First time I launched *House of Shinobi*, I kinda laughed because the main menu music tried *so hard* to sound grand and brooding that it looped in this weird offbeat way - almost like the composer’s laptop was overheating. But then something strange happened. I got pulled in. The way the game paces itself - slow, quiet scenes between sudden bursts of raw, filthy intensity - reminds me of watching late-night anime on a borrowed DVD player when the volume button didn’t work and you had to ride the tension between “God, this is hot” and “Please don't let anyone walk in.” That feeling’s still there, buried under all the messy UI. I swear I stared at the save screen for full five minutes wondering which thumbnail was my actual progress. But that’s kind of the point: it’s accidental intimacy mixed with clunky obsession.

When the game goes erotic, it doesn’t hold back. The moans aren’t cleanly recorded; they’re layered like someone mixed them through an old cassette filter, and somehow it fits better than most ‘HD’ adult games. The scenes with Tsunade and Hinata hit different moods - one warm and messy, the other oddly gentle, like you’re being dared to keep eye contact. It’s not just pixel art but deliberate rhythm: the breathing, the softened thuds, the moment right before a slap lands. Even the humiliation stuff - which I usually skip - felt written by someone who hates and loves their characters at once. That inner contradiction, man… it gets under your skin.

The funny part? Every now and then, the sandbox sections drag you into managing chores or wandering alleyways, like filler episodes in the middle of chaos. I both hated and loved it. It kinda reminded me of grinding in *Honey Select* but with accidental moral consequences. And let’s be honest: nobody needs a moral lesson after three back-to-back creampie routes, yet when Kushina looks at you afterward and says nothing, that silence lingers. Maybe the game isn’t trying to say anything deep. Or maybe it’s mocking the idea that desire ever needed a reason. I still don’t like the font, though.

Boruto in this game is basically a horny disaster with a cheat code glued to his soul, and that’s the whole charm. He bumps into this weird power that doesn’t make people horny from nothing, it just takes whatever dirty stuff is already hiding in their head and rips the brakes off. Nobody is innocent, they just lose the ability to pretend. So you’re walking around this twisted version of the Naruto family tree where being an Uzumaki or an Uchiha is less about ninja honor and more about who ends up on their knees, who’s getting corrupted into a mess, and who’s secretly begging for it while they talk about “responsibility” and “boundaries”. Choices actually feel heavy here. You’re not picking blue or red moral points, you’re deciding if Boruto lets his mother keep her last bit of dignity or if he slowly turns her into a milf who waits for him, wet and shaking, after a “nice family dinner”. Then later you’re in some other route, making him act cold as hell and turning that same woman into someone who breaks down during oral, tears in her eyes but still swallowing every drop because she can’t imagine stopping anymore. It’s scummy, it’s hot, and it isn’t pretending to be nice.

What really messes with your head is how the sandbox and RPG bits hook into the sex. You’re doing turn based combat one moment, then realizing the reward for winning isn’t just some item, it’s another crack in a girl’s self-control. Maybe you push Sarada too far, using that power on her again and again, and she goes from embarrassed little groping scenes to letting you spank her until her voice goes hoarse, cheeks red from your hand and from shame, asking why she got so wet from being treated like that. Half the time you’re not sure if Boruto is the victim of this power or the main abuser, but the game lets you lean into either side. You want him to be a manipulative bastard who laughs when he pins a proud kunoichi down and fucks her ass until she starts begging for creampies instead of mercy? You can. You want him to be confused, scared of his own lust, still ending up with his cock in Sakura’s throat, one hand in her pink hair while she chokes on his load because “it just happened”? That route is here too, and it feels worse, in a good way. And then you have the futa and trap stuff sitting in the options like a dare. Turn it on and suddenly that “strict” futa character you met in what looked like a normal scene is pushing you against a wall, whispering in your ear, making Boruto jerk her off while she abuses his mouth, using his power against him, turning the corruption back around until you’re the one shaking and leaking. You can totally skip it, but if you don’t, there’s this brutal mix of humiliation and pleasure that kind of burns into your memory.

