New Antioch feels like somebody took a brutal dark fantasy, smashed it into a porn game, then asked, “ok, but how much filth can we cram between all this blood and rusty armor?” You play as Mateo, this cold bastard enforcer everyone whispers about, the guy nobles send when they want someone broken, not just beaten. On paper you’re a loyal dog of this dusty mining province, stomping around a dead world that never really recovered from the last time humans fucked everything up. In practice you’re sneaking into the capital with a grudge, a hard-on, and way too much freedom to ruin people’s lives. One moment you’re ankle deep in corpses after a raid, the next you’re in some torchlit room humiliating a noble milf who has more jewelry than self-respect, riding your cock while begging you not to tell her husband. The game never pretends to be wholesome. You get romance, sure, but it’s the kind where you might pull a girl’s hair while she’s choking on you, then later actually feel weirdly protective when she flinches at someone else raising a hand.

The sex scenes are wild, and not in the “oh cute missionary with soft music” way. There’s a virgin priestess shaking so hard she can’t even guide you in, bleeding a bit while you slowly push deeper and whisper the most rotten shit in her ear. There’s a smug monster-looking thing you thought would just be a boss, but then you realize the “victim” chained near it is actually into it, and you end up watching way longer than you should, jerking yourself off like some pervert in the shadows. One of my favorite bits was this drunk, foul-mouthed older woman running a rundown tavern near the city walls, brown skin, messy hair, big ass. She pretends she hates you, spits insults, but when you corner her in the back room and tell her you know about her little smuggling side business, suddenly she’s on her knees, slurping you like she’s been waiting all year for that threat. The game gives you lots of those ugly little power moments: blackmail, humiliation, rough sex where you grab hips hard enough to leave bruises, or shove a girl’s face into the mattress while she moans that someone might hear. There’s even some twisted netori flavor when you bang a knight’s “pure” fiancée while he’s out dying for his banner, then smile at him later like nothing happened, still remembering the way she clawed your back and begged you to cum inside. It’s cruel, messy, unromantic and somehow still has these rare scenes where someone kisses you soft and nervous, and for a second you almost forget this whole world is just rotting slowly into dust.

Mike's got one year left before graduation and honestly, the pressure's getting to him. You know how it is - final year stress, college applications, all that shit. But here's the thing that makes his situation way more complicated than your average high school senior: he's living under the same roof as three absolutely gorgeous women who seem determined to drive him completely insane.

The whole setup starts innocent enough, right? Just a guy trying to survive his last year while dealing with typical teenage problems. But then you realize these aren't just any women - we're talking serious eye candy with curves in all the right places. The game doesn't waste time with complex mechanics or confusing sandbox bullshit. It's pure visual novel goodness where your choices actually matter. You pick who Mike talks to, how he handles those awkward morning encounters in the hallway, whether he's brave enough to make a move or just stands there like an idiot. And trust me, some of these decisions will have you sweating more than Mike himself.

What really gets me hooked is how the tension builds up. These women aren't just background decoration - they've got their own personalities, their own reasons for being around, and damn if they don't know exactly how to get under Mike's skin. The teasing is relentless, whether it's catching glimpses of something he shouldn't see or those loaded conversations that could go anywhere. You're constantly wondering if Mike's gonna crack under the pressure or finally grow a pair and do something about his situation. The art style captures every blush, every stolen glance, every moment where the air gets thick with possibility. By the time you're deep into the story, you'll be just as worked up as Mike, making choices that feel way too real for comfort.

Jade grew up learning two things: hide what’s between her legs, and never trust anyone who smiles too wide when they say “we’re all equal here.” The game drops you right into that kind of world, still aching after a nasty war, where futas were supposed to be holy miracle weapons and ended up treated like walking biohazards. She’s the unlucky one in her bloodline, the first futa born in generations, stuck pretending to be just another pretty girl while her body is screaming the exact opposite. Then someone close to her turns up dead, and suddenly she’s not just trying to keep her secret, she’s stuck doing actual detective work, crawling through the filth of this broken city, knocking on doors, following leads, and trying not to pop a boner every time some soft, curious piece of ass leans in too close during “questioning.” It’s half investigation, half “I swear officer, the suspect tripped and landed on my dick.”

