You wake up in this game as a doctor who literally can’t move, stuck in bed with your broken body, pain meds, and way too much free time. Your wife and your daughter are the ones going out into the world instead of you: they fly off to some dusty, poor coastal village in Africa, “humanitarian mission” and all that, while you stare at your phone and laptop. At first it feels kind of noble: they send you sweet photos, your wife in that tight blouse under the white coat, your daughter in shorts that are definitely not regulation length, smiling with local kids, palm trees in the back, bad internet connection and all. Then the messages change tone. She forgets to answer. Your daughter sends one picture that looks a bit too intimate with one of the guys from the village, and your brain starts eating itself. And that’s basically where the game leans in and says: alright, now let’s fuck your head completely.

It plays like a visual novel, yeah, but the important part is how much it loves to tease you. You pick a text reply and you feel like a creep, or like a caring husband, or like a jealous psycho, depending on how honest you are with yourself. You can be supportive, like “I’m proud of you, love, keep helping people”, while your eyes stay glued to a photo where some tall, dark-skinned dude stands way too close behind her. Or you go the other route: “Who is that guy? Why is he touching you?” and she answers something calm and reasonable, and somehow that hurts more. The story splits like crazy based on this stuff. One path keeps things relatively “pure” for a while, another one throws you face first into cheating, masturbation scenes, and those slow-burn corruption moments where your wife starts describing how “open-minded” the locals are about sex. There’s this late-night chat where she tells you about a woman in the village who uses improvised toys and then casually slips in that she tried it too because “it would be medically irresponsible not to understand,” and the game shows it in full detail. That scene is nasty, but in a good way.

The AI-generated images are properly filthy when they want to be. Sometimes they look almost like real photos, sometimes a hand looks a bit weird, but honestly you stop caring when you’re staring at your wife bent over in a cramped shower stall, water on her skin, some guy’s shadow behind the curtain. Or when your daughter sends you a “joke” pic of herself topless from the back, mirror catching way more than she probably intended. The game loves these half-innocent, half-fucked-up moments where you can choose if you are the decent father who pretends not to notice, or the guy who zooms in, saves the pic, and then later jerks off to it in the dark while she’s out there in a hut with no electricity. The masturbation scenes of the MC are actually some of the best-written parts, which sounds dumb, but it fits: he’s stuck, horny, powerless, and the only thing he can really do is spy on his own family and jerk off with way too much guilt. At one point, after a fight, you can decide to blackmail your own wife with her nudes that you secretly recorded from a video call, just to wrestle back some control. It’s disgusting. I did it on my second run and hated myself. Then did it again with different choices to see how far she goes with the big muscular guy from the clinic, and that route turned into full cuckold territory, interracial gangbang vibes, anal, exhibitionism in the village under the moon, your wife almost parading herself in front of people who pretend it’s just “humans being free”. There’s a scene where she’s lying on her back on this rough table, legs open, some local dude fucking her raw while she’s still technically talking to you on a call, moaning into the cheap headset, half of her words for you, half for him, and you can either encourage her or break down. It’s messy, it’s really not subtle, and that’s kind of why it works. The game constantly asks: are you husband, father, doctor, victim, or pervert? And the problem is, it lets you be all of that at once.

Kate Adler looks like the kind of woman you cross the street for, not because she’s scary, but because you know she’d read every dirty thought in your head and file it away like evidence. The game just throws you into this huge, sweaty, sleepless city where everything feels a bit wrong, like the whole place smells of perfume, gun oil and cheap disinfectant. One second you’re zooming in on some grainy club camera feed, trying to match faces, and two clicks later you’re watching that same guy rail some VIP slut in a back room while Kate acts all professional and still clearly getting turned on. She pretends she doesn’t care, you don’t pretend anything. The whole thing plays like a visual novel that forgot how to be polite. You bounce between interrogations, tailing people, reading all these messages full of lies, and then suddenly you’re choosing if Kate lets someone bend her over a balcony in those stupidly tight jeans. The pacing is weird in a good way. Some scenes are slow, like late night Netflix scrolling where you tell yourself “just one more,” then out of nowhere the story slaps you with missing girls, fake passports, and this high-society sex club that tries way too hard to look exclusive and ends up feeling like a horny IKEA maze.

Nocturne, that club, is where the game really starts being nasty. You get those masked rich assholes, dancers in latex, people pretending they’re not scared, and Kate walking in like she owns the place even though she’s basically spying. There’s this moment where she’s in a private room, supposedly just listening to two big shots talk business, and the dialogue quietly shifts from blackmail to who they’ve had in chains last weekend. You get the choice to keep the audio clean or push her into “deeper cover” and yeah, if you pick the second one she ends up on her knees, using sex as a tool and also clearly liking it. I loved that scene and kinda hated it, because the game gives you the power and then rubs your face in what you used it for. Also the UI text for the clues is tiny in some menus and it pissed me off for no reason and then I forgot about it five minutes later when she got her ass fingered in the backseat of a town car while pumping a politician for information. Sometimes the writing hits hard, like when she’s alone on a rooftop, tired, trying to connect dates and names, and her phone buzzes with some slutty offer to “come relax” at the club again. Other times it throws in jokes that land like a wet sock. Doesn’t even matter. The city feels alive in that broken, horny way where every neon sign hides a camera and every secret costs either money, blood, or Kate’s pussy. You jump from glossy penthouse to damp tunnel to cramped office with an evidence board, and it never fully explains things, just trusts you to click, read, decide who she fucks, who she betrays, and how deep she lets that corruption crawl into her body and her brain. Dare to play it alone, or invite company?

There is this strange, heavy feeling when the game opens, like walking back into an old porn folder you forgot, but someone has replaced all cheap hentai with something that actually stares back at you. You are this ancient thing, Iraáil, a vampire god-thing, whatever, but tired as fuck. Not the sexy edgy teen vampire tired, more like “I’ve seen too much blood and too much bad sex and I’m bored of both” tired. The game sits you in that mood right away. You’re not chasing girls in school uniforms, you’re walking into the ruins of your own family, and everyone in it either wants to fuck you, kill you, or cry when they see you, sometimes all three in same scene. The writing leans hard into that mix of horny and awful. One moment you are licking blood off someone’s throat while their lover watches and shakes, half terrified, half desperate to be next, and the text lingers on the taste, the smell, the way their body softens under you. Then, in the next line, it hits you with “this is your child’s descendant” and suddenly your dick and your conscience are in the same small coffin.

What got me is how the erotic scenes never feel like they are in a separate folder from the rest. You make a small choice, like putting a hand on a shoulder instead of around the throat, and three scenes later someone is either on their knees for you, or sobbing and calling you a monster while still grinding against your leg. The game keeps score in this weird fear and love way, but it never throws a big popup, it just quietly warps how people look at you. There was this one moment where I chose to be “gentle” with a worshiper in a temple, just to see what the soft option looks like. It still ended in cum and blood on the floor, but the whole vibe flipped. Instead of them begging you to hurt them more, they were whispering that they missed you, like some fucked up immortal ex, and I actually paused, alt tabbed to Spotify, changed the playlist, came back and just stared at the text like “why am I sad with my pants down.” And the horror parts, they are not jumpscares, more like that slow “oh, I really did those things, huh” realization. When your progeny strips for you, showing bite marks you gave generations ago like holy scars, it’s hot in that dirty, stomach twisting way. You want to click further, you also want to close the browser and go touch grass. But you don’t. You pretend you will be kinder this time, then pick the cruel dialogue anyway, just to see how deep the rabbit hole of this fucked up immortal soap opera goes. The game remembers. The characters remember. Their bodies remember you most of all.