Frieren looks way too calm for someone getting dragged into that kind of hole. Like, she keeps this saintly face while the whole dungeon’s alive with squishy noises and glowing runes that probably weren’t OSHA-approved. The game doesn’t even pretend to be serious - one second you’re clicking through some dusty corridor, the next she’s half-stuck in a wall, robes sliding down, and I swear the tentacles have better comedic timing than half the anime parodies I’ve seen. There’s this dumb little sound effect when you misclick that feels like the dev trolling you personally. And yeah, I laughed, then immediately felt weird for laughing, then laughed again. That’s the loop here: arousal, confusion, laughter, repeat.

Mechanically, it’s point-and-click, but not the “find the key” kind - more like “poke the wrong spot and something indecent happens.” The animation’s surprisingly alive; her eyes twitch in that awkward, human way that makes it both hotter and funnier. You can tell the artist’s obsessed with micro-expressions - tiny smirks, that split-second of resistance before she just gives up trying to look dignified. The glory hole bit? It’s handled with this absurd level of ritual, like the dev wanted to parody sacred fantasy tropes but ended up making the most unholy confession booth imaginable. Sometimes the camera lingers too long, like it’s waiting for you to blink first. I didn’t.

What kills me is how unserious it all feels. There’s no fake epic music, no “chosen one” nonsense - just this quiet, looping moan track that somehow fits the dungeon’s echo. I kept expecting a boss fight, but the only thing that fought back was my mouse hand. It’s lewd, sure, but it’s also self-aware in a stupidly charming way. You can almost hear the dev whisper, “yeah, I know what you came for,” while Frieren’s face says, “I can’t believe I’m in this mess again.” And honestly? Same.

Raven wakes up in Lustein with the kind of hangover you get from reality itself, not from alcohol. She knows three things: her name, that she’s a witch, and that everyone around her is way too horny for a Tuesday that doesn’t even exist. The town looks like some fantasy RPG town you half remember from an old JRPG, but somebody replaced half the NPC dialogues with porn hub comments and cult propaganda. On one corner there’s a prim girl in a hood preaching purity, on the next there’s a slime girl casually jerking off a tentacle beast in an alley, and both scenes feel normal after about ten minutes. The game doesn’t even apologize for it. You walk Raven around, poke your nose into “investigations,” and every lead about the mysterious Order somehow slides into another sex scene, another shady deal, another monster with way too much cock for its own skeleton.

What I liked is that Raven isn’t written like some clueless virgin protagonist who “accidentally” falls on dick every five steps. At first she’s confused, guarded, trying to treat every encounter like a real case file. You’re choosing dialogue options, digging for clues, following rumors about disappearances and strange symbols, but half the clue-givers are masturbating behind curtains or peeping through keyholes when you arrive. The voyeur stuff sneaks up on you: you accept a “stakeout quest,” thinking you’ll watch a corrupt priest meet his contact, and suddenly you’re crouched behind a crate, watching him get absolutely flooded by his own acolytes in a holy-bukkake ritual that looks like a blasphemous version of a Klimt painting. You can stay hidden, stroke yourself with Raven’s gloved hand while the scene unfolds, or reveal yourself and twist the ritual to your own kind of magic. The game pretends it is about an investigation, but it is actually about how far you push her corruption, how much you let Lustein leak into her soul and underwear. There’s turn based combat, sure, but it’s the kind of combat that laughs at normal balance. You’re casting spells that bind tentacles, seduce bosses, or literally masturbate mid-battle to charge a corruption bar that works like mana and moral decay at the same time. An early battle with a raven-headed knight is still stuck in my head: the fight starts like normal, you exploit his weak point, suddenly his armor snaps away and what’s under it could never fit in that plate mail. You can finish him “properly” with fire and hexes, or stun him using a seduction stance that turns the screen into a slow striptease, then ride him until he swears fealty with a mouth full of your magic. There is this absurd tension between “I am saving this world” and “I am absolutely getting railed by it.”

The outfits are not just costumes; they feel like alternate timelines for Raven. You change from a modest witch dress into a shredded leather top and thigh-high boots, and the game quietly adjusts how people react. That prim Order nun earlier suddenly stops seeing you as possible recruit and starts looking at you like potential prey, cornering you later in a side chapel and suggesting “purification” that involves ropes, candles, and her tongue taking a pilgrimage between your legs. Another time I put Raven into a delicate, almost scholarly robe, and went to a monster-infested forest. Bad idea. The tentacle plants there literally respond differently, coiling around her as if they’ve found a rare flower and need to pollinate it from every angle. You’re given choices, but a lot of them feel like you’re only choosing how filthy things get, not if. One quest has you investigating rumors about a masked witch corrupting villagers. Plot twist: that witch is basically you from the future if you dive too far into the hentai logic of Lustein. Fighting her in turn-based battle is weirdly arousing and tragic: magic circles, mirrored incantations, her taunting you with what you will become, then pinning you down with living chains while she pours her “knowledge” into your mouth. The best part is I hated some tiny UI things, like how the log sometimes hides a line you want to reread during a particularly heavy lesbian ritual, and I will complain about this in my head forever, but at the same time, when Raven kneels in a ruined library, covered in monster cum, reading sigils from a soaked grimoire while fingering herself to unlock a new spell, I forget everything else. It feels like those old fantasy paperbacks where the margins are full of notes from some horny reader before you, except now you’re the one writing them on Raven’s skin.

