It’s weird how this game keeps slipping between being horny and being kinda sad. Like one moment you’re scavenging a half-broken supermarket for canned beans, and the next you’re watching Tiffany bend over in that torn tank top, and you *know* the camera’s doing it on purpose. I thought it’d be just another zombie clicker thing, but then it starts poking at your nerves. You play as Mark, but you’re not really him, because half the time you’re watching what happens when he’s gone. It’s uncomfortable but also… hot? I don’t know. The animations are surprisingly smooth, not glossy, more like something someone obsessed over too long in a dark room. Her skin looks sticky in the flashlight. The moans sound too close, like she’s right next to your ear, whispering something you shouldn’t hear.

I wasn’t expecting the teasing parts to be so drawn out. There’s this bit where Alex “accidentally” touches her thigh, and you can tell she notices but pretends not to. Then later, the game just lets you wander around while that tension sits there, heavy. I thought I’d hate the sandbox thing, but it actually makes it worse - like you’re the one choosing to look away or not. The monsters outside barely matter after a while; they just groan in the background, a reminder that everything’s falling apart while something even messier happens inside. There’s a scene with oral that I didn’t think would hit me, but it’s messy and awkward and somehow more real than most. I wish the sound balance wasn’t so off though, the wet noises drown out the dialogue sometimes. Maybe that’s on purpose.

It’s not pretty, but that’s what makes it stick. The game doesn’t care if you feel guilty. It kind of wants you to. I kept thinking I’d stop after one more scene, but then I’d catch a glimpse of Tiffany walking past a broken window, the light hitting her skin just right, and I’d forget whatever I was supposed to be doing.

This one feels like someone took a horny fashion week, locked it inside a demon brothel and then said “ok, now make it emotional but still fuck a lot.” The House itself is basically a luxury showroom where every corridor feels like a backstage runway right before the models go out, except the models are demons and humans trying to fuck their way to a Hall of Fame. I’m a lingerie designer by job, so I notice stupid things first. The first time you meet one of the girls, the way her outfit tells you exactly who she is before she speaks really hit me. Lace that looks innocent from far, but closer you see it barely hides anything. Straps that look decorative, but they sit exactly where a hand would grab during sex. Superpowers here are not just some menu choice, they feel like extra accessories on a body. Power is styled, not only written. You’re a demon with memories locked away and somehow the story still wants you to care about feelings while also asking you “ok, which pussy do you want tonight?” It should not work, but it kind of does. Or it doesn’t. I can’t decide.

The whole “performer” angle makes the sex feel like a show you’re also directing, not only watching. There’s a moment where one girl is trying so hard to impress you that she holds her pose longer than is actually sexy, like a model freezing for a bad photographer. She keeps her legs open, panting, waiting for your next choice, and there’s this tiny second where you see her doubt slip through the dirty talk. That tiny second is weirdly hotter than the actual vaginal sex that follows. Speaking of that, the game is not shy. Penetration is treated like something serious, not “and then dick goes in, fade to black.” You pick how you approach, how rough, how soft, and her reaction is not just one repeated moan file in your mind. She complains, she teases, she even gets annoyed at you once for stopping halfway and I liked that a lot. No, actually I hated it, because I had to reload to see another option and the menu font is too damn small and now I am angry again. Anyway. The House is all about “who pushes which button” and sometimes that is literal: there are choices that feel like pressing a nipple, or sliding two fingers between lace and skin. The game pretends to care about your mission to save someone important, but every time a girl leans in, whispers in your ear, offers you her throat and her thighs, the whole grand destiny thing disappears like last season’s collection. Which is fine. Or not. I actually forgot to talk about the harem side, but you already know what that means. You start thinking “I’ll stay loyal to this one broken, beautiful demon” and two scenes later you are balls deep in someone else, promising her she is special too. And the thing is, the House believes you. That’s what sticks after closing the tab: all these women styled like living lingerie, each one trying to be your favorite outfit, while you pretend you’re choosing with your heart and not with your cock.

Galaxies are dead quiet until somebody tries to blow you up in your own shitty space apartment. That is basically how this thing kicks off. One second your biggest problem is overdue space-rent and a fridge with one sad noodle box, next second the whole building goes up, alarms screaming, and you are crawling out of burning junk with some assassin still trying to finish the job. It feels chaotic in a fun way, not like “cinematic masterpiece,” more like “holy shit what just happened, also I kind of have a boner.” And then your partner is gone. Not dead, not clearly kidnapped, just missing, and everyone you ask acts like they absolutely know something but would rather jerk you off with sandpaper than tell you straight. The vibe is very “galactic conspiracy but also everyone is horny and kind of an idiot.” I liked it. I also hated how often I paused because some girl moaned in my headphones while I was in line at Starbucks, but that’s on me, not the dev.

Sex scenes are where it really stops pretending to be serious. One minute you are arguing with some merc chick over who screwed up the contract, next minute she has you pinned in the cargo bay, riding you slow while still half in armor, visor thrown off, voice actress just going for it. The animations are not perfect, you can see some janky loops sometimes, but honestly the slightly rough look makes it hotter. There is a blowjob in a cramped shuttle cockpit where she keeps glancing up to the starfield while your character is trying to keep the ship steady and failing badly. I had to grip my phone like it was going to escape. Handjobs pop up a lot too, not lazy ones, more like those teasing “I know you have questions about the missing partner but let me stroke you until you forget what you were asking” scenes. And they work. Too well. One dancer in a space-club drags your hands to her ass, gives you a lazy handjob through your pants, and you can choose to be a half-decent human or just pull her into the private room and go fully vaginal, legs around your waist, heels scraping your back. I absolutely went for the worst option. Twice.

