Clara’s “Love Hotel” feels like the place your horny brain built when you were fifteen and your wallet was already imagining sugar daddies. It’s not some classy high-society escort fantasy. It’s cheap perfume, sticky elevator buttons, and girls who still check their phone between clients. You follow a teen girl getting sucked into Clara’s world, going from “I’m just looking for some extra cash” to happily spreading her legs for whatever rich pervert books the suite. The whole thing plays like a kinetic visual novel where you’re mostly there to watch her brain rewire itself around money, cock, and control, with Clara pulling strings and smiling like a sexy devil in a tight dress. The story doesn’t rush. First it’s teasing and striptease in those themed rooms, girls grinding slowly while the client watches like a creep through tinted glass, then the jobs start getting nastier: anal for an extra wad of bills, creampies that drip out while Clara counts the cash, toys shoved in to keep the girl “ready” for the next guy. You barely make a choice, you just sit there like a voyeur, and somehow that fits the whole hotel vibe perfectly.

One moment that stuck in my head had the main girl lying on silk sheets while an older woman, a full-on milf type with that rich cougar aura, just toys with her for a client hidden behind the curtain. She whispers to the teen how she’s nothing but a fucktoy now, fingers deep, thumb circling her clit, and the hotel’s camera quietly recording every twitch for “private archives.” The girl pretends to be shy at first, but the game doesn’t keep that illusion long. By the time Clara pairs her with a calm, serious dilf businessman, she’s already the one pushing his cock inside, asking if he wants to finish in her ass or her pussy because “Clara gives bonuses for messy endings.” There’s a fun little moment where two lesbians working the same floor sneak into an empty room between clients, toys buzzing, tongue on tongue, and you realize they’re half doing it for pleasure and half to warm up before the next paying guest. The corruption doesn’t feel cartoonish, more like a slow slide where you watch the girl go from flinching at her first blowjob to riding a stranger like it’s just a normal shift. Some scenes lean more romantic, weirdly enough, especially when a regular client starts bringing gifts and treating her like his personal escort, and the game kind of pretends there’s “love” in a place that operates like a brothel. It’s messy, horny, sometimes sweet, sometimes nasty, and it never apologizes for treating every girl in that hotel as both employee and property, legs open on demand while Clara counts the profits with that lazy, satisfied smile.

Michelle looks like the girl in your office who always leaves at exactly 5, hair perfect, life probably on rails. Except here she is in sweaty, neon Hong Kong streets in 1986, slowly losing her grip on that “good daughter, good employee” mask because one tiny, stubborn, chain-smoking woman named Sam keeps flirting with her in ways that are way too gentle to ignore and way too dirty to be innocent. The game starts pretty tame, all long bus rides, quiet apartment scenes, small talk about movies and clothes, but the whole time the camera lingers on thighs under skirts, fingers brushing on handrails, the little hesitation when Michelle looks at Sam’s mouth while they share a drink. It’s a slow, frustrating kind of heat, like when you’re stuck on Zoom meetings and sexting on Telegram on the side, except here it’s cassette tapes and payphones and cramped bedrooms with thin walls and parents one room away. The erotic stuff doesn’t explode in your face with instant porn. It creeps in. One kiss in a dark cinema where Michelle is stiff at first, almost scared, then you see her lips part, her hands tremble, and you can almost hear her swallow before she gives in and pulls Sam closer. Tongues, teeth, that wet sound, and she keeps her eyes half open like she still cannot believe she is letting another woman taste her like that.

When it finally goes past kissing, it hits like someone yanked the curtain down. You get these long, quiet scenes on a bed where the sheets are a bit messy, clothes half off, bras sliding down arms, Michelle trying to cover herself at first and Sam just laughing low and kissing every bit she tries to hide. There is a moment where Sam goes down on her, and it’s not some porn-speed blowjob logic. It is slow and almost awkward, Michelle gripping the bedsheet because she does not even have the words in her own language for what is happening between her legs. The text describes every tiny reaction, how her thighs twitch, how she tries to keep her voice down because her mother could walk past the door, how her hips start grinding against Sam’s mouth anyway, shame turning into this fucked up relief. You can tell the writers actually understand how it feels when you are eating pussy like you care about the person, not like you are checking off positions. There are pauses, deep breaths, a little laugh from Sam when Michelle whimpers a bit too loudly, and then she doubles down, tongue and lips and fingers working together until Michelle is shaking so hard she almost pushes her away. That first orgasm is not “perfect”, it feels real, messy, emotional, like she just broke some rule she has been obeying her whole life.

Under all that sex there is this heavy layer of family and culture pressure that honestly turned me on more than I expected, because the guilt makes everything spicier and more fucked up. Michelle sneaks back home smelling like cigarettes and someone else’s perfume, lies to her mother at the dinner table while still feeling Sam’s fingers inside her if she closes her eyes for a second. There are choices where you can lean into the romance, keep seeing Sam, or try to “fix” yourself and go back to the safe, straight, lonely path everyone expects. Some endings feel like a punch in the gut, some feel like a small rebellion that might not last forever but at least burns hot while it exists. It is a romantic story, yeah, there is sweetness, hand holding, soft kisses, that feeling when you are falling in love and every bus ride feels like a music video, but the game never really lets you forget that this is two women trying to build something intimate and wet and tender inside a world that keeps telling them they are wrong. That clash is what makes the sex scenes hit so hard. When Sam whispers “you’re mine tonight” while Michelle’s family photos are literally watching from the shelf, it feels dirty in the best way, like she is betraying everything for the chance to have her own life, her own pleasure, even if it all goes to hell later.