The incest angle is not subtle at all. This isn’t “oops, we’re kind of related”, it’s full on “I know exactly who she is and I still slide my hand under her clothes during a quiet night at home”. Groping on the couch turns into full masturbation scenes, then into vaginal and anal, with that tight family atmosphere making everything more dirty. The game doesn’t cut away from the first time you make her suck you off either, it lingers, has her try to keep some moral high ground while she’s literally spitting your cum back onto your shaft and licking it clean. Sometimes you get male domination power trips where Boruto is clearly in charge, slapping asses, shoving his dick in mouths that are trying to protest. Other paths flip it, especially with certain futa setups, where he ends up on the receiving end, humiliated, used like a toy and still cumming hard. The AI CG is inconsistent in a weirdly hot way, some scenes looking too polished, others a bit off, like a messed up fantasy that’s not fully stable in his head. And yeah, the whole NTR and corruption vibe runs under everything, even when you avoid the obvious cheating paths. You see a character slowly change and you know it’s your fault. There’s this one moment where a girl you corrupted earlier casually offers anal without blushing, like it’s normal now, and it hits harder than any big dramatic cutscene. It’s not a clean story, not heroic, just a spiral of sex, bad decisions, and people discovering they wanted more than they ever admitted.

This thing feels like someone grabbed Zenless Zone Zero, shook it until all the plot fell out, and then stuffed the gaps with boobs, ass and weird sci-fi kink. In a good way. Mostly. You drop into this broken-future city where every alley looks like a porn set pretending to be a war zone, with those endless “zones” acting like basically horny dungeons. One moment you’re listening to some corrupted AI mumbling cryptic stuff, next moment you’re balls-deep in a girl who definitely should be focusing on the mission instead of riding you against a console that still has warning lights blinking. I like that the story keeps pretending it’s serious. There are memory fragments, data leaks, corporate secrets, all that. But the real thing you remember is Ellen pinning you to a wall, breathing heavy, while alarms scream in the background and she’s still half-talking about protocols. You know that classic “we’re in danger, we shouldn’t be doing this” moment? Here it happens like every ten minutes and somehow doesn’t get old, even though it absolutely should.

The whole visual novel style works nice with the parody vibe. You pick choices, watch the girls react, push them a little, pull back, then push too far because you want to see the lewd branch, and suddenly you’re locked into some very specific fetish scene you weren’t planning for but now you’re like “ok, fine, guess I’m into this now.” I had one run where I tried to play the polite, reliable agent type, always picking the “respectful” answer. That lasted until Miyabi showed up in that tight combat outfit, teasing non-stop, fake scolding me for “unprofessional behavior” while clearly begging for it. I picked the “stay focused” option and the game still found a way to throw me on a bed with her, leggings halfway off, her huge tits bouncing while she pretends she’s annoyed. Total liar. Later, same girl, different route, she rides your face like she’s trying to smother you, talking about “data synchronization” like that means anything when her thighs are around your head. And I swear the coders knew what they were doing with camera angles. Every time a big ass leans over a console, the important hologram is just... there, but your eyes are not there, you know.

What I liked most is how it keeps mixing the sci-fi talk with pure hentai brain. There’s some mission about stabilizing corrupted zones, and the way you “stabilize” one of them is basically fucking the anomaly out of an Ellen clone whose chest is so big it looks physically illegal. She’s shaking, glitching, flickering between normal and corrupted, and your “solution” is to fuck her until the glitch settles. It’s stupid, I laughed, then I replayed it twice. The parody of ZZZ is kinda loose, like it remembers Zenless when it wants a cool excuse for a fight, then forgets and just zooms in on cleavage. But there’s charm in that mess. One scene had you sneaking through a lab, trying to avoid cameras, and suddenly there’s a “stress relief protocol” event. Door locks, gas hisses, and some overdeveloped android with planet-sized tits calmly explains she needs your cock to “calibrate performance.” Ten clicks later, she’s begging, moaning your name with that perfect fake-robot echo, and you totally forgot there was even a stealth section. I kinda wish there were more quiet moments where you just hang out with the girls without every conversation turning into “oops I fell on your dick,” but also, that’s exactly why I kept clicking next instead of opening Twitter. Or, you know, going outside. The game knows exactly what it is and never pretends otherwise, except when it suddenly throws a surprisingly sweet line in the middle of a blowjob scene and you’re sitting there, pants down, feeling weirdly emotional while a girl with ridiculous big tits is drooling all over you. That’s the vibe here. And I’m not complaining. Mostly.