my screen. That was kinda the mood when I started this one on my phone, half watching some dumb Netflix Christmas movie in the background. The game throws you back into this infected city that looks like it used to have normal people and now it has horny trouble with teeth and claws and way too much titty. You’re this husband trying to find your wife and the tenant, like some fucked up holiday reunion where everyone might be dead or wet or both. It’s point and click, but not that boring “click lamp, click door, click your own soul” kind. You poke around ruined apartments, bloody hallways, busted elevators, and every so often you stumble into these scenes where sex and danger mix in a way that really shouldn’t feel cozy, but it kinda does. One moment I’m checking cabinets for meds and ammo, next moment there’s a half-naked girl with big tits pressed against a cracked window, breathing heavy while she tries not to scream because something is walking outside. That tension actually works. You’re thinking “please don’t die” and at the same time “please keep playing with yourself, fuck”.

The whole thing is weirdly intimate. The animated bits are not Hollywood level or something, but when the wife finally shows up in my run, she’s got this soft romance vibe, like she still trusts him, still blushes when he touches her, even though there’s blood on the floor and moaning outside that is not sexy at all. Then the game whiplashes and suddenly she’s jerking him off by candlelight, whispering about how they might not see morning, while the tenant watches from the corner, legs tight together, trying not to show she’s turned on. That voyeur lesbian tension is my favorite part, actually. Small touches like eyes sliding away, lip biting, that moment when she “accidentally” brushes her hand over the wife’s huge ass while they squeeze past each other in a narrow corridor. Also, the incest angle sneaks in more quietly than I expected; you wander into one of the safer rooms and the way the dialogue goes, it’s pretty clear family boundaries are more infected than the city. They don’t slam it in your face at first, but when it clicks, some earlier teasing scenes feel dirtier right away. And there’s one virgin scene that actually feels like something, not just “sex tutorial”. Girl shaking, hands on his shoulders, trying to be brave while there’s distant gunshots outside. Romantic and absolutely not healthy.

I like that you can just wander instead of being shoved along a straight line, but sometimes the sandbox stuff makes it annoying. I got stuck tapping the same fucking door icon three times because it looked like it should open and it’s just… background. And then when I did find a route, the reward was a monster encounter that ends in graphic violence before the sexy payoff even starts, which kinda killed my boner for a bit. There’s this one scene where a monster drags a side character away and the camera does not shy away, it’s messy and nasty and feels like the game reminding you “yeah, this world actually sucks”. Then five minutes later you’re watching the tenant masturbate quietly on a dirty mattress, whispering the wife’s name, and that contrast makes it hit harder. Or maybe I’m just a perv, whatever. The mobile layout is actually nice, plays fine on Chrome, thumb-friendly for one-handed use, which… matters here. Some animations loop a bit awkward, like hips moving while faces freeze, but the tits and asses are big and bouncy in all the right places, and that covers a lot. I wish some of the romance paths were less strict, like I wanted more slow-burn lesbian stuff between girl and girl instead of rushing back to cock every time, but that’s not gonna change and I’ll still reload saves like a clown to chase different scenes. Oh, and the teasing is surprisingly good: little handjobs interrupted by noises in the hallway, half-finished blowjobs because the husband suddenly remembers he was supposed to be “protecting loved ones”, sure man, put your dick away then. I kinda forgot what my point was. The game feels like Christmas lights hanging in a warzone: it shouldn’t be erotic, but when the wife leans in for a soft kiss right after bashing a creature’s skull, you almost believe this fucked city is worth saving just so she can ride you again.

Briggs is absolutely the worst little bastard to put in charge of “bringing justice” to a kingdom, which is exactly why it works. The game throws you into this royal court where the queen is this insanely hot, thick-hipped tyrant with huge tits, zero patience, and even less modesty once you start messing with her. At first she’s all proud female warrior energy, barking orders, talking down to goblins and knights like they are trash under her heels. Then your goblin brain starts turning and you realize the whole palace is basically one big toy box for humiliating her in public. You sneak around, spy from keyholes, watch her bathe, catch her getting dressed, push little pranks that start as “haha funny” and end up as “why is the queen on her knees in front of half the guard with cum on her face.” The escalation is the fun part. It’s not just suddenly hardcore. It slowly slides from teasing and groping to straight up group sex in the throne room, while everybody pretends this is “discipline for the good of the realm.”

