I didn’t expect to laugh this much during what’s basically a porn game about rebuilding civilization with your dick, but here we are. “Dickcare” doesn’t even pretend to have subtlety, which somehow makes it better. It’s like the dev looked at every crossover hentai fantasy - Velma squinting behind foggy glasses, Raven pretending she’s not into it, Tatsumaki rolling her eyes while secretly moaning - and said, yeah, let’s just throw them all in one ruined world and call it salvation. The writing’s half self-aware and half deranged sincerity; the voice lines swing between awkwardly horny and genuinely funny. There’s one scene with Frankie in a busted gym locker room that made me pause, not because it was hot (though it is), but because she calls you “hero” in this weird soft tone right before things get messy. It stays in your head longer than expected.

What’s wild is how much *sound* adds to everything. You can tell someone cared about the way a zipper slides down or the slap echoing off concrete walls. The sandbox part? Looser than it sounds. You wander, talk, get distracted by some zombie side plot that doesn’t matter, and suddenly Velma’s stuck halfway through a ventilation shaft. It’s ridiculous, yeah, but also... kind of perfect. There’s no grind, no fake moral choice. Just dirty, absurd freedom. Though, I swear one moaning loop cuts off too early - it’s such a small glitch but now I obsess over it. Maybe that’s the point: perfection would ruin the charm.

It’s funny how a game full of cum jokes and cartoon parodies ends up feeling more alive than most serious stuff. Maybe because it doesn’t care if you take it seriously. One minute you’re saving humanity, next you’re wiping something off Raven’s cape while she pretends not to blush. If there were awards for “Most Unnecessarily Emotional Cum Scene,” this one wins without competition.

Mystery Inc rolling up to some random Dutch castle already sounds cheap and horny, and this game doesn’t even pretend to be classy. Velma gets thrown right in as the brainy monster hunter who somehow keeps losing more clothes every time a “bizarre creature” jumps out. The tone is this messy mix of Saturday morning cartoon and late-night porn tab you forgot to close on Chrome. You’re clicking through these little scenes where she’s trying to “analyze” slime samples and weird footprints, but let’s be honest, the monsters are just lining up to fill her up. There’s a big focus on cumshots and creampies, and the game actually leans into it instead of cutting away. When one of those big ugly bastards finally pins Velma and she’s squirming in that half-ripped orange sweater, the camera just stays there on the moment it all spills deep inside her. No classy fadeout, no clever joke, just thick white mess and a nerd girl breathing hard like she’s trying to do math in her head and failing. It’s filthy in a very direct way that I weirdly liked. On my phone with Chrome and on Edge on my old laptop it ran the same, just occasional lag when the monster finishes and the white stuff keeps layering up. I actually thought my browser froze during one of the castle corridor scenes, but it was just the animation looping slightly awkward. Kind of charming, kind of annoying.

Daphne shows up as the redhead distraction, like usual, but they crank her into almost bimbo mode. Half the time she’s talking about “feeling a strange energy” and the other half she’s bending over for no reason at all while something with claws and glowing eyes watches from the shadows. There’s a funny bit where she’s trying to act like some pro monster slayer, but the “plan” is obviously just her getting grabbed and used. She gets those full-body shudders when a monster finishes inside her, and the game holds on her face when she realizes it’s not just on her skin, it’s dripping out of her. The pregnancy risk vibes are strong even though nothing is spelled out, especially with how the camera keeps going back to stretched, used holes and that slow leak of cum. It’s not subtle. I went in expecting more actual mystery, like some real Scooby Doo unmasking where the monster is an old dude in a suit, but nope, these are straight-up monsters who fuck, and everyone just kind of accepts it. It’s funny, because the story pretends to be serious, but the pacing is just sex scene, quick line of “investigation”, then more sex. Still, I liked how the castle itself feels like a horny maze of traps, ruined halls, and secret rooms where Velma is suddenly on her knees with a huge shadow over her. I kept wishing there was a proper build-up scene where they all sit in the van talking about their plan, but the game just throws you right into the cursed sex dungeon vibe and never really explains why these girls are this into monster cock. Or maybe it does and I just clicked too fast because the next creampie was loading. Either way, it sticks in your head like some weird wet dream you’re slightly embarrassed to remember later, when you open your browser history and see that dumb castle again.

I don’t even know what I expected when I clicked on *that* thumbnail, but this game’s hotel isn’t a place you walk into - it’s something that kind of swallows you. The first girl greets you with that half-dead sparkle, like she just crawled out of a morgue and straight into your lap, and somehow it works? Her skin’s got that faint blue tint, but when she starts talking dirty, you forget the “zombie” part real quick. There’s this weird rhythm to how the rooms unlock - like the game is teasing you, always dangling another girl behind some invisible counter. You think you’re done after the scientist chick who keeps calling you “specimen,” but then bam, the door slides open and there’s Luna Snow looking like she wandered out of a Marvel crossover fanfic gone horny.

What messes with me is how inconsistent everything feels in the best way. Sometimes it’s tender, sometimes it’s like watching a fever dream where Velma Dinkley is teaching you anatomy lessons you definitely didn’t get in school. The moaning animation syncs up too well with the clicking sound - tiny thing, but once you notice, you can’t unhear it. And don’t get me started on the hotel lobby music, which sounds like someone mixed elevator jazz with funeral bells; somehow it fits when a zombie nurse is giving you a handjob that looks way too professional. The cum-as-currency idea? Ridiculous, yet satisfying. It’s like capitalism finally found its true form. I kinda hate how much I laughed at myself keeping score like a finance bro.

There’s one glitch that drives me nuts: sometimes the girls’ eyes freeze mid-blowjob, like you’ve offended them spiritually, but maybe that’s the point? Half the charm is that it doesn’t apologize for being messy. The writing swings from cheesy one-liners to genuinely filthy pillow talk that catches you off guard. You’ll finish one scene thinking, “Okay, that’s enough,” and five minutes later you’re unlocking Katara doing something that’d make Nickelodeon lawyers cry. It’s a trainwreck in a silk robe, and I mean that as a compliment.

There’s something weirdly hypnotic about this one. Maybe it’s the way the story pretends to care about training or discipline, but every scene just turns into a slow slide into something filthier than the last. The girls act like they’re trying to impress you, but half the time it feels like they’re daring you to lose control. Hinata’s quiet voice hits harder than it should, like she’s whispering something she’s not supposed to say. And Ino - god, she’s written like she knows she’s in a parody and is just rolling with it. I kept expecting the game to break the fourth wall, but it never does, it just stares back at you like, “Yeah, you’re still here, huh?”

The mobile version runs smoother than I thought, though the sound loops are a bit off - someone really needs to fix that moan that cuts mid-breath, it’s driving me nuts. Not in the good way. The scenes with Tsunade are ridiculous, like they were designed by someone who’s never seen gravity in action, but that’s kind of the charm. There’s a moment with Mei that almost feels tender, until the dialogue reminds you this is a slave trainer fantasy and tenderness doesn’t belong here. I liked that contradiction, actually. It’s filthy and fake and still manages to hit something real for a second before yanking it away.

I wish they’d done more with the Scooby-Doo crossover joke; it shows up once, then disappears like it was embarrassed to be there. Also, why does every character blink at different speeds? It’s unsettling. But when the camera lingers on Sarada’s smirk, you forget everything else. The writing slips between awkward and accidentally poetic, like a drunk confession. And even though I’d never admit it out loud, I caught myself replaying the Hinata route just to hear her break that one line again - it’s wrong, and it’s perfect.