Truck-kun strikes again and this poor shut-in kid wakes up in what feels like some horny MMO server that forgot to implement shame. The start is kind of funny, he’s just confused, staring at this fantasy city where every alley smells like sex and magic, and you can almost hear the goddess going “yeah, you’ll figure it out, good luck, idiot.” I went in thinking classic loser-isekai with big boobs slapped on top, but it actually leans hard into that “you are prey here” feeling. First time you wander near the red light area and see a fluffy fox girl arguing with a slime prostitute about who stole whose client, it hits you this place runs on lust as normal currency. The voyeur stuff kicks in fast too: there’s a scene where you peek through shuttered windows and catch a centaur girl milking a cow-girl, swapping buckets, both laughing, and you can just keep watching them get more handsy while the MC gets painfully hard and does nothing about it. Or you can interrupt like a creep and change the whole vibe. Totally didn’t reload that twice. Nope.

What surprised me is how the game keeps throwing you into situations where your dick is negotiating with your sense of self. The succubus you chase at the beginning feels like “main heroine” at first, she’s all teasing smiles and fake kindness, but later you realize she is farming you like a battery. The first time she pins you down, riding you while tentacles hold your wrists and ankles, dripping some glowing stuff on your chest that slowly changes your body, it’s hot and really unpleasant at the same time. There’s this detail where she makes you drink from her, and you see your own chest twitch like it wants to grow, then stops. It’s such a tiny thing, but it sells that you are one wrong choice away from full transformation. Then later a cow-horned brothel madam offers you a “job” where you can either fuck clients or be fucked by them, including some very pushy monster girls who pay extra to drain you dry. The prostitution angle is weirdly casual: NPCs talk about it like normal work, while you’re standing there half-naked in a collar, wondering why the hell this contract asks if you are okay with lactation scenes. There’s a repeatable event where a spider girl uses you as her personal toy, dangling you over a nest and milking you into jars, and the game treats it like just another shift. It’s messed up. I loved it. I hated it. I kept coming back to try different paths like some degenerate speedrunner, all while listening to old YMCK tracks in another tab and thinking, yeah, this is absolutely not how my childhood idea of “fantasy world” looked.

College looks normal on the surface: crappy dorm beds, group chats blowing up over nothing, professors who talk like podcasts on 0.75x speed. Under all that, this game quietly hands you a body that does not stay put. You start as this regular 18-year-old guy, horny and stressed and barely holding it together, and then your skin starts crawling in ways that aren’t just “I need to jerk off before lecture.” Limbs stretch when you panic, muscles twist into inhuman shapes, and your reflection occasionally smiles before you do. The story doesn’t treat it like some heroic anime glow-up either. It feels dirty, like your own body is hitting on you and you can’t tell it to stop. That’s the fun of it, though: you’re constantly one bad choice away from accidentally showing everyone that the cute freshman with the big cock can also casually grow tentacles out of his back.

What really hooks you is how the erotic stuff grows out of that corruption instead of being tacked on. One scene you’re trying to stay calm in a packed lecture hall while your power reacts to a random boner, and the next scene you’re in a bathroom stall, literally reshaping yourself just enough to jerk off without leaving obvious traces, only to lose control and end up painting the walls with thick, barely-human cum. And when the game starts playing with gender shift, it doesn’t pretend it’s some wholesome identity journey. You slide into a soft, curvy version of yourself with big tits and a fat ass because it feels good and because you realize how easy it is to make people stare. There’s a kind of wrong thrill in turning into a stacked girl to get closer to some dude who’d never look at you as a guy, then tempting him into a messy titjob or sloppy blowjob while your mind is still very much male, buried somewhere under the bouncing flesh and ruined mascara. The writing leans into that twisted mix of arousal and shame: you’re hard even when you don’t have a dick, dripping in all the wrong places, surrounded by people who think you’re just another thirsty coed while something inside you writhes like a monster in heat.

Then there are the actual monsters, the things that gave you this power in the first place. They don’t just show up for fights; they slither into the sex. Tentacles that push under your clothes when you’re trying to act normal on a date, thick coils sliding between your transformed thighs while you’re grinding on some unsuspecting classmate, that awful, amazing moment where you realize you can open yourself in ways no human body should and take every inch of it. Scenes stack up where you’re pinned to a dark alley wall, or bent over some forgotten rooftop edge, body shifting to accommodate impossible girth, every hole filled and overflowing until you’re basically covered in cum, breathing hard and half laughing because part of you likes being used like that. Sometimes you turn it around and use your powers to be the monster instead, growing extra hands for a rough handjob, reshaping your mouth for deeper oral, pushing into a wet, stretched pussy while your skin ripples and your partner doesn’t even notice at first. The horror part never totally leaves; even when you’re riding a dick or taking a monster cock, there’s this background hum that you’re one wrong pulse away from snapping into something no longer human. And yet you keep pushing, keep masturbating with a body that can grow new angles to touch, chasing stronger orgasms while you try to pretend you’re just a normal freshman and not a walking sex-horror glitch waiting to explode all over the world.