What surprised me was how they play the more fucked up stuff next to the comedy. There is this ambush on a derelict station where enemies actually die ugly, blood on bulkheads, one guy basically torn open by some drone, and right after that you end up hiding out in a filthy maintenance room with a sarcastic engineer girl who is still covered in someone else’s blood while she casually jerks you off to “calm you down.” The contrast feels wrong in a good way. The game keeps dropping jokes in the middle of serious scenes, like the main dude cracks some stupid one-liner while he is literally balls deep in an alien officer, her boots pressed to his chest so it lowkey turns into a footjob halfway through. She keeps gasping in this clipped, aristocratic accent, trying to stay in control while he smacks into her harder and harder. Fully voiced, too, so your volume slider will become your best friend if you live with thin walls. The harem angle sneaks up on you, suddenly you realize you have a cynical pilot who likes oral in the cockpit, a shy scientist who lets you fuck her on a lab counter between data scans, and that one crazy assassin girl who uses her feet on your cock first, then sits down on it like it owes her money. And all the while the big mystery of “what happened to Earth” and “where the hell is my partner” is dangling there, but honestly half the time I forgot to care because someone was already on their knees, tongue out, ready to make me forget the plot again. In a good way. Mostly.

This one feels like someone took a horny Mass Effect parody, put it through a blender, forgot the lid, and just went with the mess. In a good way. Mostly. The whole thing starts with your guy waking up in the wreck of his apartment after someone tried to blow him to pieces, which is honestly pretty relatable if you ever had a landlord. The galaxy is all shiny and far away from Earth, nobody even remembers what happened to the old blue ball, and the game just shrugs and says “who cares, go chase pussy and conspiracies.” You’re this male protagonist who should probably be dead, your partner has vanished, and instead of quiet investigation you end up jumping ship to ship, station to station, talking shit, flirting with literally everyone with a pulse, and getting dragged into bigger stuff you absolutely do not have the mental health for. It has that kind of sci‑fi vibe where half the tech doesn’t make sense and the characters treat it like a broken phone: hit it, swear at it, it works again.

The sex scenes are honestly the thing that hooked me more than the story, and I say this as someone who actually likes reading dialogue. The animations are not perfect, like sometimes a hand goes a bit weird, but there’s this dirty energy that feels more like watching amateur porn with a storyline instead of that cold factory stuff. There’s proper voice acting too, and it is wild how much that changes the vibe. Having a girl moan in your ear while she gives a handjob or goes down on you, actually reacting to what’s happening on screen, even if the accent is sometimes like “where are you from exactly, space IKEA?” I was playing on my phone with headphones on in a café and legit almost threw my phone when one of the girls started this breathy dirty talk in the middle of a footjob scene. People looked. I pretended I was just very emotional about Twitter. Sometimes the voice work is weirdly good, then it drops to kind of amateur level again, but honestly that makes it feel more human. Porn with slightly awkward timing is still porn. Also, the game is not shy with vaginal sex at all. You’ll go from small talk about ship repairs to raw pounding with like two lines of transition, and for some reason that harsh cut works better than all those “romantic” fades other games keep doing. Oh, and the harem angle sneaks up on you. First you think “ok, one girl, maybe two,” and next thing you’re in a situation where three women with different attitudes and body types are basically orbiting you, throwing jealousy and jokes, and sometimes getting on top of each other instead of you. There is one blowjob sequence where one girl keeps eye contact the whole time while another character is just offscreen arguing about some mission thing, and I swear that weird mix of plot and throat work is the most “real” porn gaming moment I had in months.

The part that surprised me was how casually it throws graphic violence in between the lewd bits. One second you’re watching your MC get a messy, spit‑heavy blowjob, the next scene shows someone’s body spaced, blood freezing in a way that made me go “ok, that’s actually nasty.” It is not tasteful at all, it is just “yep, space is cruel, anyway want a footjob later?” There’s this one fight where things go south and you see a character get shot point blank, and I honestly thought the game would cut away, but no, it stays there longer than needed. Made the following sex scene awkward in my brain for like five seconds, then there was this slow handjob with nice sound design and my brain just happily forgot the corpse. Brain is cheap like that. The sci‑fi humor is very hit and miss: sometimes it’s solid banter, like your guy roasting some alien for their stupid weapons, sometimes it sounds like Reddit trying to write Whedon dialogue. I actually laughed when a character made a completely wrong reference to some old Earth meme, like they half‑remembered it from corrupted archives. There’s also this tiny thing that annoyed me: the UI button for skipping voiced lines is just a bit too near the auto‑advance on mobile, so I kept fat‑fingering it on my Pixel and losing lines, and I’m still mildly pissed about that and it will never be fixed and I’ll die slightly angry. But then they hit me with another wet, noisy oral sex scene, the camera right where it should be, hips moving in that slow grind that feels heavier than the earlier quickies, and I just forget what I was complaining about. And then remember. And then forget again. Honestly, the whole game feels like that: messy, horny, a bit cruel, kind of funny, very unbalanced, but somehow you keep tapping the screen anyway, like a monkey in a lab that discovered the orgasm button.