What I really liked is how many scenes are focused on her losing status, not just getting fucked. You’re not just clicking through sex, you’re orchestrating her fall. One moment you convince a knight to “check her armor fit” and the guy ends up with both hands buried in her chest plates, squeezing her huge tits while she tries to keep royal composure. Next moment, some noble walks in, sees her bent over a table with a goblin hand under her skirt, and instead of stopping it, he joins. Half of the time you’re basically a pervert director of a humiliation play. Voyeur scenes where Briggs hides behind curtains and you get full view of the queen, flushed and panting, trying to pretend she’s still in control while goblins grope her ass and spread her thighs for everyone to see. And when monsters show up? The tone shifts to this brutal fantasy corruption where big, ugly things pound her hard enough that her expression changes from rage to this broken, wet, “more” look. There’s a scene where she ends up mounted by a beast in the royal garden while the court watches, and by the end she’s begging to be filled, creampies dripping down her legs and into the grass, and everyone just laughs like it’s a show. It’s fucked up, it’s funny, it’s horny, and it never really pretends to be something noble. She starts as a proud warrior queen, she ends as the castle’s favorite toy, and somehow the goblin feels like the only honest one in the room.

You start as this demon kid who somehow survives a holy massacre and grows up surrounded by people who were supposed to kill him. Kind of awkward family photos situation. Years later he’s not a scared child anymore, he’s a full-on incubus with a body built for sin and a brain that alternates between “save the world” and “ruin that elf’s throat today”. The whole thing plays like a fantasy adventure where every few steps you’re either in a fight or getting dragged into something horny. One second you’re cutting down bandits, the next you’ve got a priestess on her knees, looking up with that messy ahegao face while she tries to chant a blessing with your cock in her mouth. Plot actually exists, which annoyed me at first because I just wanted to see tits, but then I caught myself caring about who betrays who and which kingdom burns, so yeah, it works.

Sex is very “you are the camera”, a lot of pov angles that feel like someone stole your Pornhub history and turned it into a quest line. There’s this knight milf who acts like your strict teacher, keeps calling you “boy” while she’s choking you with her thighs, and then in the next scene you’ve got her on her back, armor half torn off, huge tits bouncing as she begs for creampie “for the glory of the gods”. Totally not how religion works, but I’m not complaining. Sometimes you are the one in control, slamming some big-ass monster girl into the wall and fucking her brains out while she drools and squirts everywhere. Other times a demoness pins your wrists with one hand, plays with your cock with the other, and edges you until you want to punch your screen. There’s proper lesbian side stuff too, like two busty magic girls going at it with toys, riding each other’s faces while you just watch like a creep, then they “notice” you and suddenly you’re the third toy. And yeah, the horror angle is there in this weird way, like you sneak into corrupted temples where tentacled things whisper inside your head, but instead of eating you, they offer you power in exchange for watching them fuck captured adventurers. It sounds dark, but half the time you’re jerking off while some poor soul is taken apart by a slime girl who really likes anal.

Combat is surprisingly not trash. You actually pick skills, trigger superpower stuff, manage cooldowns, all that, while naked demon girls in the bestiary are waiting for you as “rewards”. Some fights end with you splitting skulls, some with you splitting pussies, it just depends on who’s on top that scene. There’s a moment where you punch a guy’s head off, blood everywhere, and two seconds later his witch lover is on your cock, crying and cursing you while riding you like she wants to break your hips. And then boom, romance hits you from nowhere: characters remember what you did, get jealous when you fuck others, tease you with slow handjobs instead of straight sex, even use footjobs as “punishment” if you broke a promise. Group scenes are wild: foursome in a ruined chapel, big tits and big asses all over the screen, your incubus dick going from mouth to pussy to ass to throat like it’s a timed puzzle. There’s a voyeur thing where you peek on a princess finger-fucking herself in the bath, moaning your name, and later you actually get to reenact that scene with her while her maid watches from the door and secretly rubs her feet against your cock. Animations are dirty in a good way, nothing too polished, hips don’t always line up perfect, but that roughness makes it feel more real, like some cursed hentai recording you weren’t meant to see. The only thing that annoyed me is how the text sometimes skips too fast when the sex gets really good and I miss a line where someone promises to let you fill every hole, and there’s no way to scroll that back exactly where I want. I’m still kinda mad about that and I keep forgetting to change the settings. Anyway, the whole thing is like if someone mashed up a dark fantasy RPG with a porn studio that really likes mixing pain, magic, and romance into one big sinful soup.

