Lincoln in this thing is exactly like that horny intrusive thought you get when you rewatch a kids cartoon way too old and your brain goes “yeah ok but what if everyone here had tits and problems.” It throws you right into Royal Woods, no slow warm up, suddenly every corridor and bedroom in that house is basically a porn set waiting to happen. You’re chasing panties, yeah, but it stops being just a “collect the underwear” gag pretty fast and turns into “how deep can I mess with every girl in this crazy family and then pretend it’s normal.” It’s one of those games where you open it on mobile thinking you’ll just click a bit while scrolling Twitter, and then thirty minutes later you’re bargaining with yourself like “ok, one more scene, then I touch grass.” The school stuff, the home stuff, even random little walks outside, everything eventually loops back into getting someone horny or corrupted somehow.

The fun part is how dirty it feels for a parody. You’re not just watching Lincoln accidentally see panties. You’re pushing him into situations where he’s using mind control, teasing, pushing them from “oh that’s weird” to “ok fine just put it in, but you better not tell anyone.” Mom is there too, obviously, because it wouldn’t be a real degenerates game without a milf route mixed into all the teen drama. One moment you’re in his room pretending to be innocent while a sister leans over your lap and her ass is basically in your face, next moment you’re in some half-lit corner of the house getting a secret blowjob because you nudged her brain a little and now she “needs to practice on someone she trusts.” The harem angle hits harder than I expected, every girl has that switch where she goes from bratty to needy, and the game kind of dares you to flip it on all of them, then juggle their attention without getting caught. It feels messy and wrong but in a very deliberate way, like the dev sat there going “how far can I stretch this Loud House thing before even porn addicts blink.”

I like how some scenes are slow burn corruption, like starting with small touching, light teasing, just brushing a thigh on the couch, and you’re thinking “ok this is kinda tame” until you realize the options now are “finger her” or “put it in raw while she’s still trying to pretend this is an accident.” Then later you see the consequence, she shows up in your bed at night, asking if you can “help her sleep” and suddenly anal is on the table like it’s the most logical next step. Oral, handjobs, creampies everywhere, the usual package, but the context is what hits. A sister kneeling in front of you in the school bathroom, terrified someone will come in, swallowing you anyway because you already twisted her head so much she thinks this is how she proves love. You can be gentle or just use the brainwashing excuse to go full degenerate, and yeah, it’s funny how the story pretends to be about panties while you’re filling every hole in that house. Only thing that annoyed me is sometimes the game makes you walk back and forth like an idiot just to trigger a small tease scene that lasts ten seconds, then you forget what you were even trying to unlock, but then someone bends over and you’re back on board. It’s trashy and over the line and somehow that fits perfectly with this weird “future version” of the cartoon where everyone grew up a bit and also turned into walking sex targets. Not subtle, not classy, but if you want Lincoln buried under his own personal loud harem, this thing does not hold back.

Cassie Cage in this one feels like someone shuffled her Mortal Kombat tarot card and all the meanings spilled out on the bed instead of the table. On one side she’s still that loudmouth champion with the smirk that says she already won. On the other side she’s basically begging the universe for someone to stop taking her bullshit and actually pin her down. The whole thing plays like a reading where every card is The Chariot and The Devil at the same time: control, loss of control, lust, ego. You’re not just clicking through porn text, it feels more like you’re wrestling her ego first, her body second. Every choice is a little psychic test: are you stroking her pride, or grinding it into the mat?

The structure is simple enough, it’s interactive fiction dressed up in wrestling kink and combat foreplay, but the mood is what makes it horny in that dirty “I shouldn’t be enjoying this power play so much” way. She talks shit constantly, and the voice acting sells it, like she’s half about to punch you and half about to ride you until her legs shake. Dirty talk hits like a series of quick jabs: short, sharp, mean, and then suddenly soft when you push the right line and she flips from “fuck you” to “fuck me” in the space of one button. There’s unlockable costumes that feel like reversed tarot clarifiers: you think “ok, I know this Cassie” and then you switch outfit and the vibe of the whole scene shifts. Tactical gear Cassie? Feels like a dominance test, like she wants you to prove you can handle a soldier. Something tighter, more playful? Then her bratty side comes out stronger, and the teasing drags on longer before she lets you really dominate or submit. Found myself going back just to see how a single outfit changes the way her lines hit, which is stupid and also fun.