Claire is basically that girl who moves to the big city with way too much hope and not enough shame, and the game knows it. It starts pretty harmless, like some casual romance visual novel on your phone that you pretend to play on the subway while actually staring at the hot guy across from you, but then it slides into the horny mess part very fast. You follow her through this messy “I wanna be an actress” journey, where every casting couch looks a little too soft and every director is just one compliment away from unzipping. The voyeur stuff sneaks up on you too: sometimes you’re not in the sex, you’re just watching Claire peek through doors, overhear moans from the next room, scroll some sketchy chat app, and your brain goes “okay, I should not be this turned on by her spying but here we are.” And yeah, it’s romantic, but in that trashy, late-night Netflix series way where one minute she’s holding hands on a rainy street and the next minute she’s face-down, ass up on a stranger’s couch, thinking about how this will “help her career.” Relatable? No. Entertaining? Absolutely.

What surprised me is how the sexy scenes and the relationship drama are mixed together so you never get just one clean thing. You’re in this big city full of lights and noise, trying to keep Claire loyal to someone who maybe deserves her, but every time the game throws some confident older guy, or a hot actress rival, or some creeper with money, your resolve kind of melts. There’s this one casting where you can literally feel her hesitating, like “do I open my legs or walk away,” and I actually paused the game, opened Telegram out of habit, then came back and still made the wrong choice, twice. Cheating is not some hidden bad ending here, it’s right in your face, baked into how you pick dialogue, how curious you let her be, how bold you push her. Sometimes she’s getting her pussy pounded while thinking about another person entirely and the writing doesn’t try to clean it up. It just lets her be shameless and confused and horny, and you either go with it or pretend you’re better than this and still click the nasty option. The scenes with her big tits bouncing during those “auditions” hit hard, but then suddenly the same boobs are in a quiet, tender bedroom moment and you’re like, this is cute, I hate it, do it again. And the worst part is the save menu button is slightly in the wrong place on mobile and it bothers me every single time I mis-tap it and end up in settings instead, but I keep playing anyway, watching this girl trip through love, sex, and city nights like a walking tarot card: Fool, Lovers, Devil, all in one slutty, confused package.

Grief, horny thoughts and shitty autocorrect, that’s the basic vibe here. You sit in the skin of this older dad who suddenly has way too much free time because his only kid, Lidia, just flew off to some fancy university abroad. No more daily breakfast talks, no more nagging about homework, just a quiet house and a buzzing phone. The whole thing runs on text chats and little phone events, so you’re basically stalking your own daughter’s new life through WhatsApp-style messages and those fake notification popups that make you check your real phone like an idiot. At first it’s all cute and innocent: “Dad, I got lost on campus lol,” “Look at my dorm room,” typical teen stuff. You play the supportive, slightly awkward father, send her dumb stickers, give her clumsy advice about laundry and meeting new people. And then the conversations start drifting. Slowly. Painfully slow, in that “wait, did she just tease me or am I sick” kind of way.

There’s this moment pretty early where she accidentally sends you a selfie that is way too thirsty to be “for dad.” You can pretend you didn’t notice, or you can poke at it. The game totally lets you be that responsible parent who shuts it down, but of course the fun path is when you don’t. You joke back, she jokes harder, and suddenly the banter gets flirty in a way that would get your ass banned from most Discord servers. It’s kind of messed up, because the more lonely she feels at uni, the more clingy and playful she gets on the phone. She tells you about cute guys in her class, about some older professor that gives her looks, about drunk parties and how she “accidentally” forgot her bra. Then she sends voice notes about how no one understands her like you. Then she sends a pic where her top just “slipped.” You give “support,” she gives nudes. Fair trade, right? The game leans hard into that slow corruption thing: at first it’s fatherly pep talks, a bit of romance roleplay as a joke, then late-night sexting where she’s literally typing with one hand and telling you exactly when she’s about to cum. There’s a route where she starts asking you how to “handle” older men, and the way she phrases it makes it pretty clear she’s imagining you, not them. When she finally sends the first straight-up explicit shot, with cum dripping down her thigh, she frames it like she wants “advice” if she did it right. Like she’s submitting homework to daddy. You get that hit of “oh fuck this is wrong” and then you tap the next choice anyway. The dad’s side is not just horny either. You get these little details, like him scrolling through old photos of his dead wife while Lidia is live-texting him about how needy she feels. Sometimes he literally flips between an old family pic and a fresh shot of her tits, and your dialogue choice decides if he focuses on guilt or lust. The humor is dirty and kinda mean too, with her calling you a dilf in one branch and then playing it off as “haha just TikTok slang.” The teasing is constant: read receipts, typing indicators that stop and vanish, half-finished messages like “Sometimes I wish you were here to…” and then she deletes it and sends some safer line. The game knows exactly how to bait you. There are scenes where she’s in her dorm bed after a shitty day, crying in voice, and you can either comfort her like a normal parent, or gently nudge it into romantic territory, and both feel wrong in different ways. When she finally asks you to stay on the phone while she touches herself, whispering “pretend you’re here with me,” it hits that nasty sweet spot between romance and total taboo. Text based, yeah, but some of those one-line messages feel filthier than a whole CGI porn movie. And the worst part? The game lets you be genuinely caring, even protective, right in the middle of making her describe where your imaginary cum lands on her face. You’re basically roleplaying emotional support and perverted fantasy in the same breath, and the writing is just good enough that you kinda forget how fucked that actually is.