You start as this ex–special forces guy who suddenly feels completely useless, which is kind of funny because he’s ripped, trained, all that macho stuff, and then some slime girl with tits bigger than his head just shrugs off rifle fire like it’s nothing. The world is getting chewed up by these dungeons that keep popping open like zits, monsters spilling out, magic everywhere, normal logic out the window. Then the whole “Awakened” thing kicks in, and he basically goes from soldier to magic freak with a hard-on, trying to clean up the mess in a way the army never trained him for. It’s not a heroic story in the usual sense, more like: “okay, the planet is screwed, might as well fuck my way through the problem while I’m at it.” The game leans into that. You go from room to room in these dungeons, talking to girls who really should be your enemies, but somehow they’re all stacked like hentai convention mascots and have faces that melt into ahegao the second your clothes come off.

The tone is weirdly calm at first. There’s this slow pace where you wander around the hub, poke different events, check who’s hanging out where, and it feels like a chill fantasy sandbox with magic and politics and people coping with monsters at the door. Then you stumble into a chamber and you’re suddenly pinning a demoness with wings and a ridiculous ass against a wall, stuffing her full until she’s moaning with that over-the-top tongue-out expression. The scenes are animated just enough, with these 3D-style CGs that loop and shift angles, and the dev is clearly horny for big breasts because every woman looks like gravity is just a suggestion. I like how the dungeon itself is part of the story, not just a corridor to spam fights. You discover weird rules, like doors that only open if you “satisfy” the guardian, or a cursed room that turns a regular battle into a domination scene where she tries to ride you into submission, then ends up getting creampied so hard the magic seal breaks. It’s stupid, but in a good way. And the facial detail when they hit that ahegao point? Uncomfortably good.

The slow-burn parts shine the most. Talking to a monster girl you fought last time and now she’s in your base, pretending she’s there against her will, while clearly waiting for you to take charge again. You learn bits of how their world connects to ours: some of them were human, some were born from the dungeon itself, and everybody’s sort of stuck in this war where sex and power are completely tangled. Couple of times I wished the UI didn’t hide the damn interaction spots in the hub because I spent like ten minutes circling around a tavern just to trigger one scene with a sorceress whose robe doesn’t even pretend to close over her boobs. That annoyed me and then I forgot because the next thing was her bent over a magic circle, gasping while you pump her full, white dripping all over the glowing runes. The domination angle is nice too, since you can play the protagonist as someone who enjoys having control in bed, even when the girl is technically a monster who could snap him in half. The writing isn’t “high literature”, but honestly it fits. Feels like reading a horny webnovel where the author really likes describing asses, and bodies, and that moment right after the creampie where her belly twitches and she pants and stares at you like “again?” and you’re like, yeah, obviously.

New Antioch feels like somebody took a brutal dark fantasy, smashed it into a porn game, then asked, “ok, but how much filth can we cram between all this blood and rusty armor?” You play as Mateo, this cold bastard enforcer everyone whispers about, the guy nobles send when they want someone broken, not just beaten. On paper you’re a loyal dog of this dusty mining province, stomping around a dead world that never really recovered from the last time humans fucked everything up. In practice you’re sneaking into the capital with a grudge, a hard-on, and way too much freedom to ruin people’s lives. One moment you’re ankle deep in corpses after a raid, the next you’re in some torchlit room humiliating a noble milf who has more jewelry than self-respect, riding your cock while begging you not to tell her husband. The game never pretends to be wholesome. You get romance, sure, but it’s the kind where you might pull a girl’s hair while she’s choking on you, then later actually feel weirdly protective when she flinches at someone else raising a hand.

The sex scenes are wild, and not in the “oh cute missionary with soft music” way. There’s a virgin priestess shaking so hard she can’t even guide you in, bleeding a bit while you slowly push deeper and whisper the most rotten shit in her ear. There’s a smug monster-looking thing you thought would just be a boss, but then you realize the “victim” chained near it is actually into it, and you end up watching way longer than you should, jerking yourself off like some pervert in the shadows. One of my favorite bits was this drunk, foul-mouthed older woman running a rundown tavern near the city walls, brown skin, messy hair, big ass. She pretends she hates you, spits insults, but when you corner her in the back room and tell her you know about her little smuggling side business, suddenly she’s on her knees, slurping you like she’s been waiting all year for that threat. The game gives you lots of those ugly little power moments: blackmail, humiliation, rough sex where you grab hips hard enough to leave bruises, or shove a girl’s face into the mattress while she moans that someone might hear. There’s even some twisted netori flavor when you bang a knight’s “pure” fiancée while he’s out dying for his banner, then smile at him later like nothing happened, still remembering the way she clawed your back and begged you to cum inside. It’s cruel, messy, unromantic and somehow still has these rare scenes where someone kisses you soft and nervous, and for a second you almost forget this whole world is just rotting slowly into dust.