The lustful combat framing is cute and also kind of genius. Instead of health bars you’re reading her body language and the layered voice lines, deciding if you push her harder, back off, or straight up let her take your ass to school. Some routes end with her fully in control, sitting on your face like a victory pose, and others flip it where this “Earthrealm’s fiercest fighter” ends up whimpering under you, pinned and pleasured until she’s not even pretending to resist anymore. Choices actually matter here, not in some huge “save the world” sense, but in “does she break first or do you” sense. Multiple endings feel like different spreads of the same reading: in one, she’s your cruel goddess; in another, she’s your sweaty, broken toy; and sometimes, if you play it just a bit wrong, nobody wins and the scene ends too fast and you’re staring at the screen like “wait, that’s it?” which annoyed me more than it should. Also, whoever mapped the confirm button right next to skip line needs to have their controller taken away, because I kept fat-fingering it on my phone and blasting past great lines I wanted to hear again. But the power play rhythm, the way teasing blends with domination, the way a simple prompt like “push harder” turns into full-on femdom or total submission depending on earlier choices, it all gives the game this trashy, pulsing energy that feels more like being in a very wrong wrestling ring than reading a standard visual novel. And yeah, I’m still thinking about one specific scene where she’s on her knees, still trying to talk tough with a broken voice, and you get the option to praise her or break her completely. Pulled the “tower reversed” card in my mind right there. Chose the meaner option. Didn’t regret it. Maybe I should have.

I don’t know who came up with the idea to mash Makima, Zelda, and Tsunade into the same world, but whoever it was probably spilled beer on their keyboard halfway through writing the script - and that’s what makes *D20 Magic Dice* feel alive. It’s messy, horny, strangely sentimental at times, like watching late-night anime reruns after a breakup. You’re talking to this dice thing (yeah, an actual dice), and before you even realize it, it’s making your thoughts real. Not just the good ones. I rolled a 3 once and ended up in some half-lit tavern where Widowmaker was arm wrestling Rumi for no reason while Zelda flirted with the bartender. I think I lost track of the main plot two minutes in, but it didn’t matter. The game doesn’t care either, it just keeps throwing beautiful chaos in your lap, all soft skin and heavy breathing mixed with dumb jokes about mana points.

What I liked most is how it doesn’t pretend to be clever. The dialogue’s sometimes broken, and the pacing jumps like old VHS tape - one second you’re teasing Ada Wong, next second Tsunade’s lecturing you about responsibility while sitting on your lap. There’s some strange comfort in that inconsistency. I did wish there were more sound options though; moans hit too loud compared to everything else, made me lower volume quick before neighbors got curious. And yet, when Makima whispers in that weirdly calm tone, you kinda forgive every bug. Maybe nostalgia blinds me - I grew up on janky flash hentai crossovers, and this feels like one resurrected from 2009. The dice mechanic almost feels secondary to the conversations, which twist between sincere and absurd so fast it makes you laugh mid-erection.

Sometimes I forget which universe I’m even in - Naruto? Overwatch? Who cares. The worlds blur, the clothes vanish, and someone says something about destiny while you’re trying not to roll another damn six. Three words? Chaotic, filthy, affectionate. Dare to play it alone, or invite company?

Everything is falling apart and somehow you end up as the one guy sitting in the big chair. That is the feeling this game chases. Virus, empty streets, city quiet like a church at night, and then you open the interface and it just goes: “You’re the mayor now. Do what you want.” There is no slow heroic build up, no epic speech. It is more like waking up hungover and realizing you accidentally bought a whole city on Steam during a sale. Only this time the city is full of desperate, scared, very fuckable people who need food, safety, rules, and you are the one deciding what “rules” actually means.

What I like is how casual the corruption starts. You are not forced to be some cartoon villain. You begin with small decisions. Approve some ration cards, move a patrol here, give a special pass to that district. Then the game quietly asks if maybe that cute nurse can get extra medicine if she gives you a “private report” first. You say yes once, and like in WhatsApp chats you think “ok, only this time.” But the next scene remembers. Her sprite changes, her attitude softens, she starts calling you “Mr. Mayor” with this tiny blush. Then the CG kicks in and suddenly your office desk is not for paperwork anymore. The city is dying outside and you’re rearranging her underwear like it’s the most important problem in the world.

The survival layer actually feeds the porn instead of just being some menu in the corner. You cut funding to security so you can pour resources into building your private harem wing in city hall, and the game lets you do it. Crime rises, some people suffer, you still get a new scene where a former councilwoman crawls to you, begging for protection. And you sit there with your fake moral choices. “Sign this obedience contract if you want supplies for your district.” She hesitates for half a second, then the CG shows her on her knees between your legs, signing with her mouth busy. The writing is blunt, not poetic, and that fits. This world is not romantic, it is hungry. Bodies bargaining for safety, girls trading their pride for your signature. Sometimes the text goes a bit too edgy and silly and you roll your eyes, but then a new character pops up, maybe a local cop or a teacher, and the game nails that specific fantasy of slowly watching her standards rot away scene by scene.

What really got me is how the visual novel style makes your filth feel official. You click through council reports, infection stats, budget numbers, and then in the same interface you choose to personally “inspect” the shelter staff. No music swell, just a choice button that changes someone’s whole life. You can pretend to be caring, giving out resources like a kind leader, but the game keeps tempting you with that darker path: exclusive access passes in exchange for “night visits,” forced loyalty oaths while you fuck them over your desk, whole city districts run like your personal breeding grounds. The corruption is not just in them, it’s in you watching the next CG unlock and thinking, “Ok, just one more depraved law.” And it never really judges you. That’s maybe the most dangerous part. This is not a story about saving the city. It is about how good it feels when no one can tell you no.