The whole thing feels like the game is trying to seduce you and then insult you at the same time. One minute you’re in a tense scene, talking to this icy noblewoman who clearly thinks futas are monsters, and the next she’s on her knees, lipstick smeared, trying to pretend she isn’t moaning when Jade buries that cock down her throat. There’s a lot of that push and pull: girls who act disgusted and then end up begging, twins who “only fool around with each other” until Jade walks in and ruins that promise in about five seconds, a shy virgin type who swears she’s straight then melts the first time she gets her face sat on. When the game wants to go all in on lesbian stuff, it really goes for it, all tongue and fingers and messy grinding, wet thighs and shaky breathing, the kind of scenes where you can almost hear the bedframe complaining. And then sometimes it just decides, no, you’re getting your soul emptied right now, have a futa pounding some cute thing into the mattress, creampie dripping out while she blushes and tries to keep eye contact. It’s not elegant, it’s just hot and awkward, like real bad decisions.

What caught me off guard is how much the story keeps poking at Jade’s identity while it’s also busy drowning everyone in sex. She’s not some cool, confident porn goddess. Half the time she’s flustered, trying to do serious investigation stuff while her cock is literally twitching because the witness has thick thighs and zero concept of personal space. There’s this one interrogation where she’s supposed to be getting info about the murder, but the suspect’s a trapped, pretty-boy type who looks more like a runaway idol than anything, and it slowly turns into Jade humiliating him, making him stroke her while he whimpers and remembers he was “totally straight” yesterday. The game doesn’t care. It just leans into the corruption, the “I’m not like that” girls who turn into full-on sluts for Jade, the mouthy racist guy who ends up taking it just to keep his deal, the proud lady who swears she’ll never kneel to a futa and then literally does it, dripping on the floor. It’s not gentle, sometimes it’s rough and mean, and then randomly you get a scene where Jade is weirdly tender, holding a pregnant lover’s belly and kissing her, like she’s scared to break that small warm moment. And anyway, I still don’t understand why one NPC’s phone UI looks exactly like old WhatsApp while everyone else has some fake chat app, but it bothered me the whole time and I kept checking it every scene and then forgot what I was talking about.

Money fucks with your head in this one, in a slow, sneaky way. You start as this guy who once made a terrible move with cash, the kind of shit choice that burns into your brain and never really goes away, even when life calms down again. Then suddenly the universe flips you off and kisses you at the same time: that same financial ghost comes back, but now it turns you rich. Like, stupid rich. And right when you’re still trying to understand how the hell your bank app grew an extra digit, your best friend shows up on your door, broke and scared and trying to smile through it. She’s that old crush you never really got over. You hear her voice crack a little when she explains her money problem, and the game lets that sound hang in the air just a bit too long. It’s not subtle. It’s not trying to be clever. It just goes, “Here, feel this,” and you do. And you’re sitting there, cursor on the choice, thinking: do I help her like a saint, or do I help her like a horny bastard who suddenly owns the world. The rhythm is slow in the best scenes. Dialog boxes stay on screen just a fraction longer than you expect, the kind of delay that makes silence feel loud. When she laughs awkwardly, it’s almost worse than when she moans later, because you know she’s vulnerable now. Later, when those moans finally start, they’re not over-produced or clean. A bit ragged. A bit too intimate. Like the dev recorded them in a tiny room with the mic a little too close. It fits the whole messy “I probably shouldn’t be doing this” vibe.

The game keeps tossing you into these crossroads where your wallet and your dick are basically arguing. Help someone out with no strings and you kind of feel this soft warmth in your chest. Use the same situation to push a boundary and you feel... dirty, in a hot way, but also like you want to alt-tab and check Twitter memes to pretend you’re a better person. One minute you’re approving a loan rescue, next minute you’re deciding if that rescue also comes with her on her knees on the living room carpet, eyes glossy, thanking you with her mouth instead of a contract. And the thing is, it doesn’t even shove you straight into the filth. It creeps. A hand on a thigh while you’re “comforting” her. Her saying she doesn’t know how she can ever repay you, glancing away, cheeks warm. You can back off. You really can. The “good guy” route is there, and it actually feels wholesome in a way that almost pissed me off. I was planning to go full corruption, then she called me “the only person who’s always been kind to me” and my brain short-circuited. Still went pervy later, of course. Just… slower. Softer. Then suddenly not soft at all. One choice chain has her in a tight outfit she clearly can’t afford, shyly asking if you still think she looks pretty even after everything. Another path makes that same scene twist into her almost selling herself to you because she thinks she has no other option. That shift in tone hits hard, like when a porn scene suddenly feels too real and you have to decide if you’re turned on or uncomfortable. I loved it. I hated it. I clicked again.